Exhibitions

Kadri Liis Rääk, “Morphogenesis” 
Opening: April 4, 2025, at 18:00 
04.04.–20.04.2025
Open Mon–Sun, 12–18
ARS Project Space, Pärnu mnt. 154, Tallinn

Kadri Liis Rääk presents an immersive exhibition at ARS Project Space that explores multisensory encounters between space and the body.

“Morphogenesis” functions as a poetic ecosystem, offering opportunities for embodied interaction. The exhibition reveals metamorphoses of the creative process—transformations of materials that have taken shape through the artist’s sensitive, persistent handiwork. This method is morphogenetic, a process of giving form to ideas, creating and transforming materials, similar to biological processes and life cycles. Combining natural and synthetic matter and merging ancient craft techniques with contemporary practices, the artist creates a timeless space to contemplate relationships between mental, physical, and social realms. How do we perceive ourselves when faced with the boundaries between self and the Other? What beliefs and values shape our relationship with the environment and those around us?

Displayed sketches, drawings, and sculptures visualize the artist’s thought processes and express personal bodily experiences. The exhibition intertwines found materials, soft and rigid sculptures, creative residues, and old works reinterpreted alongside new pieces, layering new meanings. “Morphogenesis” serves as a refuge for sensitive organisms, inspired by spatial experiences from Icelandic and Peruvian landscapes as well as the forests of Hiiumaa.

Kadri Liis Rääk is a multidisciplinary artist and researcher, focusing on creating immersive and tactile environments. Operating simultaneously in the expanded fields of art and design, she investigates how tactile interactions with artworks shift perceptions and foster dialogues extending beyond the visible. She studied scenography (BA) and contemporary art (MA) at the Estonian Academy of Arts and autonomous design (MA) at the Royal Academy of Fine Arts in Ghent (KASK, Belgium). Her works engage with bodily and symbolic narratives, addressing entanglements and dialogues between humans and other life forms. She has participated in exhibitions and residencies in Peru, Czech Republic, Belgium, Denmark, Iceland, and Estonia.

Sound design: Ekke Västrik

Special thanks: Raimond Põldmaa, Marika Agu, Kerli Praks, Siim Toomet, Liina Unt, Kristjan Vahtra

The exhibition is supported by the Cultural Endowment of Estonia and the Estonian Artists’ Association

On the 3rd of April at 6pm, Hobusepea gallery will open Zody Burke’s solo exhibition “The House of Asterion”. A live performance will take place at 7pm by experimental musician & performance artist Nick Klein (US/DE).

A new series of works shall be introduced to gallery visitors, featuring sculptural high reliefs, illustrations (accompanied by short stories written by the artist), and several 3D floor-based sculptures, many of which contain oblique allegories to the Labyrinth of Greek mythology. These new works endeavor to challenge viewers to reconsider how modernity reimagines spaces of disorientation and entrapment. Through magical-realist reinterpretations of classical mythology, Burke offers varying glimpses of alternate narratives woven through the labyrinth. The sculpture Pasiphaë, Queen of the Rodeo draws thematic references from both the foundational Greek myth that inspired Borges’ story and contemporary Americana, bridging two distinct cultures—an ongoing theme in Burke’s work. The upstairs space, conceived in the clarity of the white cube, serves as a prelude to the darker, more visceral experience below. The exhibition utilises mythological tools to probe broader questions of power, identity, and the spaces we inhabit—whether spatial, digital, cultural, or existential.

Zody Burke (b.1991, Manhattan) is an American multimedia artist and musician who is currently living and working in Tallinn, Estonia. Informed by her perspective as a New Yorker displaced by the city’s economic inaccessibility, Burke creates cyphers through sculpture and other media through which to cartograph the complexity of American identity within late capitalism, exploring how this mutable identity is refracted and transfigured through the mirror of other cultural spatiality. Often utilizing narrative structures, she is interested in interfacing world-building with geological time, and visualizing a diffusion of boundaries between distinct countries & their national mythologies by the omnipresence of what lies beneath. She recently completed her master’s thesis at the Estonian Academy of Art, which attempted to bridge sociopolitical narratives, legacies, and trajectories of industrialization between Estonia & the USA.

Location Hobusepea gallery (Hobusepea 2, Tallinn)

The opening 03.04.2025 kell 18:00

Open for visit Mon, Wed-Sun 11am to 6pm

Curator Liisi Kõuhkna

Graphic design Taylor “Tex” Tehan

Title Typeface Brian Uhl

Technical support Hobusepea gallery, Gregor Sirendi

Support/Grateful to:

Cultural Endowment of Estonia, Paavli Kultuurivabrik, Valge Kuup Studio, Estonian Academy of Arts, Batuudijuss, Pruulikoda Tuletorn, Punch Club, Põhjala Pruulikoda, Kanuti Gildi Saal, Dan Edelstein, Nora Schmelter, Taylor “Tex” Tehan, Gert Gutmann, Lauri Raus, Jordan Reyes, Roberta Staats, Nora King, Harry Figueroa, Lara Brener, Nick Klein, Oscar Ramos, Jane Treima, Diandra Rebase, Michael Anthony Farley, Laura De Jaeger, Kerli Kurikka, Kaspar Kannelmäe, Composite EE, Karjase Sai

Aivar Tõnso’s solo exhibition “Light Matter in Dark State”
EKA Gallery 3.–6.04.2025
Open Thu–Fri 2–10 pm Sat 12–10 pm Sun 12–6 pm, free entry
Opening: 3.04.2025 at 6 pm

Aivar Tõnso’s exhibition “Light Matter in Dark State” continues his experiments in the field of sound art that grew out of his musical work. The spatial sound exhibition, created with the Ebakõlar System, which relies on the sound characteristics of various materials, aims to push the boundaries of the listening experience, inviting viewers not only to listen, but also to actively perceive and participate in the sound space. It is possible to move within a sound composition without a definite beginning and end, which can be entered at any moment in time from any freely chosen direction.

Since sound and imagination are the central themes in Tõnso’s work, he also considers the character of sounds important, and as one way to achieve unique sounds, he often uses the constantly evolving Ebakõlar System built on the basis of various physical materials. Unlike commercial speakers designed for listening to music, Ebakõlar System do not try to play the widest possible sound frequency spectrum evenly. Each speaker has its own unique raw and undesigned character resulting from the properties of the material. It is also a process where the material visible to the eye acquires new hidden meanings due to the excitation by sounds.

Photos of the Ebakõlar System can be downloaded here.

Aivar Tõnso is a musician, sound artist and curator of interdisciplinary cultural events. He has been involved in electronic music creation since the early 90s and has participated in projects such as Hüpnosaurus, Kismabande, Kulgurid and Ulmer. Having long ventured into the fringes of club music and experimental electronic music, he has been active in the field of sound art in recent years both as an artist and as the organizer of the Üle Heli festival.

On Saturday, April 5th at 3 pm, artist Aivar Tõnso will give a guided tour at the exhibition in English.

The event is part of the Tallinn Music Week city program. Check out the full program here.

Graphic design by: Jaan Evart
Light design by: Rene Manivald Tamm
Technical support: Erik Hõim
The exhibition is supported by Cultural Endowment of Estonia, Sadolin Estonia, Tallinn City and Tallinn Music Week.
Opening drinks from Põhjala Brewery.

Thanks: Ian Simon Märjama, Maria Aua, Märt Vaidla, Tarvo Porroson, Tiina Tõnso, Timo Toots, Madis Reivik, Raivo Raidvee

Anu Jakobson’s solo exhibition “Finite_Jest.psd”
EKA Billboard Gallery 3.04.–25.05.2025
Open 24/7, free
Opening: 3.04.2025 at 6.30 pm

Anu Jakobson’s paintings explore internet culture by using symbols and images that are widely spread online. Much like ancient civilizations used hieroglyphics and stone carvings for representation to encode power, myth, and collective identity, Jakobson’s work similarly engages with contemporary symbols. The cloudiness achieved with an airbrush emphasizes the virtual, while the painting itself resembles a file of poor quality. By translating these fleeting digital symbols into the physical permanence of a painting, the work reflects a return to classical representation. It suggests that, in the age of excessive information, our need to document and decode reality mirrors the visual storytelling of past civilizations.

Curated by: Kaisa Maasik
The exhibition is supported by Tallinn City.
Opening drinks from Põhjala Brewery.

The Last Spring at the Central Market and the Exhibition in Keskpuur

A new exhibition is now open at the Keskpuur gallery on the second floor of the Central Market building in Tallinn. The artist Jana Mätas’ “Oli siis siin nagu midagi. Või siis ei ole” (There Was Something Here, or Maybe Not) invites viewers to reflect on the past, present, and future of the Central Market through materials, while contemplating the ever-present change in everything. The exhibition will remain open until April 6.

“When preparing for the exhibition, I visited the market quite often. I have always enjoyed environments that are a bit neglected and untidy, but right now, I enjoy it even more the more I think about neatly arranged cobblestones, aesthetically pleasing sales counters, and high-gloss white furniture. The people in these places are different, too.

And then one day, I remembered that the gravel roads leading to my childhood country house came from all directions. The cars passing by always drove with a white cloud behind them. All the plants by the roadside were covered with a thick layer of dust. I remember walking barefoot on the gravel road, the dust thick between my toes, and my calves were gray up to my knees. One had to walk very carefully so that it wouldn’t hurt too much on the soles. Sometimes, among the dusty stones, you could find ones that sparkled.”

Jana Mätas is an artist living and working in Tallinn, whose works are rooted in the physical world surrounding humans. Her pieces often begin with found objects, materials considered of little value, or abandoned items. The artist works largely intuitively to create surreal, worlds that exist outside of words. She has studied Estonian language and literature at the University of Tartu, dance at the Viljandi Culture Academy, and graduated with a BA in photography from the Estonian Academy of Arts (2021). Since 2023, she has been studying contemporary art at the same institution (MA). *Oli siis siin nagu midagi. Või siis ei ole* is her first solo exhibition.

In her works, Jana Mätas combines various material arts, craft techniques, light, space, literature, photography, and moving images.

Keskpuur is a gallery located on the second floor of the Central Market building in Tallinn. The new construction of the Central Market will begin this coming summer, and the market, along with the gallery, will disappear.

Graphic design: Jana Mätas, Grete Kangro

Open 21.-28.03.2025
Every day 14:00-18:00
and by appointment (+37253437533)

Opening: 20.03.2025 at 18:00

“The Scattering of Times to Dust ” is a spatial installation by Riin Maide at Uus Rada Gallery. The exhibition builds a cityscape from paper that takes the viewer beyond a border – to a place that has been left behind and worn thin. It’s a way to imagine nonexisting pasts and to feel nostalgia for the future.

Through mainly photo-based staged structures, the artist aims to find wistful beauty and material warmth in the languages of absence and arbitrariness. Paper and cardboard are tools to highlight the transience of architecture, to explore the fragmentation and dispersion of the city, and to create spectacles that barely exist. Both creation and decay are observed at once.

Riin Maide is an artist and scenographer based in Tallinn, whose practice focuses on indeterminate and intermediate areas and displaced spaces. She deals with topics such as memory and presence through playful installations and staged environments. Riin has received various awards, for instance the EKA Young Artist Award (2020) or the Eduard Wiiralt Scholarship (2022). She holds a BA degree of graphic arts from EKA Faculty of Fine Arts and has also studied in Vienna and Prague, and is currently a master’s student in the Department of Scenography of the Estonian Academy of Arts.

On Tuesday, March 18th, we’re reading a series of writings by the EKA Craft Studies MA programme students.
All texts were composed through research, writing and editing supervised by Lieven Lahaye and Else Lagerspetz. The event takes place at the Craft Studies Krulli studio (Kopli 70a, II floor), from 18:00-20:00

There are 8 texts as part of the components required for graduation, reflecting on a diverse range of topics and approaches relevant to the students’ individual practices and the expanded field of design and craft, with links to the making and footwork-handwork-headwork relations.

Belongings

Written by Kati Saarits
This text is exploring local material culture history through the lens of industrial ceramics heritage, touching on questions of how sentimentality settles into material and how surroundings shape our perception of home.

Creature. Maker. Mire.
Written by Alyona Movko-Mägi
Through the entanglement of organic and digital materiality Creature. Maker. Mire explores the bog as an archive — where bodies, landscapes, and crafts are preserved, transformed, and reinterpreted across time.

Reblow toolset
Written by Rait Lõhmus
Reblow toolset examines ways to upgrade premade glass objects and explores the causes of devaluation and potential for revaluations.

Through the hammer, through the body

Written by Elias Sormanen
A deep look into the importance of skill in making, as seen through the craft of a metal hammerer.

Hääbuda, et taas tärgata.
Written by Juulia Aleksandra Mikson
A poetical observation of decay as an integral part of the cyclical process of life, while approaching it with acceptance and a sense of hope.

On Extractivism and Care for Landscapes:
From Mines to Mountains in the East of Estonia
Written by Hannah Segerkrantz
This text explores the post-industrial mountains of mining waste in the east of Estonia through questions about how we relate to our surroundings and their materiality.

Movement Matter. Embodied knowledge in material practices
Written by Iohan Figueroa
Series of dialogues between materials and the way we embody our practice, the importance of contact during the making process.

A Book of Mashed Potatoes
Written by Sofiya Babiy
A contemplation on shades of vanishing through photography, trees, cinema, land, time, death and family.

Artist Karl Joonas Alamaa and curator Mikk Lahesalu will lead three guided tours at the exhibition “Daily Play and Bread” at EKA Gallery:
– on Thursday, March 13 at 4 pm, in Estonian
– on Wednesday, March 19 at 4 pm, in English
– on Wednesday, March 19 at 5 pm, in Estonian

Participation is free of charge.

More info:
https://www.artun.ee/en/calendar/karl-joonas-alamaa-daily-play-and-bread-at-eka-gallery/

The head of EKA Sculpture and Installation Department, Taavi Talve will open the exhibition “The Man who Fell Down on the Ground in His Head” at the ARS Showroom on March 6th.

Taavi Talve lives in Tallinn. He graduated from the Estonian Academy of Arts with a degree in sculpture. Since 2005, he has been involved in various collaborative projects and has also been involved in solo work.

ARS Showroom Gallery

6–28.03.2025
Mon–Fri 12–18

FEAST. Shared moments.

Piret Hirv, Eve Margus, Erle Nemvalts, Taavi Teevet

Between the done and the undone, between the cooling forge and the warming skin, we gather—not as revellers, not as mourners, but as those who wait, as those who celebrate the passing of time.

The feast is not yet consumed, yet neither is it untouched. Hands have shaped these fragments of time, folded process into form, cast intention into weight and curve. Nothing is whole, and yet everything is full.

Each piece contains its own becoming — the long roads walked, the hesitations, the moment a choice cleaved one path from another.

To wear is to bear witness, to become part of what came before and what is yet to follow. The place matters, the moment matters — the object is a whisper in the silence before speech, a moment before something is revealed.

This is the nature of all things held and passed on, touched and released. We do not own, we do not keep. We pause here, at the edge of time’s turning, knowing the feast is both here and elsewhere, both now and then. The weight of all things rests lightly, just for this moment, before the silence breaks and we move on.

We come together. Everything might change. We come together. Everything might stay the same.

Opening days & hours:

Opening 12.03 (Wednesday) 19:00
13.03-14.03 (Thursday-Friday) 12:00 -18:00
15.03 (Saturday) 12:00 – 16:00

Exhibition supporters:

Estonian Cultural Endowment, Estonian National Culture Foundation