Events
09.12.2017
Opening of TREPP tower
The second-years students of the interior architecture department are pleased and proud to announce that TREPP, the new viewing tower in Tuhu bog, built in co-operation with RMK, has now been completed! The opening ceremony will take place in Tuhu bog on Saturday, 9th December from 2 pm to 4 pm.
You are welcome to arrange your own travel or join us on the Estonian Academy of Arts bus (THE BUS IS NOW FULLY BOOKED)
We’d love for you to join us!
Got a question?
Please write to Kirke from the TREPP team: kirke.kalamats@artun.ee
Opening of TREPP tower
Saturday 09 December, 2017
The second-years students of the interior architecture department are pleased and proud to announce that TREPP, the new viewing tower in Tuhu bog, built in co-operation with RMK, has now been completed! The opening ceremony will take place in Tuhu bog on Saturday, 9th December from 2 pm to 4 pm.
You are welcome to arrange your own travel or join us on the Estonian Academy of Arts bus (THE BUS IS NOW FULLY BOOKED)
We’d love for you to join us!
Got a question?
Please write to Kirke from the TREPP team: kirke.kalamats@artun.ee
25.09.2017 — 29.09.2017
Project “Brilliant Estonian item”
“Brilliant Estonian item” is a collaboration project between product-, textile- and leather design specialisations in the faculty of design at Estonian Academy of Arts. The project focuses on searching elements and narratives to characterize Estonia to combine those into widely recognisable and thoughtful small objects – Estonian items.
The aim of this project is to gather inspiration from local cultural surrounding and assemble it into product prototypes with (applied) art value – outcome will be products, accessories, small installations etc. Articles which by telling a story about our past, present and future, are suitable gift for ourselves and to our foreign guests.
Read more about the projects: https://www.facebook.com/projektHeaEestiAsi/
It is possible to learn more about the products on XII Tallinn Design Festival, 25.09.–01.10. in Noblessneri Valukoda (Tööstuse 48)
Official opening of the exhibition is on Thursday 28.09. at 17.00-18.00. You are welcome!
Project “Brilliant Estonian Object” is supported by EV100 and it is part of EV100 official art program „Sada kunstimaastikku“
-> https://www.ev100.ee/et/ev100-kunstiprogramm-sada-kunstimaastikku
-> http://www.cca.ee/ev100.
Project “Brilliant Estonian item”
Monday 25 September, 2017 — Friday 29 September, 2017
“Brilliant Estonian item” is a collaboration project between product-, textile- and leather design specialisations in the faculty of design at Estonian Academy of Arts. The project focuses on searching elements and narratives to characterize Estonia to combine those into widely recognisable and thoughtful small objects – Estonian items.
The aim of this project is to gather inspiration from local cultural surrounding and assemble it into product prototypes with (applied) art value – outcome will be products, accessories, small installations etc. Articles which by telling a story about our past, present and future, are suitable gift for ourselves and to our foreign guests.
Read more about the projects: https://www.facebook.com/projektHeaEestiAsi/
It is possible to learn more about the products on XII Tallinn Design Festival, 25.09.–01.10. in Noblessneri Valukoda (Tööstuse 48)
Official opening of the exhibition is on Thursday 28.09. at 17.00-18.00. You are welcome!
Project “Brilliant Estonian Object” is supported by EV100 and it is part of EV100 official art program „Sada kunstimaastikku“
-> https://www.ev100.ee/et/ev100-kunstiprogramm-sada-kunstimaastikku
-> http://www.cca.ee/ev100.
25.09.2017 — 29.09.2017
Project “Brilliant Estonian Item” – students designed
“Brilliant Estonian item” is a collaboration project between product-, textile- and leather design specialisations in the faculty of design at Estonian Academy of Arts. The project focuses on searching elements and narratives to characterize Estonia to combine those into widely recognisable and thoughtful small objects – Estonian items.
The aim of this project is to gather inspiration from local cultural surrounding and assemble it into product prototypes with (applied) art value – outcome will be products, accessories, small installations etc. Articles which by telling a story about our past, present and future, are suitable gift for ourselves and to our foreign guests.
Read more about the projects: https://www.facebook.com/projektHeaEestiAsi/
It is possible to learn more about the products on XII Tallinn Design Festival, 25.09.–01.10. in Noblessneri Valukoda (Tööstuse 48)
Official opening of the exhibition is on Thursday 28.09. at 17.00-18.00. You are welcome!
Project “Brilliant Estonian Object” is supported by EV100 and it is part of EV100 official art program „Sada kunstimaastikku“
-> https://www.ev100.ee/et/ev100-kunstiprogramm-sada-kunstimaastikku
-> http://www.cca.ee/ev100.
Project “Brilliant Estonian Item” – students designed
Monday 25 September, 2017 — Friday 29 September, 2017
“Brilliant Estonian item” is a collaboration project between product-, textile- and leather design specialisations in the faculty of design at Estonian Academy of Arts. The project focuses on searching elements and narratives to characterize Estonia to combine those into widely recognisable and thoughtful small objects – Estonian items.
The aim of this project is to gather inspiration from local cultural surrounding and assemble it into product prototypes with (applied) art value – outcome will be products, accessories, small installations etc. Articles which by telling a story about our past, present and future, are suitable gift for ourselves and to our foreign guests.
Read more about the projects: https://www.facebook.com/projektHeaEestiAsi/
It is possible to learn more about the products on XII Tallinn Design Festival, 25.09.–01.10. in Noblessneri Valukoda (Tööstuse 48)
Official opening of the exhibition is on Thursday 28.09. at 17.00-18.00. You are welcome!
Project “Brilliant Estonian Object” is supported by EV100 and it is part of EV100 official art program „Sada kunstimaastikku“
-> https://www.ev100.ee/et/ev100-kunstiprogramm-sada-kunstimaastikku
-> http://www.cca.ee/ev100.
26.09.2017
EAA Research Cafe: The Future of Textiles
On 26th September at 19.00 the science cafe of the Estonian Academy of Arts (EAA) will take place in Von Krahl. Fashion designer and EAA senior researcher Reet Aus, EAA PhD student & textile designer Miina Leesment, textile artist and Head of UT Viljandi Culture Academy’s Estonian Native Crafts Department Ave Matsin will discuss research into textiles in the arts and the society, tradition, innovation and the future of textiles. The talk will be moderated by Liina Unt, head of EAA art and design PhD programme.
Discussion will be held in Estonian. Free of charge, all welcome.
EAA Research Cafe: The Future of Textiles
Tuesday 26 September, 2017
On 26th September at 19.00 the science cafe of the Estonian Academy of Arts (EAA) will take place in Von Krahl. Fashion designer and EAA senior researcher Reet Aus, EAA PhD student & textile designer Miina Leesment, textile artist and Head of UT Viljandi Culture Academy’s Estonian Native Crafts Department Ave Matsin will discuss research into textiles in the arts and the society, tradition, innovation and the future of textiles. The talk will be moderated by Liina Unt, head of EAA art and design PhD programme.
Discussion will be held in Estonian. Free of charge, all welcome.
25.09.2017 — 01.10.2017
Textile Futures exhibition and afternoon
25.09 – 01.10 Exhibition: https://www.facebook.com/events/853305954845876/
29.09 15.00 Talk: https://www.facebook.com/events/123706798363506/
The ways that materials and garments are created, are in a constant change. There are continuous dialogues between the appearance and functionality of the clothing. Sustainable design examples emerge as alternatives next to the mass production, and technology integrates into garment production means in different levels. Exploring alternative futures for textile and garment production, the exhibition presents examples from diverse interpretations of connecting textiles with technology. Textile Futures talk offers the opportunity to meet with the designers, artists and technologists behind the exhibition work to understand more their vision for the textile futures.
Anja Hertenberger (Holland) explores how technology can help us connect to our bodies and maximize our senses. Tara St James (USA) introduces sustainability in fashion. Oscar Tomico (Holland/Spain) offers insights into bringing technology close to the body. Kristi Kuusk (Estonia) wonders about the exhibition “Textile Futures” and talks to the Fashion & Textile MA students of Estonian Academy of Arts about their work at the exhibition.
Q&A with designers.
Event is free of charge, but please register:
RSVP kristi@spell.ee
More info: http://www.disainioo.ee/2017-program/textile-futures-talks
Textile Futures exhibition and afternoon
Monday 25 September, 2017 — Sunday 01 October, 2017
25.09 – 01.10 Exhibition: https://www.facebook.com/events/853305954845876/
29.09 15.00 Talk: https://www.facebook.com/events/123706798363506/
The ways that materials and garments are created, are in a constant change. There are continuous dialogues between the appearance and functionality of the clothing. Sustainable design examples emerge as alternatives next to the mass production, and technology integrates into garment production means in different levels. Exploring alternative futures for textile and garment production, the exhibition presents examples from diverse interpretations of connecting textiles with technology. Textile Futures talk offers the opportunity to meet with the designers, artists and technologists behind the exhibition work to understand more their vision for the textile futures.
Anja Hertenberger (Holland) explores how technology can help us connect to our bodies and maximize our senses. Tara St James (USA) introduces sustainability in fashion. Oscar Tomico (Holland/Spain) offers insights into bringing technology close to the body. Kristi Kuusk (Estonia) wonders about the exhibition “Textile Futures” and talks to the Fashion & Textile MA students of Estonian Academy of Arts about their work at the exhibition.
Q&A with designers.
Event is free of charge, but please register:
RSVP kristi@spell.ee
More info: http://www.disainioo.ee/2017-program/textile-futures-talks
25.08.2017
Tallinn Summer Academy – Numbers and Cognition in Urban Environment invites You to a public presentation!
You are very welcome to attend the open presentation of the results of the Tallinn Summer Academy – Numbers and Cognition in Urban Environment workshop results on August 25 at 2 pm. The presentation will take place at the Faculty of Architecture, Pikk 20, Tallinn on 3rd floor, main lecture room.
International students from top architecture schools worked on data collection in the urban environment and formed visualisations of the results. Come and see for yourself!
Tallinn Summer Academy – Numbers and Cognition in Urban Environment invites You to a public presentation!
Friday 25 August, 2017
You are very welcome to attend the open presentation of the results of the Tallinn Summer Academy – Numbers and Cognition in Urban Environment workshop results on August 25 at 2 pm. The presentation will take place at the Faculty of Architecture, Pikk 20, Tallinn on 3rd floor, main lecture room.
International students from top architecture schools worked on data collection in the urban environment and formed visualisations of the results. Come and see for yourself!
05.07.2017 — 08.07.2017
Impro-Recorder-Bot at SMC conference
Hans-Gunter Lock participates at SMC (Sound and Music Computation) conference with the sound and light installation “ImproRecorderBot”, which takes place from July 4th to 8th at Aalto University (Espoo, Finland). The main object is an automatic recorder. which is placed in an environment of electronic sounds and colored lights. Have a view to the demonstration video:
Impro-Recorder-Bot at SMC conference
Wednesday 05 July, 2017 — Saturday 08 July, 2017
Hans-Gunter Lock participates at SMC (Sound and Music Computation) conference with the sound and light installation “ImproRecorderBot”, which takes place from July 4th to 8th at Aalto University (Espoo, Finland). The main object is an automatic recorder. which is placed in an environment of electronic sounds and colored lights. Have a view to the demonstration video:
09.06.2017
TASE FILM invites: Student films from 2016/17 and a guest documentary about our very own Natalya
Homme, 9. juunil kell 17.00 – 20.00 linastuvad Kino Sõpruses TASE FILMIL Eesti Kunstiakadeemia 2016/17 tudengifilmide paremik. Esmakordselt linastub TASE FILMIl külalislinateos “Natalja” (Kadi Poll, Laura Kõrvits), mis võitis Balti Filmi- ja Meediakooli parim dokumentaali tiitli. Film räägib EKA modellist Nataljast. Sissejuhatuse teeb produtsent Laura Kõrvits.
Seekord tegi valiku žürii koosseisus kunstnik Kristi Kongi, kunstiteadlane Keiu Krikmann, kunstnik Olivia Verev (I TASE FILM korraldaja), graafiline disainer/visuaalkunstnik Norman Orro, turundusspetsialist/kunstnik Rachel Kinbar, animatsiooni osakonna juhataja Helen Unt ja kommunikatsiooni osakonna juhataja Solveig Jahnke.
Valikusse sattusid filmid nii vabade kunstide, arhitektuuri- kui disainiteaduskonnast. Ringvaatesse saavad ka valitud lühikatsetused ja moestilistika reklaamfilmid, mida saavad näha varased saabujad alates kell 16.30.
Kõik on teretulnud! Pilet 2 Eurot.
—
Screening of EAA Student Films of 2016 and 2017. In addition, for the first time – a guest film from Baltic Film and Media School – Best Documentary” about the EAA model Natalya.
Special priced ticket – 2 Euros!
Programm
16:30 eelseanss
(Ringvaade)
17.00 – 20.00
Žürii valitud filmid
I sessioon
Natalja (13 min) – Režissöör Kadi Poll, produtsent Laura Kõrvits (BFM parim dokk!).
I TASE külalisfilm, mis räägib loo EKA modellist Nataljast.
OFF (11 min) – Kelli Gedvil
Ma olin jõudnud oma loomaprotsessis punkti, kus millegi loomiseks, oli vaja vana pind hävitada. Nii eemaldasin need vanad kihid kihtide haaval.
Reidi tee projekt – Juhan Teppart
Urbanistika magistritöö osana valminud dokfilmi. Magistritöö uurib Reidi tee projekteerimise ümber lahvatanud konflikti, selle erinevaid osapooli ja mõju teeprojekti menetlemisele. Dokfilm on kokku lõigatud magistritöö raames läbiviidud intervjuudest ja toob välja võtmeisikute rollid ja eri osapoolte vastandlikud seisukohad ja Tallinna linnaplaneerimise murekohad.
Kokku kestvus 56:25 min
—
II sessioon
Freedog Trippo Priidik (7 min) – Vello Lutter
Käesoleva aasta alguses toimus EKA graafilise disaini II kuruse tudengite eksperimentaalsete lühidokumentaalfilmide workshop “14 karakterit”. Minu poolt valmis film “Freedog Trippo Priidik”, milles räägib oma nägemusest ja nime valimisest muusik Priidik Hallas. Muusika filmis on tema enda looming. Film ise on tänu oma tempole ja peategelase karakterile 7-minutiline vitamiinipomm.
Funeral (32 min) – Robin Nõgisto
Autorifilm, mis jutustab igavikulise loo elust ja surmast. Robin Nõgisto film “Funeral” ei ole religioosne film, vaid räägib lugu autori enda loodud mütoloogilisest maailmast.
Filmis põimuvad läbi kolm tegelast, kes kõik on otsingutel, otsides neile kuuluvat vabadust. Lugu keerleb ümber noormehe, kes on kahe maailma vahel kinni ja kelle missiooniks on leida lepitus iseendaga, kuid hoopis leiab armastuse keda on igatsenud.
“Funeral” on kõike muud kui dramaturgia, tegemist on kunstniku omanäolise positsiooniga. See seisab kõige eest mida autor omal nahal tunneb ja tunnetab.
Teos on filmitud anamorphic objektiiviga ja on mõeldud spetsiaalselt suurele ekraanile.
Filmis löövad kaasa peale autori enda, Roosi Natali Nõgisto ja Olivia Verev.
Kokku kestvus 39 min
—
III sessioon TASE Anima
Aggie Lee Pak Yee
Muteum
Joonisfilm / drawn film
4’09’’
Kunstimuuseumis me peaksime olema…
In an Art Museum, we ought to be…
Evgeniia Golikova
Don’t wake / Ära ärata
Maalianimatsioon / paint-on-glass
5’30’’
A man spent most of his life in a prison.His body fully covered with tattoos, which says plenty about his criminal past and high authority status. But at one point, the time came to leave the prison… Would it be easy for the inmate to leave his Zone – comfort zone?
Mees veetis enamus oma elust vanglas. Tema keha on üleni kaetud tätoveeringutega, mis räägivad tema kriminaalsest minevikust ja kõrgest positsioonist. Aga ühel hetkel saab ta vanglast välja.. Kui lihtne on tal lahkuda oma Tsoonist, oma mugavustsoonist?
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’
Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.
A bored cow tries to find some means of self expression. Some visiting clowns offer a
tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread
of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted
deeply and cannot be eradicated completely.
Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’
Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.
Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.
Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’
Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.
Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.
Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’
Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.
Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.
My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.
The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.
This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.
Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”
“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?
“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?
Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”
Põdral maja metsa sees, väiksest aknast välja vaatab.
There’s a moose in the forest, he has a house with tiny windows.
Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”
Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.
A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.
Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure
Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”
Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.
Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’
Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.
A bored cow tries to find some means of self expression. Some visiting clowns offer a tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted deeply and cannot be eradicated completely.
Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’
Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.
Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.
Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’
Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.
Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.
Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’
Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.
Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.
My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.
The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.
This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.
Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”
“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?
“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?
Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”
Põdral maja metsa sees, väiksest aknast välja vaatab.
There’s a moose in the forest, he has a house with tiny windows.
Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”
Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.
A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.
Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure
Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”
Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.
Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Lisateave
Solveig Jahnke
Kommunikatsioonijuht/Head of Communications
solveig.jahnke@artun.ee
Tel +372 6267 111
Mob +372 5626 4949
www.artun.ee
TASE FILM invites: Student films from 2016/17 and a guest documentary about our very own Natalya
Friday 09 June, 2017
Homme, 9. juunil kell 17.00 – 20.00 linastuvad Kino Sõpruses TASE FILMIL Eesti Kunstiakadeemia 2016/17 tudengifilmide paremik. Esmakordselt linastub TASE FILMIl külalislinateos “Natalja” (Kadi Poll, Laura Kõrvits), mis võitis Balti Filmi- ja Meediakooli parim dokumentaali tiitli. Film räägib EKA modellist Nataljast. Sissejuhatuse teeb produtsent Laura Kõrvits.
Seekord tegi valiku žürii koosseisus kunstnik Kristi Kongi, kunstiteadlane Keiu Krikmann, kunstnik Olivia Verev (I TASE FILM korraldaja), graafiline disainer/visuaalkunstnik Norman Orro, turundusspetsialist/kunstnik Rachel Kinbar, animatsiooni osakonna juhataja Helen Unt ja kommunikatsiooni osakonna juhataja Solveig Jahnke.
Valikusse sattusid filmid nii vabade kunstide, arhitektuuri- kui disainiteaduskonnast. Ringvaatesse saavad ka valitud lühikatsetused ja moestilistika reklaamfilmid, mida saavad näha varased saabujad alates kell 16.30.
Kõik on teretulnud! Pilet 2 Eurot.
—
Screening of EAA Student Films of 2016 and 2017. In addition, for the first time – a guest film from Baltic Film and Media School – Best Documentary” about the EAA model Natalya.
Special priced ticket – 2 Euros!
Programm
16:30 eelseanss
(Ringvaade)
17.00 – 20.00
Žürii valitud filmid
I sessioon
Natalja (13 min) – Režissöör Kadi Poll, produtsent Laura Kõrvits (BFM parim dokk!).
I TASE külalisfilm, mis räägib loo EKA modellist Nataljast.
OFF (11 min) – Kelli Gedvil
Ma olin jõudnud oma loomaprotsessis punkti, kus millegi loomiseks, oli vaja vana pind hävitada. Nii eemaldasin need vanad kihid kihtide haaval.
Reidi tee projekt – Juhan Teppart
Urbanistika magistritöö osana valminud dokfilmi. Magistritöö uurib Reidi tee projekteerimise ümber lahvatanud konflikti, selle erinevaid osapooli ja mõju teeprojekti menetlemisele. Dokfilm on kokku lõigatud magistritöö raames läbiviidud intervjuudest ja toob välja võtmeisikute rollid ja eri osapoolte vastandlikud seisukohad ja Tallinna linnaplaneerimise murekohad.
Kokku kestvus 56:25 min
—
II sessioon
Freedog Trippo Priidik (7 min) – Vello Lutter
Käesoleva aasta alguses toimus EKA graafilise disaini II kuruse tudengite eksperimentaalsete lühidokumentaalfilmide workshop “14 karakterit”. Minu poolt valmis film “Freedog Trippo Priidik”, milles räägib oma nägemusest ja nime valimisest muusik Priidik Hallas. Muusika filmis on tema enda looming. Film ise on tänu oma tempole ja peategelase karakterile 7-minutiline vitamiinipomm.
Funeral (32 min) – Robin Nõgisto
Autorifilm, mis jutustab igavikulise loo elust ja surmast. Robin Nõgisto film “Funeral” ei ole religioosne film, vaid räägib lugu autori enda loodud mütoloogilisest maailmast.
Filmis põimuvad läbi kolm tegelast, kes kõik on otsingutel, otsides neile kuuluvat vabadust. Lugu keerleb ümber noormehe, kes on kahe maailma vahel kinni ja kelle missiooniks on leida lepitus iseendaga, kuid hoopis leiab armastuse keda on igatsenud.
“Funeral” on kõike muud kui dramaturgia, tegemist on kunstniku omanäolise positsiooniga. See seisab kõige eest mida autor omal nahal tunneb ja tunnetab.
Teos on filmitud anamorphic objektiiviga ja on mõeldud spetsiaalselt suurele ekraanile.
Filmis löövad kaasa peale autori enda, Roosi Natali Nõgisto ja Olivia Verev.
Kokku kestvus 39 min
—
III sessioon TASE Anima
Aggie Lee Pak Yee
Muteum
Joonisfilm / drawn film
4’09’’
Kunstimuuseumis me peaksime olema…
In an Art Museum, we ought to be…
Evgeniia Golikova
Don’t wake / Ära ärata
Maalianimatsioon / paint-on-glass
5’30’’
A man spent most of his life in a prison.His body fully covered with tattoos, which says plenty about his criminal past and high authority status. But at one point, the time came to leave the prison… Would it be easy for the inmate to leave his Zone – comfort zone?
Mees veetis enamus oma elust vanglas. Tema keha on üleni kaetud tätoveeringutega, mis räägivad tema kriminaalsest minevikust ja kõrgest positsioonist. Aga ühel hetkel saab ta vanglast välja.. Kui lihtne on tal lahkuda oma Tsoonist, oma mugavustsoonist?
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’
Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.
A bored cow tries to find some means of self expression. Some visiting clowns offer a
tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread
of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted
deeply and cannot be eradicated completely.
Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’
Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.
Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.
Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’
Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.
Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.
Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’
Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.
Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.
My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.
The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.
This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.
Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”
“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?
“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?
Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”
Põdral maja metsa sees, väiksest aknast välja vaatab.
There’s a moose in the forest, he has a house with tiny windows.
Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”
Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.
A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.
Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure
Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”
Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.
Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’
Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.
A bored cow tries to find some means of self expression. Some visiting clowns offer a tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted deeply and cannot be eradicated completely.
Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’
Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.
Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.
Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’
Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.
Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.
Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’
Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.
Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.
My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.
The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.
This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.
Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”
“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?
“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?
Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”
Põdral maja metsa sees, väiksest aknast välja vaatab.
There’s a moose in the forest, he has a house with tiny windows.
Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”
Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.
A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.
Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure
Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”
Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.
Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Lisateave
Solveig Jahnke
Kommunikatsioonijuht/Head of Communications
solveig.jahnke@artun.ee
Tel +372 6267 111
Mob +372 5626 4949
www.artun.ee
09.06.2017
TASE FILM invites: Student films from 2016/17 and a guest documentary about our very own Natalya
Homme, 9. juunil kell 17.00 – 20.00 linastuvad Kino Sõpruses TASE FILMIL Eesti Kunstiakadeemia 2016/17 tudengifilmide paremik. Esmakordselt linastub TASE FILMIl külalislinateos “Natalja” (Kadi Poll, Laura Kõrvits), mis võitis Balti Filmi- ja Meediakooli parim dokumentaali tiitli. Film räägib EKA modellist Nataljast. Sissejuhatuse teeb produtsent Laura Kõrvits.
Seekord tegi valiku žürii koosseisus kunstnik Kristi Kongi, kunstiteadlane Keiu Krikmann, kunstnik Olivia Verev (I TASE FILM korraldaja), graafiline disainer/visuaalkunstnik Norman Orro, turundusspetsialist/kunstnik Rachel Kinbar, animatsiooni osakonna juhataja Helen Unt ja kommunikatsiooni osakonna juhataja Solveig Jahnke.
Valikusse sattusid filmid nii vabade kunstide, arhitektuuri- kui disainiteaduskonnast. Ringvaatesse saavad ka valitud lühikatsetused ja moestilistika reklaamfilmid, mida saavad näha varased saabujad alates kell 16.30.
Kõik on teretulnud! Pilet 2 Eurot.
—
Screening of EAA Student Films of 2016 and 2017. In addition, for the first time – a guest film from Baltic Film and Media School – Best Documentary” about the EAA model Natalya.
Special priced ticket – 2 Euros!
Programm
16:30 eelseanss
(Ringvaade)
17.00 – 20.00
Žürii valitud filmid
I sessioon
Natalja (13 min) – Režissöör Kadi Poll, produtsent Laura Kõrvits (BFM parim dokk!).
I TASE külalisfilm, mis räägib loo EKA modellist Nataljast.
OFF (11 min) – Kelli Gedvil
Ma olin jõudnud oma loomaprotsessis punkti, kus millegi loomiseks, oli vaja vana pind hävitada. Nii eemaldasin need vanad kihid kihtide haaval.
Reidi tee projekt – Juhan Teppart
Urbanistika magistritöö osana valminud dokfilmi. Magistritöö uurib Reidi tee projekteerimise ümber lahvatanud konflikti, selle erinevaid osapooli ja mõju teeprojekti menetlemisele. Dokfilm on kokku lõigatud magistritöö raames läbiviidud intervjuudest ja toob välja võtmeisikute rollid ja eri osapoolte vastandlikud seisukohad ja Tallinna linnaplaneerimise murekohad.
Kokku kestvus 56:25 min
—
II sessioon
Freedog Trippo Priidik (7 min) – Vello Lutter
Käesoleva aasta alguses toimus EKA graafilise disaini II kuruse tudengite eksperimentaalsete lühidokumentaalfilmide workshop “14 karakterit”. Minu poolt valmis film “Freedog Trippo Priidik”, milles räägib oma nägemusest ja nime valimisest muusik Priidik Hallas. Muusika filmis on tema enda looming. Film ise on tänu oma tempole ja peategelase karakterile 7-minutiline vitamiinipomm.
Funeral (32 min) – Robin Nõgisto
Autorifilm, mis jutustab igavikulise loo elust ja surmast. Robin Nõgisto film “Funeral” ei ole religioosne film, vaid räägib lugu autori enda loodud mütoloogilisest maailmast.
Filmis põimuvad läbi kolm tegelast, kes kõik on otsingutel, otsides neile kuuluvat vabadust. Lugu keerleb ümber noormehe, kes on kahe maailma vahel kinni ja kelle missiooniks on leida lepitus iseendaga, kuid hoopis leiab armastuse keda on igatsenud.
“Funeral” on kõike muud kui dramaturgia, tegemist on kunstniku omanäolise positsiooniga. See seisab kõige eest mida autor omal nahal tunneb ja tunnetab.
Teos on filmitud anamorphic objektiiviga ja on mõeldud spetsiaalselt suurele ekraanile.
Filmis löövad kaasa peale autori enda, Roosi Natali Nõgisto ja Olivia Verev.
Kokku kestvus 39 min
—
III sessioon TASE Anima
Aggie Lee Pak Yee
Muteum
Joonisfilm / drawn film
4’09’’
Kunstimuuseumis me peaksime olema…
In an Art Museum, we ought to be…
Evgeniia Golikova
Don’t wake / Ära ärata
Maalianimatsioon / paint-on-glass
5’30’’
A man spent most of his life in a prison.His body fully covered with tattoos, which says plenty about his criminal past and high authority status. But at one point, the time came to leave the prison… Would it be easy for the inmate to leave his Zone – comfort zone?
Mees veetis enamus oma elust vanglas. Tema keha on üleni kaetud tätoveeringutega, mis räägivad tema kriminaalsest minevikust ja kõrgest positsioonist. Aga ühel hetkel saab ta vanglast välja.. Kui lihtne on tal lahkuda oma Tsoonist, oma mugavustsoonist?
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’
Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.
A bored cow tries to find some means of self expression. Some visiting clowns offer a
tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread
of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted
deeply and cannot be eradicated completely.
Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’
Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.
Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.
Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’
Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.
Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.
Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’
Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.
Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.
My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.
The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.
This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.
Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”
“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?
“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?
Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”
Põdral maja metsa sees, väiksest aknast välja vaatab.
There’s a moose in the forest, he has a house with tiny windows.
Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”
Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.
A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.
Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure
Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”
Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.
Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’
Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.
A bored cow tries to find some means of self expression. Some visiting clowns offer a tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted deeply and cannot be eradicated completely.
Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’
Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.
Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.
Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’
Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.
Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.
Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’
Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.
Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.
My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.
The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.
This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.
Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”
“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?
“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?
Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”
Põdral maja metsa sees, väiksest aknast välja vaatab.
There’s a moose in the forest, he has a house with tiny windows.
Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”
Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.
A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.
Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure
Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”
Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.
Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Lisateave
Solveig Jahnke
Kommunikatsioonijuht/Head of Communications
solveig.jahnke@artun.ee
Tel +372 6267 111
Mob +372 5626 4949
www.artun.ee
TASE FILM invites: Student films from 2016/17 and a guest documentary about our very own Natalya
Friday 09 June, 2017
Homme, 9. juunil kell 17.00 – 20.00 linastuvad Kino Sõpruses TASE FILMIL Eesti Kunstiakadeemia 2016/17 tudengifilmide paremik. Esmakordselt linastub TASE FILMIl külalislinateos “Natalja” (Kadi Poll, Laura Kõrvits), mis võitis Balti Filmi- ja Meediakooli parim dokumentaali tiitli. Film räägib EKA modellist Nataljast. Sissejuhatuse teeb produtsent Laura Kõrvits.
Seekord tegi valiku žürii koosseisus kunstnik Kristi Kongi, kunstiteadlane Keiu Krikmann, kunstnik Olivia Verev (I TASE FILM korraldaja), graafiline disainer/visuaalkunstnik Norman Orro, turundusspetsialist/kunstnik Rachel Kinbar, animatsiooni osakonna juhataja Helen Unt ja kommunikatsiooni osakonna juhataja Solveig Jahnke.
Valikusse sattusid filmid nii vabade kunstide, arhitektuuri- kui disainiteaduskonnast. Ringvaatesse saavad ka valitud lühikatsetused ja moestilistika reklaamfilmid, mida saavad näha varased saabujad alates kell 16.30.
Kõik on teretulnud! Pilet 2 Eurot.
—
Screening of EAA Student Films of 2016 and 2017. In addition, for the first time – a guest film from Baltic Film and Media School – Best Documentary” about the EAA model Natalya.
Special priced ticket – 2 Euros!
Programm
16:30 eelseanss
(Ringvaade)
17.00 – 20.00
Žürii valitud filmid
I sessioon
Natalja (13 min) – Režissöör Kadi Poll, produtsent Laura Kõrvits (BFM parim dokk!).
I TASE külalisfilm, mis räägib loo EKA modellist Nataljast.
OFF (11 min) – Kelli Gedvil
Ma olin jõudnud oma loomaprotsessis punkti, kus millegi loomiseks, oli vaja vana pind hävitada. Nii eemaldasin need vanad kihid kihtide haaval.
Reidi tee projekt – Juhan Teppart
Urbanistika magistritöö osana valminud dokfilmi. Magistritöö uurib Reidi tee projekteerimise ümber lahvatanud konflikti, selle erinevaid osapooli ja mõju teeprojekti menetlemisele. Dokfilm on kokku lõigatud magistritöö raames läbiviidud intervjuudest ja toob välja võtmeisikute rollid ja eri osapoolte vastandlikud seisukohad ja Tallinna linnaplaneerimise murekohad.
Kokku kestvus 56:25 min
—
II sessioon
Freedog Trippo Priidik (7 min) – Vello Lutter
Käesoleva aasta alguses toimus EKA graafilise disaini II kuruse tudengite eksperimentaalsete lühidokumentaalfilmide workshop “14 karakterit”. Minu poolt valmis film “Freedog Trippo Priidik”, milles räägib oma nägemusest ja nime valimisest muusik Priidik Hallas. Muusika filmis on tema enda looming. Film ise on tänu oma tempole ja peategelase karakterile 7-minutiline vitamiinipomm.
Funeral (32 min) – Robin Nõgisto
Autorifilm, mis jutustab igavikulise loo elust ja surmast. Robin Nõgisto film “Funeral” ei ole religioosne film, vaid räägib lugu autori enda loodud mütoloogilisest maailmast.
Filmis põimuvad läbi kolm tegelast, kes kõik on otsingutel, otsides neile kuuluvat vabadust. Lugu keerleb ümber noormehe, kes on kahe maailma vahel kinni ja kelle missiooniks on leida lepitus iseendaga, kuid hoopis leiab armastuse keda on igatsenud.
“Funeral” on kõike muud kui dramaturgia, tegemist on kunstniku omanäolise positsiooniga. See seisab kõige eest mida autor omal nahal tunneb ja tunnetab.
Teos on filmitud anamorphic objektiiviga ja on mõeldud spetsiaalselt suurele ekraanile.
Filmis löövad kaasa peale autori enda, Roosi Natali Nõgisto ja Olivia Verev.
Kokku kestvus 39 min
—
III sessioon TASE Anima
Aggie Lee Pak Yee
Muteum
Joonisfilm / drawn film
4’09’’
Kunstimuuseumis me peaksime olema…
In an Art Museum, we ought to be…
Evgeniia Golikova
Don’t wake / Ära ärata
Maalianimatsioon / paint-on-glass
5’30’’
A man spent most of his life in a prison.His body fully covered with tattoos, which says plenty about his criminal past and high authority status. But at one point, the time came to leave the prison… Would it be easy for the inmate to leave his Zone – comfort zone?
Mees veetis enamus oma elust vanglas. Tema keha on üleni kaetud tätoveeringutega, mis räägivad tema kriminaalsest minevikust ja kõrgest positsioonist. Aga ühel hetkel saab ta vanglast välja.. Kui lihtne on tal lahkuda oma Tsoonist, oma mugavustsoonist?
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’
Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.
A bored cow tries to find some means of self expression. Some visiting clowns offer a
tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread
of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted
deeply and cannot be eradicated completely.
Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’
Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.
Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.
Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’
Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.
Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.
Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’
Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.
Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.
My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.
The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.
This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.
Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”
“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?
“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?
Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”
Põdral maja metsa sees, väiksest aknast välja vaatab.
There’s a moose in the forest, he has a house with tiny windows.
Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”
Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.
A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.
Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure
Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”
Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.
Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’
Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.
A bored cow tries to find some means of self expression. Some visiting clowns offer a tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted deeply and cannot be eradicated completely.
Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’
Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.
Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.
Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’
Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.
Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.
Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’
Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.
Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.
My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.
The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.
This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.
Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”
“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?
“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?
Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”
Põdral maja metsa sees, väiksest aknast välja vaatab.
There’s a moose in the forest, he has a house with tiny windows.
Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”
Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.
A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.
Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure
Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”
Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.
Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Lisateave
Solveig Jahnke
Kommunikatsioonijuht/Head of Communications
solveig.jahnke@artun.ee
Tel +372 6267 111
Mob +372 5626 4949
www.artun.ee
03.06.2017
Estonia’s most successful commercial gallery of contemporary art starts its second season!
Last summer the travelling gallery met more than 500 new art friends and found a home for 50 artworks. This Saturday at 2pm everyone is invited to the season opening event in the forecourt of gallery ISFAG (Põhja pst 35, right next to EKKM)
During the festivities Kirill Tulin will replace the gallery’s broken clutch, Camille Laurelli will open a one-day exhibition and music will be selected by this season’s resident artist Art Nõukas. As always, artworks by the gallery artists Art ja Helena, Rosa-Violetta Grötsch, Johnson&Johnson, Camille Laurelli, Anna Mari Liivrand and Hanna Piksarv will be sold. A new addition to the line-up is Liina Pääsuke, whose works will be available for purchase starting this Saturday.
After touring fairs and festivals in 2016, the gallery will now set its sights on Estonia’s neighbours. This summer the gallery will host Art Nõukas’ film project “Lost and found cinema” visiting different art centres across the Baltics, but none of the capital cities. “Whether travelling in Estonia with a foreign artist or taking a local artist abroad, the aim is still to offer an alternative platform for experiencing art in a field that is largely concentrated around capitals,” comments gallerist and project initiator Siim Preiman, “that’s why this year we’ll be tracking down other small initiatives like ourselves, share each other’s experiences and hopefully meet each other’s friends.”
The opening event this Saturday is the first chance this year to be a part of the gallery’s activities and to hear the latest whispers about the future. If all goes according to plan, the summer tour will take place in the second half of July.
Kirill Tulin (b 1989) is an artist living in Tallinn who has not graduated from the Academy of Arts or any other university. He constantly questions the role of traditional galleries and other art institutions. In February 2017, he initiated the performative action “We are about to come up with a title, please bear with us” in Tallinn Art Hall that gave visitors a chance to see how exhibitions are made.
Camille Laurelli (b 1981) is a French-born artist, currently living and working in Tallinn. He has studied in art schools in Annecy and Grenoble. Laurelli started his career as a photo artist but now merges different areas of art in his practice and questions the value of art in a world increasingly overtaken by technology. He has participated in the exhibitions “Side effects” and “& So On & So Forth”, both at EKKM in 2013. In 2016, he curated the show “Infinite Lives” with co-curator Nicolas Audureau at Tallinn City Gallery.
Art Nõukas (b 1992) is an artist living and working in Tallinn. He graduated from the sculpture and installation department at the Estonian Academy of Arts in 2017. In his installations he largely relies on visuals and methods borrowed from films and often positions the silver screen at the centre of his dramatic scenographies. His latest solo show “Oh, why do we play this game?” with Helena Keskküla, took place at Hobusepea gallery in spring 2016.
Facebook event: https://www.facebook.com/events/212457265938217
Thanks: Eesti Kultuurkapital, Tamara Luuk, Villem Säre
Image: Johanna Heikkilä “Nähdäkseni sinut”. Exhibition view. galerii galerii 2016.
Galerii galerii is a travelling contemporary art gallery built in the back of a ‘91 Transit van that started operating in 2016. The gallery hosts solo shows by young international artists, represents a growing number of more and less known contemporary artists and actively takes art to new publics. During its first season galerii galerii toured fairs and festivals all over Estonia, visiting the towns of Rakvere, Võru, Viljandi and Toila. In 2017 the gallery aims to visit art centres in Estonia, Latvia and Lithuania.
More information:
Siim Preiman
gallerist
+372 53432526
galerist@galeriigalerii.ee
www.galeriigalerii.ee
Estonia’s most successful commercial gallery of contemporary art starts its second season!
Saturday 03 June, 2017
Last summer the travelling gallery met more than 500 new art friends and found a home for 50 artworks. This Saturday at 2pm everyone is invited to the season opening event in the forecourt of gallery ISFAG (Põhja pst 35, right next to EKKM)
During the festivities Kirill Tulin will replace the gallery’s broken clutch, Camille Laurelli will open a one-day exhibition and music will be selected by this season’s resident artist Art Nõukas. As always, artworks by the gallery artists Art ja Helena, Rosa-Violetta Grötsch, Johnson&Johnson, Camille Laurelli, Anna Mari Liivrand and Hanna Piksarv will be sold. A new addition to the line-up is Liina Pääsuke, whose works will be available for purchase starting this Saturday.
After touring fairs and festivals in 2016, the gallery will now set its sights on Estonia’s neighbours. This summer the gallery will host Art Nõukas’ film project “Lost and found cinema” visiting different art centres across the Baltics, but none of the capital cities. “Whether travelling in Estonia with a foreign artist or taking a local artist abroad, the aim is still to offer an alternative platform for experiencing art in a field that is largely concentrated around capitals,” comments gallerist and project initiator Siim Preiman, “that’s why this year we’ll be tracking down other small initiatives like ourselves, share each other’s experiences and hopefully meet each other’s friends.”
The opening event this Saturday is the first chance this year to be a part of the gallery’s activities and to hear the latest whispers about the future. If all goes according to plan, the summer tour will take place in the second half of July.
Kirill Tulin (b 1989) is an artist living in Tallinn who has not graduated from the Academy of Arts or any other university. He constantly questions the role of traditional galleries and other art institutions. In February 2017, he initiated the performative action “We are about to come up with a title, please bear with us” in Tallinn Art Hall that gave visitors a chance to see how exhibitions are made.
Camille Laurelli (b 1981) is a French-born artist, currently living and working in Tallinn. He has studied in art schools in Annecy and Grenoble. Laurelli started his career as a photo artist but now merges different areas of art in his practice and questions the value of art in a world increasingly overtaken by technology. He has participated in the exhibitions “Side effects” and “& So On & So Forth”, both at EKKM in 2013. In 2016, he curated the show “Infinite Lives” with co-curator Nicolas Audureau at Tallinn City Gallery.
Art Nõukas (b 1992) is an artist living and working in Tallinn. He graduated from the sculpture and installation department at the Estonian Academy of Arts in 2017. In his installations he largely relies on visuals and methods borrowed from films and often positions the silver screen at the centre of his dramatic scenographies. His latest solo show “Oh, why do we play this game?” with Helena Keskküla, took place at Hobusepea gallery in spring 2016.
Facebook event: https://www.facebook.com/events/212457265938217
Thanks: Eesti Kultuurkapital, Tamara Luuk, Villem Säre
Image: Johanna Heikkilä “Nähdäkseni sinut”. Exhibition view. galerii galerii 2016.
Galerii galerii is a travelling contemporary art gallery built in the back of a ‘91 Transit van that started operating in 2016. The gallery hosts solo shows by young international artists, represents a growing number of more and less known contemporary artists and actively takes art to new publics. During its first season galerii galerii toured fairs and festivals all over Estonia, visiting the towns of Rakvere, Võru, Viljandi and Toila. In 2017 the gallery aims to visit art centres in Estonia, Latvia and Lithuania.
More information:
Siim Preiman
gallerist
+372 53432526
galerist@galeriigalerii.ee
www.galeriigalerii.ee