Ürituse kategooria: Exhibitions — Page 29

01.04.2022 — 14.04.2022

Zody Burke “(mouse trap)” at DOM Galerija in Riga

Faculty of Fine Arts

MACA student Zody Burke is opening a solo exhibition entitled “(mouse trap)” at DOM Galerija in Riga on April 1.

The new body of work addresses the theme of symbolic anthropomorphism in culture, using the archetype of the mouse to explore society’s bizarre contradictions and neuroses.

The show will be up for two weeks and will feature work made in cooperation with the KUNO course “Border as a Place”, which was held in mid-March in Druskininkai, Lithuania.

The exhibition is open until April 14.

Posted by Andres Lõo — Permalink

Zody Burke “(mouse trap)” at DOM Galerija in Riga

Friday 01 April, 2022 — Thursday 14 April, 2022

Faculty of Fine Arts

MACA student Zody Burke is opening a solo exhibition entitled “(mouse trap)” at DOM Galerija in Riga on April 1.

The new body of work addresses the theme of symbolic anthropomorphism in culture, using the archetype of the mouse to explore society’s bizarre contradictions and neuroses.

The show will be up for two weeks and will feature work made in cooperation with the KUNO course “Border as a Place”, which was held in mid-March in Druskininkai, Lithuania.

The exhibition is open until April 14.

Posted by Andres Lõo — Permalink

02.04.2022 — 01.05.2022

Tõnis Saadoja: “September, October, March, April”

Faculty of Fine Arts

On Saturday, 2 April Tõnis Saadoja will open his solo exhibition “September, October, March, April” in the large gallery of Tartu Art House.

The painting series is based on architectural motifs, a minimalistic approach to painting and the idea of visibility. Use of architecture photos supports the internal logic of the painting and helps to amplify the feeling of unattainability that can be felt in familiar settings – something that has always haunted Saadoja.

Probing the visibility of the image and the names of colours, these paintings straddle the transition between surface and space. Saadoja has tried to minimise as much as possible in terms of painting technique and optimise his approach to the little that is left. The colours on which the paintings are based upon have no logical connection to the place or fragment depicted; every main tone is different from the ones that precede and follow.

Alongside clear rules and repetitions, this is a fairly organic and free-flowing process that will hopefully not end with the works displayed at this exhibition but quietly continue on its course.

Tõnis Saadoja (b 1980) has studied painting at the Estonian Academy of Arts (BA, 2004) and fine art at the University of East London (MA, 2006). He has been awarded the young artist prize of the Vaal Gallery (2004), the annual award of the Visual and Applied Art Endowment of the Cultural Endowment of Estonia (2006, 2008, 2012), the audience award of Köler Prize (2011) and the Kristjan Raud Award (2013). His works were last shown at the Tartu Art House in 2011.

Artist thanks his friends and supporters.

Graphic design: Tuuli Aule

The exhibition is supported by the Cultural Endowment of Estonia.

The exhibition is open until 1 May.

Posted by Andres Lõo — Permalink

Tõnis Saadoja: “September, October, March, April”

Saturday 02 April, 2022 — Sunday 01 May, 2022

Faculty of Fine Arts

On Saturday, 2 April Tõnis Saadoja will open his solo exhibition “September, October, March, April” in the large gallery of Tartu Art House.

The painting series is based on architectural motifs, a minimalistic approach to painting and the idea of visibility. Use of architecture photos supports the internal logic of the painting and helps to amplify the feeling of unattainability that can be felt in familiar settings – something that has always haunted Saadoja.

Probing the visibility of the image and the names of colours, these paintings straddle the transition between surface and space. Saadoja has tried to minimise as much as possible in terms of painting technique and optimise his approach to the little that is left. The colours on which the paintings are based upon have no logical connection to the place or fragment depicted; every main tone is different from the ones that precede and follow.

Alongside clear rules and repetitions, this is a fairly organic and free-flowing process that will hopefully not end with the works displayed at this exhibition but quietly continue on its course.

Tõnis Saadoja (b 1980) has studied painting at the Estonian Academy of Arts (BA, 2004) and fine art at the University of East London (MA, 2006). He has been awarded the young artist prize of the Vaal Gallery (2004), the annual award of the Visual and Applied Art Endowment of the Cultural Endowment of Estonia (2006, 2008, 2012), the audience award of Köler Prize (2011) and the Kristjan Raud Award (2013). His works were last shown at the Tartu Art House in 2011.

Artist thanks his friends and supporters.

Graphic design: Tuuli Aule

The exhibition is supported by the Cultural Endowment of Estonia.

The exhibition is open until 1 May.

Posted by Andres Lõo — Permalink

06.04.2022 — 30.04.2022

“(re)constructed Points of View” by Taavi Talve

Installation and Sculpture

Taavi Talve’s (Associate Professor, Chair of Installation and Sculpture in EKA) personal exhibition (re)constructed points of view will be open in Draakon gallery since Wednesday, April 6th, 2022. Finissage of the exhibition will take place at 8pm on April 29th.

There is no evidence in the structural logic of the filmstrip that distinguishes footage from a finished work. Thus, any piece of work may be regarded as footage that can be used in any form to construct or reconstruct a new work.

Hollis Frampton, filmmaker

(Re)constructed points of view by Taavi Talve places film as a found material in the middle of the installations. Based on the fact, current exhibition refers both to the materiality of (the illusion of) film and the irreconcilable contradiction in the center of moving image – its

immobility.

Taavi Talve (b. 1970) is an artist working in various media. In his recent films and installations, he has been based on subjective experientalness and the influence of past events to his personal life. These observations combine the factual and the fictional, the documentary and the illusory. Talve has studied sculpture at the Estonian Academy of Arts, lives and works in Tallinn. His personal exhibition “I was in Timbuktu” (2022) is currently open in Tallinn City Gallery until April 10th.

Exhibition will be open until April 30, 2022.

Supported by the Cultural Endowment of Estonia, Estonian Artists’ Association.

Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko Ltd.

Posted by Andres Lõo — Permalink

“(re)constructed Points of View” by Taavi Talve

Wednesday 06 April, 2022 — Saturday 30 April, 2022

Installation and Sculpture

Taavi Talve’s (Associate Professor, Chair of Installation and Sculpture in EKA) personal exhibition (re)constructed points of view will be open in Draakon gallery since Wednesday, April 6th, 2022. Finissage of the exhibition will take place at 8pm on April 29th.

There is no evidence in the structural logic of the filmstrip that distinguishes footage from a finished work. Thus, any piece of work may be regarded as footage that can be used in any form to construct or reconstruct a new work.

Hollis Frampton, filmmaker

(Re)constructed points of view by Taavi Talve places film as a found material in the middle of the installations. Based on the fact, current exhibition refers both to the materiality of (the illusion of) film and the irreconcilable contradiction in the center of moving image – its

immobility.

Taavi Talve (b. 1970) is an artist working in various media. In his recent films and installations, he has been based on subjective experientalness and the influence of past events to his personal life. These observations combine the factual and the fictional, the documentary and the illusory. Talve has studied sculpture at the Estonian Academy of Arts, lives and works in Tallinn. His personal exhibition “I was in Timbuktu” (2022) is currently open in Tallinn City Gallery until April 10th.

Exhibition will be open until April 30, 2022.

Supported by the Cultural Endowment of Estonia, Estonian Artists’ Association.

Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko Ltd.

Posted by Andres Lõo — Permalink

03.04.2022

Completely Out of Fashion Show

Innolabs

On 3rd of April 2022, the Completely out of Fashion Show brings to stage 15 designers from Kenya and Estonia – all of them working to reduce the textile waste imported to Kenya by upcycling it into new, beautiful and colourful clothes.

Completely Out of Fashion is an upcycling fashion design incubator program instructed by Estonian fashion designer Reet Aus. The project’s main goal was to inspire local Kenyan designers creatively and direct them towards an ambitious adventure in turning textile waste into sustainable fashion. Consequently, a huge amount of used clothes from the market of Gikomba found their way into a more meaningful fashion, making a statement on their own.

Twelve Kenyan designers, who are graduating from the 6-month upcycling incubator, will showcase their upcycled collections made entirely from post-consumer textile waste. They are accompanied by 3 fashion design students from the Estonian Academy of Arts who showcase their upcycled collections developed in the framework of an exchange course in Moi University, Kenya.

In addition, we will be showcasing an exclusive preview of 11 designers diverse collections in collaboration with the Made in Kenya shop from the 31st of March to the 2nd of April.

Come and support the local design! Let’s upcycle Mitumba back to the Fashion Runways.

The event is funded by the Estonian Centre for International Development and co-funded by the European Union Regional Fund.

Partnerid: African Collect Textiles; Customer XP Africa; Moi University; Made in Kenya store; The Alchemist

Event on Facebook

PS! This event is free of charge

Posted by Andres Lõo — Permalink

Completely Out of Fashion Show

Sunday 03 April, 2022

Innolabs

On 3rd of April 2022, the Completely out of Fashion Show brings to stage 15 designers from Kenya and Estonia – all of them working to reduce the textile waste imported to Kenya by upcycling it into new, beautiful and colourful clothes.

Completely Out of Fashion is an upcycling fashion design incubator program instructed by Estonian fashion designer Reet Aus. The project’s main goal was to inspire local Kenyan designers creatively and direct them towards an ambitious adventure in turning textile waste into sustainable fashion. Consequently, a huge amount of used clothes from the market of Gikomba found their way into a more meaningful fashion, making a statement on their own.

Twelve Kenyan designers, who are graduating from the 6-month upcycling incubator, will showcase their upcycled collections made entirely from post-consumer textile waste. They are accompanied by 3 fashion design students from the Estonian Academy of Arts who showcase their upcycled collections developed in the framework of an exchange course in Moi University, Kenya.

In addition, we will be showcasing an exclusive preview of 11 designers diverse collections in collaboration with the Made in Kenya shop from the 31st of March to the 2nd of April.

Come and support the local design! Let’s upcycle Mitumba back to the Fashion Runways.

The event is funded by the Estonian Centre for International Development and co-funded by the European Union Regional Fund.

Partnerid: African Collect Textiles; Customer XP Africa; Moi University; Made in Kenya store; The Alchemist

Event on Facebook

PS! This event is free of charge

Posted by Andres Lõo — Permalink

01.04.2022

Caring for Ida-Viru? Tracing Frontiers of Shrinkage

Faculty of Architecture

We kindly invite you to the exhibition and final grading of Urban Studies and Interior Architecture Urban Models studio tutored by Kristi Grišakov & Keiti Kljavin. Please join us 1st of April, 15:00 in the EKA courtyard. The exhibition has been collectively curated by students of urban studies, architecture and urban planning and interior architecture.

Urban decline in East-Estonia presents itself in a state of flux: it is tied to the area’s contested past but also allows a peek into the future. Multiple facets of shrinkage manifest in landscapes of extractivistic production, where the line between nature and man-made environment is increasingly difficult to draw. Although urban shrinkage is often associated with deteriorated buildings, abandoned and fragmented urban environments, if we choose to look through another lens there are multiple layers of phenomenologically dense experiences of decline that can provide acceptance and perseverance. Whether shrinking cities are distressing cities is a point of contention that urges us to rethink why cities are only ever received positively and linearly through growth, and whether or why shrinkage is seen as the opposite of growth. Should it be?

The Urban Models studio and its final project Caring for Ida-Viru? Tracing Frontiers of Shrinkage explores various questions related to tangible and intangible aspects of habitation in Ida-Viru county. Urban districts and towns of Ahtme, Järve and Kiviõli, where changing policies and approaches in urban governance aim to respond to the surplus of housing caused by the outmigration of people are in focus. Students of urban studies, architecture and interior architecture collaborated in exploring, reinventing and rethinking approaches towards shrinkage, adaptation and re-use. Some try to trace the stories that are subsumed in the industrially toxic air of Ida-Virumaa. Others attempt to take a peek into the everyday life that has somehow frozen in time. The students’ used relevant literature and explored case studies with experimental media and techniques in order to deliver final projects challenging the condition of shrinkage in Eastern Estonia.

Students: Paula Veidenbauma, Ljudmila Funika-Müür, Kush Badhwar, Augustas Lapinskas, Karen Isabel Talitee, Kelli Puusepp, Nabeel Imtiaz, Luca Liese Ritter, Julia Freudenberg, Kristiina Puusepp, Paul Simon, Christian Hörner, Hannah Mühlbach, Loviise Talvaru, Khadeeja Farrukh, Nora Soo, Jannik Kastrup.

Guest critics: Roland Reemaa (https://www.rloaluarnad.com/), Gregor Taul (EKA), Jüri Kermik (EKA), Johanna Holvandus (TÜ)

——————————————————-

Opposing the Desert

EKA courtyard terrace

an interactive installation by Paula Veidenbauma and Ljudmila Funika-Müür

Shrinking cities are aging cities. Enclosed by panels, slippery roads, railway tracks, and liminal landscape, elderly tend to be tied closely with their homes, not receiving enough soft care from the local municipality. While focusing on the topic of the invisibility of loneliness amongst the retried, the project tackles spatial isolation while looking at it from the perspective of the city district of Ahtme. It investigates public space in relation to a private space once inhabited by a senior teacher living in Ahtme’s Sõpruse street Soviet panel building. The installation tackles the findings revealed through critical geography, in parallel exploring the state of social services in Ahtme. How many borders does one have to overcome in order to be cared for? Can public space enable caring relationships between people, place, and materials, towards a city interested in investing resources beyond growth?

———————————————————

Ida

EKA library

illustrated children’s book presentation and readings by Kush Badwahr, Augustas Lapinskas and Karen Isabel Talitee

Ida (meaning ‘east’ in Estonian but also referring to the ancient Germanic root ‘id’ meaning ‘labor, work’) is an eight year old resident of Ida-Virumaa asking herself what she would like to do when she grows up. On her way home from school, she has various interactions – with a soon to retire army officer, a group of young boys, a bird, her visiting aunt and an ex-miner – that relate to their life and work in the region in which they live. The interactions Ida has and the illustrations that make up the book are based on interviews and research exploring the nature of work, unemployment and retirement and its connections to issues of shrinkage and de-growth in the area. Ida is both a metaphor of the contemporary state of the region and a children’s book that makes these topics accessible through an illustrated narrative form.

Underneath the layers

@ the EKA spiral staircase

panorama installation by Kelli Puusepp and Nabeel Imtiaz

As the stones burned in the beginning of the 20th century, the towns in the East of Estonia started to grow. As the terrain in the backdrop was being dug deep, people moved in – families with all their personal belongings. Children played in the parks and their familiarity brought households closer. Memories of good times were made – over on the sidewalks and alleys, behind and in between the walls of Kohtla-Järve homes. As the underground sphere expanded, the mines got deeper, consequently developing the life on the surface. Though the estates grew denser, their expansion was halted by the end of the century. It all fell back inwards, imploding into themselves, throwing the community into an uncertainty. What was left were the remnants of the spaces once inhabited.

The story traces the history of socio-spatial formations and disintegration of the society that once formed Kohtla-Järve.

——————————————————

Nothing Power: where absent matter matters

A-500

exhibition by Luca Liese Ritter and Julia Freudenberg

In Ida-Virumaa, shrinkage refers to the complex consequences of going away, becoming less, fading into thin air. People move, things disappear, services close, concrete panels decay and houses are demolished. What remains in those places that were inhabited by heterogeneous matter is a void. But this emptiness is not empty in the sense of a nothingness, a nirvana; rather, it continues to be quasi-present, conceivably retaining many of its material aspects and thus its place in the fabric of socio-material relations that shape the experience of living in and coping with urban shrinkage.

Our project explores the affective flows between what is gone and what remains, and seeks to highlight the complicated intertwining of cause and effect that residents and policymakers must navigate as they confront the challenges of population loss and subsequent over-provision of housing infrastructure.

—————————————————-

…so we can keep on watching eesti laul in the future

A-400

house by Kristiina Puusepp and Paul Simon

In the future, Ida-Virumaa will see rapid transformation. The excavation of oil shale, one of the main social and economic pillars of the region, is not in keeping with the reality of the climate crisis. The concept of a ‘just transition’ demands a change-over satisfying both workers rights and environmental care. Originally being required by labor- and environmental activists, the term is meanwhile used by different governmental actors. In Ida-Virumaa, the EU supports the endeavor of a just transition with 340 Million Euros. While the funding will not directly finance housing, by striving for a future-oriented industry, it is the base structure for securing homes for local residents. Despite attempts for widespread participation of just transition, the transformation is mostly directed by demands and plans from external groups and higher institutions. By thematizing the ambiguous relationship between this ‘outside’ and the local population, the project raises the question how we should position ourselves in the process of transition.

—————————————————–

The Last Layer, the Next Layer? Signs for those who choose to stay

B-205

video installation by Christian Hörner and Hannah Mühlbach

When exploring the abandoned flats of Kohtla-Järve, we came across an outstanding phenomenon of personal expression and appropriation of space: through its multiple colors, patterns and layerings, wallpaper became the collage-like visual theme of our experience as explorers of Ida-Virumaa shrinking cities’ interiors. Inspired by the creativity and self-expression of those who have left the area, our search for shrinkage re-centered around the idea of creating something for those who still live in the cities that de-grow. We began to play with the idea of decorating facades of abandoned buildings with wallpaper in a graffitti-like manner, as a vehicle of intention, resistance and visibility. This next layer on Ida-Virumaa loses the fatality of linear decline until disappearance and points to an alternative future where abandoned buildings become monuments of persistence rather than unwanted obstacles for liveability. Our installation represents the hypothesis that people, when provided with the means to care for their cities, can re-frame narratives of shrinkage and create an optimistic outlook on Ida-Virumaa’s future.

——————————————————

The Other side of the Coin: Must Shrinkage be Only Tormenting?

A-200

mixed media by Loviise Talvaru and Khedeeja Farrukh

Emptiness becomes even more emptier because of our need to define society through community. Kiviõli, one of the many mining towns in Ida-Virumaa, is categorized as an example of urban shrinkage, where dilapidated conditions of facades, rustic reminders of laundry lines, empty apartment buildings, sounds of sea gull penetrating the otherwise silent urbanity urges an outsider to call this environment tormenting. But is that really so?

Must shrinkage be only tormenting? Why is shrinkage antagonistic to growth? Isn’t growth also tormenting? Through this project, a process of personal experiences, of how we perceived shrinkage and how our experience changed it, is depicted. There came a point in our research where we realized that this top-down trajectory of perceptions is quite acute and that urbanity is not an abstraction only to be lived on papers, rather it is an everyday experience. So, we went back to Kiviõli. For good. And for surprises.

Our approach is not an end-point, but a device of researching, where our visits to Kiviõli enabled an important aspect of experimentation and co-creation, transforming our approach towards shrinkage.

——————————————————

Help yourself with Energy

B-205

video and installation by Nora Soo and Jannik Kastrup

The electricity meter operates between the public and the private realm. Subject to regular control, it softly breaks their boundaries. In economically deprived regions like Ida-Virumaa its reading frequently decides the fate of the inhabitants, pressuring those who are financially incapable to upgrade to more efficient devices.
Tampering with the electricity meter is therefore a common disruptive practice.
However in the spheres of en vogue online life coaching, energy is portrayed as a personal property that can be manipulated according to spiritual practices, detached from economic and political circumstances. Does it mean that anyone can achieve anything being only restricted by imaginary boundaries? Paradoxically, the imaginaries of inhabitants in Ida-Virumaa are limited in a situation of energy poverty. Within this dichotomy of energy as a contested public good and as an individualized spirituality lies one of the challenges of neoliberal capitalist societies. The (video) installation plays with diverging concepts of energy by audiovisually overlapping and rearranging these distinct narratives.

Posted by Keiti Kljavin — Permalink

Caring for Ida-Viru? Tracing Frontiers of Shrinkage

Friday 01 April, 2022

Faculty of Architecture

We kindly invite you to the exhibition and final grading of Urban Studies and Interior Architecture Urban Models studio tutored by Kristi Grišakov & Keiti Kljavin. Please join us 1st of April, 15:00 in the EKA courtyard. The exhibition has been collectively curated by students of urban studies, architecture and urban planning and interior architecture.

Urban decline in East-Estonia presents itself in a state of flux: it is tied to the area’s contested past but also allows a peek into the future. Multiple facets of shrinkage manifest in landscapes of extractivistic production, where the line between nature and man-made environment is increasingly difficult to draw. Although urban shrinkage is often associated with deteriorated buildings, abandoned and fragmented urban environments, if we choose to look through another lens there are multiple layers of phenomenologically dense experiences of decline that can provide acceptance and perseverance. Whether shrinking cities are distressing cities is a point of contention that urges us to rethink why cities are only ever received positively and linearly through growth, and whether or why shrinkage is seen as the opposite of growth. Should it be?

The Urban Models studio and its final project Caring for Ida-Viru? Tracing Frontiers of Shrinkage explores various questions related to tangible and intangible aspects of habitation in Ida-Viru county. Urban districts and towns of Ahtme, Järve and Kiviõli, where changing policies and approaches in urban governance aim to respond to the surplus of housing caused by the outmigration of people are in focus. Students of urban studies, architecture and interior architecture collaborated in exploring, reinventing and rethinking approaches towards shrinkage, adaptation and re-use. Some try to trace the stories that are subsumed in the industrially toxic air of Ida-Virumaa. Others attempt to take a peek into the everyday life that has somehow frozen in time. The students’ used relevant literature and explored case studies with experimental media and techniques in order to deliver final projects challenging the condition of shrinkage in Eastern Estonia.

Students: Paula Veidenbauma, Ljudmila Funika-Müür, Kush Badhwar, Augustas Lapinskas, Karen Isabel Talitee, Kelli Puusepp, Nabeel Imtiaz, Luca Liese Ritter, Julia Freudenberg, Kristiina Puusepp, Paul Simon, Christian Hörner, Hannah Mühlbach, Loviise Talvaru, Khadeeja Farrukh, Nora Soo, Jannik Kastrup.

Guest critics: Roland Reemaa (https://www.rloaluarnad.com/), Gregor Taul (EKA), Jüri Kermik (EKA), Johanna Holvandus (TÜ)

——————————————————-

Opposing the Desert

EKA courtyard terrace

an interactive installation by Paula Veidenbauma and Ljudmila Funika-Müür

Shrinking cities are aging cities. Enclosed by panels, slippery roads, railway tracks, and liminal landscape, elderly tend to be tied closely with their homes, not receiving enough soft care from the local municipality. While focusing on the topic of the invisibility of loneliness amongst the retried, the project tackles spatial isolation while looking at it from the perspective of the city district of Ahtme. It investigates public space in relation to a private space once inhabited by a senior teacher living in Ahtme’s Sõpruse street Soviet panel building. The installation tackles the findings revealed through critical geography, in parallel exploring the state of social services in Ahtme. How many borders does one have to overcome in order to be cared for? Can public space enable caring relationships between people, place, and materials, towards a city interested in investing resources beyond growth?

———————————————————

Ida

EKA library

illustrated children’s book presentation and readings by Kush Badwahr, Augustas Lapinskas and Karen Isabel Talitee

Ida (meaning ‘east’ in Estonian but also referring to the ancient Germanic root ‘id’ meaning ‘labor, work’) is an eight year old resident of Ida-Virumaa asking herself what she would like to do when she grows up. On her way home from school, she has various interactions – with a soon to retire army officer, a group of young boys, a bird, her visiting aunt and an ex-miner – that relate to their life and work in the region in which they live. The interactions Ida has and the illustrations that make up the book are based on interviews and research exploring the nature of work, unemployment and retirement and its connections to issues of shrinkage and de-growth in the area. Ida is both a metaphor of the contemporary state of the region and a children’s book that makes these topics accessible through an illustrated narrative form.

Underneath the layers

@ the EKA spiral staircase

panorama installation by Kelli Puusepp and Nabeel Imtiaz

As the stones burned in the beginning of the 20th century, the towns in the East of Estonia started to grow. As the terrain in the backdrop was being dug deep, people moved in – families with all their personal belongings. Children played in the parks and their familiarity brought households closer. Memories of good times were made – over on the sidewalks and alleys, behind and in between the walls of Kohtla-Järve homes. As the underground sphere expanded, the mines got deeper, consequently developing the life on the surface. Though the estates grew denser, their expansion was halted by the end of the century. It all fell back inwards, imploding into themselves, throwing the community into an uncertainty. What was left were the remnants of the spaces once inhabited.

The story traces the history of socio-spatial formations and disintegration of the society that once formed Kohtla-Järve.

——————————————————

Nothing Power: where absent matter matters

A-500

exhibition by Luca Liese Ritter and Julia Freudenberg

In Ida-Virumaa, shrinkage refers to the complex consequences of going away, becoming less, fading into thin air. People move, things disappear, services close, concrete panels decay and houses are demolished. What remains in those places that were inhabited by heterogeneous matter is a void. But this emptiness is not empty in the sense of a nothingness, a nirvana; rather, it continues to be quasi-present, conceivably retaining many of its material aspects and thus its place in the fabric of socio-material relations that shape the experience of living in and coping with urban shrinkage.

Our project explores the affective flows between what is gone and what remains, and seeks to highlight the complicated intertwining of cause and effect that residents and policymakers must navigate as they confront the challenges of population loss and subsequent over-provision of housing infrastructure.

—————————————————-

…so we can keep on watching eesti laul in the future

A-400

house by Kristiina Puusepp and Paul Simon

In the future, Ida-Virumaa will see rapid transformation. The excavation of oil shale, one of the main social and economic pillars of the region, is not in keeping with the reality of the climate crisis. The concept of a ‘just transition’ demands a change-over satisfying both workers rights and environmental care. Originally being required by labor- and environmental activists, the term is meanwhile used by different governmental actors. In Ida-Virumaa, the EU supports the endeavor of a just transition with 340 Million Euros. While the funding will not directly finance housing, by striving for a future-oriented industry, it is the base structure for securing homes for local residents. Despite attempts for widespread participation of just transition, the transformation is mostly directed by demands and plans from external groups and higher institutions. By thematizing the ambiguous relationship between this ‘outside’ and the local population, the project raises the question how we should position ourselves in the process of transition.

—————————————————–

The Last Layer, the Next Layer? Signs for those who choose to stay

B-205

video installation by Christian Hörner and Hannah Mühlbach

When exploring the abandoned flats of Kohtla-Järve, we came across an outstanding phenomenon of personal expression and appropriation of space: through its multiple colors, patterns and layerings, wallpaper became the collage-like visual theme of our experience as explorers of Ida-Virumaa shrinking cities’ interiors. Inspired by the creativity and self-expression of those who have left the area, our search for shrinkage re-centered around the idea of creating something for those who still live in the cities that de-grow. We began to play with the idea of decorating facades of abandoned buildings with wallpaper in a graffitti-like manner, as a vehicle of intention, resistance and visibility. This next layer on Ida-Virumaa loses the fatality of linear decline until disappearance and points to an alternative future where abandoned buildings become monuments of persistence rather than unwanted obstacles for liveability. Our installation represents the hypothesis that people, when provided with the means to care for their cities, can re-frame narratives of shrinkage and create an optimistic outlook on Ida-Virumaa’s future.

——————————————————

The Other side of the Coin: Must Shrinkage be Only Tormenting?

A-200

mixed media by Loviise Talvaru and Khedeeja Farrukh

Emptiness becomes even more emptier because of our need to define society through community. Kiviõli, one of the many mining towns in Ida-Virumaa, is categorized as an example of urban shrinkage, where dilapidated conditions of facades, rustic reminders of laundry lines, empty apartment buildings, sounds of sea gull penetrating the otherwise silent urbanity urges an outsider to call this environment tormenting. But is that really so?

Must shrinkage be only tormenting? Why is shrinkage antagonistic to growth? Isn’t growth also tormenting? Through this project, a process of personal experiences, of how we perceived shrinkage and how our experience changed it, is depicted. There came a point in our research where we realized that this top-down trajectory of perceptions is quite acute and that urbanity is not an abstraction only to be lived on papers, rather it is an everyday experience. So, we went back to Kiviõli. For good. And for surprises.

Our approach is not an end-point, but a device of researching, where our visits to Kiviõli enabled an important aspect of experimentation and co-creation, transforming our approach towards shrinkage.

——————————————————

Help yourself with Energy

B-205

video and installation by Nora Soo and Jannik Kastrup

The electricity meter operates between the public and the private realm. Subject to regular control, it softly breaks their boundaries. In economically deprived regions like Ida-Virumaa its reading frequently decides the fate of the inhabitants, pressuring those who are financially incapable to upgrade to more efficient devices.
Tampering with the electricity meter is therefore a common disruptive practice.
However in the spheres of en vogue online life coaching, energy is portrayed as a personal property that can be manipulated according to spiritual practices, detached from economic and political circumstances. Does it mean that anyone can achieve anything being only restricted by imaginary boundaries? Paradoxically, the imaginaries of inhabitants in Ida-Virumaa are limited in a situation of energy poverty. Within this dichotomy of energy as a contested public good and as an individualized spirituality lies one of the challenges of neoliberal capitalist societies. The (video) installation plays with diverging concepts of energy by audiovisually overlapping and rearranging these distinct narratives.

Posted by Keiti Kljavin — Permalink

05.04.2022 — 10.04.2022

festival…showcase

Gallery

“festival…showcase” 5.—10.04 at EKA Gallery
Saara Liis Jõerand, Gregor Kulla, Riin Maide, Nele Tiidelepp, Henri Särekanno, Mattias Veller
The exhibition is open on 6.—9. April at 3—7 pm.
Opening: 5. April at 6 pm

In the course of six days, there will be actions, performances and presentations. This is a festival.
Six young authors share a platform to create and experiment. Tis is a showcase.

“festival…showcase” is an exhibition and a cluster of performances that takes place on 5—10 April in EKA Gallery. The cycle begins with a performative opening night on the 5th of April and ends with a Sunday afternoon presentation on the 10th of April. The days in between will be filled with ever-changing performances, including video screenings, sound works, and duration and short performances for both body and voice.

“festival…showcase” is an integration project of mediums with a focus on collaboration. Artists from different creative disciplines juxtapose their artistic tools with those of others, borrowing resources from them. The works flow across the borders of conventional media, using the fragility and uncertainty of the situation as an input. The subject of the works seen in the gallery originates from the moments spent together, it analyzes the mutual relations and draws on each other’s skills.

Outside of creative manifestations, the exhibition is an installation environment that reflects the preparation and the leftover. The spatial situation constantly alternates between festal and adjuratory, installation and performance. The space is shared with material and props of previous and subsequent works that will come to life in EKA Gallery.

FESTIVAL SCHEDULE

TUESDAY, 5.04

18:00
Exhibition opening ceremony

Overalls
Mattias Veller
Performance for six figures
40′

WEDNESDAY, 6.04

15:00-19:00
The exhibition is open

I’ll be filming now
Henri Särekanno
An audiovisual experiment, in which the camera and the video image are co-creating the space

juhan
Henri Särekanno
Documentary about artist residency at Juhani farm

My words I
Saara Liis Jõerand
Continued writing during the exhibition

15:00
PRINT I: relief
Riin Maide
Performance; mostly printing
30’

16:00
My words II
Saara Liis Jõerand
A performance where abstract words are concretized into a suitable form for the exhibition
20’

17:00
Wrestling
Mattias Veller and Henri Särekanno
Audio-collage and sport-performance
15’

18:00
Phonecalls about theatre
Mattias Veller
Qualitative survey where the artist is challenging himself physically
20’

19:00
relief
Gregor Kulla
Performance and electroacoustic composition that deals with defining interval ratios through tension
30’

THURSDAY, 7.04

15:00-19:00
The exhibition is open

I’ll be filming now
Henri Särekanno
An audiovisual experiment, in which the camera and the video image are co-creating the space

juhan
Henri Särekanno
Documentary about artist residency at Juhani farm

My words I
Saara Liis Jõerand
Continued writing during the exhibition

15:00
PRINT II: intaglio (sort of)
Riin Maide
Performance; mostly printing
150’

16:00
My words II
Saara Liis Jõerand
A performance where abstract words are concretized into a suitable form for the exhibition
20’

17:00
Wrestling
Mattias Veller and Henri Särekanno
Audio-collage and sport-performance
15’

18:00
Phonecalls about theatre
Mattias Veller
Qualitative questionnaire where the artist is challenging himself physically
20’

20:00
relief
Gregor Kulla
Performance and electroacoustic composition that deals with defining interval ratios through tension
30’

FRIDAY, 8.04

15:00-19:00
The exhibition is open

I’ll be filming now
Henri Särekanno
An audiovisual experiment, in which the camera and the video image are co-creating the space

juhan
Henri Särekanno
Documentary about artist residency at Juhani farm

My words I
Saara Liis Jõerand
Continued writing during the exhibition

15:00
PRINT III: silk
Performance; mostly printing
20’

16:00
My words II
Saara Liis Jõerand
A performance where abstract words are concretized into a suitable form for the exhibition
20’

17:00
Wrestling
Mattias Velleri and Henri Särekanno
Audio-collage and sport-performance
15’

18:00
Phone calls about theatre
Mattias Veller
Qualitative questionnaire where the artist is challenging himself physically
20’

19:00
What to do to feel good
Nele Tiidelepp
A performance for six performers with myself and others, about talking over, along with and behind someone’s back
60’

SATURDAY, 9.04

15:00-19:00
The exhibition is open

I’ll be filming now
Henri Särekanno
An audiovisual experiment, in which the camera and the video image are co-creating the space

juhan
Henri Särekanno
Documentary about artist residency at Juhani farm

My words I
Saara Liis Jõerand
Continued writing during the exhibition

15:00
PRINT IV: continuations/summaries
Riin Maide
Performance; mostly printing
40’

16:00
My words II
Saara Liis Jõerand
A performance where abstract words are concretized into a suitable form for the exhibition
20’

17:00
Wrestling
Mattias Velleri and Henri Särekanno
Audio-collage and sport-performance
15’

18:00
Phonecalls about theatre
Mattias Veller
Qualitative questionnaire where the artist is challenging himself physically
20’

19:00
Showcase…festival inside the “festival…showcase”
open platform / togetherness / party / festival / showcase

Evening in open form, where you can take part in or miss out on different acts and performances. Works in every medium from uncountable performers, including the “festival…showcase” team and unknown others, that can last anywhere from one second to 10 minutes.

EKA baar is open at the event!

SUNDAY, 10.04
15:00
Exhibition finissage

Print presentation
Riin Maide
Publication presentation, printed during performances PRINT I, PRINT II, PRINT III and PRINT IV
60’

Short bios:

Saara Liis Jõerand (1999) studies general linguistics at the University of Tartu. She is interested in the area between thought and its expression. Jõerand has a bachelor’s degree in semiotics and culture theory, has published literary and theatre criticism and has been engaged in several theatre and art projects.

Gregor Kulla (2000) is a composer, writer and critic who studies composition with professor Tõnu Kõrvits and Helena Tulve in the Estonian Music and Theatre Academy. Previously, he has finished H. Eller Tartu Music College in oboe and composition and studied sustainable art in the Novi Sad EU School of Participation 2021. For his work in the cultural field of Tartu, Kulla has been named the Young Culture Carrier of the year 2020. Last year he earned the title of laureate of cultural magazine Sirp and he currently holds the Erkki-Sven Tüür scholarship.

Riin Maide (1997) is an artist and scenographer who has graduated from the graphic arts department of the Estonian Academy of Arts and educated herself in scenography and alternative theatre in DAMU Prague. Maide’s art focuses on noticing and playfully deconstructing spatial situations both on- and off-stage. She has organised and taken part in group exhibitions and different theatre projects in Tallinn, Tartu, Prague and Brussels. In 2020 she was awarded the Young Artist prize and the Edmund Valtman scholarship for young graphic artists.

Nele Tiidelepp (1998) is a freelance artist and a 2020 graduate of the installation and sculpture department of the Estonian Academy of Arts whose practice draws inspiration from spontaneous reactions to the environment and materials. She often expresses spontaneous and chaotic flow of thought in mediums like text, video, sound, installation and performance. Tiidelepp has won the Young Tartu competition in 2021, the Young Artist award in 2020, SIIL Prize and Millenium Prize in 2019, and has participated in art events in Estonia, Basel, Rovaniemi, Riga, Brussels, Stuttgart, Venice and Moscow.

Henri Särekanno (1999) is a freelance art worker and cinephile. He has studied art history and philosophy. In his creative practice he works with audiovisual media and is mainly interested in the border between documentary and fiction. Särekanno is a founding member of the vocal-instrumental ensemble SEAPUTS in which he plays guitar and violin.

Mattias Veller (1998) studies in the painting department of the Estonian Academy of Arts but consistently cheats on painting with all other possible creative practices. In his interdisciplinary activity, he has touched upon the themes of physical labour and the relation between humans and material and has worked on paintings and objects with absurd and excessive precision. Veller is a founding member of the vocal-instrumental ensemble SEAPUTS in which he plays the guitar and sings.

festival showcase INSTAGRAM

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festival…showcase

Tuesday 05 April, 2022 — Sunday 10 April, 2022