Exhibitions
30.11.2024 — 12.12.2024
Project “MUUSA” finissage
On November 30, the presentation of the visually formatted process model and exhibition of the project “MUUSA: Synthesis and Development of Material Research” supported by the Ministry of Culture will take place.
The exhibition in the format of an open studio includes both completed and unfinished material assemblages and supporting structures. The MUUSA project was carried out by lecturers from the Estonian Academy of Arts and the heads of the Craft Studies Master’s programme, Kärt Ojavee and Juss Heinsalu.
One of the goals of the project was to develop a model of creative research based on materials using the co-creation method. During the work period, different versions were tested and synthesized and, for example, the following were studied: how to approach the study of the composition and properties of materials in creative practice; how to apply material as a method in managing the process; how to involve material as a muse to guide creative goals and interpretive solutions? The study of materials through artistic practice involves both meaning-making, sensory approaches, and the discovery and integration of the applicable properties of materials in possible final results. Eik Hermann helped to conceptualize and formulate the process based on the material and the knowledge generated through collaboration.
* moment of appearance – the moment when one production cycle has been completed and the work has reached the draft or rough draft level, when it can either be tried out in reality or temporarily or permanently shared with a smaller or larger audience; if it is a moment of showing the draft phase, then a new production cycle follows the showing.
During the project, collaboration has also been carried out with Marie Vihmari, Fibenol OÜ, Reval Stone and AAA Patent Office.
The project presentation will take place at Kopli 27.
The project space can be visited until 12.12.2024 by agreement with the authors.
MUUSA project space exhibition design: Annika Kaldoja
Graphic design: Indrek Sirkel
Project manager: Anna Lohmatova
Thanks to: Eik Hermann, Piret Valk, Gert Preegel, Janno Rauk, Soldi Rent OÜ, Eesti Killustik OÜ, Villavennad OÜ, Selgase Dolomitit OÜ, Mattias Veller, Estonian Academy of Arts Research and Development Department, Ceramics, Textiles, Jewelry and Blacksmithing, Sculpture Workshops, Bruce Anderson, Joosep Kivimäe, Gary Markle, Andrus Ojavee, Heron Vrubel.
Project “MUUSA” finissage
Saturday 30 November, 2024 — Thursday 12 December, 2024
On November 30, the presentation of the visually formatted process model and exhibition of the project “MUUSA: Synthesis and Development of Material Research” supported by the Ministry of Culture will take place.
The exhibition in the format of an open studio includes both completed and unfinished material assemblages and supporting structures. The MUUSA project was carried out by lecturers from the Estonian Academy of Arts and the heads of the Craft Studies Master’s programme, Kärt Ojavee and Juss Heinsalu.
One of the goals of the project was to develop a model of creative research based on materials using the co-creation method. During the work period, different versions were tested and synthesized and, for example, the following were studied: how to approach the study of the composition and properties of materials in creative practice; how to apply material as a method in managing the process; how to involve material as a muse to guide creative goals and interpretive solutions? The study of materials through artistic practice involves both meaning-making, sensory approaches, and the discovery and integration of the applicable properties of materials in possible final results. Eik Hermann helped to conceptualize and formulate the process based on the material and the knowledge generated through collaboration.
* moment of appearance – the moment when one production cycle has been completed and the work has reached the draft or rough draft level, when it can either be tried out in reality or temporarily or permanently shared with a smaller or larger audience; if it is a moment of showing the draft phase, then a new production cycle follows the showing.
During the project, collaboration has also been carried out with Marie Vihmari, Fibenol OÜ, Reval Stone and AAA Patent Office.
The project presentation will take place at Kopli 27.
The project space can be visited until 12.12.2024 by agreement with the authors.
MUUSA project space exhibition design: Annika Kaldoja
Graphic design: Indrek Sirkel
Project manager: Anna Lohmatova
Thanks to: Eik Hermann, Piret Valk, Gert Preegel, Janno Rauk, Soldi Rent OÜ, Eesti Killustik OÜ, Villavennad OÜ, Selgase Dolomitit OÜ, Mattias Veller, Estonian Academy of Arts Research and Development Department, Ceramics, Textiles, Jewelry and Blacksmithing, Sculpture Workshops, Bruce Anderson, Joosep Kivimäe, Gary Markle, Andrus Ojavee, Heron Vrubel.
28.11.2024 — 04.01.2025
Krista Leesi and Tallinn’s Patron Saint at Draakon Gallery
You are welcome to the opening of Krista Leesi’s exhibition In Spe. Saint Victor and the Four Dragons at Draakon gallery on Thursday, November 28, at 18.00. The exhibition will remain open until January 4, 2025.
The exhibition draws inspiration from the martyrdom of Saint Victor, as portrayed on the main altar of St. Nicholas Church in Tallinn. The altar, crafted in the workshop of Lübeck master Hermen Rode, was brought to Tallinn 543 years ago.
“The times are tense, even frightening.
Such that every means and possibility must be put into service.
Why not even mythical creatures and medieval patron saints.
Tallinn’s patron saint was Saint Victor.
He is often depicted on altars alongside Saint George, the dragon slayer.
But Saint Victor did not slay dragons.
Perhaps dragons might protect the knightly saint and us instead?”
Krista Leesi is an artist and designer with a distinctive textile art practice and extensive teaching experience at the Estonian Academy of Arts. She stands out in the field of textile art with her conceptual approach, often exploring the multi-layered meanings of language (as the author of tekkSTIILIkunsti SÕNAraamat). Leesi graduated from the Estonian Academy of Arts in 1993 and has participated in numerous group exhibitions in Estonia and abroad since 1992. Her first solo exhibition was in 1999. Leesi’s work encompasses both distinctive unique creations and practical small productions. Her works are part of the collection of the Estonian Museum of Applied Art and Design. Her works can be encountered in several museum collections around the world: in Tartu Art Museum, the China National Silk Museum (Hangzhou, China), the Contextile Contemporary Textile Art Biennial (Guimarães, Portugal), and World Textile Art (Miami, Florida, USA).
In 2019, Leesi was awarded the annual award by the Cultural Endowment of Estonia for her work. In 2020, she won the main prize at Contextile, one of the world’s most prestigious contemporary textile art biennials. In 2021, her site-specific exhibition Verbarium, which conceptually connected language and visuals, was shown at Tartu Art Museum. Leesi has been named Textile Artist of the Year four times and is a member of the Estonian Textile Artists’ Association and the Estonian Artists’ Association.
www.kristaleesi.ee
The artists gratitude goes to: Heino Prunsvelt, Kadi Kibbermann, Äli-Ann Klooren, Leelo Leesi, Mari-Leen Leesi, Aivi Valliste.
The exhibition is supported by the Cultural Endowment of Estonia.
Exhibitions at Draakon gallery are supported by the Cultural Endowment of Estonia, the Estonian Ministry of Culture, and Liviko AS.
Krista Leesi and Tallinn’s Patron Saint at Draakon Gallery
Thursday 28 November, 2024 — Saturday 04 January, 2025
You are welcome to the opening of Krista Leesi’s exhibition In Spe. Saint Victor and the Four Dragons at Draakon gallery on Thursday, November 28, at 18.00. The exhibition will remain open until January 4, 2025.
The exhibition draws inspiration from the martyrdom of Saint Victor, as portrayed on the main altar of St. Nicholas Church in Tallinn. The altar, crafted in the workshop of Lübeck master Hermen Rode, was brought to Tallinn 543 years ago.
“The times are tense, even frightening.
Such that every means and possibility must be put into service.
Why not even mythical creatures and medieval patron saints.
Tallinn’s patron saint was Saint Victor.
He is often depicted on altars alongside Saint George, the dragon slayer.
But Saint Victor did not slay dragons.
Perhaps dragons might protect the knightly saint and us instead?”
Krista Leesi is an artist and designer with a distinctive textile art practice and extensive teaching experience at the Estonian Academy of Arts. She stands out in the field of textile art with her conceptual approach, often exploring the multi-layered meanings of language (as the author of tekkSTIILIkunsti SÕNAraamat). Leesi graduated from the Estonian Academy of Arts in 1993 and has participated in numerous group exhibitions in Estonia and abroad since 1992. Her first solo exhibition was in 1999. Leesi’s work encompasses both distinctive unique creations and practical small productions. Her works are part of the collection of the Estonian Museum of Applied Art and Design. Her works can be encountered in several museum collections around the world: in Tartu Art Museum, the China National Silk Museum (Hangzhou, China), the Contextile Contemporary Textile Art Biennial (Guimarães, Portugal), and World Textile Art (Miami, Florida, USA).
In 2019, Leesi was awarded the annual award by the Cultural Endowment of Estonia for her work. In 2020, she won the main prize at Contextile, one of the world’s most prestigious contemporary textile art biennials. In 2021, her site-specific exhibition Verbarium, which conceptually connected language and visuals, was shown at Tartu Art Museum. Leesi has been named Textile Artist of the Year four times and is a member of the Estonian Textile Artists’ Association and the Estonian Artists’ Association.
www.kristaleesi.ee
The artists gratitude goes to: Heino Prunsvelt, Kadi Kibbermann, Äli-Ann Klooren, Leelo Leesi, Mari-Leen Leesi, Aivi Valliste.
The exhibition is supported by the Cultural Endowment of Estonia.
Exhibitions at Draakon gallery are supported by the Cultural Endowment of Estonia, the Estonian Ministry of Culture, and Liviko AS.
30.11.2024 — 15.12.2024
Ida-Viru Artists Club exhibition “Deep Skin”
The exhibition by a group of seventeen artists from Ida-Viru County who live and work on the border of Europe — geographically, linguistically and culturally. The exhibition ‘Deep Skin’ offers a glimpse into how the biological boundary of the human body turned into a symbol in art telling stories that transcend linguistic and cultural barriers.
Paintings, sculptures and installations reflect the thoughts and feelings of artists from Ida-Virumaa, emphasising their similarities and differences. A 19-year-old is the youngest participant, and a 70-year-old is the oldest. Among the participants are anime fans, classically educated painters, mothers with an engineering background and young people dreaming of a professional career in arts. What can be said in common by artists of different generations, occupations and opinions? Come and find out!
The exhibition opens on November 30 at 17.00 in the gallery of the Tallinn Art House (Vabaduse väljak 6) and will run until December 15. Working hours are Tuesday to Sunday, 13:00 to 19:00.
Participating artists are Diana Semibratova, Eneli Heinland, Ira Sopina, Julia Rodionova, Kopylove, Kristina Belikova, Larissa Tunjova, Natalja Kapajeva, Nadežda Sabajeva, Olga Matseralik, Olga Toivonen, Olga Tjurina, Paulina Belik, Sergei Kirbenjov, Tanja Sonina, Tatjana Silašina, Valeria Kregždaite, Žanna Golubtsova.
These artists have been participating in the work of the Ida-Viru Artists Club for the past three months. The exhibition “Deep Skin” is their joint creative achievement. The club is led by Darja Popolitova, an artist, visiting lecturer and PhD student at the Estonian Academy of Arts. The project was initiated by Johanna Rannula, Director of the Narva Art Residence.
The exhibition and activities of the club are supported by the British Council in Estonia, the Estonian Academy of Arts, the Narva Art Residence and the Tallinn Art Hall.
Ida-Viru Artists Club exhibition “Deep Skin”
Saturday 30 November, 2024 — Sunday 15 December, 2024
The exhibition by a group of seventeen artists from Ida-Viru County who live and work on the border of Europe — geographically, linguistically and culturally. The exhibition ‘Deep Skin’ offers a glimpse into how the biological boundary of the human body turned into a symbol in art telling stories that transcend linguistic and cultural barriers.
Paintings, sculptures and installations reflect the thoughts and feelings of artists from Ida-Virumaa, emphasising their similarities and differences. A 19-year-old is the youngest participant, and a 70-year-old is the oldest. Among the participants are anime fans, classically educated painters, mothers with an engineering background and young people dreaming of a professional career in arts. What can be said in common by artists of different generations, occupations and opinions? Come and find out!
The exhibition opens on November 30 at 17.00 in the gallery of the Tallinn Art House (Vabaduse väljak 6) and will run until December 15. Working hours are Tuesday to Sunday, 13:00 to 19:00.
Participating artists are Diana Semibratova, Eneli Heinland, Ira Sopina, Julia Rodionova, Kopylove, Kristina Belikova, Larissa Tunjova, Natalja Kapajeva, Nadežda Sabajeva, Olga Matseralik, Olga Toivonen, Olga Tjurina, Paulina Belik, Sergei Kirbenjov, Tanja Sonina, Tatjana Silašina, Valeria Kregždaite, Žanna Golubtsova.
These artists have been participating in the work of the Ida-Viru Artists Club for the past three months. The exhibition “Deep Skin” is their joint creative achievement. The club is led by Darja Popolitova, an artist, visiting lecturer and PhD student at the Estonian Academy of Arts. The project was initiated by Johanna Rannula, Director of the Narva Art Residence.
The exhibition and activities of the club are supported by the British Council in Estonia, the Estonian Academy of Arts, the Narva Art Residence and the Tallinn Art Hall.
29.11.2024 — 26.01.2025
Selected Interventions
The works of EKA students offer a new look at Estonian design classics at the exhibition Selected Interventions
On the 29th of November, the exhibition Selected Interventions will open at the Estonian Museum of Applied Arts and Design. Selected Interventions is a collection of new works and dialogues within the museum’s permanent exhibitions by the MA students of Craft Studies of the Estonian Academy of Arts.
The MA programme brings together people from various backgrounds and with a deep interest in materials and making. The Craft Studies curriculum expands on understanding contemporary crafts and advances professional development, critical expression, and artistic research into materials, processes, concepts and identities.
Through this unique intervention, the exhibition examines the works of applied art and design classics on display in the permanent exhibitions Collected Works and Introduction to Estonian Design.
Based on their background and interests, each student selected a piece, a series of works, or an artist to have a closer dialogue with. They were encouraged to respond with new pieces based on past techniques, approaches, materials, stories, aesthetics, forms, and more. This project consists of interventions that redirect our attention, study the heritage or add a new layer of meaning.
“I was intrigued by the opposition of qualities Rait Präät’s work gives; the glass was no longer used as glass but as a layered cake, painting each floor with a different life. Prääts’ work made me question the choices we make about storing memory in our bodies and minds. What do we put in the frame? What do we perceive?” explains Craft Studies student Sofiya Babiy.
Selected Interventions includes work by Sofiya Babiy, Iohan Figueroa Rojas, Rait Lõhmus, Juulia Aleksandra Mikson, Alyona Movko-Mägi, Katariin Mudist, Maarja Mäemets, Kati Saarits, Hannah Segerkrantz, and Elias Sormanen.
The project was supervised by Juss Heinsalu and Kärt Ojavee.
Selected Interventions is a satellite exhibition of the 9th Tallinn Applied Art Triennial.
The exhibition tours conducted by students of Craft Studies will take place on 30.11 at 13:00 (in Estonian), 7.12 at 13:00 (in Russian) and 14.12 at 13:00 (in English).
More information: Sandra Nuut, tel: +372 58717871
Follow the announcements at etdm.ee
Selected Interventions
Friday 29 November, 2024 — Sunday 26 January, 2025
The works of EKA students offer a new look at Estonian design classics at the exhibition Selected Interventions
On the 29th of November, the exhibition Selected Interventions will open at the Estonian Museum of Applied Arts and Design. Selected Interventions is a collection of new works and dialogues within the museum’s permanent exhibitions by the MA students of Craft Studies of the Estonian Academy of Arts.
The MA programme brings together people from various backgrounds and with a deep interest in materials and making. The Craft Studies curriculum expands on understanding contemporary crafts and advances professional development, critical expression, and artistic research into materials, processes, concepts and identities.
Through this unique intervention, the exhibition examines the works of applied art and design classics on display in the permanent exhibitions Collected Works and Introduction to Estonian Design.
Based on their background and interests, each student selected a piece, a series of works, or an artist to have a closer dialogue with. They were encouraged to respond with new pieces based on past techniques, approaches, materials, stories, aesthetics, forms, and more. This project consists of interventions that redirect our attention, study the heritage or add a new layer of meaning.
“I was intrigued by the opposition of qualities Rait Präät’s work gives; the glass was no longer used as glass but as a layered cake, painting each floor with a different life. Prääts’ work made me question the choices we make about storing memory in our bodies and minds. What do we put in the frame? What do we perceive?” explains Craft Studies student Sofiya Babiy.
Selected Interventions includes work by Sofiya Babiy, Iohan Figueroa Rojas, Rait Lõhmus, Juulia Aleksandra Mikson, Alyona Movko-Mägi, Katariin Mudist, Maarja Mäemets, Kati Saarits, Hannah Segerkrantz, and Elias Sormanen.
The project was supervised by Juss Heinsalu and Kärt Ojavee.
Selected Interventions is a satellite exhibition of the 9th Tallinn Applied Art Triennial.
The exhibition tours conducted by students of Craft Studies will take place on 30.11 at 13:00 (in Estonian), 7.12 at 13:00 (in Russian) and 14.12 at 13:00 (in English).
More information: Sandra Nuut, tel: +372 58717871
Follow the announcements at etdm.ee
02.12.2024 — 19.12.2024
Fine Arts Assessment Marathon 2.–19.12.2024
December brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.
Works in animation, contemporary art, installation and sculpture, painting, photography, graphic art, scenography curricula will be on display. On each evening of the marathon, a new exhibition will be installed and in the following evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.
The assessments will take place in the main building of EKA (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206, EKA Gallery; Kotzebue 1), in the new EKA building (Kotzebue 10) and at Uus Rada gallery (Raja 11A).
On the assessment day, the exhibitions at EKA gallery and the new EKA building (Kotzebue 10) are open from 3 pm to 6 pm, on Sundays the exhibitions are open from 12 pm to 6 pm.
SCHEDULE
Mon 2.12. Photography, supervisor Krista Mölder (EKA Gallery)
Mon 2.12. Drawing, supervisor Tõnis Saadoja (2nd & 3rd floor general areas)
Tue 3.12. Drawing, supervisor Eero Alev (EKA Gallery)
Wed 4.12. Drawing, supervisor Ulvi Haagensen (EKA Gallery)
Thu 5.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (EKA Gallery)
Fri 6.12. Scenography, supervisor Ene-Liis Semper (EKA Gallery)
Sat 7.12. – Sun 8.12. Scenography, supervisor Mark Raidpere (EKA Gallery)
Mon 8.12. New Media, supervisor Sten Saarits (EKA Gallery)
Mon 8.12. Photography, supervisors Marge Monko, Reimo Võsa-Tangsoo NB! Uus Rada Gallery, the exhibition will remain open until 15.12.
Tue 10.12. Studio photography, supervisor Tanja Muravskaja (EKA Gallery)
Tue 10.12. Drawing (animation and scenography), supervisor Britta Benno (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Wed 11.12. Painting, supervisors Tõnis Saadoja, Mihkel Maripuu, Holger Loodus (EKA Gallery)
Thu 12.12. Animation, supervisors Lilli-Krõõt Repnau, Ülo Pikkov, Anu-Laura Tuttelberg (EKA Gallery)
Thu 12.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Fri 13.12. Painting, supervisors Karl-Kristjan Nagel, Tõnis Saadoja (EKA Gallery)
Sat 14.12. – Sun 15.12. Painting, supervisors Sirja-Liisa Eelma, Alice Kask, Mart Vainre (EKA Gallery)
Mon 16.12. Graphic Art, supervisors Liisi Grünberg, Viktor Gurov, Liina Siib, Britta Benno, Eve Kask, Eve Kaaret (EKA Gallery)
Mon 16.12. Photography, supervisors Triin Kerge, Annika Haas (Kotzebue 10)
Tue 17.12. Graphic Art, supervisors Lembe Ruben, Mark Antonius Puhkan, Maria Izabella Lehtsaar, Paul Rannik (EKA Gallery)
Wed 18.12. Sculpture, supervisors Taavi Talve, Laura Põld (EKA Gallery)
Wed 18.12. Contemporary Art, supervisors Marge Monko, Reimo Võsa-Tangsoo, Liina Siib, Taavi Talve, Anu Vahtra, Maris Karjatse, Laura Põld, Holger Loodus, Kristi Kongi, Sten Saarits, Camille Laurelli, Eve Kask (2nd & 3rd floor general areas of the main building of EKA and the new building, Kotzebue 10)
Thu 19.12. Contemporary Art, supervisors Maris Karjatse, Eve Kask, Kristi Kongi, Camille Laurelli, Holger Loodus, Marge Monko, Laura Põld, Sten Saarits, Liina Siib, Taavi Talve, Anu Vahtra, Reimo Võsa-Tangsoo (EKA Gallery & Kotzebue 10)
Fine Arts Assessment Marathon 2.–19.12.2024
Monday 02 December, 2024 — Thursday 19 December, 2024
December brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.
Works in animation, contemporary art, installation and sculpture, painting, photography, graphic art, scenography curricula will be on display. On each evening of the marathon, a new exhibition will be installed and in the following evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.
The assessments will take place in the main building of EKA (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206, EKA Gallery; Kotzebue 1), in the new EKA building (Kotzebue 10) and at Uus Rada gallery (Raja 11A).
On the assessment day, the exhibitions at EKA gallery and the new EKA building (Kotzebue 10) are open from 3 pm to 6 pm, on Sundays the exhibitions are open from 12 pm to 6 pm.
SCHEDULE
Mon 2.12. Photography, supervisor Krista Mölder (EKA Gallery)
Mon 2.12. Drawing, supervisor Tõnis Saadoja (2nd & 3rd floor general areas)
Tue 3.12. Drawing, supervisor Eero Alev (EKA Gallery)
Wed 4.12. Drawing, supervisor Ulvi Haagensen (EKA Gallery)
Thu 5.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (EKA Gallery)
Fri 6.12. Scenography, supervisor Ene-Liis Semper (EKA Gallery)
Sat 7.12. – Sun 8.12. Scenography, supervisor Mark Raidpere (EKA Gallery)
Mon 8.12. New Media, supervisor Sten Saarits (EKA Gallery)
Mon 8.12. Photography, supervisors Marge Monko, Reimo Võsa-Tangsoo NB! Uus Rada Gallery, the exhibition will remain open until 15.12.
Tue 10.12. Studio photography, supervisor Tanja Muravskaja (EKA Gallery)
Tue 10.12. Drawing (animation and scenography), supervisor Britta Benno (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Wed 11.12. Painting, supervisors Tõnis Saadoja, Mihkel Maripuu, Holger Loodus (EKA Gallery)
Thu 12.12. Animation, supervisors Lilli-Krõõt Repnau, Ülo Pikkov, Anu-Laura Tuttelberg (EKA Gallery)
Thu 12.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Fri 13.12. Painting, supervisors Karl-Kristjan Nagel, Tõnis Saadoja (EKA Gallery)
Sat 14.12. – Sun 15.12. Painting, supervisors Sirja-Liisa Eelma, Alice Kask, Mart Vainre (EKA Gallery)
Mon 16.12. Graphic Art, supervisors Liisi Grünberg, Viktor Gurov, Liina Siib, Britta Benno, Eve Kask, Eve Kaaret (EKA Gallery)
Mon 16.12. Photography, supervisors Triin Kerge, Annika Haas (Kotzebue 10)
Tue 17.12. Graphic Art, supervisors Lembe Ruben, Mark Antonius Puhkan, Maria Izabella Lehtsaar, Paul Rannik (EKA Gallery)
Wed 18.12. Sculpture, supervisors Taavi Talve, Laura Põld (EKA Gallery)
Wed 18.12. Contemporary Art, supervisors Marge Monko, Reimo Võsa-Tangsoo, Liina Siib, Taavi Talve, Anu Vahtra, Maris Karjatse, Laura Põld, Holger Loodus, Kristi Kongi, Sten Saarits, Camille Laurelli, Eve Kask (2nd & 3rd floor general areas of the main building of EKA and the new building, Kotzebue 10)
Thu 19.12. Contemporary Art, supervisors Maris Karjatse, Eve Kask, Kristi Kongi, Camille Laurelli, Holger Loodus, Marge Monko, Laura Põld, Sten Saarits, Liina Siib, Taavi Talve, Anu Vahtra, Reimo Võsa-Tangsoo (EKA Gallery & Kotzebue 10)
21.11.2024 — 01.12.2024
Yujie Zhou’s exhibition and artist talk
On Thursday, 21.11, at 19.00 Yujie Zhou will open their solo show White Shadow at Vent Space, all welcome!
On Friday, 22.11 at 17.00 they will give an artist talk at EKA in room A302.
The exhibition White Shadows interweaves personal memory and political identity with collective ideologies. Featuring a series of handwoven Jacquard tapestries and video works, the artist Yujie Zhou explores the complex interplay between their autobiographical experiences and systems of discipline. Through these works, Zhou seeks to transform what once symbolized uniformity into something deeply personal and reflective.
White Shadows is centered around the notion of shadow. In Chinese, the etymology of the word photography has it translate as the action of capturing shadows, in contrast to that of drawing with light. It is on this regard that shadows hold great significance in the work of the artist, these are the lens through which they conceive an alternative way of seeing –one symbolizing both erasure and shelter. This duality heightens the tension of pairing an urge to resist with the subtle self-cersorship that is present in/all-throughout their body of work.
Yujie Zhou is a Chinese visual artist based in Helsinki, Finland. They navigate performativity and a decoded notion of language through photography, textiles, video, and publishing. Based on the juxtaposition between their nationalist upbringing and their current life, their practice interrogates dominant historical narratives and power structures while reframing collective individuality.
Zhou completed a Master’s Degree in Arts with a Major in Photography and a Minor in Textiles—Materials and Structures at Aalto University in 2023. Selected solo exhibitions include QWERTY at Photographic Gallery Hippolyte, Helsinki, Finland (2023), Four Women at Photographic Centre Peri, Turku, Finland (2023), and White Shadows at Taidekeskus Mältinranta, Tampere, Finland (2024). Group exhibitions include MoA 23 at the Finnish Museum of Photography, Helsinki, Finland (2023); Make Me Find You at alpha nova & galerie futura, Berlin, Germany (2023); and Disrupted Narratives at the Singapore International Photography Festival, Singapore (2024). Select awards include the FUTURES Photography Talent 2024 nomination by Fotogalleriet, Oslo, Norway; the Finnish Art Society’s Young Artist Grant (2023); Shortlist of PhMuseum 2024 Photography Grant’s Main Prize; nominated artist for Plat(t)form 2023 at Fotomuseum Winterthur, Switzerland. Selected Residencies include Kone Foundation’s Saari Residency Fellowship (2024); and an 11-month Artist-in-Residence at HIAP (2024).
Yujie Zhou’s exhibition and artist talk
Thursday 21 November, 2024 — Sunday 01 December, 2024
On Thursday, 21.11, at 19.00 Yujie Zhou will open their solo show White Shadow at Vent Space, all welcome!
On Friday, 22.11 at 17.00 they will give an artist talk at EKA in room A302.
The exhibition White Shadows interweaves personal memory and political identity with collective ideologies. Featuring a series of handwoven Jacquard tapestries and video works, the artist Yujie Zhou explores the complex interplay between their autobiographical experiences and systems of discipline. Through these works, Zhou seeks to transform what once symbolized uniformity into something deeply personal and reflective.
White Shadows is centered around the notion of shadow. In Chinese, the etymology of the word photography has it translate as the action of capturing shadows, in contrast to that of drawing with light. It is on this regard that shadows hold great significance in the work of the artist, these are the lens through which they conceive an alternative way of seeing –one symbolizing both erasure and shelter. This duality heightens the tension of pairing an urge to resist with the subtle self-cersorship that is present in/all-throughout their body of work.
Yujie Zhou is a Chinese visual artist based in Helsinki, Finland. They navigate performativity and a decoded notion of language through photography, textiles, video, and publishing. Based on the juxtaposition between their nationalist upbringing and their current life, their practice interrogates dominant historical narratives and power structures while reframing collective individuality.
Zhou completed a Master’s Degree in Arts with a Major in Photography and a Minor in Textiles—Materials and Structures at Aalto University in 2023. Selected solo exhibitions include QWERTY at Photographic Gallery Hippolyte, Helsinki, Finland (2023), Four Women at Photographic Centre Peri, Turku, Finland (2023), and White Shadows at Taidekeskus Mältinranta, Tampere, Finland (2024). Group exhibitions include MoA 23 at the Finnish Museum of Photography, Helsinki, Finland (2023); Make Me Find You at alpha nova & galerie futura, Berlin, Germany (2023); and Disrupted Narratives at the Singapore International Photography Festival, Singapore (2024). Select awards include the FUTURES Photography Talent 2024 nomination by Fotogalleriet, Oslo, Norway; the Finnish Art Society’s Young Artist Grant (2023); Shortlist of PhMuseum 2024 Photography Grant’s Main Prize; nominated artist for Plat(t)form 2023 at Fotomuseum Winterthur, Switzerland. Selected Residencies include Kone Foundation’s Saari Residency Fellowship (2024); and an 11-month Artist-in-Residence at HIAP (2024).
14.11.2024 — 28.11.2024
Mixed Reality Production Held in Human II: Rose in Your Brain Premieres at the University of Tartu Library
Liis Vares and Taavet Jansen’s new mixed reality production, Held in Human II: Rose in Your Brain, premieres on November 14 at the University of Tartu Library and will be open until November 28. This VR experience draws inspiration from materials collected from the public during the installation Held in Human at the EKA Gallery in the fall of 2023.
“Something is changing, I can no longer make sense of what here means, as I increasingly feel that while I am here, I am also always a little bit there. There, where my thoughts are, there where my imagination roams — and not only mine, but someone else’s as well, simultaneously. It is real. I am always inside a body, in this form that makes me visible and touchable; yet I am also always in a space, where no one can see me. It is a space of thought, an invisible space, but also an ever-present network, a movement. I am present, held in human.”
Held in Human II: Rose in Your Brain is a mixed reality performance, a collective thought space where linguistic thinking meets the instinctive physique. It is a physical reading experience, a choreography of thoughts that you can experience within your own body using mixed reality glasses. Plug in — let your body and thoughts carry you.
Authors: Liis Vares and Taavet Jansen
Mixed reality solution: Norbert Pape
Sound design: Mihkel Tomberg
Graphic design: Jaan Evart
Room design: Mari Möldre
Photographer: Alissa Šnaider
Producer: Anu Almik, elekrton.art
Premiere: 14.11.2024 at University of Tartu Library
Next performances: 15.-28.11.2024. UT Library is open Mon-Fr 9-21 ja Sat-Sun 12-18
Festivals: 26.-27.10 showing PAD festival Wiesbaden Germany
Supporters: Estonian Ministry of Culture, Cultural Endowment of Estonia, Tallinn city, Dortmund Academy of Theater and Digitality, Estonian Academy of Arts through the ACuTe project, Erasmus program, VARES Valga Architecture Residency, University of Tartu
The production was developed as part of the ACuTe project, in which EKA is one of the partners.
Mixed Reality Production Held in Human II: Rose in Your Brain Premieres at the University of Tartu Library
Thursday 14 November, 2024 — Thursday 28 November, 2024
Liis Vares and Taavet Jansen’s new mixed reality production, Held in Human II: Rose in Your Brain, premieres on November 14 at the University of Tartu Library and will be open until November 28. This VR experience draws inspiration from materials collected from the public during the installation Held in Human at the EKA Gallery in the fall of 2023.
“Something is changing, I can no longer make sense of what here means, as I increasingly feel that while I am here, I am also always a little bit there. There, where my thoughts are, there where my imagination roams — and not only mine, but someone else’s as well, simultaneously. It is real. I am always inside a body, in this form that makes me visible and touchable; yet I am also always in a space, where no one can see me. It is a space of thought, an invisible space, but also an ever-present network, a movement. I am present, held in human.”
Held in Human II: Rose in Your Brain is a mixed reality performance, a collective thought space where linguistic thinking meets the instinctive physique. It is a physical reading experience, a choreography of thoughts that you can experience within your own body using mixed reality glasses. Plug in — let your body and thoughts carry you.
Authors: Liis Vares and Taavet Jansen
Mixed reality solution: Norbert Pape
Sound design: Mihkel Tomberg
Graphic design: Jaan Evart
Room design: Mari Möldre
Photographer: Alissa Šnaider
Producer: Anu Almik, elekrton.art
Premiere: 14.11.2024 at University of Tartu Library
Next performances: 15.-28.11.2024. UT Library is open Mon-Fr 9-21 ja Sat-Sun 12-18
Festivals: 26.-27.10 showing PAD festival Wiesbaden Germany
Supporters: Estonian Ministry of Culture, Cultural Endowment of Estonia, Tallinn city, Dortmund Academy of Theater and Digitality, Estonian Academy of Arts through the ACuTe project, Erasmus program, VARES Valga Architecture Residency, University of Tartu
The production was developed as part of the ACuTe project, in which EKA is one of the partners.
01.11.2024 — 01.12.2024
EKA Graphic Art Print Studio Celebrates 100th Anniversary
Exhibition of small-edition books dedicated to the 100th anniversary of the EKA graphic art print studio.
In 1924, a printing workshop was opened at the Tallinn Industrial Art School, where Leopold Triumph took up his post as master. Two years earlier (1922), a printmaking department had been established, under the direction of Günther Reindorff until 1943.
For half a century, the face of Estonian book design was shaped by Paul Luhtein, who, after graduating from the Tallinn Industrial Art School in 1930, and after a few years of further training in Leipzig, took up teaching commercial graphics and book design in 1932, a post he held until 1982. Enno Ootsing was then head of the Department and the book studies, with breaks until 2005 (in the meantime, the Department was headed by Aarne Mesikäpp from 1983 to 1988 and Heinz Valk from 1988 to 1989). From 1938 to 1971, typography was taught by the legendary book historian and typographer Hans Treumann. From 2005 to 2023, Aarne Mesikäpp, who taught at the ERKI and the EAA for 55 years, was a master printer and typography lecturer. In the field of book illustration, Vive Tolli, who taught from 1982 to 2005, was a major influence. Urmas Viik, head of the department from 2005 to 2015, gave priority to book illustration.
During the Soviet period, students studied for six years, specializing in either book designer, book illustrator, commercial artist (tarbegraafika), poster designer or printmaker in the third year, with book designer and illustrator being particularly sought after (competitive) The department had its own printing house, but all copies were invoiced and passed through the Glavlit (Glavnaya literatura, in Russian more precisely Главное управление по охране государственного тайн в печати) or censorship. Every evening the master sealed the door of the printing house.
The division into departments began to disappear in the department in the late 1980s. With today’s curriculum and volumes, the focus of the graphics department is on contemporary art and graphic techniques, but letterpress printing is still popular, and typography and the basics of graphic design are taught. Since 2006, an artists’ book course has been taught by Eve Kask. The binding was taught for many years by Lennart Mänd, from 2023 by Eve Kaaret. With few exceptions, the artist’s books will be produced in one-off editions and in author’s binding based on the idea of the whole.
This selection of small-edition publications includes examples from the years 1946-2004. The books were produced in the department’s printing house, mostly as coursework or theses by students. There are also group works. There are some books designed by tutors (P. Luhtein, E. Okas, H. Treuman, A. Mesikäpp). Among the teaching works there are works by later prominent artists such as Anu Kalm, Silvi Liiva, Naima Neidre, Enno Ootsing, Urmas Ploomipuu, Andres Tali, Marje Üksine and others.
The book editions in the exhibition range from five to fifty (125 in one case and 300 in another, in most cases between 15 and 25). The student has chosen the literature work, made type-setting, designed and illustrated it himself. In most cases, the illustrations are also printed by the author. The printing techniques used for the illustrations include relief printing (linocut and woodcut), intaglio printing (ofort, aquatint) and lithography. Since the 1950s, the edition has been printed by Mihkel Enn, a master printer, and bound by Elsa Oolma, a typesetter (or a letterpress master), who also taught hand-lettering to students and helped prepare the type-setting for printing.
The selection was made by Marju Vahter, Head Specialist of the Library, Karin Oolu, Head of the Library, and complemented by Professor Liina Siib, Head of the Graphic Arts Department, and Associate Professor Eve Kask. Exhibition graphics is done by Markus Laanisto.
Text by Eve Kask
Graduated from the Department of Graphic Arts by the degree of Book Design, ERKI, 1984.
The last student of Paul Luhtein and the first student of Vive Tolli
EKA Graphic Art Print Studio Celebrates 100th Anniversary
Friday 01 November, 2024 — Sunday 01 December, 2024
Exhibition of small-edition books dedicated to the 100th anniversary of the EKA graphic art print studio.
In 1924, a printing workshop was opened at the Tallinn Industrial Art School, where Leopold Triumph took up his post as master. Two years earlier (1922), a printmaking department had been established, under the direction of Günther Reindorff until 1943.
For half a century, the face of Estonian book design was shaped by Paul Luhtein, who, after graduating from the Tallinn Industrial Art School in 1930, and after a few years of further training in Leipzig, took up teaching commercial graphics and book design in 1932, a post he held until 1982. Enno Ootsing was then head of the Department and the book studies, with breaks until 2005 (in the meantime, the Department was headed by Aarne Mesikäpp from 1983 to 1988 and Heinz Valk from 1988 to 1989). From 1938 to 1971, typography was taught by the legendary book historian and typographer Hans Treumann. From 2005 to 2023, Aarne Mesikäpp, who taught at the ERKI and the EAA for 55 years, was a master printer and typography lecturer. In the field of book illustration, Vive Tolli, who taught from 1982 to 2005, was a major influence. Urmas Viik, head of the department from 2005 to 2015, gave priority to book illustration.
During the Soviet period, students studied for six years, specializing in either book designer, book illustrator, commercial artist (tarbegraafika), poster designer or printmaker in the third year, with book designer and illustrator being particularly sought after (competitive) The department had its own printing house, but all copies were invoiced and passed through the Glavlit (Glavnaya literatura, in Russian more precisely Главное управление по охране государственного тайн в печати) or censorship. Every evening the master sealed the door of the printing house.
The division into departments began to disappear in the department in the late 1980s. With today’s curriculum and volumes, the focus of the graphics department is on contemporary art and graphic techniques, but letterpress printing is still popular, and typography and the basics of graphic design are taught. Since 2006, an artists’ book course has been taught by Eve Kask. The binding was taught for many years by Lennart Mänd, from 2023 by Eve Kaaret. With few exceptions, the artist’s books will be produced in one-off editions and in author’s binding based on the idea of the whole.
This selection of small-edition publications includes examples from the years 1946-2004. The books were produced in the department’s printing house, mostly as coursework or theses by students. There are also group works. There are some books designed by tutors (P. Luhtein, E. Okas, H. Treuman, A. Mesikäpp). Among the teaching works there are works by later prominent artists such as Anu Kalm, Silvi Liiva, Naima Neidre, Enno Ootsing, Urmas Ploomipuu, Andres Tali, Marje Üksine and others.
The book editions in the exhibition range from five to fifty (125 in one case and 300 in another, in most cases between 15 and 25). The student has chosen the literature work, made type-setting, designed and illustrated it himself. In most cases, the illustrations are also printed by the author. The printing techniques used for the illustrations include relief printing (linocut and woodcut), intaglio printing (ofort, aquatint) and lithography. Since the 1950s, the edition has been printed by Mihkel Enn, a master printer, and bound by Elsa Oolma, a typesetter (or a letterpress master), who also taught hand-lettering to students and helped prepare the type-setting for printing.
The selection was made by Marju Vahter, Head Specialist of the Library, Karin Oolu, Head of the Library, and complemented by Professor Liina Siib, Head of the Graphic Arts Department, and Associate Professor Eve Kask. Exhibition graphics is done by Markus Laanisto.
Text by Eve Kask
Graduated from the Department of Graphic Arts by the degree of Book Design, ERKI, 1984.
The last student of Paul Luhtein and the first student of Vive Tolli
29.10.2024 — 08.11.2024
Kirke Kits at Täisnurga Gallery
We are pleased to invite you to the opening of Kirke Kits‘s exhibition “Late in October” on Tuesday 29.10 at 18:00 at Täisnurga Gallery.
The exhibition “Late October” plays with the liberation of poetry from the regular print format. As a photograph, diary or painting, poems escape the anonymity of a book page for a while. The possibility of experiencing them is hidden in a specific time and space, and above all related to the present moment before the snow and the final devastation, the place of enlightenment of the senses and sensations before the soporific arrival of winter.
You can find Täisnurga Gallery by entering the back door of the Painting Department of the Estonian Academy of Arts (C201).
The exhibition is supported by the painting department of the Estonian Academy of Arts.
You can find the Täisnurga Gallery through the back door of the painting department (C201) of the Estonian Academy of Arts. The exhibition is supported by the Painting Department of the Estonian Academy of Arts.
The exhibition will remain open until November 8th.
Kirke Kits at Täisnurga Gallery
Tuesday 29 October, 2024 — Friday 08 November, 2024
We are pleased to invite you to the opening of Kirke Kits‘s exhibition “Late in October” on Tuesday 29.10 at 18:00 at Täisnurga Gallery.
The exhibition “Late October” plays with the liberation of poetry from the regular print format. As a photograph, diary or painting, poems escape the anonymity of a book page for a while. The possibility of experiencing them is hidden in a specific time and space, and above all related to the present moment before the snow and the final devastation, the place of enlightenment of the senses and sensations before the soporific arrival of winter.
You can find Täisnurga Gallery by entering the back door of the Painting Department of the Estonian Academy of Arts (C201).
The exhibition is supported by the painting department of the Estonian Academy of Arts.
You can find the Täisnurga Gallery through the back door of the painting department (C201) of the Estonian Academy of Arts. The exhibition is supported by the Painting Department of the Estonian Academy of Arts.
The exhibition will remain open until November 8th.
25.10.2024 — 01.12.2024
BLACKOUT – Jewellery and Blacksmithing 100
We are pleased to invite you to participate in BLACKOUT, an event organised by the Jewellery and Blacksmithing Department of the Estonian Academy of Arts, celebrating the 100th anniversary of the beginning of professional metal art education in Estonia.
Although the name of the university and the department has changed several times over the last hundred years, the fact remains that we have been teaching metalwork at a high level for a hundred years in a row. This is a good enough reason to call together friends from here and abroad to discuss where we have come from and where we are going.
Alongside the exhibition at the Narva Art Residency, a symposium, excursions, and sauna will encourage and initiate the discussions. All these activities are brought under the common title of BLACKOUT.
We do not imply mind-blindness or a serious hangover by this, but rather posing the question of how to arrive somewhere without knowing exactly where you’re going, as the essence of artistic quality lies in capturing the invisible. In discovering something surprising for yourself and others. The fear of being lost vanishes because even without knowing what you seek, you’ll recognize it when you find it.
At the symposium on October 25–26, we will approach the above-mentioned question from three different perspectives: PRACTITIONER, THEORIST, and EDUCATOR. The speakers will explore questions such as:
How do you create a relationship with students that would help them open up and inspire the courage to explore the world? How do I ask the right questions to discover something new and recognize the right things for myself? How do I deal with suspense? How do I maintain the courage to continue searching and working in a situation, where setting too clear goals could be an obstacle?
Speakers: Jorge Manilla (KHIO/NO), Olaf Hodne (KHIO/NO), Erinn M. Erinn (KHIO/NO). Cox (US), Daniel Strandow (HDK Valand/SWE), Siri Tolander (HDK Valand/SWE), Tarja Tuupanen (FI), Jenni Sokura (LAB/FI), Flora Vagi (MOME/HU), Taavi Hallimäe (EKA), Urmas Lüüs (EKA), Sander Haugas (EKA), Taavi Teevet (EKA), Hansel Tai (EE), Liisbeth Kirss (EE), Erle Nemvalts (EE).
Participation in the symposium is free.
The event will be held in English.
Pre-registration is required at the following link: https://forms.gle/6djfdmw41XYnLtXd6
Timetable:
Friday, 25 October
10-12 Narva sightseeing for guests
14-18 presentations
19 Exhibition opening, party
Saturday, 26 October
11 – 14 presentations
16 Narva sightseeing
Sauna and socialising in the evening
Information about the event will be updated as it becomes available.
Location:
Narva Art Residency (NART)
Joala 18, 20103, Narva
Contact: metall@artun.ee
BLACKOUT – Jewellery and Blacksmithing 100
Friday 25 October, 2024 — Sunday 01 December, 2024
We are pleased to invite you to participate in BLACKOUT, an event organised by the Jewellery and Blacksmithing Department of the Estonian Academy of Arts, celebrating the 100th anniversary of the beginning of professional metal art education in Estonia.
Although the name of the university and the department has changed several times over the last hundred years, the fact remains that we have been teaching metalwork at a high level for a hundred years in a row. This is a good enough reason to call together friends from here and abroad to discuss where we have come from and where we are going.
Alongside the exhibition at the Narva Art Residency, a symposium, excursions, and sauna will encourage and initiate the discussions. All these activities are brought under the common title of BLACKOUT.
We do not imply mind-blindness or a serious hangover by this, but rather posing the question of how to arrive somewhere without knowing exactly where you’re going, as the essence of artistic quality lies in capturing the invisible. In discovering something surprising for yourself and others. The fear of being lost vanishes because even without knowing what you seek, you’ll recognize it when you find it.
At the symposium on October 25–26, we will approach the above-mentioned question from three different perspectives: PRACTITIONER, THEORIST, and EDUCATOR. The speakers will explore questions such as:
How do you create a relationship with students that would help them open up and inspire the courage to explore the world? How do I ask the right questions to discover something new and recognize the right things for myself? How do I deal with suspense? How do I maintain the courage to continue searching and working in a situation, where setting too clear goals could be an obstacle?
Speakers: Jorge Manilla (KHIO/NO), Olaf Hodne (KHIO/NO), Erinn M. Erinn (KHIO/NO). Cox (US), Daniel Strandow (HDK Valand/SWE), Siri Tolander (HDK Valand/SWE), Tarja Tuupanen (FI), Jenni Sokura (LAB/FI), Flora Vagi (MOME/HU), Taavi Hallimäe (EKA), Urmas Lüüs (EKA), Sander Haugas (EKA), Taavi Teevet (EKA), Hansel Tai (EE), Liisbeth Kirss (EE), Erle Nemvalts (EE).
Participation in the symposium is free.
The event will be held in English.
Pre-registration is required at the following link: https://forms.gle/6djfdmw41XYnLtXd6
Timetable:
Friday, 25 October
10-12 Narva sightseeing for guests
14-18 presentations
19 Exhibition opening, party
Saturday, 26 October
11 – 14 presentations
16 Narva sightseeing
Sauna and socialising in the evening
Information about the event will be updated as it becomes available.
Location:
Narva Art Residency (NART)
Joala 18, 20103, Narva
Contact: metall@artun.ee