Events

On Friday, August 30th, starting at 12:00, the opening ceremony of the 2024/25 academic year will be held. The ceremony takes place in the main hall (A101) and lasts approximately 1.5 hours.

With the exhibition of Jane Remm’s creative research project “Interspecies Social Sculpture”, the doctoral student pays homage to Joseph Beuys, the creator of the world’s first green party, and invites you to participate in a nature walk at the opening of the exhibition.

On August 25, from 5:00 p.m. to 8:00 p.m., there will be a tour of the opening of the exhibition of Jane Remm’s artistic research project “Interspecies Social Sculpture”, which conceptualizes the garden and the forest as a multi-perspective creative environment. Expanding Joseph Beuys’ concept of social sculpture into a multifaceted context, the artist explores what it means to harness everyone’s creative potential in a modern age, when the world in an ecological crisis needs to adapt to degrowth.

“Interspecies social sculpture” combines the ecological dimension in the form of increasing biodiversity, the dimension of interspecies co-creation and the social dimension through public events. The experiential exhibition tour opens up different perspectives on the garden and forest through active participation. “It’s an attempt to co-create with other species and thereby think about the role of art in the long term,” says Jane Remm and continues: “This is a garden diary where drawings and writings have accumulated over the course of a year. It is a multi-perspective composition that is constantly changing through the cooperation of different actors. I act as an equal among other beings. It is an attempt to act in art locally, slowly and on a small scale. At the same time, this is a provocation through which I am investigating whether growing food, hay or firewood can be positive activism in today’s world, and in the context of Estonia. It is an attempt to give the everyday garden and forest a creative and artistic conditionality, and the suspicion that in competitive capitalism local peripheral actions have little value. It is the hesitation that co-creation with other species will not succeed. It is the uncertainty that less is not better. Let’s get entangled into that uncertainty and vulnerability.”

“Interspecies Social Sculpture” is the second peer-reviewed project of Jane Remm’s artistic

research doctoral thesis.

The “Interspecies Social Sculpture” exhibition is open during tours on August 25, September 15 and 22, and October 4.

The tour starts at 17:00 from the Mähkli bus stop: https://maps.app.goo.gl/fidsotPcnY2HtJgc9, passes through points in the forest and garden and leads to the common dinner table. Public transport to the place is poor, those coming from further away could share a car, while those coming closer could travel by bike or on foot. Weather conditions must be taken into account when it comes to clothing. The trip is free.

Registration:  https://forms.gle/vytS5ybUy8L9h98F8

More information about the project. 

Jane Remm is an artist, art teacher and artistic researcher, doctoral student at EKA and art didactics lecturer at Tallinn University BFM. Jane Remm’s work focuses on the representation of the experience of nature, co-creation and communication with different life forms. She is interested in what are the possibilities to understand and interpret the life experience of other species and communicate with them as equal dialogue partners using the means of art. She values manual working and co-creation with other species as a way of perceiving herself as part of nature.

CV: https://www.etis.ee/CV/Jane_Remm/, creative portfolio: www.janeremm.ee

Events previously held in the project: 06.08.24 “Determining, noticing, drawing and thinking walk” within the nature observation marathon led by Liina Remm, Indrek Hiiesalu, Jane Remm, Riin Magnus and Tiit Remm, 16.06.24 “Omailmatalgud” led by Timo Maran; 15.07.24 “Bat walk” led by Jaanus and Piret Remm. The review of the project will take place as part of the 4th trip. Reviewers: prof. Linda Kaljundi (Estonian Academy of Arts) and Taru Elfving (CAA Contemporary Art Archipelago, Finland).

The artist thanks dialogue partner Marta Konovalov, EKA Doctoral School, Remmik, all human and non-human neighbours of Karula.

“Interspecies Social Sculpture” is partly related to the project “Artists and designers as researchers, rethinkers, and partners of nature in the context of degrowth” (01.07.2023–31.12.2024), PR02049, which is funded by the Ministry of Culture. 

On 12 September at 12:00 Nesli Hazal Oktay will defend her thesis „Far-away bodies: Co-creating design(s) in and for remote intimacy“ ( „Koosolemine distantsilt: läheduse kogemine ühisloomelise disaini abil“).
The public defence will be held in EKA (Põhja pst 7), room A101.
The defence will be broadcast on EKA TV.
The defence is in English.

Supervisor: Dr. Kristi Kuusk (Estonian Academy of Arts), Prof. Danielle Wilde (Umeå University, University of Southern Denmark)
External reviewers: Dr. Verena Fuchsberger-Staufer (University of Salzburg), Dr. Vasiliki Tsaknaki (IT University of Copenhagen)
Opponent: Dr. Verena Fuchsberger-Staufer (University of Salzburg)

The doctoral thesis can be found HERE

This dissertation delves into the role of interaction design in fostering non-sexual intimacy across distances through an embodied approach. By designing for intimate, yet distant, bodies, it offers the research programme co-creating design(s) in and for remote intimacy. Derived from the main research question – How can a close-to-body experience be designed to support intimacy between people across distances? – this research programme explores the design of a remote, close-to-body experience for individuals who are emotionally close but physically apart. The designed experience aims to invite far-away loved ones to reflect on, disrupt, and reinvent their habitual ways of building and experiencing intimacy across distances. Within this programmatic framework, the dissertation offers three key contributions to interaction designers and design researchers: methodological, designerly, and theoretical. Methodologically, it proposes new approaches for co-designing remote intimacy. Designerly, it presents commitments to consider when designing in the realm of remote intimacy. Theoretically, it provides situated knowledge that highlights the multifaceted nature of remote intimacy, emphasising its individual, collective, bodily, virtual, and material dimensions.

In conclusion, this dissertation challenges conventional methods and advocates for embodied design practices and approaches, opening new design spaces for supporting intimacy across distances. It invites interaction designers and design researchers to rethink and reimagine how humans experience and build intimacy in an increasingly digital world.

Defence committee: Dr. Jaana Päeva, Dr. Anu Allas, Ruth-Helene Melioranski, Prof. Indrek Ibrus, Dr. Liina Unt, Dr. Claudia Nunez-Pacheco

The 1980s and 1990s were marked by events around the world that radically changed the political order, people’s beliefs and attitudes, and the entire cultural and intellectual orientation of much of the globe. The fall of the Berlin Wall, the collapse of the Soviet Union, and the end of the Cold War stand out as the most important changes, in the shadow of which the events in Yugoslavia and important changes elsewhere are often overlooked by European commentators. These events, taken as a whole, have been seen as part of broader processes of democratization, even as, at the same time, this period was also marked by outbreaks of extreme nationalism and radical religious ferment.

The planned conference invites participants to reflect on the following questions:
– In what ways does democracy manifest itself in the culture of the transitional period of the 1990s?– What are the common features and differences of the transition period in different post-socialist countries?
– What different theoretical frameworks can be used to analyze the culture of this period?
– What are the new forms of cultural negotiation between different cultural traditions and elements?
– How might we describe the way cultural imaginaries and experiences of temporality have changed?
– Which transgressive tendencies arose to challenge the narrative of imaginary unity between different cultural spheres?
– How is one to describe the dynamic of the forces at play in the transition between the mentality of social collectivism and the new liberal individualism?
– How, if at all, has the Russian invasion of Ukraine on 24 February 2022 altered understandings of the transition period and its narratives?

Organizing Committee:
Virve Sarapik, Estonian Academy of Arts
Epp Annus, Tallinn University
Luule Epner, Tallinn University
Regina-Nino Mion, Estonian Academy of Arts
Jaak Tomberg, University of Tartu
Piret Viires, Tallinn University

The conference is being organized by the Research Group of Contemporary Estonian Culture, which unites scholars from the Estonian Academy of Arts, Tallinn University and the University of Tartu. The research is funded by the project PRG636 “Patterns of Development in Estonian Culture of the Transition Period (1986–1998).”

The conference was co-funded by:

The 2024 graduation ceremonies will be held on June 20th in the EKA Assembly Hall (room A101, Põhja puiestee 7).

• At 11:00 AM, the ceremony will begin for graduates of the Faculty of Design and the Faculty of Art Culture, as well as for doctoral school graduates
• At 3:00 PM, the ceremony will begin for graduates of the Faculty of Architecture and the Faculty of Fine Arts, as well as for doctoral school graduates

Dear graduates, please arrive 15 minutes early to the EKA Gallery, where you will be seated in designated seats. Guests can sit in the Assembly Hall, watch the ceremony on screens in the foyer, or follow it online via EKA TV.

More info:
Elisabeth Kuusik
elisabeth.kuusik@artun.ee

Join us for the screening of TASE FILM ‘24 on June 11 at 6 pm at the assembly hall of Estonian Academy of Arts (room A101).

The TASE film program has distinguished itself year after year as a central proving ground for all up-and-coming audiovisual artists. It is a platform for art that refuses to shackle itself within the confines of standard filmmaking practices and is constantly experimenting with the very concept of boundaries. This year’s program brings into focus the phenomenon of identity, dissecting both the biological body of an individual, as well as said body’s relations with the outside world, be it sentient or not.

The screening lasts for one hour, entry is free.

Participating artists: Anett Aedla, Agnes Milla Bereczki, Nataliia Domini, Mia Felić, Andrea Gudiño, Kadri Joala, Mark Kokotov, Marto Mägi, Piret Potter, Yiyang Sun

Curator: Kaur Järve

For the first time a jury will select the best TASE FILM among the participating films. The author of which will be awarded five free tickets to film screenings at Sõprus Cinema, in addition the film will be screened before all other screenings at both of Sõprus’ cinemas during the entire month of September. The jury consists of film director, producer and CEO of Sõprus Cinema Ivar Murd, artist Liina Siib and artist-curator and main organiser of TASE ‘24 Kaisa Maasik.

Drinks from Põhjala Brewery. 

Program in screening order:

1. YiyangSun

Breed咘哩嘚  

08′ 38′

The sky is vast, the wilderness is boundless 

While the lonely maple tree stands at the corner of the world 

              It bears thousands of seeds,Transforming into butterflies

Flirting and dancing over the water bubbles 

They fall in love

1. Mia Felić  

On the other Side

06′ 48”

The work explores the transgender and non-binary body in transition through the 19th century photographic process mordançage. The mordançage, using its tremendous chemical pressure alters the silver gelatine prints, causing them to undergo slow, gradual transformation. The tissue of the body and of the print breaks and a new life, new forms are born.

1. Marto Mägi  

breaks of from to dissociation

08′ 46” 

study of the removal of static through the format of an operetta.

1. Andrea Gudiño 

Also the Sea of June

09′ 43” 

The account of the not-so-everyday landscapes in the life of an anxious human a month before her birthday, becomes a solitary confession made up of fragments while traveling alone with her phone.

1. Mark Kokotov 

V¡¶λ

02′ 57” 

The work brings into focus the effect that cell towers have on birds and their surrounding environment. The soundscape in the video makes certain sounds audible to the human ear that are normally only accessible to different animals. Moreover, the video highlights the magnetic fields generated by the aforementioned towers and the ways in which these fields disturb the navigational skills of birds. The ethics surrounding the placement and quantity of these towers take center stage in this audiovisual piece, provoking the audience to ask themselves these exact questions.

1. Nataliia Domini (Grygorieva)

Hair 

00′ 36” 

Sisyphian fight against Hair that will continue to grow even after human death.

1. Agnes Milla Bereczki 

Soul

03′ 41” 

While on a 10-day trip in the Alps with the EKA animation department, we met with the animation students from Lucerne. We lived together in wooden cabins under the slope of the mountain, and every morning we would go out to hike and film. My work is inspired by ancient Estonian idolatry and a renewed perspective on coexistence with nature. Before leaving for Switzerland, I prepared a few dozen porcelain doll heads to help visualize the mythological landscape that is revealed to those who travel there. The work is classified as a music video-esque, experimental animation.

1. Kadri Joala 

Identity 

07′ 32′

Identity is a sign and a mark, by which people classify themselves and by which they communicate with one another in any given society.’ 

1. Piret Potter 

Hingelind (meaning “spirit bird” in English)

05′ 51” 

A lively child runs across a field until they notice a dead bird. The soul of the bird departs its body and flies towards the forest, and the curious child follows it. Without warning, the child falls into the world of the dead and must find their way home.

* Anett Aedla’s graduation work “What brings joy?”, duration 21′ 13” 

The film tells the story of 10-year-old Lilli, who has to cope with very contrasting tasks in her everyday life. How to go to school, take care of the household, help her mother, and at the same time remain a child and find joy in life? What happens to a child’s life when their parents can no longer fulfil their responsibilities? This story, full of the joys and sorrows of everyday life,  strives to show that hope does not disappear even in the toughest moments.

Estonian Academy of Arts / June 18, 2024

ERKI Fashion show 2024 focuses on illusions and parallel worlds that we create for ourselves through social media and technology. However, such dreamlike bubbles often help us cope with real-life difficulties. As creators, we also construct our own worlds where we can act without criticism.

The fashion show encourages seeking balance, exploring, and connecting everyday life with the imaginary, to understand if there might be something entirely different at the meeting point of these two.

On June 18, the Estonian Academy of Arts will bring to the stage 20 young artists and fashion designers who will present unprecedented collections to the audience and international jury.

17:30 – DOORS OPEN / Estonian Academy of Arts (Põhja pst 7)
18:30 – PERFORMANCE
19:00 – ACT I Catwalk
20:00 – BREAK
20:30 – ACT II Showcase
21:30 – AWARD CEREMONY

Tickets: https://fienta.com/et/erki-moeshow-2024-2

The event lasts until 22:00

SISU is a major event in the field of Estonian interior architecture and spatial design, which deals with topics related to interior architecture. The symposium has become a meeting place for recognized theorists and practitioners in the field of (interior) architecture from all over the world. This year’s SISU will take place from the 13th until the 2oth of June  in the premises of the National Archives film archive in Pelgulinn. The focal point of SISU is an exhibition and the accompanying symposium, which will take place on 13th of June at 5.00 p.m.

The title of this year’s exhibition … And Nothing is Forever refers to the question of temporality in spatial design. Participants from all over Europe were asked to open up the current state of their profession through one artefact that was to be sent to Tallinn with the smallest size box of the international postal service. Both found objects and works created especially for this event will be on display at the symposium. However, the participants had to take into account the fact that after the end of the exhibition they wouldn’t get back their works. The objects will be put back in the boxes and they will remain in the building as a unified time capsule. 

The curators of the Time Capsule project, Aet Ader, Karin Tõugu Gregor Taul and Pavle Stamenovic, invited 50 individuals and offices from Estonia and abroad to participate in SISU this time, and half of them responded with an artefact. Among the participants are interior architects, architects, designers, artists, urban activists, material researchers, furniture makers, creative researchers as well as performance artists, all of whom have come into contact with the field of interior architecture in one way or another. Attempts have been made to capture the spirit of the era and the profession both through text-based manifestos and ephemeral mock-ups.

In the exhibition, the artefacts enter into a dialogue with the cells of the Ristiku 84 building, which was built as a prison for the Tallinn garrison in the 1950s. It is a unique horseshoe-shaped prison, which reflects the 18th century English enlightener Jeremy Bentham’s idea of a penitentiary as a panopticon. Although the neoclassical prison underwent a thorough renovation in the 1990s when it was converted into an archive, the cells on the first floor were left intact. Films have been shot in these rooms, and architecture enthusiasts have been able to get to know the house as part of the annual Museum Nights, but the house is unknown to the general public. It may happen that it will stay that way, because it is not known what the state will do with the building after the Film Archive moves out. It is not a listed building, moreover, the building is in poor condition, has a somewhat tainted history and is located on a valuable plot. Based on current practice, the entire complex – along with the “buried” SISU 2024 time capsule – is threatened with demolition.

The SISU exhibition opens at 3 p.m on the 13th of June. At 4 p.m there will be a guided tour in the Film Archives building led by its director Eva Näripea. The symposion will take place from 5 p.m to 7 p.m. The exhibition will remain open from the 14th to the 20th of June, Mon-Thu 9 a.m to 5 p.m, Fri 9 a.m to 4 p.m. Further information in English below.

SISU is supported by the Cultural Foundation, the Ministry of Culture, Film Archive of the National Archives of Estonia and the Estonian Association of Interior Architects. In addition to the curators, Gregor Taul and Annamari Nael from the EKA Department of Interior Architecture and graphic designer Anna Kaarma belong to the organizing team of the symposium.

Initial list of participants:

45 degrees (Greece/Germany) – https://www.forty-five-degrees.com/

Hanna Loora Arro

Ljubica Arsic (Serbia/Switzerland) – https://ljubicaarsic.com/

Masayo Ave (Japan/Germany) – https://www.masayoavecreation.org/

Jean Jacques Balzak (France) – https://www.instagram.com/jeanjacquesbalzac/

Laurens Bekemans (Belgium) – https://bcmaterials.org/

Katarina Bonnevier (Sweden) – https://mycket.org/

Janka Csernak (Hungary) – https://mome.hu/en/people/janka-csernak

Aleksandr Delev (Germany) – https://www.aleksandrdelev.com/

Davor Eres (Serbia) – https://ifdt.bg.ac.rs/dt_team/eres-davor/?lang=en

Failed Architecture (Holland) – https://failedarchitecture.com/

Caterina Figuera (Spain/Switzerland) – https://rotativestudio.com/

Ana Filipovic (Germany) – https://www.ana-filipovic.com/

Daniel Fuchs (Switzerland) – https://bach-muehle-fuchs.ch/

Atelier Gapont (Liechenstein) – https://ateliergapont.li/

Tinatin Gurgenidze (Georgia/Germany) – https://www.instagram.com/post_soviet_space/

Matilde Igual (Spain) – https://matildeigual.eu/

Silvia Ingver

Jüri Kermik – https://www.kermikdesign.com/

Keithy Kuuspu – https://www.keithykuuspu.com/

Kuidas.works – https://kuidas.works/

LLRRLLRR – https://llrrllrr.com/

Milica Lopičić (Serbia/Germany) – https://www.lopicic.de/

Urmas Lüüs – https://urmasluus.com/

Tom Vam Malderen (Malta) – https://tomvanmalderen.com/

Philip Mecke (Germany) – https://www.philipp-mecke.com/

Arnita Melzoba and Kārlis Melzobs (Latvia) – https://gaissarhitekti.lv/

Jelena Mitrovic (Serbia) – https://poligon.rs/

mitte_tallinn – https://www.instagram.com/mitte_tallinn/

Maria Muuk, Nele Kurvits, Aimur Takk

Platvorm – https://www.platvorm.ee/

Laura Pormeister

Miro Roman (Croatia/Switzerland) – https://miro.romanvlahovic.com/

Sampling (Latvia) – https://www.sampling.lv/

SPOLKA (Slovakia) – https://spolka.cc/

Sven Samyn

Dubravka Sekulić (Serbia/United Kingdom) – https://en.wikipedia.org/wiki/Dubravka_Sekulić

Sander Joosep Siigur

Linda Marie Zimmer

Pent Talvet – https://www.iseasi.ee/

Margus Tammik, Mari Möldre, Ulla Alla, Merilin Kaup – https://vares.space/

TEN studio (Serbia/Switzerland) – https://ten.studio/

Kristi Tšernilovski

Stuudio TÄNA – https://stuudiotäna.ee/

Mari Uibo

Linda-Marie Urke

Tüüne-Kristin Vaikla – https://www.vaiklastudio.ee/people/tuune-kristin/

Kristina Õllek – https://kristinaollek.com/

Mirell Ülle – https://www.tervislikruum.ee/

On 17th June Nina Stener Jørgensen, a PhD candidate of the Estonian Academy of Arts, curriculum of Architecture and Urban Planning, will defend her thesis “Participation as Data? Architecture and Cybernetics in Europe around 1968” (Osalus kui andmed? Arhitektuur ja küberneetika Euroopas 1968. aasta paiku).

A public defence will be held on 17th June 2024 at 11.00 at EKA (Põhja pst 7), room A501.
Defense will be broadcast on EKA TV.

Supervisor: Prof. Maroš Krivy (Estonian Academy of Arts)
External Reviwers: Dr. Tahl Kaminer (Cardiff University), Dr. Ingrid Halland (University of Oslo)
Opponent: Dr. Tahl Kaminer

This dissertation unpacks histories of participation and computer technology, through the analysis of the intersection of adaptable space and cybernetics in architectural practice around 1968, focusing in particular on the role of participation in this convergence.

The main body of the thesis comprises three articles studying projects spanning from 1965 to the time around the oil crisis in 1973. From a moment in European architectural history, where the political East-West divide was particularly tangible, the cases represent and cover a broad sample of attitudes towards participation and cybernetics from a Western-European perspective. From Paris, which in many ways is the ‘locus of 1968’, from London which at the time fostered a rapid development of new computer technologies and business models, as well as from Copenhagen, which at the height of architectural modernism witnessed the first critiques of the so-called Scandinavian welfare model.

With its focus on archival material and historic case studies, “Participation as Data? Architecture and Cybernetics in Europe around 1968” aims to show how the urban and its city dwellers were accessed through the practice of participation and how this extraction was framed and conceived by architectural and cybernetic means. Throughout the articles, the main research question ‘Participation as data?’ has served as a recurring method of analysis, aimed at comprehending how exactly the architects made use of cybernetics and participation, and how they aimed to intersect the two concepts in an architectural practice, looking at how cybernetic participation cut across multiple scales, from the singular room to the city, all potentially expanding to a global and networked infrastructure. Through the analysis of British architect Cedric Price’s feasibility study for Oxford Corner House (1965–1966), Franco-Hungarian spatial artist Nicolas Schöffer’s proposal Tour Lumière Cybernétique (1961–1973) as well as Danish architects Susanne Ussing and Carsten Hoff’s practice as Atelier Cyberspace (1968–1970), the thesis proposes the term ‘Cybernetic participation’ to encompass their programmatic similarity; mainly the treatment of participation as an information collection process, but also how the projects subsequently sidestepped a direct interaction with its users.

The thesis is available HERE.

Defence Committee: Dr. Siim Tuksam (Head of the Committee), Dr. Anu Allas, Dr. Renee Puusepp, Prof. Andres Kurg, Prof. Panu Lehtovuori, Prof. Klaske Havik, Prof. Helena Mattsson.

TASE ‘24
Estonian Academy of Arts Grad Show
30.05.–14.06.24
Open every day from 12 to 6 pm
tase.artun.ee

TASE is the yearly graduation show of the Estonian Academy of Arts, where the faculties of Architecture, Design, Art Culture and Fine Arts present current master theses and a selection of bachelor theses and portfolios. See the graduation works also on the website tase.artun.ee!

OPENING ON MAY 29

Schedule of the opening of TASE ’24 on Wednesday, May 29:

• 3 pm doors open at the Estonian Academy of Arts
• 4 pm opening of TASE ’24 at the graduation show of the Faculties of Architecture and Art Culture at the Estonian Academy of Arts
• 5.30–6 pm collective procession from the Estonian Academy of Arts to Tallinn Art Hall
• 6 pm opening of the graduation show of the Faculties of Design and Fine Arts at Tallinn Art Hall
• 7–11 pm party at Tallinn Art Hall

On the opening day, on May 29, the graduation show is open to visitors from 5–8 pm at the Estonian Academy of Arts and from 5–9 pm at Tallinn Art Hall.

LOCATIONS

Estonian Academy of Arts
Graduation works of the Faculties of Architecture and Art Culture
30.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Põhja puiestee 7, Tallinn

Tallinn Art Hall, Tallinn Art Hall Gallery, Vent Space
Graduation works of the Faculties of Design and Fine Arts
30.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Vabaduse väljak 6 & 8, Tallinn

Design and Architecture Gallery
Graduation works of the bachelor students of Digital and Industrial Product Design and the master students of Product Design
29.05.–8.06.24, open Mon–Fri from 12 to 6 pm, Sat–Sun from 12 to 5 pm, free entry
Address: Pärnu mnt 6, Tallinn

ETC
Graduation exhibition “Do You Copy?” of the master students of Graphic Design
1.–7.06.24, open every day from 1 to 5 pm, free entry
Address: Niine 8a, Tallinn

Long Leg Gate Tower
Graduation exhibition “ETHEL IS GOD” by Ethel Ütsmüts, bachelor student of Ceramics
30.05.–14.06.2024, open Mon–Fri 10 to 14 pm, free entry
Address: Pikk Jalg 3, Tallinn

PoCoLAB.ai
Graduation works of the master students of Interaction Design (MIxD)
01.–08.07.2024, open every day from 3 to 8 pm, entry 5€/3€/0€
Address: Rotermanni 14, Tallinn

Põhja pst 2, Tallinn
Graduation exhibition “Where to Belong” by Laura Movits, bachelor student of Interior Architecture
1.–4.06.24, open every day from 12 to 6 pm, free entry

Uus Rada Gallery & Raja Building
Graduation works of the master students of Contemporary Art, participants Sandra Ernits, Mara Kirchberg, Sarah Noonan, Siim Preiman
31.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Raja tn 11a, Tallinn

PROGRAMME

EKA pop-up shop
29.05.–2.06.24 in the lobby of Tallinn Art Hall, open Wed 6–11 pm Thu–Sun 12–6 pm

Theses defences
27.05.–13.06.24

Guided tours about the graduation works part of Architecture with Gregor Taul at the Estonian Academy of Arts, starting in the lobby:
5.06. at 2 pm in English
5.06. at 4 pm in Estonian

Guided tours at Tallinn Art Hall, start in front of the building on Freedom Square:
8.06. at 1 pm by Anna-Liisa Villmann in Estonian
8.06. at 3.15 pm by Valeriya Ferschel in Russian
9.06. at 1 pm by Anna-Liisa Villmann in Estonian
9.06. at 3 pm by Anna-Liisa Villmann in English
14.06. at 4.30 pm tour about the stories of the building’s past with Kaisa Maasik in Estonian

TASE FILM, curated by Kaur Järve
11.06.2024 at 6 pm at the Estonian Academy of Arts, room A-101, free entry

28.05. at 5 pm opening of the exhibition by the students of Product Design at the Design and Architecture Gallery

30.05. at 4 pm opening of the graduation show of the master students of Contemporary Art at Raja 11a

31.05. at 4 pm opening of graduation exhibition “Where to Belong” by Laura Movits, bachelor student of Interior Architecture

31.05. at 7 pm opening of the graduation show „Do You Copy?“ of the master students of Graphic Design in the project space ETC

Public programme in the Design and Architecture Gallery:

1.06 at 1.30-3 pm workshop “Design quality time” for families in Estonian
1.06. at 12 & 3 pm guided tours in Estonian
2.06. at 12 & 3 pm guided tours in Estonian
8.06. guided tour at 12 pm in Estonian
2.06 at 1.30-3 pm workshop “Experiencing Design” in Estonian

SATELLITE PROGRAMME

Exhibition “Disruptive Dissonance” by the second year students of the department of Jewellery, Telliskivi 60, Telliskivi Kvartal
23.05.–5.06.24, open Tue–Sun from 12 to 7 pm, free entry
Opening: 22.05. at 6 pm
Participants: Emilia Santaella Barreto, Elisabet Kiverik, Alice Kupri, Lucie Pastyrikova, Liisu Saar, Jekaterina Šehovtsova, Ronja-Marjam Vene

Exhibition “With Love and Fortitude” by the first year master students of Contemporary Art, ARS Project Space, Showroom and Studio 53, ARS Art Factory, Pärnu mnt 154, Tallinn
25.05.–14.06.24, open every day from 12 to 6 pm, free entry
Opening: 24.05. at 6 pm
Participants: Yvette Bathgate, Mihhail Boitsov, Anna Broučková, Christina Gradtke, Katariina Kesküla, Yuko Kinouchi, Eleftheria Kofidou, Tea Lemberpuu, Sven Mantsik, Jana Mätas, Jane Muts, KitKit Para, Vitor Pascale, Merilin Põldsam, Jake Shepherd, Liza Tsindeliani, Elo Vahtrik, Kristi Vendelin

Screenings of Elle Lepik’s film “Agentic Glass Landscapes 1”, Energy Discovery Centre, Põhja pst 29, Tallinn
30.05.–14.06.24, Mon–Fri 11.15 am & 2.15 pm Sat 11.15 am & 3.15 pm, entry 15€/12€

Craft studies coursework, Kopli 70a, 2nd floor, Krull kvartal, Tallinn
31.05.–9.06.24, open Fri–Sat from 1 to 7 pm or by appointment
Opening: 30.06. at 6 pm
Participants: Sofiya Babiy, Iohan Figueroa, Rait Lõhmus, Juulia Aleksandra Mikson, Katariin Mudist, Maarja Mäemets, Alyona Movko-Mägi, Kati Saarits, Hannah Segerkrantz, Elias Sormane

Exhibition of the master students of Contemporary Art titled “AEGn/a: exhibition in the city centre of Tallinn”, Aegna Island, Tallinn
2.-26.06.24, visiting according to the ferry schedule
Opening: 2.06., guided tours at 11 am & 3 pm
Finissage: 26.06.
Participants: Yvette Bathgate, Chloé Geinoz, Katariina Kesküla, Eleftgeria Irene Kofidou, Jane Muts, Anumai Raska, Jake Shepherd, Melina Unterhauser, Elo Vahtrik
Curator: Keithy Kuuspu

Exhibition “Contemporary Drawing: Worlding in Layers” by the second year students of Fine Arts, NART studio and Narva Kreenholm Manufacturing Company
3.–30.06.24, NART studio open Mon–Fri from 3 to 7 pm Sat–Sun from 1 to 7 pm, Kreenholm can be visited on Saturdays at 1pm as part of a guided tour, free entry
Opening: 2.06. at 1 pm
Participants: August Joost, Maria Kallau, Laura Lillepuu, Triin Mänd, Elise Marie Olesk, Sandra Puusepp, Mia Mai Seppel, Hanna Vinter

Jana Mätas’ solo exhibition, Keskpuur, Keskturg, Keldrimäe 9, Tallinn
3.–23.06.24, open every day from 9.30 am to 3.30 pm, free entry
Opening: 8.06. at 1 pm

Graduation exhibition “Imprints of Being” by the photography students of the EKA Open Academy, EKA Billboard Gallery, Kotzebue 1, Tallinn
4.06.–25.08.24, open 24/7, free
Opening: 4.06. at 6 pm
Participants: Birgit Aitsam, Priit Jaak Sild, Karolin Kaplan, Reelika Helde-Mikkor, Geroli Peedu, Eveli Smitt, Liisi Tali, Grete Tuiken

Exhibition “I Hope You Don’t Mind…” by Rebecca Norman and Elisa Margot Winters, Cafe Ait, Vene 14, Tallinn
10.06.–31.10.24, open every day from 9 am to 7 pm, free entry
Opening: 8.06. at 5 pm

Screening of the graduation works of the Animation department’s bachelor and master students, Kino Sõprus, Vana-Posti 8, Tallinn
15.06.24 from 5 to 7 pm, free entry
Participants: Carlos Santiago Ordoñez Alarcon, Aurelijus Čiupas, Ditiya Ferdous, Naira Hatšaturjan, Kate Jansone, Elise Kruusel, Evridiki Papaiakovou, Inês Machado Sales Grade Pinto, Piret Potter, Kirke Ross, Xingpei Shen, Nicole Tanysh, Laura Andrea Gudiño Sosa, Kelli Tõnurist

Pille-Riin Valk’s artwork “Scent of Moments”, the facade of the Estonian Academy of Arts, Kotzebue 1, Tallinn
Open 24/7, free 

TASE TEAM

Organizer
Kaisa Maasik (kaisa.maasik@artun.ee, +372 5396 2524)

Assistant
Mia Tohver

Creative logisticians of TASE ’24
Vabaduse väljak 6 & 8
Brigit Arop, Johannes Luik

Creative logisticians of TASE ’24
Faculty of Architecture at the Estonian Academy of Arts
Anni Kärmik, Kairi Mändla

Curator of TASE FILM
Kaur Järve

Graphic design
Robin Raspel, Georg-Ander Sild, Ronald Trei

Communication
Pärtel Eelmere, Laura Jüristo, Triin Käo, Maarja Pabut, Andres Lõo (contact for press: andres.loo@artun.ee, +372 526 7253)

Technical director
Erik Hõim

Technical team
Katariina Kesküla, Ats Kruusing, Eke Ao Nattan, Reigo Nahksepp, Jake Shepherd, Mattias Jürgen Veller

SUPPORTERS

AkzoNobel, Cultural Endowment of Estonia, Estonian Artists’ Association, Punch, Tallinn Art Hall, ERASMUS