Events
18.05.2024 — 19.05.2024
Invitation to Fair Enough (Art) Book Fair
We warmly welcome you to visit the Fair Enough (Art) Book Fair, happening for the first time on 18 – 19 of May in Tallinn!
Come by to buy a book, meet interesting publishers, listen to a talk and hang out with nice people! We will be presenting and selling publications made by over 30 different artists and publishers around the world. In addition there will be a public program consisting of talks, publication launches, radio and music!
The book fair is located at ETC. (Niine 8a) and is open between 11.00–16.00 on Saturday and 11.00–15.00 on Sunday.
Follow us on Instagram to get up-to-date information about our program @fairenough_bookfair
Fair Enough (Art) Book Fair is kindly sponsored by Cultural Endowment of Estonia and Põhjala Brewery.
Hope to see you soon,
Agnes Isabelle & Linnea from Fair Enough Book Fair
Invitation to Fair Enough (Art) Book Fair
Saturday 18 May, 2024 — Sunday 19 May, 2024
We warmly welcome you to visit the Fair Enough (Art) Book Fair, happening for the first time on 18 – 19 of May in Tallinn!
Come by to buy a book, meet interesting publishers, listen to a talk and hang out with nice people! We will be presenting and selling publications made by over 30 different artists and publishers around the world. In addition there will be a public program consisting of talks, publication launches, radio and music!
The book fair is located at ETC. (Niine 8a) and is open between 11.00–16.00 on Saturday and 11.00–15.00 on Sunday.
Follow us on Instagram to get up-to-date information about our program @fairenough_bookfair
Fair Enough (Art) Book Fair is kindly sponsored by Cultural Endowment of Estonia and Põhjala Brewery.
Hope to see you soon,
Agnes Isabelle & Linnea from Fair Enough Book Fair
07.06.2024
Portfolio Café 2024
Portfolio Café is a portfolio feedback event held annually during spring semester as a satellite to EKA graduation show TASE. It is designed as a series of one-on-one meetings between invited art field professionals and EKA Fine Art’s BA and MA students. Each meeting lasts approximately 30 minutes. During these sessions, students present themselves and their work, while experts offer feedback, ask questions, and share insights.
Registration: Portfolio Café invites all fine arts students from the BA and MA levels to participate. Participants will be selected based on their submitted portfolios. Limited spots! To apply, please fill out this registration form lates on June 3.
Portfolio Café 2024 takes place on June 7 from 10:00-16:00 at EKA Library. All Portfolio Café sessions are held in English.
EXPERTS
Juliane Foronda (she/her) is a Filipina-Canadian artist, writer, and researcher. Predominantly through object, intervention and text, her practice is invested in radical care, feminist hospitality, and traditions of gathering. She’s influenced by (found and fabricated) structures, built environments, and hidden labour, and her work negotiates how these notions play with the tension between reality and possibility, truth and imagination, and knowing and not knowing. A significant aspect of her arts practice involves archival and collections research. Her investment in this work unfolds with her affinity of learning about what people choose to keep close and why, as well as how communities are built, maintained, and preserved. She earned her MA in Fine Arts from Listaháskóli Íslands/Iceland University of the Arts, and her BA in Studio Art from the University of Guelph. She is a current resident at the Helsinki International Artist Programme (FI).
Jussi Koitela is an independent curator and Head of Programme at Frame Contemporary Art Finland and will move to a new position as a Director of M-cult in June 2024. His curatorial work intertwines art, embodied research methods, urban spatial contexts, collaboration, hospitality, and materiality in various forms of exhibitions and knowledge production.
He is currently curator of the Pavilion of Finland at the 60th International Art Exhibition – La Biennale di Venezia together with Yvonne Billmore (20 April -24 November 2024). Between 2019 to 2023 they also curated ‘Rehearsing Hospitalities’, Frame’s public programme. He is also curating “Measures” Survival Kit 2024 exhibition organised by Latvian Center of Contemporary Art, opening September 2024 in Riga.
His selected curatorial work includes: Conflicting Relations at Vera List Center for Art and Politics, New York, Editorial Tables: Reciprocal Hospitalities at The Showroom, London, Secured – Politics of Bodies and Space at Vantaa Art Museum Artsi. Performing the Fringe at Konsthall C, Stockholm and Pori Art Museum, Pori Entangling Matter and Meaning/Intra-Structures – Monster of the Seven Lakes at Treignac Projet, Mattering City at SixtyEight Art Institute, Copenhagen, City Agents at Estonian Museum of Contemporary Art (EKKM), Tallinn, Skills of Economy Sessions at Finnish Theatre Academy, Baltic Circle Festival and Kiasma Museum of Contemporary Art, and Untitled (two takes on crises) – You Must Make Your Death Public at de Appel Art Centre, Amsterdam.
He has edited, among others, Rehearsing Hospitalities Companions 1-4 published by Archive Books, 2019 – 2022 with Yvonne Billimore, the Finnish Art Policy Handbook published by Checkpoint Helsinki/Publics and Baltic Circle Festival 2015, Falling In — Movement and Becoming in Curatorial Research with Dahila El Broul and Ksenia Kaverina, published by Mousse Publishing, 2024 and The pleasures we choose with Yvonne Billimore, published by k.verlag, 2024.
Mailis Timmi is a curatorial MA student at Estonian Academy of Arts and the founder and director of Tütar Gallery. Prior to her immersion in the art world, Mailis spent 17 years in strategic communications and advertising, where she gained experience in supporting younger generation artists in their quest to be seen and recognised.
Florian & Michael Quistrebert are an artist duo whose recent work explores the paradoxes between the sacred and the material through immersive exhibitions that combine paintings and videos. Both artists graduated from the École Nationale Supérieure des Beaux-Arts in Nantes and have collaborated since 2007. The duo focuses on the power and fascination of light, often creating immersive experiences that provoke extra-optical and synesthetic perceptions among viewers.
Florian & Michael Quistrebert’s works are included in numerous public and private collections. Their notable exhibitions include “Visions of Void” at Dundee Contemporary Arts in 2015, “The Light of the Light” at Palais de Tokyo in 2016, “ZigZag” at CCCOD in Tours in 2019, and “Silent Symphony” at Dirimart in Istanbul. The artists often design their exhibition spaces to resemble a luminous opera, featuring dynamic elements such as blazing torments, lightning rays, serene shimmers, and crescendos of illumination.
Portfolio Café 2024
Friday 07 June, 2024
Portfolio Café is a portfolio feedback event held annually during spring semester as a satellite to EKA graduation show TASE. It is designed as a series of one-on-one meetings between invited art field professionals and EKA Fine Art’s BA and MA students. Each meeting lasts approximately 30 minutes. During these sessions, students present themselves and their work, while experts offer feedback, ask questions, and share insights.
Registration: Portfolio Café invites all fine arts students from the BA and MA levels to participate. Participants will be selected based on their submitted portfolios. Limited spots! To apply, please fill out this registration form lates on June 3.
Portfolio Café 2024 takes place on June 7 from 10:00-16:00 at EKA Library. All Portfolio Café sessions are held in English.
EXPERTS
Juliane Foronda (she/her) is a Filipina-Canadian artist, writer, and researcher. Predominantly through object, intervention and text, her practice is invested in radical care, feminist hospitality, and traditions of gathering. She’s influenced by (found and fabricated) structures, built environments, and hidden labour, and her work negotiates how these notions play with the tension between reality and possibility, truth and imagination, and knowing and not knowing. A significant aspect of her arts practice involves archival and collections research. Her investment in this work unfolds with her affinity of learning about what people choose to keep close and why, as well as how communities are built, maintained, and preserved. She earned her MA in Fine Arts from Listaháskóli Íslands/Iceland University of the Arts, and her BA in Studio Art from the University of Guelph. She is a current resident at the Helsinki International Artist Programme (FI).
Jussi Koitela is an independent curator and Head of Programme at Frame Contemporary Art Finland and will move to a new position as a Director of M-cult in June 2024. His curatorial work intertwines art, embodied research methods, urban spatial contexts, collaboration, hospitality, and materiality in various forms of exhibitions and knowledge production.
He is currently curator of the Pavilion of Finland at the 60th International Art Exhibition – La Biennale di Venezia together with Yvonne Billmore (20 April -24 November 2024). Between 2019 to 2023 they also curated ‘Rehearsing Hospitalities’, Frame’s public programme. He is also curating “Measures” Survival Kit 2024 exhibition organised by Latvian Center of Contemporary Art, opening September 2024 in Riga.
His selected curatorial work includes: Conflicting Relations at Vera List Center for Art and Politics, New York, Editorial Tables: Reciprocal Hospitalities at The Showroom, London, Secured – Politics of Bodies and Space at Vantaa Art Museum Artsi. Performing the Fringe at Konsthall C, Stockholm and Pori Art Museum, Pori Entangling Matter and Meaning/Intra-Structures – Monster of the Seven Lakes at Treignac Projet, Mattering City at SixtyEight Art Institute, Copenhagen, City Agents at Estonian Museum of Contemporary Art (EKKM), Tallinn, Skills of Economy Sessions at Finnish Theatre Academy, Baltic Circle Festival and Kiasma Museum of Contemporary Art, and Untitled (two takes on crises) – You Must Make Your Death Public at de Appel Art Centre, Amsterdam.
He has edited, among others, Rehearsing Hospitalities Companions 1-4 published by Archive Books, 2019 – 2022 with Yvonne Billimore, the Finnish Art Policy Handbook published by Checkpoint Helsinki/Publics and Baltic Circle Festival 2015, Falling In — Movement and Becoming in Curatorial Research with Dahila El Broul and Ksenia Kaverina, published by Mousse Publishing, 2024 and The pleasures we choose with Yvonne Billimore, published by k.verlag, 2024.
Mailis Timmi is a curatorial MA student at Estonian Academy of Arts and the founder and director of Tütar Gallery. Prior to her immersion in the art world, Mailis spent 17 years in strategic communications and advertising, where she gained experience in supporting younger generation artists in their quest to be seen and recognised.
Florian & Michael Quistrebert are an artist duo whose recent work explores the paradoxes between the sacred and the material through immersive exhibitions that combine paintings and videos. Both artists graduated from the École Nationale Supérieure des Beaux-Arts in Nantes and have collaborated since 2007. The duo focuses on the power and fascination of light, often creating immersive experiences that provoke extra-optical and synesthetic perceptions among viewers.
Florian & Michael Quistrebert’s works are included in numerous public and private collections. Their notable exhibitions include “Visions of Void” at Dundee Contemporary Arts in 2015, “The Light of the Light” at Palais de Tokyo in 2016, “ZigZag” at CCCOD in Tours in 2019, and “Silent Symphony” at Dirimart in Istanbul. The artists often design their exhibition spaces to resemble a luminous opera, featuring dynamic elements such as blazing torments, lightning rays, serene shimmers, and crescendos of illumination.
13.05.2024
Screening: “Kaarel Kurismaa. Beyond the Limits of Timelessness”
Kaarel Kurismaa. Beyond the Limits of Timelessness
Documentary
59 min
Estonia 2024
A documentary about the Estonian artist Kaarel Kurismaa shows the viewer an insight into the world of artists.
Kaarel Kurismaa laid the foundations for Estonian kinetic and sound art. He is a highly versatile artist whose creative energy is divided between painting, sound, installation, monumental art, and film. Kaarel has changed his creative direction several times; he has explored different artistic styles.
On the crest of the avant-garde wave of the 1970s, he created several important sound and kinetic objects in Estonian art history. From the mid-1970s, Kurismaa worked as an artist, director, and cinematographer at Eesti Joonisfilm and Nukufilm. In the 1980s, Kurismaa became more interested in making space and monumental art. He created a number of remarkable public space objects that synthesised the key elements of his work – sound and movement. Only one of these objects has survived to this day – the Tallinn tram.
The 1990s marked another turning point in Kurismaa’s work. Sound objects inspired by pop art aesthetics were replaced by contemporary site-specific space and sound installations.
The film features friends and colleagues of Kaarel Kurismaa: Tiit Pääsuke, Tamara Luuk, Olga Temnikova, Ragne Soosalu, Sirje Helme, Andres Kurg and Kiwa, who share their experiences and talk about their collaboration with the artist. We can see unique archival footage and private archive photographs, get a glimpse of the work of various artists, and follow the process of creating art.
Director: Aljona Suržikova
Producer: Sergei Trofimov
diafilm.ee
Screening: “Kaarel Kurismaa. Beyond the Limits of Timelessness”
Monday 13 May, 2024
Kaarel Kurismaa. Beyond the Limits of Timelessness
Documentary
59 min
Estonia 2024
A documentary about the Estonian artist Kaarel Kurismaa shows the viewer an insight into the world of artists.
Kaarel Kurismaa laid the foundations for Estonian kinetic and sound art. He is a highly versatile artist whose creative energy is divided between painting, sound, installation, monumental art, and film. Kaarel has changed his creative direction several times; he has explored different artistic styles.
On the crest of the avant-garde wave of the 1970s, he created several important sound and kinetic objects in Estonian art history. From the mid-1970s, Kurismaa worked as an artist, director, and cinematographer at Eesti Joonisfilm and Nukufilm. In the 1980s, Kurismaa became more interested in making space and monumental art. He created a number of remarkable public space objects that synthesised the key elements of his work – sound and movement. Only one of these objects has survived to this day – the Tallinn tram.
The 1990s marked another turning point in Kurismaa’s work. Sound objects inspired by pop art aesthetics were replaced by contemporary site-specific space and sound installations.
The film features friends and colleagues of Kaarel Kurismaa: Tiit Pääsuke, Tamara Luuk, Olga Temnikova, Ragne Soosalu, Sirje Helme, Andres Kurg and Kiwa, who share their experiences and talk about their collaboration with the artist. We can see unique archival footage and private archive photographs, get a glimpse of the work of various artists, and follow the process of creating art.
Director: Aljona Suržikova
Producer: Sergei Trofimov
diafilm.ee
02.05.2024
Open architecture lecture: Lara Almarcegui
he Open Lecture series of the EKA Faculty of Architecture will take place in the spring of 2024 under the general title Unlearning.
The lecture series aims to engage with values, imaginaries and systems of knowledge that shape the contemporary fields of architecture and urbanism. Unlearning is coordinated by Maroš Krivý, professor of Urban Studies.
According to Gayatri Spivak, for example, unlearning concerns not only what is said, but also what is not said as part of an ideological formation. There is now a broad push to transform design from a practice subservient to elite interests to a comprehensive, interdisciplinary practice capable of responding to a range of social and environmental urgencies. As part of this transformation, the four lectures engage with existing architectural imaginaries while proposing alternative ones.
On May 2, Lara Almarcegui will present in the EKA hall a lecture “Construction Rubble, Wastelands and Mining Rights: who owns the ground and who can extract it”.
The work of Lara Almarcegui poses questions about the current state of the construction, development, use, and decay of spaces that are apparently peripheral to the city. In her large- scale projects she provokes a dialogue between the different elements that make up the physical reality of the urban landscape, in its constant transformation through demolitions, excavations, construction materials, and contemporary ruins.
Reflecting on extraction for the production of space, the raw material installations by Lara Almarcegui underline the relation between the constructed, the city, who owns its geology and the ground where it is settled. To highlight the large volumes involved and the materiality of the built environment, Almarcegui made piles of the gravel extracted each day by a quarry in the city of Basel, 1 000 tons. (project commissioned by Creative Time, Messe Basel, 2018). Inventories of construction materials were carried out to analyse the origins of the built environment: Sâo Paolo is built out of 446 million tons of concrete (Sâo Paulo Biennial 2006). M+ in Hong Kong, one of the most recent major museum projects, is made of 168 938 tons of gravel.
Who owns ground and resources and who has the right to extract them? Legally, natural resources are publicly owned, but governments can grant them to mining companies in the form of exploration or extraction rights. As part of the inquiry on underneath ownership and who has the right to exploit these natural resources, Almarcegui has been acquiring exploration rights (Mineral Rights, Graz, 2015-ongoing). Tveitvangen, nearby Oslo, (2015-ongoing), the exploration mineral rights extend over an area of one square kilometre, and reach from the subsoil down to the centre of the earth.
Lara Almarcegui’s artistic practice explores the material aspects of land and urban space. She has worked in different cities, identifying abandoned, unused, or forgotten sites and examining the contemporary transformation processes brought about by social, political, and economic change. In recent years, Almarcegui has turned her attention to construction sites, in particular the composite materials used in the construction of new buildings and the cyclical relationship between land and architecture. Almarcegui represented Spain at the 55th Venice Biennale (2013).
The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.
All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.
Schedule of the spring lectures:
March 14 at 6 pm Jess Myers
April 4 at 6 pm Oulimata Gueye
April 18 at 6 pm Henriette Steiner
May 2 at 6 pm Lara Almárcegui
Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year. See all the lectures: www.avatudloengud.ee
The lecture series is supported by the Cultural Endowment of Estonia.
Open architecture lecture: Lara Almarcegui
Thursday 02 May, 2024
he Open Lecture series of the EKA Faculty of Architecture will take place in the spring of 2024 under the general title Unlearning.
The lecture series aims to engage with values, imaginaries and systems of knowledge that shape the contemporary fields of architecture and urbanism. Unlearning is coordinated by Maroš Krivý, professor of Urban Studies.
According to Gayatri Spivak, for example, unlearning concerns not only what is said, but also what is not said as part of an ideological formation. There is now a broad push to transform design from a practice subservient to elite interests to a comprehensive, interdisciplinary practice capable of responding to a range of social and environmental urgencies. As part of this transformation, the four lectures engage with existing architectural imaginaries while proposing alternative ones.
On May 2, Lara Almarcegui will present in the EKA hall a lecture “Construction Rubble, Wastelands and Mining Rights: who owns the ground and who can extract it”.
The work of Lara Almarcegui poses questions about the current state of the construction, development, use, and decay of spaces that are apparently peripheral to the city. In her large- scale projects she provokes a dialogue between the different elements that make up the physical reality of the urban landscape, in its constant transformation through demolitions, excavations, construction materials, and contemporary ruins.
Reflecting on extraction for the production of space, the raw material installations by Lara Almarcegui underline the relation between the constructed, the city, who owns its geology and the ground where it is settled. To highlight the large volumes involved and the materiality of the built environment, Almarcegui made piles of the gravel extracted each day by a quarry in the city of Basel, 1 000 tons. (project commissioned by Creative Time, Messe Basel, 2018). Inventories of construction materials were carried out to analyse the origins of the built environment: Sâo Paolo is built out of 446 million tons of concrete (Sâo Paulo Biennial 2006). M+ in Hong Kong, one of the most recent major museum projects, is made of 168 938 tons of gravel.
Who owns ground and resources and who has the right to extract them? Legally, natural resources are publicly owned, but governments can grant them to mining companies in the form of exploration or extraction rights. As part of the inquiry on underneath ownership and who has the right to exploit these natural resources, Almarcegui has been acquiring exploration rights (Mineral Rights, Graz, 2015-ongoing). Tveitvangen, nearby Oslo, (2015-ongoing), the exploration mineral rights extend over an area of one square kilometre, and reach from the subsoil down to the centre of the earth.
Lara Almarcegui’s artistic practice explores the material aspects of land and urban space. She has worked in different cities, identifying abandoned, unused, or forgotten sites and examining the contemporary transformation processes brought about by social, political, and economic change. In recent years, Almarcegui has turned her attention to construction sites, in particular the composite materials used in the construction of new buildings and the cyclical relationship between land and architecture. Almarcegui represented Spain at the 55th Venice Biennale (2013).
The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.
All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.
Schedule of the spring lectures:
March 14 at 6 pm Jess Myers
April 4 at 6 pm Oulimata Gueye
April 18 at 6 pm Henriette Steiner
May 2 at 6 pm Lara Almárcegui
Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year. See all the lectures: www.avatudloengud.ee
The lecture series is supported by the Cultural Endowment of Estonia.
24.04.2024
Interior architecture master’s programme information session
On Wednesday, April 24, from 17:30 to 19:00, there will be an information session on the master’s degree program in interior architecture. The meeting will take place in the common area of the Faculty of Architecture students of the EKA study building on the fourth floor (C-400). We will also broadcast the meeting on Zoom, which will also be recorded. The event will take place in Estonian.
In the information session, the head of the curriculum, Gregor Taul, will give an overview of the courses and projects that have taken place so far, on the one hand, and give a more detailed overview of the plans for next year. In addition, we will talk about admission and try to answer your questions.
You can familiarise yourself with the curriculum in advance in Tahvel. We also recommend looking at the department’s latest newspaper. Current information about student activities can also be found on the department’s website and on Facebook and Instagram.
If you are interested, please register via the Google form.
Interior architecture master’s programme information session
Wednesday 24 April, 2024
On Wednesday, April 24, from 17:30 to 19:00, there will be an information session on the master’s degree program in interior architecture. The meeting will take place in the common area of the Faculty of Architecture students of the EKA study building on the fourth floor (C-400). We will also broadcast the meeting on Zoom, which will also be recorded. The event will take place in Estonian.
In the information session, the head of the curriculum, Gregor Taul, will give an overview of the courses and projects that have taken place so far, on the one hand, and give a more detailed overview of the plans for next year. In addition, we will talk about admission and try to answer your questions.
You can familiarise yourself with the curriculum in advance in Tahvel. We also recommend looking at the department’s latest newspaper. Current information about student activities can also be found on the department’s website and on Facebook and Instagram.
If you are interested, please register via the Google form.
22.04.2024 — 08.05.2024
EKA Pop-Up Workshops
EKA Pop-Up is the spring festival of the Estonian Academy of Arts in Telliskivi Creative City. We invite young and old to various workshops conducted by EKA students!
The following workshops are planned:
22.04 at 17:30 Abstract painting workshop (suitable for both young and old). Instructor: Santa Zukker
23.04 at 15:00 Painting with glass balls (suitable for both young and old). Instructor: Kaisa Uik
23.04 at 17:00 Painting with glass balls (suitable for both young and old). Instructor: Kaisa Uik
24.04 at 17:00 Crafting from leather strips (suitable for both young and old). Supervisors: Mariann Henrikson and Karolin Eks
25.04 at 15:30 abstract painting workshop (suitable for both young and old). Instructor: Santa Zukker
25.04 at 17:00 Textile printing with home tools (suitable for both big and small). Supervisor: Mari Maiste
28.04 at 13:00 Crafting from leather strips (suitable for both young and old). Supervisors: Mariann Henrikson and Karolin Eks
08.05 at 17:00 Textile printing with home tools (suitable for both big and small). Supervisor: Mari Maiste
The cost of the workshop is 10 euros – this amount includes the cost of materials. You can pay on the spot in cash or by bank card.
If you want to take part in the workshop, REGISTER HERE.
Also keep an eye on the EKA POP-UP Facebook page!
The event is supported by the Estonian Cultural Foundation.
Additional information:
I shook Leokin’s hand
katlin.leokin@artun.ee
EKA Pop-Up Workshops
Monday 22 April, 2024 — Wednesday 08 May, 2024
EKA Pop-Up is the spring festival of the Estonian Academy of Arts in Telliskivi Creative City. We invite young and old to various workshops conducted by EKA students!
The following workshops are planned:
22.04 at 17:30 Abstract painting workshop (suitable for both young and old). Instructor: Santa Zukker
23.04 at 15:00 Painting with glass balls (suitable for both young and old). Instructor: Kaisa Uik
23.04 at 17:00 Painting with glass balls (suitable for both young and old). Instructor: Kaisa Uik
24.04 at 17:00 Crafting from leather strips (suitable for both young and old). Supervisors: Mariann Henrikson and Karolin Eks
25.04 at 15:30 abstract painting workshop (suitable for both young and old). Instructor: Santa Zukker
25.04 at 17:00 Textile printing with home tools (suitable for both big and small). Supervisor: Mari Maiste
28.04 at 13:00 Crafting from leather strips (suitable for both young and old). Supervisors: Mariann Henrikson and Karolin Eks
08.05 at 17:00 Textile printing with home tools (suitable for both big and small). Supervisor: Mari Maiste
The cost of the workshop is 10 euros – this amount includes the cost of materials. You can pay on the spot in cash or by bank card.
If you want to take part in the workshop, REGISTER HERE.
Also keep an eye on the EKA POP-UP Facebook page!
The event is supported by the Estonian Cultural Foundation.
Additional information:
I shook Leokin’s hand
katlin.leokin@artun.ee
19.04.2024
EKA Photography 25!
On this occasion, we would like to invite you to the party on April 19 at 7 p.m. in the Botik bar (Põhjala factory, Marati 5a, Tallinn).
In the Program
19:00 Doors
19:30 A welcome by the Professor Marge Monko
20:00 Quiz – registration on the spot!
21:00 Kristjan Glück
21:30 Cake
DJs:
Ahto Külvet (Psühhoteek)
Elisa Margot Winters
Charlotte Chapuis
Taavet Kirja
Follow us:
FB: EKA Fotograafia
IG: @eka_fotograafia
EKA Photography 25!
Friday 19 April, 2024
On this occasion, we would like to invite you to the party on April 19 at 7 p.m. in the Botik bar (Põhjala factory, Marati 5a, Tallinn).
In the Program
19:00 Doors
19:30 A welcome by the Professor Marge Monko
20:00 Quiz – registration on the spot!
21:00 Kristjan Glück
21:30 Cake
DJs:
Ahto Külvet (Psühhoteek)
Elisa Margot Winters
Charlotte Chapuis
Taavet Kirja
Follow us:
FB: EKA Fotograafia
IG: @eka_fotograafia
25.04.2024
Book presentation “History of Estonian urban construction 1918–2020”
We welcome you at the presentation of the book “History of Estonian Urban Planning 1918–2020” on Thursday, April 25 at 4 p.m. in the lobby of the Estonian Academy of Arts.
The voluminous and richly illustrated book provides an overview of the last hundred years of Estonian urban planning. At that time, cities became the main residences of the population living here, and rapid urbanization made it necessary to start systematically planning cities. During the politically volatile century, land ownership and land use, the organization and financing of urban construction were shaped several times, the principles of urban construction as well as the role of the architect-planner changed.
The authors of the book deal with these changes primarily in an architectural-historical, but also in a broader cultural framework, presenting the plans that were realized as well as those left on paper, the ideas that shaped them, and the social and economic factors. Housing construction, i.e. the need to provide decent housing for an ever-increasing population, and post-war reconstruction, which was supposed to make cities better than ever, stand out as the most important topics. The book helps to understand the reasons for urban planning changes that have shaped Estonian cities in the past century into what we know them as today.
The book was compiled by Epp Lankots and Triin Ojari. Authors: Mart Kalm, Karin Hallas-Murula, Lilian Hansar, Henry Kuningas, Epp Lankots, Madis Tuuder, Triin Ojari, Riin Alatalu, Kaja Pae, Toomas Tammis, Keiti Kljavin, Maroš Krivý, Kaija-Luisa Kurik. The book was designed by Andres Tali.
Publisher: Estonian Academy of Arts
Supporters: Estonian Cultural Capital, Ministry of Education and Research, Estonian Language Institute, Estonian Association of Art Scientists and Curators, Estonian Architecture Museum, Estonian Science Agency (research grant no. PSG530).
At the presentation, the book can be purchased at a discounted price of 35 EUR.
Book presentation “History of Estonian urban construction 1918–2020”
Thursday 25 April, 2024
We welcome you at the presentation of the book “History of Estonian Urban Planning 1918–2020” on Thursday, April 25 at 4 p.m. in the lobby of the Estonian Academy of Arts.
The voluminous and richly illustrated book provides an overview of the last hundred years of Estonian urban planning. At that time, cities became the main residences of the population living here, and rapid urbanization made it necessary to start systematically planning cities. During the politically volatile century, land ownership and land use, the organization and financing of urban construction were shaped several times, the principles of urban construction as well as the role of the architect-planner changed.
The authors of the book deal with these changes primarily in an architectural-historical, but also in a broader cultural framework, presenting the plans that were realized as well as those left on paper, the ideas that shaped them, and the social and economic factors. Housing construction, i.e. the need to provide decent housing for an ever-increasing population, and post-war reconstruction, which was supposed to make cities better than ever, stand out as the most important topics. The book helps to understand the reasons for urban planning changes that have shaped Estonian cities in the past century into what we know them as today.
The book was compiled by Epp Lankots and Triin Ojari. Authors: Mart Kalm, Karin Hallas-Murula, Lilian Hansar, Henry Kuningas, Epp Lankots, Madis Tuuder, Triin Ojari, Riin Alatalu, Kaja Pae, Toomas Tammis, Keiti Kljavin, Maroš Krivý, Kaija-Luisa Kurik. The book was designed by Andres Tali.
Publisher: Estonian Academy of Arts
Supporters: Estonian Cultural Capital, Ministry of Education and Research, Estonian Language Institute, Estonian Association of Art Scientists and Curators, Estonian Architecture Museum, Estonian Science Agency (research grant no. PSG530).
At the presentation, the book can be purchased at a discounted price of 35 EUR.
18.04.2024
Open Architecture Lecture: Henriette Steiner
The Open Lecture series of the EKA Faculty of Architecture will take place in the spring of 2024 under the general title Unlearning.
The lecture series aims to engage with values, imaginaries and systems of knowledge that shape the contemporary fields of architecture and urbanism. Unlearning is coordinated by Maroš Krivý, professor of Urban Studies.
According to Gayatri Spivak, for example, unlearning concerns not only what is said, but also what is not said as part of an ideological formation. There is now a broad push to transform design from a practice subservient to elite interests to a comprehensive, interdisciplinary practice capable of responding to a range of social and environmental urgencies. As part of this transformation, the four lectures engage with existing architectural imaginaries while proposing alternative ones.
On April 18, Henriette Steiner will present in the EKA hall a lecture “Before Copenhagen was “Livable”: Postmodernist Urban Development in a Time of Economic Downturn”
Henriette introduces her lecture: “Despite its limited appearances, stylistic and planning oddities, poor building quality, and current pariah status in terms of building heritage, Copenhagen’s postmodern architecture is an intrinsic part of Danish welfare architecture. With this talk, I wish to show that Copenhagen’s postmodernist development has been criticized largely for the wrong reasons, and that the period can offer alternative visions. I do this to give us a more differentiated understanding of the architecture that emerged at the turning point when Copenhagen went from being deprived and anonymous to become the image of a prosperous yet livable urban center we know today.”
Henriette Steiner is Associate Professor and Head of Section at the University of Copenhagen. She holds a PhD in history and philosophy of architecture (University of Cambridge) and works on diversity and justice in architecture and urban history often through feminist writing collectives. Recent books include Tower to Tower (with Kristin Veel, MIT Press, 2020), Touch in the Time of Corona (with Kristin Veel, De Gruyter, 2021) and Untold Stories (with Jannie Bendsen and Svava Riesto, Strandberg Publishing, 2023).
The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.
All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.
Schedule of the spring lectures:
March 14 at 6 pm Jess Myers
April 4 at 6 pm Oulimata Gueye
April 18 at 6 pm Henriette Steiner
May 2 at 6 pm Lara Almárcegui
Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year. See all the lectures: www.avatudloengud.ee
The lecture series is supported by the Cultural Endowment of Estonia.
Open Architecture Lecture: Henriette Steiner
Thursday 18 April, 2024
The Open Lecture series of the EKA Faculty of Architecture will take place in the spring of 2024 under the general title Unlearning.
The lecture series aims to engage with values, imaginaries and systems of knowledge that shape the contemporary fields of architecture and urbanism. Unlearning is coordinated by Maroš Krivý, professor of Urban Studies.
According to Gayatri Spivak, for example, unlearning concerns not only what is said, but also what is not said as part of an ideological formation. There is now a broad push to transform design from a practice subservient to elite interests to a comprehensive, interdisciplinary practice capable of responding to a range of social and environmental urgencies. As part of this transformation, the four lectures engage with existing architectural imaginaries while proposing alternative ones.
On April 18, Henriette Steiner will present in the EKA hall a lecture “Before Copenhagen was “Livable”: Postmodernist Urban Development in a Time of Economic Downturn”
Henriette introduces her lecture: “Despite its limited appearances, stylistic and planning oddities, poor building quality, and current pariah status in terms of building heritage, Copenhagen’s postmodern architecture is an intrinsic part of Danish welfare architecture. With this talk, I wish to show that Copenhagen’s postmodernist development has been criticized largely for the wrong reasons, and that the period can offer alternative visions. I do this to give us a more differentiated understanding of the architecture that emerged at the turning point when Copenhagen went from being deprived and anonymous to become the image of a prosperous yet livable urban center we know today.”
Henriette Steiner is Associate Professor and Head of Section at the University of Copenhagen. She holds a PhD in history and philosophy of architecture (University of Cambridge) and works on diversity and justice in architecture and urban history often through feminist writing collectives. Recent books include Tower to Tower (with Kristin Veel, MIT Press, 2020), Touch in the Time of Corona (with Kristin Veel, De Gruyter, 2021) and Untold Stories (with Jannie Bendsen and Svava Riesto, Strandberg Publishing, 2023).
The lectures are intended for all disciplines, not only for students and professionals in the field of architecture.
All lectures are held on Thursdays at 6 pm in the EKA main auditorium. All lectures are in English and free of charge.
Schedule of the spring lectures:
March 14 at 6 pm Jess Myers
April 4 at 6 pm Oulimata Gueye
April 18 at 6 pm Henriette Steiner
May 2 at 6 pm Lara Almárcegui
Within the framework of a series of open lectures, the Faculty of Architecture of EKA presents a dozen unique practitioners and valued theorists in the field in Tallinn every academic year. See all the lectures: www.avatudloengud.ee
The lecture series is supported by the Cultural Endowment of Estonia.
15.04.2024
T4EU discussion “How to Make Science More Engaging and Social?”
Transform4Europe discussion on Monday, April 15th from 10:00 AM to 4:45 PM (EEST) via Teams.
The training is divided into two parts. The first part focuses on citizen science, introducing its concept, limitations, and problems. The second part focuses on improving science communication skills. The program is led by experts from various institutions, aiming to increase participants’ ability to convey scientific information and navigate the challenges of today’s media landscape. International speakers including Kert Viiart (Estonian Academy of Arts) and Veljo Runnel (University of Tartu) will participate with presentations.
10:45–11:15 AM (EEST)
Exploring the Role of Private Natural History Collections in Citizen Science: Opportunities and Challenges. Veljo Runnel, Citizen Science Expert (University of Tartu, Estonia)
2:45–3:45 PM (EEST)
Navigating the Landscape of Visual Misinformation (Lecture/Seminar). Kert Viiart, Associate Professor, Graphic Designer and Visual Artist (Estonian Academy of Arts)
The full program can be found here. Pre-registration is required for the discussion. Reminders and login information will be sent 3–5 days before the event.
The program is in Central European Time (CET), which is one hour behind Estonian time.
T4EU discussion “How to Make Science More Engaging and Social?”
Monday 15 April, 2024
Transform4Europe discussion on Monday, April 15th from 10:00 AM to 4:45 PM (EEST) via Teams.
The training is divided into two parts. The first part focuses on citizen science, introducing its concept, limitations, and problems. The second part focuses on improving science communication skills. The program is led by experts from various institutions, aiming to increase participants’ ability to convey scientific information and navigate the challenges of today’s media landscape. International speakers including Kert Viiart (Estonian Academy of Arts) and Veljo Runnel (University of Tartu) will participate with presentations.
10:45–11:15 AM (EEST)
Exploring the Role of Private Natural History Collections in Citizen Science: Opportunities and Challenges. Veljo Runnel, Citizen Science Expert (University of Tartu, Estonia)
2:45–3:45 PM (EEST)
Navigating the Landscape of Visual Misinformation (Lecture/Seminar). Kert Viiart, Associate Professor, Graphic Designer and Visual Artist (Estonian Academy of Arts)
The full program can be found here. Pre-registration is required for the discussion. Reminders and login information will be sent 3–5 days before the event.
The program is in Central European Time (CET), which is one hour behind Estonian time.