Eleftheria Irene Kofidou in Uus Rada Gallery

You are warmly invited to “A little bit calmer than before” by Eleftheria Irene Kofidou

Opening and a performance: 18.09 18:00

Exhibition opening times: 19.09-02.10 on the weekdays 14:00-18:00; 21.-22.09 14:00-16:00; 28.09-29.09 closed

A little bit calmer than before, is an additional instructional comment by composer J. Strauss for his musical piece Don Quixote op. 35 variation VII – The Ride through the Air. As ‘a little bit’ is a vaguely countable amount, it becomes very hard to place it inside a spectrum, unless someone has access to the other variables of the equation. In Kofidou’s installation the composer’s directory line lies out of context, as there is no before, nor afterwards to compare the present moment to, but in a quixotic analogy to her homeland’s socio-political situation.

“I will pay off for my everyday victories by losing the war” states the burnt slogan on the gallery wall, a recreation of a graffiti that existed in Aristotle University Campus, during the artist’s teenage years. As Orthodox tradition has it, during Easter, believers mark the sign of the cross on their door frames, using the flame of the holy light from their candles; an act of shielding the household from evil and a wish for good luck. The campus looks very different now, the once messy wall is now white, the legendary punk squat of the Department of Biology is closed down and a new special police unit is established. The slogan, long gone, is recreated again, burnt on the wall as a tribute to the missing particles, the lost fractures of collective memory. But enough with pessimism in politics; Under its surface, it doesn’t wish to become another loaded message in limbo; fights will be given at any cost, even the cost of an already foreseen outcome. In the Dispossessed, Ursula K. Le Guin mentions “There was a wall. It did not look important (…) But the idea was real. It was important. (…) Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.” There are two walls, one that already exists and another one; fractured and initially horizontal; is it there to dominate or to seal?

The installation becomes a set and the objects act as props for the performance; trying to grasp this certain type of calmness that comes after the strong fumes of anger have evaporated and resides in the process of preparation of oneself; the anticipation for something that is coming and is not calm at all. Is it there to be later broken?

The artist wishes to thank: Anu Vahtra, Ats Kruusing, Eleni Kofidou, Erik Hõim.

Graphic design: Eleni Kofidou

Eleftheria Irene Kofidou (1995) is a Greek artist based in Tallinn, who is mostly working with installations, performance art and text. Her art practice is often interconnected with poetry and focuses on processes of layering meanings, socio political connotations related mostly to her background and exploring ways that language triggers movement.