Exhibitions
18.03.2022 — 05.06.2022
“We’ll Be Right Back…” at Tallinn Art Hall
Tallinn Art Hall welcomes you to a cheerful last exhibition before the extensive renovation works of its main building. We’ll Be Right Back, You Just Keep Playing! brings together different generations of artists based in Estonia.
You are welcome to the opening of the exhibition on Friday, 18 March at 6 pm!
“While the renovation of its main building is taking place, Tallinn Art Hall will move from Freedom Square to Lasnamäe. We thought that the last show before we left should be a cheerful “See you soon!”. That is why the title We’ll Be Right Back is supplemented with You Just Keep Playing. No matter how crazy the world is around us, our children and the children within us need to be able to play; otherwise, they will not grow,” says Tamara Luuk, curator of the exhibition.
Having a child means dedicating a large part of your life to them. And, if you happen to be an artist, the inner child sneaks into your creation in every possible way: as a co-creator, entrusting their fantasies to you or sublimating your own tenderness and care. But not only that. Although Estonian art usually tends to be rather serious, you can indeed find joyful play in it – not only in the subject matter of the works of art, but also in their structure and development, their lines, colours and volumes. It is also found in the artist’s idea, to which the viewer adds their own experience, because it is very important for an art lover to be willing to play along! Only then can we join Raul Meel, the most venerable and one of the oldest artists in this exhibition, in saying that “the precondition for eternal life is noticing the beauty in playing”. Before awaiting a happy reunion, we will play one last round in our good old Art Hall building, after which we will welcome you in the Lindakivi pavilion in Lasnamäe. Please keep playing! We’ll just be away for a little while.
Participating artists are Art Allmägi, Dénes Farkas and Neeme Külm, Edith Karlson, Jass Kaselaan, Alice Kask, Kaarel Kurismaa, August Künnapu, Camille Laurelli, Kris Lemsalu, Raul Meel, Marko Mäetamm, Robin Nõgisto, Kaido Ole, Villu Plink and Silja Saarepuu, Mark Raidpere, Taave Tuutma and Maria-Kristiina Ulas. The designer of the exhibition is Neeme Külm.
Curator’s tour with Tamara Luuk will take place on 19 March at 2 pm. The exhibition We’ll Be Right Back, You Just Keep Playing! will be open until 5 June 2022.
We would like to thank: Art Museum of Estonia, Tartu Art Museum, Temnikova & Kasela Gallery, AS Vunder, PLATO gallery, Linda Looga, Einar Maarits, Aap Tepper, Kristina Õllek, Alexandra Galkina, Sveta Shuvaeva, David Ter-Oganyan, Ivars Gravlejs, private collectors.
Tallinn Art Hall (Vabaduse väljak 8, Tallinn) is open Wednesday to Sunday 11-6 pm, entrance fee €4 / €8 / €12.
The Tallinn Art Hall Foundation is a contemporary art establishment that presents exhibitions in three galleries on the central square of Tallinn – at Tallinn Art Hall and nearby at Tallinn City Gallery and the Art Hall Gallery. The exhibitions of Tallinn Art Hall are installed by Valge Kuup.
www.kunstihoone.ee
www.facebook.com/TallinnaKunstihoone/
www.instagram.com/tallinnarthall/
“We’ll Be Right Back…” at Tallinn Art Hall
Friday 18 March, 2022 — Sunday 05 June, 2022
Tallinn Art Hall welcomes you to a cheerful last exhibition before the extensive renovation works of its main building. We’ll Be Right Back, You Just Keep Playing! brings together different generations of artists based in Estonia.
You are welcome to the opening of the exhibition on Friday, 18 March at 6 pm!
“While the renovation of its main building is taking place, Tallinn Art Hall will move from Freedom Square to Lasnamäe. We thought that the last show before we left should be a cheerful “See you soon!”. That is why the title We’ll Be Right Back is supplemented with You Just Keep Playing. No matter how crazy the world is around us, our children and the children within us need to be able to play; otherwise, they will not grow,” says Tamara Luuk, curator of the exhibition.
Having a child means dedicating a large part of your life to them. And, if you happen to be an artist, the inner child sneaks into your creation in every possible way: as a co-creator, entrusting their fantasies to you or sublimating your own tenderness and care. But not only that. Although Estonian art usually tends to be rather serious, you can indeed find joyful play in it – not only in the subject matter of the works of art, but also in their structure and development, their lines, colours and volumes. It is also found in the artist’s idea, to which the viewer adds their own experience, because it is very important for an art lover to be willing to play along! Only then can we join Raul Meel, the most venerable and one of the oldest artists in this exhibition, in saying that “the precondition for eternal life is noticing the beauty in playing”. Before awaiting a happy reunion, we will play one last round in our good old Art Hall building, after which we will welcome you in the Lindakivi pavilion in Lasnamäe. Please keep playing! We’ll just be away for a little while.
Participating artists are Art Allmägi, Dénes Farkas and Neeme Külm, Edith Karlson, Jass Kaselaan, Alice Kask, Kaarel Kurismaa, August Künnapu, Camille Laurelli, Kris Lemsalu, Raul Meel, Marko Mäetamm, Robin Nõgisto, Kaido Ole, Villu Plink and Silja Saarepuu, Mark Raidpere, Taave Tuutma and Maria-Kristiina Ulas. The designer of the exhibition is Neeme Külm.
Curator’s tour with Tamara Luuk will take place on 19 March at 2 pm. The exhibition We’ll Be Right Back, You Just Keep Playing! will be open until 5 June 2022.
We would like to thank: Art Museum of Estonia, Tartu Art Museum, Temnikova & Kasela Gallery, AS Vunder, PLATO gallery, Linda Looga, Einar Maarits, Aap Tepper, Kristina Õllek, Alexandra Galkina, Sveta Shuvaeva, David Ter-Oganyan, Ivars Gravlejs, private collectors.
Tallinn Art Hall (Vabaduse väljak 8, Tallinn) is open Wednesday to Sunday 11-6 pm, entrance fee €4 / €8 / €12.
The Tallinn Art Hall Foundation is a contemporary art establishment that presents exhibitions in three galleries on the central square of Tallinn – at Tallinn Art Hall and nearby at Tallinn City Gallery and the Art Hall Gallery. The exhibitions of Tallinn Art Hall are installed by Valge Kuup.
www.kunstihoone.ee
www.facebook.com/TallinnaKunstihoone/
www.instagram.com/tallinnarthall/
16.03.2022 — 20.03.2022
Exhibition “The Divergence From a Predefined Outline”
Exhibition “The Divergence From a Predefined Outline”
17.03–20.03.2022
Opening at March 16, 6 pm
ARS Art Factory, Studio 112
The art exhibition “The Divergence From a Predefined Outline” by Estonian Academy of Arts Graphic Design and Product Design 2nd year students will be opened on Wednesday, March 16 at 6 pm.
The joint exhibition of the two departments presents a series of works that were initially intended to be exhibited without any common theme or curation in mind. However, accompanied by the abrupt diversion from the European political timeline during the semester, a theme of mapping current temporal and spacial conditions became a perceivable focus point. Keywords such as information warfare, misinterpretation, indeterminacy and artificiality came to the fore. The planned cacophony leans toward a sense of wholeness or a palpable new understanding of the present time, which is represented by 11 artworks.
Participating artists: Ane Laande, Anita Elina Mürisep, Anna Kisseljova, Brigite Helena Sarapuu, Elisabeth Järve, Emma Reim, Gerli Tamm, Hanna Samantha Raidma, Helen Bender, Henry Markus Gregory, Ingrid Tärk, Katariina Kesküla, Katrin Kannu, Kaur Joonas Karu, Kelly Heleen Kaldra, Kertu Liisa Lepik, Laura Tursk, Lauren Teimann, Linda-Maria Varris, Magnus Harjak, Martin McLean, Nicole Winona Mikli, Rasmus Jurkatam, Steven Pikas
Graphic design by Emma Reim, Laura Tursk
Supervised by Sten Saarits
The exhibition is open on four days only (17.03–20.03)
Opening times 1pm – 6pm
Location: ARS Art Factory, Pärnu mnt 154, Tallinn
Special thanks: EKKM, Siim Sander Saar
Supported by Estonian Artists’ Association, Estonian Academy of Arts Faculty of Design
More info about events at ARS Art Factory: www.arsfactory.ee
Exhibition “The Divergence From a Predefined Outline”
Wednesday 16 March, 2022 — Sunday 20 March, 2022
Exhibition “The Divergence From a Predefined Outline”
17.03–20.03.2022
Opening at March 16, 6 pm
ARS Art Factory, Studio 112
The art exhibition “The Divergence From a Predefined Outline” by Estonian Academy of Arts Graphic Design and Product Design 2nd year students will be opened on Wednesday, March 16 at 6 pm.
The joint exhibition of the two departments presents a series of works that were initially intended to be exhibited without any common theme or curation in mind. However, accompanied by the abrupt diversion from the European political timeline during the semester, a theme of mapping current temporal and spacial conditions became a perceivable focus point. Keywords such as information warfare, misinterpretation, indeterminacy and artificiality came to the fore. The planned cacophony leans toward a sense of wholeness or a palpable new understanding of the present time, which is represented by 11 artworks.
Participating artists: Ane Laande, Anita Elina Mürisep, Anna Kisseljova, Brigite Helena Sarapuu, Elisabeth Järve, Emma Reim, Gerli Tamm, Hanna Samantha Raidma, Helen Bender, Henry Markus Gregory, Ingrid Tärk, Katariina Kesküla, Katrin Kannu, Kaur Joonas Karu, Kelly Heleen Kaldra, Kertu Liisa Lepik, Laura Tursk, Lauren Teimann, Linda-Maria Varris, Magnus Harjak, Martin McLean, Nicole Winona Mikli, Rasmus Jurkatam, Steven Pikas
Graphic design by Emma Reim, Laura Tursk
Supervised by Sten Saarits
The exhibition is open on four days only (17.03–20.03)
Opening times 1pm – 6pm
Location: ARS Art Factory, Pärnu mnt 154, Tallinn
Special thanks: EKKM, Siim Sander Saar
Supported by Estonian Artists’ Association, Estonian Academy of Arts Faculty of Design
More info about events at ARS Art Factory: www.arsfactory.ee
05.03.2022 — 16.04.2022
Laura Kuusk – How to Move as a Slime Mold?
Laura Kuusk on March 5 – 16 April in Kanal Gallery, Võru.
The first solo exhibition of Laura Kuusk in Võru consists of two of her recent works, with which the artist wishes to create a dialogue with people who are interested in food, clothes, technology and who ask questions about the origin and ways of being of the matter in our environment. She also puts the emphasis on the ways of composing by the nature and by the human.
The installation “How to Move as a Slime Mold” (2021) is built up as a sound cocoon created by a female voice and an ambient sound, walking the visitor through his/her/ their bodies to suggest an experience of becoming an other-than-human organism. The participants are asked to find a comfortable way of interacting with the installation and build their personal experience through spatial and auditory elements. The installation emphasises the idea of reuse and growing through change, not accumulation.
The photo series “Some Notes on Things Around and In” (2019) is taking everyday things and situations as the departure point for the series of still-lives. The main question the artist is asking herself is how to relate to the things and the environment around us at the current situation. How to relate our bodies to the materials that travel with, within or through our bodies? The artist wishes to comment and organise these thoughts visually through an essay in the still life genre. She would like to make the objects speak about the moment in time in which we live now. The idea that everything seems to be reachable within a few clicks is creating an alienation from real objects and the physical environment.
Laura Kuusk (b. 1982) lives and works in Tallinn. She studied semiotics and culture theory at the Tartu University in Estonia (BA in 2005), photography at the Estonian Academy of Arts (MA in 2008) and fine arts at the Annecy Higher School of Art, France (postgraduate diploma in 2014). Kuusk works as the Associate Professor at the Estonian Academy of Arts, in the Department of Photography. Kuusk’s fields of interest are the visual and cinematic grammar and the potentials of narrative, she often recycles anthropological visual (found) materials. Kuusk is interested in the decision-making mechanisms within the collective consciousness. Over the last years, she has worked with the experience of the human body in the surrounding environment – in homes, in clothes, in relation to technology. Kuusk mainly uses photography, video and installation mediums in her work.
Graphic designer Henri Kutsar.
Thanks: Estonian Cultural Endowment, Säsi Pruulikoda, Anderson’s Craft Beer, Camille Laurelli, Renzo van Steenbergen, Madis Kurss, Sigrid Liira, Agur Seim, Indrek Kits, Eleriin Seim, Kristel Onno, Janika Solmann, Edina Csüllög, Ago Paabusk, Tiina Mõttus, Robert Kähr, Contemporary Art Museum of Estonia, Estonian Academy of Arts Photography Department.
KANAL GALLERY
Liiva 11a, Võru city, Estonia
Thu–Sat 12–18
www.liivaate.ee
Facebook, Instagram @kanalgalerii
Laura Kuusk – How to Move as a Slime Mold?
Saturday 05 March, 2022 — Saturday 16 April, 2022
Laura Kuusk on March 5 – 16 April in Kanal Gallery, Võru.
The first solo exhibition of Laura Kuusk in Võru consists of two of her recent works, with which the artist wishes to create a dialogue with people who are interested in food, clothes, technology and who ask questions about the origin and ways of being of the matter in our environment. She also puts the emphasis on the ways of composing by the nature and by the human.
The installation “How to Move as a Slime Mold” (2021) is built up as a sound cocoon created by a female voice and an ambient sound, walking the visitor through his/her/ their bodies to suggest an experience of becoming an other-than-human organism. The participants are asked to find a comfortable way of interacting with the installation and build their personal experience through spatial and auditory elements. The installation emphasises the idea of reuse and growing through change, not accumulation.
The photo series “Some Notes on Things Around and In” (2019) is taking everyday things and situations as the departure point for the series of still-lives. The main question the artist is asking herself is how to relate to the things and the environment around us at the current situation. How to relate our bodies to the materials that travel with, within or through our bodies? The artist wishes to comment and organise these thoughts visually through an essay in the still life genre. She would like to make the objects speak about the moment in time in which we live now. The idea that everything seems to be reachable within a few clicks is creating an alienation from real objects and the physical environment.
Laura Kuusk (b. 1982) lives and works in Tallinn. She studied semiotics and culture theory at the Tartu University in Estonia (BA in 2005), photography at the Estonian Academy of Arts (MA in 2008) and fine arts at the Annecy Higher School of Art, France (postgraduate diploma in 2014). Kuusk works as the Associate Professor at the Estonian Academy of Arts, in the Department of Photography. Kuusk’s fields of interest are the visual and cinematic grammar and the potentials of narrative, she often recycles anthropological visual (found) materials. Kuusk is interested in the decision-making mechanisms within the collective consciousness. Over the last years, she has worked with the experience of the human body in the surrounding environment – in homes, in clothes, in relation to technology. Kuusk mainly uses photography, video and installation mediums in her work.
Graphic designer Henri Kutsar.
Thanks: Estonian Cultural Endowment, Säsi Pruulikoda, Anderson’s Craft Beer, Camille Laurelli, Renzo van Steenbergen, Madis Kurss, Sigrid Liira, Agur Seim, Indrek Kits, Eleriin Seim, Kristel Onno, Janika Solmann, Edina Csüllög, Ago Paabusk, Tiina Mõttus, Robert Kähr, Contemporary Art Museum of Estonia, Estonian Academy of Arts Photography Department.
KANAL GALLERY
Liiva 11a, Võru city, Estonia
Thu–Sat 12–18
www.liivaate.ee
Facebook, Instagram @kanalgalerii
04.03.2022
Flash Exhibition “On the Other Side” 4 in Narva Incubator Object
The weekly EKA International Workshop for Art Students in Narva ends with a flash exhibition “On the Other Side” by young artists from France, Lithuania, Finland and Estonia.
The exhibition can be viewed at the Narva Incubator at Linda 2 on Friday, March 4 from 6 pm to 11 pm. The master class was conducted by professors Ene-Liis Semper and Patrick Laffont de Lojo.
The city of Narva, located on the Russian-EU border, suffered greatly in the hostilities of the Second World War, and from there Narva’s identity is based on the knowledge that there is an invisible, lost city behind, under and inside the visible city. The border identity of the city has been associated for centuries with a meeting of different cultures and stories from the past, which can be read from the urban space. Some stories are hidden inside the buildings, some echo us on the other side of the river, from Ivangorod.
Narva is a friendly and open city – come and see what it looks like over here!
The master class in Narva took place within the framework of the international project ERASMUS (BIP). The master class was organized by the Visual Thought Laboratory of EKA in cooperation with the EnsAD (École nationale supérieure des Arts Décoratifs) in Paris, the University of Helsinki Uniarts and the Dailes Academy in Vilnius.
The last train back to Tallinn will leave on March 4 at 8.27 pm.
Many thanks for the help: Narva Vaba Lava, OÜ Linda Kaks, OÜ Narva Gate, Innovation and Creative Center Objekt, Allan Kaldoya and Jaanus Mick.
Flash Exhibition “On the Other Side” 4 in Narva Incubator Object
Friday 04 March, 2022
The weekly EKA International Workshop for Art Students in Narva ends with a flash exhibition “On the Other Side” by young artists from France, Lithuania, Finland and Estonia.
The exhibition can be viewed at the Narva Incubator at Linda 2 on Friday, March 4 from 6 pm to 11 pm. The master class was conducted by professors Ene-Liis Semper and Patrick Laffont de Lojo.
The city of Narva, located on the Russian-EU border, suffered greatly in the hostilities of the Second World War, and from there Narva’s identity is based on the knowledge that there is an invisible, lost city behind, under and inside the visible city. The border identity of the city has been associated for centuries with a meeting of different cultures and stories from the past, which can be read from the urban space. Some stories are hidden inside the buildings, some echo us on the other side of the river, from Ivangorod.
Narva is a friendly and open city – come and see what it looks like over here!
The master class in Narva took place within the framework of the international project ERASMUS (BIP). The master class was organized by the Visual Thought Laboratory of EKA in cooperation with the EnsAD (École nationale supérieure des Arts Décoratifs) in Paris, the University of Helsinki Uniarts and the Dailes Academy in Vilnius.
The last train back to Tallinn will leave on March 4 at 8.27 pm.
Many thanks for the help: Narva Vaba Lava, OÜ Linda Kaks, OÜ Narva Gate, Innovation and Creative Center Objekt, Allan Kaldoya and Jaanus Mick.
06.03.2022 — 31.03.2022
Perspektiivid: EKA Accessories and Bookbinding 105
EKA Accessories and Bookbinding Department 105 jubilee exhibition ‘’Perspectives’’ is open from March 6th till March 31st @ Põhjala tehas gallery (Marati 5, Tallinn).
Together with works by students and alumni of the EKA Accessories and Bookbinding Department, the exhibition will feature works by the students from three visiting universities: Detroit College for Creative Studies, Designskolen Kolding and London College of Fashion.
The exhibition space, an abstract composition and a three-dimensional landscape, is created by the curator Helen Sirp.
The exhibition will also introduce other opportunities for professional higher education in Estonia in addition to EKA – Pallas University of Applied Sciences and University of Tartu Viljandi Culture Academy.
For more information about rest of the upcoming jubilee month events will be announced on our web and social media, click here:
https://www.instagram.com/eka_aksessuaar/
Perspektiivid: EKA Accessories and Bookbinding 105
Sunday 06 March, 2022 — Thursday 31 March, 2022
EKA Accessories and Bookbinding Department 105 jubilee exhibition ‘’Perspectives’’ is open from March 6th till March 31st @ Põhjala tehas gallery (Marati 5, Tallinn).
Together with works by students and alumni of the EKA Accessories and Bookbinding Department, the exhibition will feature works by the students from three visiting universities: Detroit College for Creative Studies, Designskolen Kolding and London College of Fashion.
The exhibition space, an abstract composition and a three-dimensional landscape, is created by the curator Helen Sirp.
The exhibition will also introduce other opportunities for professional higher education in Estonia in addition to EKA – Pallas University of Applied Sciences and University of Tartu Viljandi Culture Academy.
For more information about rest of the upcoming jubilee month events will be announced on our web and social media, click here:
https://www.instagram.com/eka_aksessuaar/
04.03.2022 — 26.03.2022
Matthias Sildnik “Development Fever” at EKA Gallery 04.–26.03.2022
Matthias Sildnik „Development Fever”
04—26.03
Opening: 04.03 at 5 pm
Join us for the opening of „Development Fever“ by Matthias Sildnik on March 4, at 5 pm at EKA Gallery! The exhibition is part of the Art and Design PhD curriculum studies and runs until March 26.
Our research results indicate that human consciousness is dysfunctional. Memory, perception and attention are setting limitations not only to the volume but also to the functions that the information contains. In addition, an even more troubling problem has emerged. A spectre of nationalism is lurking in the subconscious sections of the human psyche. Human consciousness is critical and paranoid. It doesn’t draw conclusions only from the proven facts. Speculation and critical analysis have become dangerous in the era of post-truth. We can only draw one conclusion if we take these threats seriously.
The evolutionary conditioned human mind has become a limiting factor for economic and political developments. Only radical innovation and revolutionary technology can tame the dangers of the human mind. If we could only bypass the consciousness, and feed relevant information directly to the executive parts of the brain. Disconnecting the psyche from executive autonomy is the utmost challenge. The consciousness would be isolated and will remain in the state of a passive observer. From there, it’s just a matter of fine-tuning and tying together the occasional loose ends. Do we identify parts in the brain from which the consciousness emerges and remove them? Or we could feed the consciousness with randomized noise such as entertainment, local newsfeed or audiobooks by Michel Foucault. Then they have time to think about “How to explain human nature to Foucault?”.”
But let us not get carried away by the future prospects. Neither technology nor political economy is advanced enough to achieve this during the next five years. At the time being our main strategy is to subvert and erode the evolutionary stratum of consciousness. We must use state of the art technologies, namely AI and social media to be successful at this. In addition, we need to mobilize the mass of young and underdeveloped individuals who possess incredible techno-revolutionary potential. This mass shall be empowered and organized by the neuro-pioneers movement. Neuropioneers are the developers of mind whose slogan shall be ”Deautonomize! Deorganize! Dementalize!”. Our main function during this period is the coordination and deployment of information and psychological operations. But we must not forget that only youth can accomplish the final denazification of the human mind.
PS
This cyber-bolshevist brainstorm belongs to the authors’ ongoing PhD artistic research project that probes similarities between technological capitalism and Leninism. Usually, digital developments are analyzed within the framework of criticism of capitalism. Nevertheless ideas such as digital Maoism (Jaron Lanier), Google Marxism (George Gilder), digital Gulag/Google archipelago, corporate socialism (Michael Rectenwald) and woke capitalism (Ross Douthat), describe tendencies within technological developments that are closer to socialist totalitarianism than to free-market economies. This exhibition consists of forms that emerge when these two opposing currents crossbreed and give life to an entirely new existence.
Matthias Sildnik (b. 1987) has graduated from the Installation and Sculpture department BA (2010) and MA (2014) at the Estonian Academy of Arts. His work has been exhibited in Estonia and abroad in solo and group shows. Sildnik studies the impact of high technology on daily life. He uses mediums such as digital graphics, statistical analysis and installation as dissociative synthesis environment. He is currently pursuing a PhD in Art and Design at the Estonian Academy of Arts.
Participate in the ongoing authors’ research and fill in the Working Environment Development form here:
Previous projects and methodological overview can be further explored here: https://www.researchcatalogue.net/view/721404/800739
Matthias Sildnik “Development Fever” at EKA Gallery 04.–26.03.2022
Friday 04 March, 2022 — Saturday 26 March, 2022
Matthias Sildnik „Development Fever”
04—26.03
Opening: 04.03 at 5 pm
Join us for the opening of „Development Fever“ by Matthias Sildnik on March 4, at 5 pm at EKA Gallery! The exhibition is part of the Art and Design PhD curriculum studies and runs until March 26.
Our research results indicate that human consciousness is dysfunctional. Memory, perception and attention are setting limitations not only to the volume but also to the functions that the information contains. In addition, an even more troubling problem has emerged. A spectre of nationalism is lurking in the subconscious sections of the human psyche. Human consciousness is critical and paranoid. It doesn’t draw conclusions only from the proven facts. Speculation and critical analysis have become dangerous in the era of post-truth. We can only draw one conclusion if we take these threats seriously.
The evolutionary conditioned human mind has become a limiting factor for economic and political developments. Only radical innovation and revolutionary technology can tame the dangers of the human mind. If we could only bypass the consciousness, and feed relevant information directly to the executive parts of the brain. Disconnecting the psyche from executive autonomy is the utmost challenge. The consciousness would be isolated and will remain in the state of a passive observer. From there, it’s just a matter of fine-tuning and tying together the occasional loose ends. Do we identify parts in the brain from which the consciousness emerges and remove them? Or we could feed the consciousness with randomized noise such as entertainment, local newsfeed or audiobooks by Michel Foucault. Then they have time to think about “How to explain human nature to Foucault?”.”
But let us not get carried away by the future prospects. Neither technology nor political economy is advanced enough to achieve this during the next five years. At the time being our main strategy is to subvert and erode the evolutionary stratum of consciousness. We must use state of the art technologies, namely AI and social media to be successful at this. In addition, we need to mobilize the mass of young and underdeveloped individuals who possess incredible techno-revolutionary potential. This mass shall be empowered and organized by the neuro-pioneers movement. Neuropioneers are the developers of mind whose slogan shall be ”Deautonomize! Deorganize! Dementalize!”. Our main function during this period is the coordination and deployment of information and psychological operations. But we must not forget that only youth can accomplish the final denazification of the human mind.
PS
This cyber-bolshevist brainstorm belongs to the authors’ ongoing PhD artistic research project that probes similarities between technological capitalism and Leninism. Usually, digital developments are analyzed within the framework of criticism of capitalism. Nevertheless ideas such as digital Maoism (Jaron Lanier), Google Marxism (George Gilder), digital Gulag/Google archipelago, corporate socialism (Michael Rectenwald) and woke capitalism (Ross Douthat), describe tendencies within technological developments that are closer to socialist totalitarianism than to free-market economies. This exhibition consists of forms that emerge when these two opposing currents crossbreed and give life to an entirely new existence.
Matthias Sildnik (b. 1987) has graduated from the Installation and Sculpture department BA (2010) and MA (2014) at the Estonian Academy of Arts. His work has been exhibited in Estonia and abroad in solo and group shows. Sildnik studies the impact of high technology on daily life. He uses mediums such as digital graphics, statistical analysis and installation as dissociative synthesis environment. He is currently pursuing a PhD in Art and Design at the Estonian Academy of Arts.
Participate in the ongoing authors’ research and fill in the Working Environment Development form here:
Previous projects and methodological overview can be further explored here: https://www.researchcatalogue.net/view/721404/800739
21.02.2022 — 14.03.2022
EKA “Open Windows” 2022 Exhibition
The exhibition “Open Windows” will reopen on the windows of the Library of EKA on February 21, at 4 pm.
Through the exhibition of EKA windows, different specialities of EKA introduce their most outstanding projects and the latest creations of students. The exhibition can be viewed on the windows of the EKA Library on Põhja pst and Kotzebue streets and will remain open until March 14.
Specialities represented: Installation and Sculpture, Room Design, Product and Environmental design, Visual Communication, Photography, Jewellery and Blacksmithing, Scenography, Fashion Design, Textile Design, Accessory Design, Graphics, Graphic Design, Animation, Ceramics, Industrial and Digital Product Design, Glass, Architecture, Interior Design, Painting, Art and Visual Culture, Cultural Heritage and Conservation
The exhibition of open windows of EKA made its debut in 2021 and received a warm welcome from those interested in art and art education. The Estonian Academy of Arts, located on the edge of Kalamaja, will once again enliven the city’s cultural landscape at street level. Get with it!
EKA “Open Windows” 2022 Exhibition
Monday 21 February, 2022 — Monday 14 March, 2022
The exhibition “Open Windows” will reopen on the windows of the Library of EKA on February 21, at 4 pm.
Through the exhibition of EKA windows, different specialities of EKA introduce their most outstanding projects and the latest creations of students. The exhibition can be viewed on the windows of the EKA Library on Põhja pst and Kotzebue streets and will remain open until March 14.
Specialities represented: Installation and Sculpture, Room Design, Product and Environmental design, Visual Communication, Photography, Jewellery and Blacksmithing, Scenography, Fashion Design, Textile Design, Accessory Design, Graphics, Graphic Design, Animation, Ceramics, Industrial and Digital Product Design, Glass, Architecture, Interior Design, Painting, Art and Visual Culture, Cultural Heritage and Conservation
The exhibition of open windows of EKA made its debut in 2021 and received a warm welcome from those interested in art and art education. The Estonian Academy of Arts, located on the edge of Kalamaja, will once again enliven the city’s cultural landscape at street level. Get with it!
25.02.2022 — 11.03.2022
Exhibition “Slow Manoeuvres”
“Slow Manoeuvres”
The Youth Exhibition of 18th Tallinn Print Triennial
On Friday 25th of February at 18.00 The Youth Exhibition of 18th Tallinn Print Triennial “Slow Manoeuvres” will be opened on the first floor of the Contemporary Art Museum of Estonia (EKKM). The exhibition will remain open until 11th of March.
The Youth Exhibition is the satellite event of Tallinn Print Triennial traditionally curated and organised by young artists. In this edition the main focus of the exhibition is on artists that use printmaking but alongside them also artists whose practice varies from textile to text.
The current exhibition concentrates on those young artists who, in their work, deal with slow and sustainable practices or with sustaining identity and humanic values in a world with rising levels of anxiety. Thoughts about coping with the present and questioning the possibility of the future are apparent in their work through the contacts they have with themselves and their surroundings.
“Slow Manoeuvres” are slow and thoughtful movements – takeoff with a notion of the importance of the journey. Artists are keeping their focus close to them. They create from and recreate what already exists and, through fragility, small narratives and insignificant techniques seek ways to move on.
Curators: Riin Maide (EKA Contemporary Art, MA) and Brit Kikas (EKA Contemporary Art, MA)
Artists: EKA Master’s students in Contemporary Art Sophie Durand, Lily Marleen Bloodshed, Maria Izabella Lehtsaar, Rodion Furs; Master of Contemporary Art Jose Aldemar Muños; Master of Textiles Ingrid Helena Pajo; EKA Graphics’ students Ella-Mai Matsina, Merilyn Lempu; and Saara Liis Jõerand
The author of the graphic design is Cristopher Siniväli and the text editor is Kristiine Kikas.
The exhibition is supported by the Cultural Endowment of Estonia, the Fine Arts department and the Graphic arts department of Estonian Academy of Arts, Contemporary Art Museum of Estonia.
We would really like to thank Artsmart, Cristo Madissoo, Dana Loren Vares, Eve Kask, Jaanus Odras, Jamie Avis, Kelly Kütt, Kirke Kangro, Liina Siib, Ligia Fernandes, Maria Erikson, Maris Paal, Paul Rannik, Sveta bar, Tallinn Print Triennial, VAAT brewery.
The exhibition is accompanied by a public programme.
Curatorial tours:
02.03.2022 at 6 pm in Estonian
09.03.2022 at 6 pm in English
On Friday, 4th of March 2022 at 4pm a screen printing workshop will be held where participants have a possibility to try out silkscreen printing with natural or homemade inks.
The exhibition and public programme is free for everyone. Due to the limited number of places for the workshop, we ask you to register in advance on the FOLLOWING LINK
We can only welcome visitors who present a proof of being vaccinated against or recovered from Covid-19.
Wearing a mask is mandatory!
EKKM, Kursi 5, Tallinn.
The exhibition is open:
26.02.–11.03.2022
Tue–Fri 2 pm–7 pm
Sat–Sun 12 am–7 pm
______
riin.maide@artun.ee
brit.kikas@artun.ee +372 5343 7533
Exhibition “Slow Manoeuvres”
Friday 25 February, 2022 — Friday 11 March, 2022
“Slow Manoeuvres”
The Youth Exhibition of 18th Tallinn Print Triennial
On Friday 25th of February at 18.00 The Youth Exhibition of 18th Tallinn Print Triennial “Slow Manoeuvres” will be opened on the first floor of the Contemporary Art Museum of Estonia (EKKM). The exhibition will remain open until 11th of March.
The Youth Exhibition is the satellite event of Tallinn Print Triennial traditionally curated and organised by young artists. In this edition the main focus of the exhibition is on artists that use printmaking but alongside them also artists whose practice varies from textile to text.
The current exhibition concentrates on those young artists who, in their work, deal with slow and sustainable practices or with sustaining identity and humanic values in a world with rising levels of anxiety. Thoughts about coping with the present and questioning the possibility of the future are apparent in their work through the contacts they have with themselves and their surroundings.
“Slow Manoeuvres” are slow and thoughtful movements – takeoff with a notion of the importance of the journey. Artists are keeping their focus close to them. They create from and recreate what already exists and, through fragility, small narratives and insignificant techniques seek ways to move on.
Curators: Riin Maide (EKA Contemporary Art, MA) and Brit Kikas (EKA Contemporary Art, MA)
Artists: EKA Master’s students in Contemporary Art Sophie Durand, Lily Marleen Bloodshed, Maria Izabella Lehtsaar, Rodion Furs; Master of Contemporary Art Jose Aldemar Muños; Master of Textiles Ingrid Helena Pajo; EKA Graphics’ students Ella-Mai Matsina, Merilyn Lempu; and Saara Liis Jõerand
The author of the graphic design is Cristopher Siniväli and the text editor is Kristiine Kikas.
The exhibition is supported by the Cultural Endowment of Estonia, the Fine Arts department and the Graphic arts department of Estonian Academy of Arts, Contemporary Art Museum of Estonia.
We would really like to thank Artsmart, Cristo Madissoo, Dana Loren Vares, Eve Kask, Jaanus Odras, Jamie Avis, Kelly Kütt, Kirke Kangro, Liina Siib, Ligia Fernandes, Maria Erikson, Maris Paal, Paul Rannik, Sveta bar, Tallinn Print Triennial, VAAT brewery.
The exhibition is accompanied by a public programme.
Curatorial tours:
02.03.2022 at 6 pm in Estonian
09.03.2022 at 6 pm in English
On Friday, 4th of March 2022 at 4pm a screen printing workshop will be held where participants have a possibility to try out silkscreen printing with natural or homemade inks.
The exhibition and public programme is free for everyone. Due to the limited number of places for the workshop, we ask you to register in advance on the FOLLOWING LINK
We can only welcome visitors who present a proof of being vaccinated against or recovered from Covid-19.
Wearing a mask is mandatory!
EKKM, Kursi 5, Tallinn.
The exhibition is open:
26.02.–11.03.2022
Tue–Fri 2 pm–7 pm
Sat–Sun 12 am–7 pm
______
riin.maide@artun.ee
brit.kikas@artun.ee +372 5343 7533
18.12.2021 — 06.03.2022
Kristi Kongi and Krista Mölder in Tallinn Art Hall
The exhibition … and Other Shades of Light at Tallinn Art Hall brings together artists Kristi Kongi and Krista Mölder. Light plays a special role in both artists’ works, which combine in a unique constellation in this exhibition. The exhibition will be open from Saturday, 18 December.
Both Kristi Kongi (b. 1985) and Krista Mölder (b. 1972) have attracted international attention and earned countless awards, and they are among the brightest ambassadors of Estonian art. Here they are together for the first time in front of their home audience.
“Colours, their flicker, variability and sensual influence play important roles in the work of both artists, with one of them preferring unworldly vibrant colours, while the other favouring subdued Nordic tones,” says Siim Preiman, the curator of the exhibition. “The trail of thought of both artists begins with a spatial experience. They both can create immersive art spaces, as well as flat hanging rectangular objects. Each visitor to the exhibition can discover for themselves whether this get-together is pleasantly harmonious or excitingly dissonant.”
Kristi Kongi and Krista Mölder in Tallinn Art Hall
Saturday 18 December, 2021 — Sunday 06 March, 2022
The exhibition … and Other Shades of Light at Tallinn Art Hall brings together artists Kristi Kongi and Krista Mölder. Light plays a special role in both artists’ works, which combine in a unique constellation in this exhibition. The exhibition will be open from Saturday, 18 December.
Both Kristi Kongi (b. 1985) and Krista Mölder (b. 1972) have attracted international attention and earned countless awards, and they are among the brightest ambassadors of Estonian art. Here they are together for the first time in front of their home audience.
“Colours, their flicker, variability and sensual influence play important roles in the work of both artists, with one of them preferring unworldly vibrant colours, while the other favouring subdued Nordic tones,” says Siim Preiman, the curator of the exhibition. “The trail of thought of both artists begins with a spatial experience. They both can create immersive art spaces, as well as flat hanging rectangular objects. Each visitor to the exhibition can discover for themselves whether this get-together is pleasantly harmonious or excitingly dissonant.”
10.02.2022 — 07.03.2022
“A Visitor” Alev / Suvi / Purtsak in Hobusepea Gallery
The co-exhibition “A Visitor” by EKA painting alumni Eero Alev, Marleen Suvi and Brenda Purtsak to be opened today 6 PM in Hobusepea gallery.
I don’t know what it feels to be dead, said a six-year-old girl to her father once. Her father listened, pondered, and remembered – neither did he know, but he yearned to. First, these twenty something thousand days given to us seem to last forever, but the more one moves along the axis, the days grow considerably shorter. We have a beginning and we have an end. Our visiting hours are limited and at some point, even without knowing it, we will leave all this behind. What did we find? Were we searching for something at all? How much did we ask and what did we give?
We arrive from somewhere we remember nothing about, and we are going somewhere we know nothing about.
Exhibition will stay open until March 7, 2022.
More info on Facebook
“A Visitor” Alev / Suvi / Purtsak in Hobusepea Gallery
Thursday 10 February, 2022 — Monday 07 March, 2022
The co-exhibition “A Visitor” by EKA painting alumni Eero Alev, Marleen Suvi and Brenda Purtsak to be opened today 6 PM in Hobusepea gallery.
I don’t know what it feels to be dead, said a six-year-old girl to her father once. Her father listened, pondered, and remembered – neither did he know, but he yearned to. First, these twenty something thousand days given to us seem to last forever, but the more one moves along the axis, the days grow considerably shorter. We have a beginning and we have an end. Our visiting hours are limited and at some point, even without knowing it, we will leave all this behind. What did we find? Were we searching for something at all? How much did we ask and what did we give?
We arrive from somewhere we remember nothing about, and we are going somewhere we know nothing about.
Exhibition will stay open until March 7, 2022.
More info on Facebook