Exhibitions
28.04.2022 — 05.05.2022
Megan Wynne “Shadows and Self Reflection”
This work is about the internal and external changes I have experienced since moving to Tallinn. Leaving home has given me the time and space to figure out who I am and where I fit in in this new environment. I took this image during a walk through the Old Town enjoying the sunlight after many months of overcast clouds. The text is taken from my own personal writing accounts, I feel it compliments the idea of self-discovery that the cut out silhouette in the image conveys.
Megan Wynne “Shadows and Self Reflection”
Thursday 28 April, 2022 — Thursday 05 May, 2022
This work is about the internal and external changes I have experienced since moving to Tallinn. Leaving home has given me the time and space to figure out who I am and where I fit in in this new environment. I took this image during a walk through the Old Town enjoying the sunlight after many months of overcast clouds. The text is taken from my own personal writing accounts, I feel it compliments the idea of self-discovery that the cut out silhouette in the image conveys.
28.04.2022 — 05.05.2022
Inna Tarakanova “Wish You Were Here”
My work depicts long-distance relationship and the precariousness of mental existence in two places simultaneously. It is possible to overcome the distance if locate oneself in a virtual reality for a moment. I have used different collage techniques in making the image. Two images have been cut out of their context and placed closer to each other. Deconstructed parts are creating a new reality that is fragmented and detached.
Inna Tarakanova “Wish You Were Here”
Thursday 28 April, 2022 — Thursday 05 May, 2022
My work depicts long-distance relationship and the precariousness of mental existence in two places simultaneously. It is possible to overcome the distance if locate oneself in a virtual reality for a moment. I have used different collage techniques in making the image. Two images have been cut out of their context and placed closer to each other. Deconstructed parts are creating a new reality that is fragmented and detached.
07.05.2022 — 08.06.2022
“Where is the body?” in Narva
Where is the body?
Group exhibition in Narva Art Residency, Joala 18, Narva
07.05.–08.06
Artists: Eero Alev, Ina Ebenberger, Daniel Silva Flandez, Yigit Gönlügür, Loora Kaubi, Jakob Kolb, Olev Kuma, Lisette Lepik, Sigrid Mau, Amar Priganica, Brenda Purtsak, Ramsko, Alfred Rottensteiner, Denisa Stefanigova, Magdalena Schwaiger, Mattias Veller. Curated by Lilian Hiob and Julius Pristauz
The group exhibition Where is the body? arises from a collaboration between the Academy of Fine Arts Vienna, and the Estonian Academy of Arts, bringing together a variety of emerging artists, currently studying in the painting departments of the two academies.
Where is the body? gathers assumptions, statements and questions regarding different forms of (self-)embodiment. Questions as to how the body is currently situated in terms of its representation in the students’ practices are central to the curatorial concept of the exhibition. The exhibition presents different depictions and notions of the body in an ever quickly spinning world, opening up space for discussions surrounding it.
Depictions of fantastical bodies fuse into questions about hierarchies between different species. Loosening up borders, tissues, and deadlocked positions, we find a variety of expressions ranging from more playful approaches to very serious and intense dissections towards the topic.
Sketches for possible skeletons of the medium of painting and thoughts about material manifestations of bodily gestures within it go alongside introspections and reflections on the anatomy of the self. The artists comment on bodies in use, their capabilities and boundaries, extreme situations and the body as a tool for manipulation and power play.
The works negotiate body politics and within those relationships of gender, identity and representation.
Themes such as deconstruction and decay, performance, dependency and co-dependency can be found as opposed to abstract and hybrid images with transformational potential.
From traditional depiction to the changing stance of the body over time the works can help to position and define how and where the body finds a home in young contemporary artists’ practice.
The display and architecture of the exhibition expand on these ideas further, with its rhizomatic structure making for a spatial experience with different stations.
Examining matters connected to belonging, visibility, and desire, Where is the body? helps us to map various narratives that are socially, historically and culturally interwoven and take bodies, in a broader sense, as their starting point.
Support: Austrian Embassy in Tallinn, Estonian Embassy in Vienna, Erasmus+, Punch Drink, Academy of Fine Arts Vienna, Vilnius Academy of Arts, Estonian Academy of Arts
REGISTER TO THE BUS to Narva on May 6th
More about the exhibition in Vienna
“Where is the body?” in Narva
Saturday 07 May, 2022 — Wednesday 08 June, 2022
Where is the body?
Group exhibition in Narva Art Residency, Joala 18, Narva
07.05.–08.06
Artists: Eero Alev, Ina Ebenberger, Daniel Silva Flandez, Yigit Gönlügür, Loora Kaubi, Jakob Kolb, Olev Kuma, Lisette Lepik, Sigrid Mau, Amar Priganica, Brenda Purtsak, Ramsko, Alfred Rottensteiner, Denisa Stefanigova, Magdalena Schwaiger, Mattias Veller. Curated by Lilian Hiob and Julius Pristauz
The group exhibition Where is the body? arises from a collaboration between the Academy of Fine Arts Vienna, and the Estonian Academy of Arts, bringing together a variety of emerging artists, currently studying in the painting departments of the two academies.
Where is the body? gathers assumptions, statements and questions regarding different forms of (self-)embodiment. Questions as to how the body is currently situated in terms of its representation in the students’ practices are central to the curatorial concept of the exhibition. The exhibition presents different depictions and notions of the body in an ever quickly spinning world, opening up space for discussions surrounding it.
Depictions of fantastical bodies fuse into questions about hierarchies between different species. Loosening up borders, tissues, and deadlocked positions, we find a variety of expressions ranging from more playful approaches to very serious and intense dissections towards the topic.
Sketches for possible skeletons of the medium of painting and thoughts about material manifestations of bodily gestures within it go alongside introspections and reflections on the anatomy of the self. The artists comment on bodies in use, their capabilities and boundaries, extreme situations and the body as a tool for manipulation and power play.
The works negotiate body politics and within those relationships of gender, identity and representation.
Themes such as deconstruction and decay, performance, dependency and co-dependency can be found as opposed to abstract and hybrid images with transformational potential.
From traditional depiction to the changing stance of the body over time the works can help to position and define how and where the body finds a home in young contemporary artists’ practice.
The display and architecture of the exhibition expand on these ideas further, with its rhizomatic structure making for a spatial experience with different stations.
Examining matters connected to belonging, visibility, and desire, Where is the body? helps us to map various narratives that are socially, historically and culturally interwoven and take bodies, in a broader sense, as their starting point.
Support: Austrian Embassy in Tallinn, Estonian Embassy in Vienna, Erasmus+, Punch Drink, Academy of Fine Arts Vienna, Vilnius Academy of Arts, Estonian Academy of Arts
REGISTER TO THE BUS to Narva on May 6th
More about the exhibition in Vienna
21.04.2022 — 28.04.2022
Alina Birjuk “May there be enough bread!”
Estonian sayings “one has to honour bread” or “bread is older than us” refer to the special meaning of bread. Numerous traditions, beliefs, rituals and proverbs are associated to bread. The taste and form of bread has not changed throughout centuries and breakbaking is a very special skill. For me, bread is something that makes me think of my great-grandparents and my roots. I decided to photograph bread against the white backdrop where the time of the picture-taking is imperceptible. Bread is the centerpiece of attention while its texture and form has been emphasized.
Alina Birjuk “May there be enough bread!”
Thursday 21 April, 2022 — Thursday 28 April, 2022
Estonian sayings “one has to honour bread” or “bread is older than us” refer to the special meaning of bread. Numerous traditions, beliefs, rituals and proverbs are associated to bread. The taste and form of bread has not changed throughout centuries and breakbaking is a very special skill. For me, bread is something that makes me think of my great-grandparents and my roots. I decided to photograph bread against the white backdrop where the time of the picture-taking is imperceptible. Bread is the centerpiece of attention while its texture and form has been emphasized.
29.04.2022 — 19.05.2022
Assessment Marathon 29.04–19.05.2022 at EKA Gallery
Mon-Sat, 3—6 pm
May brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.
Works in contemporary art, prints, installation, sculpture and painting curricula will be on display. On each morning of the marathon, a new exhibition will be installed and in the evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.
SCHEDULE
29.–30.04 – Drawing, supervisor Ülle Marks
03.05 – Studio photo, supervisor Madis Kurss
04.05 – Drawing, supervisor Ulvi Haagensen
05.05 – Drawing, supervisor Tõnis Saadoja
06.05 – Drawing, supervisors Maiu Rõõmus, Matti Pärk
07.05 – Conceptual drawing supervisor, juhendaja Anna Škodenko
09.05 – Conceptual drawing supervisor, juhendaja Tõnis Saadoja
10.05 – Graphic art, supervisors Viktor Gurov, Eve Kask, Lennart Mänd
11–12.05 – Contemporary art, supervisors Marge Monko, Taavi Talve, Liina Siib, Kristi Kongi, John Grzinich, Kristaps Ancans, Anu Vahtra
13–14.05 – Kujundliku Mõtte Labor— Ekspeditsioon Narva, supervisor Ene-Liis Semper
16.05 – Graphic art, supervisors Maria Erikson, Britta Benno, Charlotte Biszewski, Aarne – Mesikäpp, Maria Izabella Lehtsaar
17.05 – Photo art project, supervisors Marge Monko, Reimo Võsa-Tangsoo
18.05 – Painting, supervisors Mart Vainre, Tiina Tammetalu, Aapo Pukk
19.05 – Painting, supervisors Sigrid Viir, Mihkel Ilus, Tõnis Saadoja, Heldur Lassi
Assessment Marathon 29.04–19.05.2022 at EKA Gallery
Friday 29 April, 2022 — Thursday 19 May, 2022
Mon-Sat, 3—6 pm
May brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.
Works in contemporary art, prints, installation, sculpture and painting curricula will be on display. On each morning of the marathon, a new exhibition will be installed and in the evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.
SCHEDULE
29.–30.04 – Drawing, supervisor Ülle Marks
03.05 – Studio photo, supervisor Madis Kurss
04.05 – Drawing, supervisor Ulvi Haagensen
05.05 – Drawing, supervisor Tõnis Saadoja
06.05 – Drawing, supervisors Maiu Rõõmus, Matti Pärk
07.05 – Conceptual drawing supervisor, juhendaja Anna Škodenko
09.05 – Conceptual drawing supervisor, juhendaja Tõnis Saadoja
10.05 – Graphic art, supervisors Viktor Gurov, Eve Kask, Lennart Mänd
11–12.05 – Contemporary art, supervisors Marge Monko, Taavi Talve, Liina Siib, Kristi Kongi, John Grzinich, Kristaps Ancans, Anu Vahtra
13–14.05 – Kujundliku Mõtte Labor— Ekspeditsioon Narva, supervisor Ene-Liis Semper
16.05 – Graphic art, supervisors Maria Erikson, Britta Benno, Charlotte Biszewski, Aarne – Mesikäpp, Maria Izabella Lehtsaar
17.05 – Photo art project, supervisors Marge Monko, Reimo Võsa-Tangsoo
18.05 – Painting, supervisors Mart Vainre, Tiina Tammetalu, Aapo Pukk
19.05 – Painting, supervisors Sigrid Viir, Mihkel Ilus, Tõnis Saadoja, Heldur Lassi
25.04.2022 — 27.04.2022
Jette Loona Hermanis “Elegy of Ergot” at EKA Gallery 25 & 27.04.2022
25, 27.04.2022
20:00
EKA Galerii, Põhja pst 7
Free entrance through the EKA main door
Staging ritualistic tasks, that intertwine the protagonist’s sense of submerging with nature, and the contrasting, being affiliated to the digital domain. She re-enacts symbolic gestures that deepen her connection with belonging to nature’s force. Rather than performing paganistic actions, she seeks to unfurl the enchantment in a far more subjective matter. It ties with her connection to earth and nature, through which she can realize hidden truths, and embody empowerment of her femininity, sensitivity, intuitiveness and inner world of feelings. The elixir, which her actions end up transforming into, is the ultimate goal to reach her zenith of self. For her to reach this state, she is casted to unlock these riddles, through manipulating movement in time and space.
soundcloud.com/gilschneider/
instagram.com/nele_kurvits
http://nones.121.lt/
instagram.com/laibalahkaja/
https://www.instagram.com/hexmatiss/
The “re-enchantment” of a progressively “disenchanted world” has been one of the overriding aspirations of her artistic inquiry. By reviving notions of individuation through archetypal complementariness she has been consistently appealed to a revaluation of the role of the marvellous and the transcendental. Her work is theatrical and romantically classical, yet stuck in a body of an avatar, expressing the aches of a mechanical machine, the pain of a digital golem, an emo Fairytale drenched in mythological symbolism, the frame – post-internet dark romanticism.
Jette Loona Hermanis “Elegy of Ergot” at EKA Gallery 25 & 27.04.2022
Monday 25 April, 2022 — Wednesday 27 April, 2022
25, 27.04.2022
20:00
EKA Galerii, Põhja pst 7
Free entrance through the EKA main door
Staging ritualistic tasks, that intertwine the protagonist’s sense of submerging with nature, and the contrasting, being affiliated to the digital domain. She re-enacts symbolic gestures that deepen her connection with belonging to nature’s force. Rather than performing paganistic actions, she seeks to unfurl the enchantment in a far more subjective matter. It ties with her connection to earth and nature, through which she can realize hidden truths, and embody empowerment of her femininity, sensitivity, intuitiveness and inner world of feelings. The elixir, which her actions end up transforming into, is the ultimate goal to reach her zenith of self. For her to reach this state, she is casted to unlock these riddles, through manipulating movement in time and space.
soundcloud.com/gilschneider/
instagram.com/nele_kurvits
http://nones.121.lt/
instagram.com/laibalahkaja/
https://www.instagram.com/hexmatiss/
The “re-enchantment” of a progressively “disenchanted world” has been one of the overriding aspirations of her artistic inquiry. By reviving notions of individuation through archetypal complementariness she has been consistently appealed to a revaluation of the role of the marvellous and the transcendental. Her work is theatrical and romantically classical, yet stuck in a body of an avatar, expressing the aches of a mechanical machine, the pain of a digital golem, an emo Fairytale drenched in mythological symbolism, the frame – post-internet dark romanticism.
20.04.2022
Jerry Mercury presents: “The Non-Lonelineness Train”
The film is in Russian with English subtitles. (30 minutes)
Jerry Mercury is a Russian non-binary transgender neurodivergent self-advocate, poet, musician, artist, filmmaker, and blogger. In The Non-Loneliness Train, theater director Boris Pavlovich interviews Jerry, who welcomes the viewer to step into the shoes of a neurodivergent person in today’s Russia.
Jerry Mercury presents: “The Non-Lonelineness Train”
Wednesday 20 April, 2022
The film is in Russian with English subtitles. (30 minutes)
Jerry Mercury is a Russian non-binary transgender neurodivergent self-advocate, poet, musician, artist, filmmaker, and blogger. In The Non-Loneliness Train, theater director Boris Pavlovich interviews Jerry, who welcomes the viewer to step into the shoes of a neurodivergent person in today’s Russia.
13.04.2022 — 28.04.2022
Triin Türnpuu “Veiled” in Kullo Children’s Gallery
Kullo Children’s Gallery is pleased to present “Veiled” – solo exhibition of new sculptural works by EKA contemporary art student Triin Türnpuu.
The works are inspired by the story of the author’s son and are dedicated to visually impaired children.
Preview on April 13, 6 pm
“At the age of 10 months, our third child turned suddenly blind. We learned to live with it. After several successful and unsuccessful surgeries, he was fitted with artificial lenses at the age of four.
Some time ago, a decision had to be made – which upper secondary school to continue studying at. He got into the desired school, but when talking about the child’s visual impairments, it was suggested to choose another educational institution – it would be too much extra burden for teachers to deal with him. I realized that behind this attitude, above all, was the fear of not knowing what it means to teach a visually impaired child. Is it possible to reduce this fear so that no child is left behind in the future?”
The works made of old and previously used spectacle lenses allow people to enter the world of spectacle wearers for a while.
Thank you: Instrumentarium Optika OÜ, Kenomer OÜ, Kristaps Ancāns, Marko Odar, Katriin-Eliis Brecher, Gerlin Mets, Helina Niilo, Ingrid Teino, Kristel Ilmets, Kaire Kurg, Kaidi Varik
Triin Türnpuu has graduated from the Faculty of Design of the Estonian Academy of Arts with a degree in ceramics and is currently studying contemporary art in her master’s degree.
Triin Türnpuu “Veiled” in Kullo Children’s Gallery
Wednesday 13 April, 2022 — Thursday 28 April, 2022
Kullo Children’s Gallery is pleased to present “Veiled” – solo exhibition of new sculptural works by EKA contemporary art student Triin Türnpuu.
The works are inspired by the story of the author’s son and are dedicated to visually impaired children.
Preview on April 13, 6 pm
“At the age of 10 months, our third child turned suddenly blind. We learned to live with it. After several successful and unsuccessful surgeries, he was fitted with artificial lenses at the age of four.
Some time ago, a decision had to be made – which upper secondary school to continue studying at. He got into the desired school, but when talking about the child’s visual impairments, it was suggested to choose another educational institution – it would be too much extra burden for teachers to deal with him. I realized that behind this attitude, above all, was the fear of not knowing what it means to teach a visually impaired child. Is it possible to reduce this fear so that no child is left behind in the future?”
The works made of old and previously used spectacle lenses allow people to enter the world of spectacle wearers for a while.
Thank you: Instrumentarium Optika OÜ, Kenomer OÜ, Kristaps Ancāns, Marko Odar, Katriin-Eliis Brecher, Gerlin Mets, Helina Niilo, Ingrid Teino, Kristel Ilmets, Kaire Kurg, Kaidi Varik
Triin Türnpuu has graduated from the Faculty of Design of the Estonian Academy of Arts with a degree in ceramics and is currently studying contemporary art in her master’s degree.
07.04.2022 — 19.05.2022
Photography Students Exhibiting in Two Old Town Showcases
First Year Students of the department of Photography exhibit their work in two showcases of Tallinn Old Town
One Another
Location: Suur-Karja 7, Suur-Karja 10
April 7 – May 19, 2022
One-photo-expositions by the first year students of the department of photography held in two showcases in the Old Town of Tallinn (Suur-Karja Str 7 and 10) serve as a part of the art project course held during the spring semester.
The objective of the course for each student was to communicate an intriguing theme and aesthetic preference with one photographic work. Together 11 different works can be seen in the showcases from April 7 to May 19; every Thursday two new photos will be exhibited.
Participating artists: Alina Birjuk, Ott Kattel, Saoirse McGarry, Cristiana Ortiga, Katerina Rothberg, Katerina Šarapova, Sonja Sutt, Inna Tarakanova, Emilia Tensing, Mia Tohver, Megan Wynne
Supervisors: Marge Monko, Reimo Võsa-Tangsoo
Graphic design: Emma Reim and Laura Tursk (2nd year students of the department of graphic design at the Estonian Academy of Arts)
Department of photography forwards its gratitude to Raido Nurmela from Hestia Hotels Group.
Exhibition is supported by Hestia Hotel Barons, department of photography at the Estonian Academy of Arts.
Exhibition schedule:
07.04–14.04 Emilia Tensing
14.04–21.04 Cristiana Ortiga, Katerina Sarapova
21.04–28.04 Alina Birjuk, Katerina Rothberg
28.04–05.05 Saoirse McGarry, Inna Tarakanova
05.05–12.05 Sonja Sutt, Megan Wynne
12.05-19.05 Ott Kattel, Mia Tohver
Photography Students Exhibiting in Two Old Town Showcases
Thursday 07 April, 2022 — Thursday 19 May, 2022
First Year Students of the department of Photography exhibit their work in two showcases of Tallinn Old Town
One Another
Location: Suur-Karja 7, Suur-Karja 10
April 7 – May 19, 2022
One-photo-expositions by the first year students of the department of photography held in two showcases in the Old Town of Tallinn (Suur-Karja Str 7 and 10) serve as a part of the art project course held during the spring semester.
The objective of the course for each student was to communicate an intriguing theme and aesthetic preference with one photographic work. Together 11 different works can be seen in the showcases from April 7 to May 19; every Thursday two new photos will be exhibited.
Participating artists: Alina Birjuk, Ott Kattel, Saoirse McGarry, Cristiana Ortiga, Katerina Rothberg, Katerina Šarapova, Sonja Sutt, Inna Tarakanova, Emilia Tensing, Mia Tohver, Megan Wynne
Supervisors: Marge Monko, Reimo Võsa-Tangsoo
Graphic design: Emma Reim and Laura Tursk (2nd year students of the department of graphic design at the Estonian Academy of Arts)
Department of photography forwards its gratitude to Raido Nurmela from Hestia Hotels Group.
Exhibition is supported by Hestia Hotel Barons, department of photography at the Estonian Academy of Arts.
Exhibition schedule:
07.04–14.04 Emilia Tensing
14.04–21.04 Cristiana Ortiga, Katerina Sarapova
21.04–28.04 Alina Birjuk, Katerina Rothberg
28.04–05.05 Saoirse McGarry, Inna Tarakanova
05.05–12.05 Sonja Sutt, Megan Wynne
12.05-19.05 Ott Kattel, Mia Tohver
01.04.2022 — 15.05.2022
Brit Pavelson and Cloe Jancis: Self-Portrait as a Dancer and a Revolutionary
Exhibition Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis in Grenoble
1.04.2022
On 21 March, the duo show entitled Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis will open at the Galerie Showcase, Grenoble.
The exhibition playfully addresses topics such as women’s everyday roles and the spaces in which these roles are expressed. Together they offer metaphors, self-portraits and subtle jokes that are rooted in a woman’s point of view, using the outdated clichés to their advantage. What are the roles that permeate through the definition of a parent, a partner and an artist? How can we best cope with the emotional states that different roles make us feel? Which domestic practices are considered “feminine” and what is their social or artistic value?
The title of the exhibition refers to a false citation by the anarchist activist, feminist, writer and teacher Emma Goldman (1869–1940), which has achieved mythical status today: “If I can’t dance, I don’t want to be part of your revolution.” The sentence refers to Goldman’s reaction when she was criticised for dancing joyfully at parties, arguing that agitators should not engage in such frivolous activities. Goldman’s quote is eloquent because many phenomena or common practices are still today called “feminine,” which aims to deem them of lower value. Following Goldman’s example, contemporary women’s rights activists should not choose between dancing and revolution, everyday joys and political activism, but they should instead find individual ways to intertwine these worlds, empower themselves and others, and shift values.
Curators: Brigit Arop and Sigrid Liira
Graphic design: Elisabeth Juusu
English editor: Gepard OÜ
The exhibition takes place in three cities during 2022, starting at the Galerie Showcase (Place aux Herbes, 38000) in Grenoble, France. In summer, the exhibition will arrive in Tallinn and Võru, Estonia.
The exhibition is open 24/7 and will remain open until 15 May. More information here.
Sponsors: Pildikompanii
Special thanks: Camille Laurelli, Laura Kuusk, Koit Randmäe
Brit Pavelson and Cloe Jancis: Self-Portrait as a Dancer and a Revolutionary
Friday 01 April, 2022 — Sunday 15 May, 2022
Exhibition Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis in Grenoble
1.04.2022
On 21 March, the duo show entitled Self-Portrait as a Dancer and a Revolutionary by Brit Pavelson and Cloe Jancis will open at the Galerie Showcase, Grenoble.
The exhibition playfully addresses topics such as women’s everyday roles and the spaces in which these roles are expressed. Together they offer metaphors, self-portraits and subtle jokes that are rooted in a woman’s point of view, using the outdated clichés to their advantage. What are the roles that permeate through the definition of a parent, a partner and an artist? How can we best cope with the emotional states that different roles make us feel? Which domestic practices are considered “feminine” and what is their social or artistic value?
The title of the exhibition refers to a false citation by the anarchist activist, feminist, writer and teacher Emma Goldman (1869–1940), which has achieved mythical status today: “If I can’t dance, I don’t want to be part of your revolution.” The sentence refers to Goldman’s reaction when she was criticised for dancing joyfully at parties, arguing that agitators should not engage in such frivolous activities. Goldman’s quote is eloquent because many phenomena or common practices are still today called “feminine,” which aims to deem them of lower value. Following Goldman’s example, contemporary women’s rights activists should not choose between dancing and revolution, everyday joys and political activism, but they should instead find individual ways to intertwine these worlds, empower themselves and others, and shift values.
Curators: Brigit Arop and Sigrid Liira
Graphic design: Elisabeth Juusu
English editor: Gepard OÜ
The exhibition takes place in three cities during 2022, starting at the Galerie Showcase (Place aux Herbes, 38000) in Grenoble, France. In summer, the exhibition will arrive in Tallinn and Võru, Estonia.
The exhibition is open 24/7 and will remain open until 15 May. More information here.
Sponsors: Pildikompanii
Special thanks: Camille Laurelli, Laura Kuusk, Koit Randmäe