Vent Space projektiruum (Vabaduse väljak 6/8, Kunstihoone sisehoov)
Start Date:
05.08.2019
Start Time:
18:00
End Date:
11.08.2019
The group exhibition “At the end of the workday” will open at Vent Space project space on Monday, 5 August 2019 at 6pm. The exhibition will remain open until August 11.
Participating artists: Katrin Enni, Aksel Haagensen, Ulvi Haagensen, Hanna-Liisa Lavonen, Kaisa Maasik, Olesja Semenkova, Silvia Sosaar
This exhibition allows visitors to get to know the people behind Vent Space project space (and one invited artist). Together they tackle everyday subjects using familiar everyday methods. This is an homage to works in progress, which receive much attention especially during the summer. This is a tying up of loose ends, an appraisal of the inbetweenness.
The exhibition is open 6 – 11 August, from 12 to 6pm.
Katrin Enni (1976) lives and works in Tallinn. When she’s not working, she does everyday things. She also likes to use various everyday objects in her sound installations.
Aksel Haagensen (1993) works in Tallinn. He is interested in the telling of everyday and not-so-everyday stories and in what accompanies the telling of these stories.
Ulvi Haagensen (1964) will soon be living in Tallinn again. If making brooms and doing other preparations takes long enough, then maybe we won’t ever have to start cleaning.
Hanna-Liisa Lavonen (1994) studies and works in Tallinn. She can be found sitting phone in hand scrolling through the yoga stream on Instagram or hanging around in town, gathering inspiration.
Kaisa Maasik (1994) works mainly in Tallinn and Helsinki. While doing her everyday shopping (sometimes just walking on the street), Kaisa often finds shopping lists, which are the basis for the carpets presented at this exhibition.
Kati Ots (1993) is currently preparing to move. She’s learning to say “no”, so as to prevent a burnout. But #fomo – here she is again…
Olesja Semenkova (1992) is a woman. “Every potential has a stereotype, every stereotype is potential.” In her everyday life, Olesja finds untouched potential and conveys them in her everyday art.
Silvia Sosaar (1979) asks, “People’s opinions? How are they formed? Where do they receive confirmation for their opinions and preferences? How does a creative person search for shelter from the world?”