Exhibitions

Estonia will be represented at the 4th Triennial of Young Textile Art in Lodž (YTAT) by EKA textile artists Helena Kisant, Anni Kivisto and Krista Leesi.

As many as 18 art schools from 11 countries responded to the invitation of the Strzemiński Academy of Fine Arts in Lodz: Sweden, Estonia, Finland, Lithuania, Japan, USA, Czech Republic, Slovakia, Romania, Slovenia and Poland. Students and last-year graduates of these schools will present the most interesting realizations of the past three years during the competition exhibition.

EKAt on esindamas 3 autori tööd: 

Helena Kisant “skin of nature”
Design Faculty Textile Design, second year BA 2021/2022
Tutors: Krista Leesi, Piret Valk

Anni Kivisto „Crossing Everyday Life and Creative Process: Handmade Rug in Punch Needle  Technique“
Design Faculty Textile Design, Master’s Programme Graduate  2020/2021
Tutors: Taavi Hallimäe, Johanna Ulfsak

For the first time, an element of the event will be the YTAT MENTORS exhibition, showcasing the works of academic teachers from the art academies invited to participate in the competition. 

In this category, the work “CANT STOP DANCIN’” by Krista Leesi, assistant professor of EKA Textile Department, is on display.

The exhibition will be open from October 9th to December 31st 2022 iat the City Art Gallery in Lodž, 44th Sienkiewicza Street, Poland.

GeneralSharing: 27m above the Sea opening on October 15, from 15:00 to 18:00

GeneralSharing is a platform created by a group of students from the Baltic and Nordic countries, the purpose of which is to be a meeting place for introducing art practices to young artists starting their careers.

GeneralSharing: 27m Above the Sea is an exhibition born out of different sharings of working processes and artistic knowledge, which highlights different work methods and diverse fresh approaches to art in the student community.

The second part of the exhibition, GeneralSharing: 19m above the Sea, opens on October 20 at Köysiratagalleria and Taiteen Talo in Turku, Finland.

Artists:

Alva Törnqvist, Cheonghye Sophia, Chih-Tung Lin, Clea Filippa Ingwersen, Ebba Birkflo, Ellinor Hagman, Ida Hundertmark, Katariin Mudist, Megan Auður, Olev Kuma, Patricia Carolina, Peik Elias, Sabīne Šnē, Sofia Haapamäki, Zsófi Boda 

Special thanks to:

Kirke Kangro, Bjarki Bragason, Kuno Network Grant, Lina Koseleva, Kati Saarits and Vent Space

On Wednesday, October 12, at 18:00, we will open the joint art exhibition titled “Synthesis of Landscapes” by Art Academy students from four different departments at ARS Art Factory Studio 53 and 98 (Pärnu mnt 154, Tallinn).

The group exhibition uses the spatio-temporal outputs typical of installation art to question the artists’ individual observations about their living environment and it’s influencing factors. Versatile collections of found, handmade and ready-made materials create micro-landscapes in the exhibition space, presenting fragments of the artists’ collective thought-space. Gestures of opposition and mirroring through material propositions are supported by sound and video art experiments. Participants are Artists are students of EKA Jewellery and Blacksmithing, Glass Art and Ceramics departments.

Participating artists: Annali Kruusamägi, Elis Liivo, Gaida-Erica Pärn, Helen Tiits, Laura Stina, Maarja Hallika, Maarja Sildvee, Madli Pajos, Marta Vikentjeva, Paul Aadam Mikson, Valeria Poljakova

The exhibition is open 13.–16.10 from 12:00 to 18:00

Graphic design by Madli Pajos

Supervised by Sten Saarits

Exhition is supported by Estonian Artists’ Association and Estonian Academy of Arts

More on ARS Art Factory: www.arsfactory.ee

Scenography student Joel Väli’s diploma work “In memoriam Bellingshausen” at the VAT Theater, 10.-18. at October.

Actors: Ursel Tilk (Estonian Drama Theater) and Markus Truup

Artist-director: Joel Väli (EA scenography)

Playwright: Andreas Kübar

Lighting artist: Leon Augustin Allik

Musical consultant: Markus Robam

Producer: Egert Kadastu

Performances 13.10/14.10/16.10/17.10/18.10

Online launch of Memory Studies journal Special issue “The Return of Suppressed Memories in Eastern Europe: Locality and Unsilencing Difficult Histories”

Online launch on Facebook

29 September 17.00–18.30 EEST time, 16.00–17.30 CET time and 15.00–16.30 BST time
How are suppressed memories returning in Eastern Europe? What role does locality play in this process? How has this process been theorized and studied? And what kind of impact has Russia’s ongoing war in Ukraine had to these articulations?

We are happy to invite you to the online launch of the recent Memory Studies journal Special Issue “The Return of Suppressed Memories in Eastern Europe: Locality and Unsilencing Difficult Histories” that was published in June 2022! During the launch authors will briefly introduce their articles that were published in the special issue by focusing on the notion of locality, one of the main keywords in this issue. The response of memory scholar Natalija Arlauskaitė will follow.

The special issue is part of the project “Communicating Difficult Pasts” (2019–2023), a project initiated by Estonian Academy of Arts and Latvian Centre for Contemporary Art and curated by Margaret Tali and Ieva Astahovska, who are also the editors of this Memory Studies Special issue. It grows out of the symposium Prisms of Silence organized in Tallinn, Estonian Academy of Arts in 2020.

Participants: Roma Sendyka (Jagiellonian University/Humboldt University), Asja Mandić (University of Sarajevo), Shelley Hornstein (York University), Mischa Twitschin (Goldsmiths, University of London), Ieva Astahovska (Latvian Centre for Contemporary Arts) and Margaret Tali (Estonian Academy of Arts). Natalija Arlauskaitė (Vilnius University) will act as a respondent.

“Sancho Panza, from a different vantage point, divides the world into those, like himself, who were born to sleep and those, like his master, who were born to watch.” Jonathan Crary, “24/7. Late Capitalism and the Ends of Sleep” (2013), p. 26.

Now open in Vent Space: “A Practice for Surrender” by Tõnis Jürgens.

A stage set for sleep. A butaforic space and light installation, evoking false insights, the liminality and artificiality of slumber, and crabs’ eyes.

The exhibition is part of Jürgens’ ongoing artistic research project at the art & design department of the doctoral school of EKA, dealing with sleep surveillance and digital trash.

Open from 20.–30.09.

Every day at 1–7 pm.

Graphic design: Laura Merendi

Thanks kindly to: Aadu Lambot, Hans-Gunter Lock, Joosep Ehasalu, Kulla Laas, Liisi Kõuhkna, Nabeel Imtiaz

Supported by: Cultural Endowment of Estonia, Estonian Academy of Arts

Tõnis Jürgens (b. 1989) is a projectionist, writer, and void enthusiast. He holds a bachelor’s degree in culture theory from Tallinn University and a master’s in new media from the Estonian Academy of Arts (EKA). Further, he’s spent a year studying at the Academy of Arts, Architecture & Design in Prague (UMPRUM).

21.09—24.09.2022
OKAPI Gallery, Niguliste 2, Tallinn
Exhibition opening Wed 21.09 at 18.00!

As a part of Tallinn Design Festival the brand MSK Glass introduces an exhibition in OKAPI Gallery wholly dedicated to drinking glasses.
Drinking glasses are our companions in moments when we need to celebrate, rejoice and greet. Make a toast and bottoms up! 

MSK Glass is a collaboration between three glass designers – AleksandraEhrensvärd, Andra Jõgis and Kristiina Oppi.

The designers started their collaboration in 2014 at the Department of Glass Art of the Estonian Academy of Arts, where the first pieces were made specially for the Stockholm Furniture & Light Fair. The first piece was a set of drinking glasses and a pitcher called ‘We Match’ (‘Me Sobime Kokku’ in Estonian), from which the brand name MSK Glass was derived.

Brand specializes in handmade, mouth-blown glassware. 

Wed-Fri 11—18
Sat 11—16

Please join us for the launch of Flawless, Seamless – a new monograph by Marge Monko – on Friday, September 23 at 6 pm at Kai Art Center in Tallinn. At the launch Marge Monko will premiere her film Window on the Visible World, which is followed by a conversation with Maarin Ektermann. The film and book are in English, discussion is held in Estonian. During the launch the publication will be sold at a special price of 25 euros. 

Flawless, Seamless is the first monograph of Marge Monko, encompassing works from 2014 to 2021. The book presents nineteen works that explore what the artist calls “the architecture of desire,” drawing inspiration from public banners, print advertisements, shop displays, show windows, etc. These ubiquitous promotional strategies, designed to evoke an abiding, aspirational desire, suggest that the products they represent will fulfill the promise of luxury, romance, and happiness. Monko’s interest in these inseparable elements of capitalist society can be traced back to her childhood in the 1980s, which in the context of the Soviet Union was marked by the shortage of commodities.

The works are accompanied by an essay by curator and writer Moritz Scheper and three conversations with Monko’s fellow artists and friends, Erika Hock, Maruša Sagadin, and Paul Kuimet. In his text, Scheper makes connections between Monko’s earlier and more recent works, and elaborates on different femininities prevailing in East and West. The conversations touch upon the subjects such as artist’s work, materiality, collaboration, and bookmaking. The publication is edited by Laura Toots, designed by Indrek Sirkel, and published by Lugemik. The publication was supported by Cultural Endowment of Estonia and the Estonian Union of Photography Artists (Foku). 

The conversation with Maarin Ektermann is preceded by the premiere of Marge Monko’s film Window to the Visible World at 6.15 pm. The 21-minute film made in 2021 reflects upon the role of the window in architecture and visual culture. It is accompanied by a voice over written and read by the artist. A view from one’s window has been a recurrent motif in the history of visual art. Focusing on the legacy of the modernist architecture, the film draws parallels between the views from windows recorded in São Paulo and Tallinn. It follows different modes of images that equally serve as metaphors for the window – from engravings and paintings to virtual images on our computer and cell phone screens. The film was commissioned by Videobrasil in Context and Estonian Contemporary Art Development Center.

Marge Monko is a visual artist who lives and works in Tallinn. She has studied at the Estonian Academy of Arts, University of Applied Arts Vienna, and Higher Institute for Contemporary Art (HISK) in Ghent. Monko works with photography, video, and installation. Her works are inspired by historical images and theories of psycho-analysis, feminism, and visual culture. She works as a professor in the Department of Photography at the Estonian Academy of Arts.

Maarin Ektermann is an art worker who deals with creating points of contact between contemporary art, more and less experimental education, art criticism, etc. In addition to managing several projects in the field of art, her focus has also been mediating what is happening in the field of art – both through writing art criticism and organising public debates. She has been one of the initiators and leaders of the art criticism blog Artishok, and hosted the show Kultuuriministeerium in Klassikaraadio (with I. Grigor). She has taught several different courses at the Estonian Academy of Arts, where she also works as the head of Centre for General Theory Subjects.