Exhibitions
21.03.2024
These Words Matter – an exhibition with MA Contemporary Art students
Thursday, March 21
17:30
etc., Niine 8
Opening of These Words Matter, an exhibition with MA Contemporary Art students from the course ‘Writing Practice 2’, supervised by Lieven Lahaye. The exhibition consists of new works about or conceived through writing. The title of the exhibition is lifted from Dodie Bellamy’s ‘Hoarding as écriture’.
Works by:
Poster by:
Linnea Lindgren
These Words Matter – an exhibition with MA Contemporary Art students
Thursday 21 March, 2024
Thursday, March 21
17:30
etc., Niine 8
Opening of These Words Matter, an exhibition with MA Contemporary Art students from the course ‘Writing Practice 2’, supervised by Lieven Lahaye. The exhibition consists of new works about or conceived through writing. The title of the exhibition is lifted from Dodie Bellamy’s ‘Hoarding as écriture’.
Works by:
Poster by:
Linnea Lindgren
22.03.2024 — 16.04.2024
Mart Talvar “Out of center” at HOP Gallery
“When flying off-center, a new centerpoint shall be found to regain the balance”
The opening of Mart Talvar’s first solo exhibition Out of Center is taking place at 22 nd of March at HOP gallery from 6 PM and is talking about finding balance within the process of transformation.
The theme of the exhibition began to unfold during his studies in the jewellery and blacksmithing department at the Estonian Academy of Arts in 2022 and is still an ongoing process. During the metal spinning process, a copper object unexpectedly
jumped off-center, resulting in a unique object. The artist became interested in what lies behind an experience that we could perceive as failure. From that moment, a thorough practice of metal spinning began with the outcome to be shared with a wider audience.
At the gallery, the techniques of metal spinning and porcelain slip casting meet each othernas opposites in nature. The copper work refers to the occurrence of flying off-center as a possibility to redefine the concepts of being centered and off-center, failure, and balance. The porcelain objects demonstrate the transformation of traces, that have transferred on
from the copper material and have significantly reduced in size after the firing process.
The design method of material empathy offers symbolic meaning to the “dialogue” between the materials. This blurs boundaries between the public space and social context, and leaves the viewer plenty of room for personal interpretations.
Location HOP gallery
The opening 22.03.2024 kell 18:00
Opening times N-T 22.03-16.04 11:00-18:00
Curator Liisi Kõuhkna
Graphic design Cristopher Siniväli
Technical aid HOP gallery; Valge Kuup Studio
Support Estonian Academy of Arts, Cultural Endowment of Estonia, Shroomwell OÜ,
Põhjala Brewing AS, Tuulmet Holding OÜ
Mart Talvar “Out of center” at HOP Gallery
Friday 22 March, 2024 — Tuesday 16 April, 2024
“When flying off-center, a new centerpoint shall be found to regain the balance”
The opening of Mart Talvar’s first solo exhibition Out of Center is taking place at 22 nd of March at HOP gallery from 6 PM and is talking about finding balance within the process of transformation.
The theme of the exhibition began to unfold during his studies in the jewellery and blacksmithing department at the Estonian Academy of Arts in 2022 and is still an ongoing process. During the metal spinning process, a copper object unexpectedly
jumped off-center, resulting in a unique object. The artist became interested in what lies behind an experience that we could perceive as failure. From that moment, a thorough practice of metal spinning began with the outcome to be shared with a wider audience.
At the gallery, the techniques of metal spinning and porcelain slip casting meet each othernas opposites in nature. The copper work refers to the occurrence of flying off-center as a possibility to redefine the concepts of being centered and off-center, failure, and balance. The porcelain objects demonstrate the transformation of traces, that have transferred on
from the copper material and have significantly reduced in size after the firing process.
The design method of material empathy offers symbolic meaning to the “dialogue” between the materials. This blurs boundaries between the public space and social context, and leaves the viewer plenty of room for personal interpretations.
Location HOP gallery
The opening 22.03.2024 kell 18:00
Opening times N-T 22.03-16.04 11:00-18:00
Curator Liisi Kõuhkna
Graphic design Cristopher Siniväli
Technical aid HOP gallery; Valge Kuup Studio
Support Estonian Academy of Arts, Cultural Endowment of Estonia, Shroomwell OÜ,
Põhjala Brewing AS, Tuulmet Holding OÜ
22.03.2024 — 02.06.2024
Cloe Jancis & Ann Pajuväli “beginners” at EKA Billboard Gallery 22.03.–02.06.2024
Cloe Jancis & Ann Pajuväli
“beginners”
EKA Billboard Gallery 22.03.–02.06.2024
Open 24/7, free
Opening: 22.03.2024 at 6 pm
A beginner’s mindset means letting go of assumptions, expertise, or preconceived notions that might cloud our perception or limit our understanding. In this state, we cultivate curiosity, humility and willingness to learn, even with prior knowledge and experience on the subject. It means embracing a sense of astonishment and discovery by trying things for the first time, which can lead to new perspectives and foster creativity and personal growth.
The artists emphasise that the exhibition is about growing out of the ways of representation they have become accustomed to: “We are in a phase of transition – it is not clear-cut, but it is lively and honest. Going through it means letting go (of former habits) and trusting that work teaches the doer. At the exhibition, we share parallel quests that may have a result, but not necessarily. This is a stopover, one possible version; unfinished thoughts, half-baked ideas, new beginnings and loose ends. The most honest expression of the current situation.
Opening drinks from Punch Drinks.
More info:
eka.galerii@artun.ee
Cloe Jancis & Ann Pajuväli “beginners” at EKA Billboard Gallery 22.03.–02.06.2024
Friday 22 March, 2024 — Sunday 02 June, 2024
Cloe Jancis & Ann Pajuväli
“beginners”
EKA Billboard Gallery 22.03.–02.06.2024
Open 24/7, free
Opening: 22.03.2024 at 6 pm
A beginner’s mindset means letting go of assumptions, expertise, or preconceived notions that might cloud our perception or limit our understanding. In this state, we cultivate curiosity, humility and willingness to learn, even with prior knowledge and experience on the subject. It means embracing a sense of astonishment and discovery by trying things for the first time, which can lead to new perspectives and foster creativity and personal growth.
The artists emphasise that the exhibition is about growing out of the ways of representation they have become accustomed to: “We are in a phase of transition – it is not clear-cut, but it is lively and honest. Going through it means letting go (of former habits) and trusting that work teaches the doer. At the exhibition, we share parallel quests that may have a result, but not necessarily. This is a stopover, one possible version; unfinished thoughts, half-baked ideas, new beginnings and loose ends. The most honest expression of the current situation.
Opening drinks from Punch Drinks.
More info:
eka.galerii@artun.ee
07.03.2024 — 31.03.2024
“Gentle Gestures of Self” at EKA Gallery 7.–31.03.2024
GENTLE GESTURES OF SELF
7.–31.03.2024
Opening: 7.03. at 6 pm
Participating artists: Andre Joosep Arming, Annamaari Hyttinen, Cloe Jancis, Maria Izabella Lehtsaar, Taavi Rekkaro, Johanna Saikkonen, Marleen Suvi, Elo Vahtrik
Curator: Kaisa Maasik
The group exhibition “Gentle Gestures of Self” brings together a selection of contemporary self-portraits. The paintings and photographs primarily depict the faces and hands of the artists, pointing at the emotions brought out by their facial expressions and gestures.
Culturally, hands are attributed with a great expressive power: in addition to conveying mood, depicting hands in specific positions can communicate deep feelings and meanings. Anthropologist Ethel J. Alpenfels has said: “Hands point or lead or command; hands cry out in agony or lie quietly sleeping; hands have moods, character, and, in a wider sense, their own particular beauty.”
The exhibition stems from a curatorial perspective focusing on relationships, inner experiences and moods. It approaches hands’ special ability and vulnerability to convey all emotions, even those that people have learned to control in facial expressions.
Opening drinks from Põhjala Brewery.
EKA Gallery
Kotzebue 1, Tallinn
Open Tue–Sun 12–18, free entry
More info:
eka.galerii@artun.ee
“Gentle Gestures of Self” at EKA Gallery 7.–31.03.2024
Thursday 07 March, 2024 — Sunday 31 March, 2024
GENTLE GESTURES OF SELF
7.–31.03.2024
Opening: 7.03. at 6 pm
Participating artists: Andre Joosep Arming, Annamaari Hyttinen, Cloe Jancis, Maria Izabella Lehtsaar, Taavi Rekkaro, Johanna Saikkonen, Marleen Suvi, Elo Vahtrik
Curator: Kaisa Maasik
The group exhibition “Gentle Gestures of Self” brings together a selection of contemporary self-portraits. The paintings and photographs primarily depict the faces and hands of the artists, pointing at the emotions brought out by their facial expressions and gestures.
Culturally, hands are attributed with a great expressive power: in addition to conveying mood, depicting hands in specific positions can communicate deep feelings and meanings. Anthropologist Ethel J. Alpenfels has said: “Hands point or lead or command; hands cry out in agony or lie quietly sleeping; hands have moods, character, and, in a wider sense, their own particular beauty.”
The exhibition stems from a curatorial perspective focusing on relationships, inner experiences and moods. It approaches hands’ special ability and vulnerability to convey all emotions, even those that people have learned to control in facial expressions.
Opening drinks from Põhjala Brewery.
EKA Gallery
Kotzebue 1, Tallinn
Open Tue–Sun 12–18, free entry
More info:
eka.galerii@artun.ee
12.02.2024 — 20.02.2024
Alexei Gordin at Täisnurga Gallery
13.02-20.02 Alexei Gordin’s exhibition “This School Produces Useless Losers” will be open at Täisnurga Gallery.
The exhibition opening will be held on 12.02. at 18:00.
The exhibition is focused around the adventures of one artist in the world of Delfi comment section. It is said that there is no need to prove anything to anyone on the internet, but reality shows that users always want to prove something and what they say about art does not match what artists think about themselves. So who is right, and why does such a harmless phenomenon as art upset so many people? The exhibition consists of screenshots and found objects to which the artist gave a new meaning using phrases, slogans and puns inspired by the Delfi comment section.
Alexei Gordin (born in 1989) studied painting in Tallinn and Helsinki and currently lives and works in Tallinn.
Although he has a background in painting, Gordin fluently uses different media and works with drawing, photography, video, and performance.
The main subject matter of his artistic practice is absurdly stereotypical thinking and behaviour patterns of people in contemporary mass society. Gordin’s works are almost always narrative in nature and often cover exciting or annoying situations. In the early years of his career, filthy slums, empty industrial landscapes, marginalised and stigmatised social groups, and vulgar jokes constituted the core atmosphere of Gordin’s work.
The harsh reality of the art world has now become one of his main topics and the artist has himself become the protagonist. Scenes scattered with black humour deconstruct the image of the professional art world as something elitist and glamorous.
Gordin has won several photography competitions and in 2017 he was awarded the Young Painters’ Prize in Vilnius.
Täisnurga gallery is a project started in autumn 2023 by Karola Ainsar and Daria Morozova, which focuses on carefully selected intermediate stages and exhibiting newly completed works.
The gallery can be found by entering through the back door of the Painting Department (C201) of the Estonian Academy of Arts.
Alexei Gordin at Täisnurga Gallery
Monday 12 February, 2024 — Tuesday 20 February, 2024
13.02-20.02 Alexei Gordin’s exhibition “This School Produces Useless Losers” will be open at Täisnurga Gallery.
The exhibition opening will be held on 12.02. at 18:00.
The exhibition is focused around the adventures of one artist in the world of Delfi comment section. It is said that there is no need to prove anything to anyone on the internet, but reality shows that users always want to prove something and what they say about art does not match what artists think about themselves. So who is right, and why does such a harmless phenomenon as art upset so many people? The exhibition consists of screenshots and found objects to which the artist gave a new meaning using phrases, slogans and puns inspired by the Delfi comment section.
Alexei Gordin (born in 1989) studied painting in Tallinn and Helsinki and currently lives and works in Tallinn.
Although he has a background in painting, Gordin fluently uses different media and works with drawing, photography, video, and performance.
The main subject matter of his artistic practice is absurdly stereotypical thinking and behaviour patterns of people in contemporary mass society. Gordin’s works are almost always narrative in nature and often cover exciting or annoying situations. In the early years of his career, filthy slums, empty industrial landscapes, marginalised and stigmatised social groups, and vulgar jokes constituted the core atmosphere of Gordin’s work.
The harsh reality of the art world has now become one of his main topics and the artist has himself become the protagonist. Scenes scattered with black humour deconstruct the image of the professional art world as something elitist and glamorous.
Gordin has won several photography competitions and in 2017 he was awarded the Young Painters’ Prize in Vilnius.
Täisnurga gallery is a project started in autumn 2023 by Karola Ainsar and Daria Morozova, which focuses on carefully selected intermediate stages and exhibiting newly completed works.
The gallery can be found by entering through the back door of the Painting Department (C201) of the Estonian Academy of Arts.
08.02.2024 — 01.03.2024
Sten Saarits in ARS Showroom
In Dialogue with Dissonance
ARS Showroom
09.02-01.03.2024
Opening: 08.02 at 18:00
“In Dialogue with Dissonance” invites viewers to engage in a practice of dialogue with the art space, its surroundings, and the unpredictable qualities of sound. “In Dialogue with Dissonance” is an installation that integrates live on-site sound, digital algorithm-based manipulations, and flashing signs bearing incoherent directives for active participation. The exhibition challenges visitors to question meaning-making, modes of interaction, and embrace the unpredictability of an ever-changing space.
The sound composition for 9 audio channels and 1 low frequency emitter was developed on location as a reflection on the space. The composition is only based on automation lanes that direct live input signals through various digital signal processors, the raw sound from passing cars, the space itself, vibrations in the architecture, and feedback events picked up by different microphones are mostly unpredictable. Live sounds are picked up by specialized devices, including a geophone originally designed for seismic measurements and a coil-type microphone that renders electromagnetic fields audible.
Sten Saarits is an interdisciplinary artist who works mainly with time-based media. As an avid field recordist, his installation works often utilize sound compositions comprising spoken words and auditory signifiers, constructing participatory and animated environments. Saarits’ practice commonly explores themes of overstimulation and cultural behavioral norms.
The exhibition is supported by Estonian Cultural Endowment and Estonian Artists’ Association
Sten Saarits in ARS Showroom
Thursday 08 February, 2024 — Friday 01 March, 2024
In Dialogue with Dissonance
ARS Showroom
09.02-01.03.2024
Opening: 08.02 at 18:00
“In Dialogue with Dissonance” invites viewers to engage in a practice of dialogue with the art space, its surroundings, and the unpredictable qualities of sound. “In Dialogue with Dissonance” is an installation that integrates live on-site sound, digital algorithm-based manipulations, and flashing signs bearing incoherent directives for active participation. The exhibition challenges visitors to question meaning-making, modes of interaction, and embrace the unpredictability of an ever-changing space.
The sound composition for 9 audio channels and 1 low frequency emitter was developed on location as a reflection on the space. The composition is only based on automation lanes that direct live input signals through various digital signal processors, the raw sound from passing cars, the space itself, vibrations in the architecture, and feedback events picked up by different microphones are mostly unpredictable. Live sounds are picked up by specialized devices, including a geophone originally designed for seismic measurements and a coil-type microphone that renders electromagnetic fields audible.
Sten Saarits is an interdisciplinary artist who works mainly with time-based media. As an avid field recordist, his installation works often utilize sound compositions comprising spoken words and auditory signifiers, constructing participatory and animated environments. Saarits’ practice commonly explores themes of overstimulation and cultural behavioral norms.
The exhibition is supported by Estonian Cultural Endowment and Estonian Artists’ Association
19.02.2024 — 24.02.2024
Durational performance “The Embassy of Utopia” at EKA Gallery 19.–24.02.2024
“The Embassy of Utopia: Happiness for Everybody, Free of Charge, and May No One Be Left Behind!*”
EKA Gallery
19.–24.02.2024
Open Mon–Fri 12–9 pm & Sat 5–11 pm (part of the reception), free entry
The Institute of Meetings & Non-Meetings opens the Embassy of Utopia at the EKA Gallery on February 19th. On the final evening of the performative installation, February 24th, one hour after President Alar Karis steps up to the lectern at the Estonia Theatre to deliver Estonia’s most anticipated speech of the year, the Embassy of Utopia will present the year’s most unexpected speech.
The speech will not be written by artificial intelligence or a freelance poet. It will be written by those who gather at the Embassy, those seeking poetic refuge.
“We have dealt with speeches in the Institute’s and Paide Theatre’s previous projects and confirmed that the core of a good speech is a clear message. But the world is not clear, and it seems that every speech, aiming to bring clarity, spreads confusion. Therefore, we decided it was time to turn our backs on clarity and create a speech that acknowledges confusion,” says one of the participating artists, Jan Teevet.
“One might ask, what distinguishes the Embassy of Utopia’s speech from any much-maligned internet forum. The answer can be found in the phenomenon of meeting. From Monday to Friday, when the Embassy’s doors at the Estonian Academy of Arts are open to all passersby, dozens of groups will meet there, not aiming for a mediocre compromise, but to build bold connections between views, crises, and solutions that frame their personal realities today,” adds the Institute’s dramaturge, Oliver Issak.
“A clear message, a clear tax system, a clear line between good and evil — we often think that clarity takes care of everything and everyone on its own, not noticing that clarity can often be uncaring. Clear messages are easier to receive and categorize, but how to organise a reception for doubts?” asks sociologist and artist-researcher Margaret Tilk.
The Embassy of Utopia is open from February 19th–23rd from 12–9 pm and culminates in the Embassy of Utopia’s reception on February 24th at 5 pm.
Entry to the Embassy is free for all, and everyone is free to decide whether it is an exhibition, a theatre production, a workshop, a meeting, a political-poetic consecration, a deep hangout, a minimalist opera, or something else entirely. One may also choose not to decide.
The Embassy of Utopia’s daily life and nightly fiction are created and organised by Oliver Issak, Kairi Mändla, Jan Teevet, Taavi Teevet, and Margaret Tilk.
“The Embassy of Utopia: Happiness for everybody, free of charge, and may no one be left behind!” is the fourth event in the series of actions created by the Institute of Meetings and Non-Meetings. The doors of the Embassy of Utopia first opened in May 2023 at the invitation of the international literature festival Prima Vista and the European Capital of Culture Tartu 2024, with the subtitle “Longing for a different reality”, and from September, the Embassy of Utopia’s radio action goes live on Klassikaraadio on the last Sunday of every month. On December 31st, 2023, a 5-hour New Year’s Eve special was broadcasted on Klassikaraadio’s wavelength, “Embassy of Utopia: A Thousand Toasts to the Future”.
The Embassy of Utopia is a sanctuary for positive uncertainty, bold thought, and untamable imagination.
* The title is based on the novel “Roadside Picnic” by Arkady and Boris Strugatsky.
The project is supported by the Cultural Endowment of Estonia.
Drinks at the reception provided by Põhjala Brewery.
More info:
Jan Teevet jan@instituut.art
Oliver Issak oliver@instituut.art
Margaret Tilk marga.tilk@gmail.com
www.instituut.art/utoopiasaatkond
Durational performance “The Embassy of Utopia” at EKA Gallery 19.–24.02.2024
Monday 19 February, 2024 — Saturday 24 February, 2024
“The Embassy of Utopia: Happiness for Everybody, Free of Charge, and May No One Be Left Behind!*”
EKA Gallery
19.–24.02.2024
Open Mon–Fri 12–9 pm & Sat 5–11 pm (part of the reception), free entry
The Institute of Meetings & Non-Meetings opens the Embassy of Utopia at the EKA Gallery on February 19th. On the final evening of the performative installation, February 24th, one hour after President Alar Karis steps up to the lectern at the Estonia Theatre to deliver Estonia’s most anticipated speech of the year, the Embassy of Utopia will present the year’s most unexpected speech.
The speech will not be written by artificial intelligence or a freelance poet. It will be written by those who gather at the Embassy, those seeking poetic refuge.
“We have dealt with speeches in the Institute’s and Paide Theatre’s previous projects and confirmed that the core of a good speech is a clear message. But the world is not clear, and it seems that every speech, aiming to bring clarity, spreads confusion. Therefore, we decided it was time to turn our backs on clarity and create a speech that acknowledges confusion,” says one of the participating artists, Jan Teevet.
“One might ask, what distinguishes the Embassy of Utopia’s speech from any much-maligned internet forum. The answer can be found in the phenomenon of meeting. From Monday to Friday, when the Embassy’s doors at the Estonian Academy of Arts are open to all passersby, dozens of groups will meet there, not aiming for a mediocre compromise, but to build bold connections between views, crises, and solutions that frame their personal realities today,” adds the Institute’s dramaturge, Oliver Issak.
“A clear message, a clear tax system, a clear line between good and evil — we often think that clarity takes care of everything and everyone on its own, not noticing that clarity can often be uncaring. Clear messages are easier to receive and categorize, but how to organise a reception for doubts?” asks sociologist and artist-researcher Margaret Tilk.
The Embassy of Utopia is open from February 19th–23rd from 12–9 pm and culminates in the Embassy of Utopia’s reception on February 24th at 5 pm.
Entry to the Embassy is free for all, and everyone is free to decide whether it is an exhibition, a theatre production, a workshop, a meeting, a political-poetic consecration, a deep hangout, a minimalist opera, or something else entirely. One may also choose not to decide.
The Embassy of Utopia’s daily life and nightly fiction are created and organised by Oliver Issak, Kairi Mändla, Jan Teevet, Taavi Teevet, and Margaret Tilk.
“The Embassy of Utopia: Happiness for everybody, free of charge, and may no one be left behind!” is the fourth event in the series of actions created by the Institute of Meetings and Non-Meetings. The doors of the Embassy of Utopia first opened in May 2023 at the invitation of the international literature festival Prima Vista and the European Capital of Culture Tartu 2024, with the subtitle “Longing for a different reality”, and from September, the Embassy of Utopia’s radio action goes live on Klassikaraadio on the last Sunday of every month. On December 31st, 2023, a 5-hour New Year’s Eve special was broadcasted on Klassikaraadio’s wavelength, “Embassy of Utopia: A Thousand Toasts to the Future”.
The Embassy of Utopia is a sanctuary for positive uncertainty, bold thought, and untamable imagination.
* The title is based on the novel “Roadside Picnic” by Arkady and Boris Strugatsky.
The project is supported by the Cultural Endowment of Estonia.
Drinks at the reception provided by Põhjala Brewery.
More info:
Jan Teevet jan@instituut.art
Oliver Issak oliver@instituut.art
Margaret Tilk marga.tilk@gmail.com
www.instituut.art/utoopiasaatkond
29.02.2024 — 10.03.2024
Young Sculptor Award Exhibition 2024
On February 29 at 4:00 pm, the Young Sculptor Award Exhibition 2024 of the Department of Installation and Sculpture of the Estonian Academy of Arts will open at EKKM.
The winner of the Young Sculptor Award 2024 will be announced at the exhibition opening. The award winner will be selected by a 5-member jury independent of the organisers. The competition is open to individual authors with a work completed in 2023, a development of a work completed in 2023 or a new work in the making.
This time, the jury of the Young Sculptor Award 2024 selected 15 works from the 39 entries received.
The nominees are Sandra Ernits, Iohan Figueroa, Chloé Geinoz, Aurelia Grace Talmon, Erik Hõim, Loora Kaubi, Ellen Emilie Laaksonen, Noah Emanuel Morrison, Sarah Noonan, Elise Marie Olesk, KitKit Para, Inessa Saarits, Asmus Soodla, Sonja Sutt and Ats- Anton Varustin.
The Young Sculptor Award and the accompanying exhibition, launched in 2012, aim to highlight and recognise the professional work of young artists working in the field of sculpture and installation.
Previous winners of the Young Sculptor Award include Hanna Piksarv, Sten Saarits, Anna Mari Liivrand, Johannes Valdma, Rosa Violetta Grötsch, Johannes Luik, Siim Elmers, Sarah Nõmm, Junny Yeung and Mara Kirchberg.
The exhibition is open until 10 March, daily from 2pm to 8pm.
The exhibition is supported by the Estonian Academy of Arts, the Cultural Endowment of Estonia, Põhjala Brewery and Karksi Brewery.
Graphic design by Cristopher Siniväli
Young Sculptor Award Exhibition 2024
Thursday 29 February, 2024 — Sunday 10 March, 2024
On February 29 at 4:00 pm, the Young Sculptor Award Exhibition 2024 of the Department of Installation and Sculpture of the Estonian Academy of Arts will open at EKKM.
The winner of the Young Sculptor Award 2024 will be announced at the exhibition opening. The award winner will be selected by a 5-member jury independent of the organisers. The competition is open to individual authors with a work completed in 2023, a development of a work completed in 2023 or a new work in the making.
This time, the jury of the Young Sculptor Award 2024 selected 15 works from the 39 entries received.
The nominees are Sandra Ernits, Iohan Figueroa, Chloé Geinoz, Aurelia Grace Talmon, Erik Hõim, Loora Kaubi, Ellen Emilie Laaksonen, Noah Emanuel Morrison, Sarah Noonan, Elise Marie Olesk, KitKit Para, Inessa Saarits, Asmus Soodla, Sonja Sutt and Ats- Anton Varustin.
The Young Sculptor Award and the accompanying exhibition, launched in 2012, aim to highlight and recognise the professional work of young artists working in the field of sculpture and installation.
Previous winners of the Young Sculptor Award include Hanna Piksarv, Sten Saarits, Anna Mari Liivrand, Johannes Valdma, Rosa Violetta Grötsch, Johannes Luik, Siim Elmers, Sarah Nõmm, Junny Yeung and Mara Kirchberg.
The exhibition is open until 10 March, daily from 2pm to 8pm.
The exhibition is supported by the Estonian Academy of Arts, the Cultural Endowment of Estonia, Põhjala Brewery and Karksi Brewery.
Graphic design by Cristopher Siniväli
02.02.2024 — 03.03.2024
Lepik and Purtsak the Monumental Gallery of the Tartu Art House
On Friday, 2 February at 5 p.m., the joint exhibition “Urge“ by Lisette Lepik and Brenda Purtsak will open in the monumental gallery of the Tartu Art House.
The curator of the exhibition is Kerly Ritval.
The exhibition brings together the artists and the curator to examine the diverse and mysterious nature of love. They explore boundaries and express in art what drives and fulfils human life: love.
Love can’t be truly expressed in words, is invisible to the eye, and is intangible, making it difficult to find, hold onto and let go of. It accompanies a person throughout life as a strongly beating urge.
The curator explains: “Brenda Purtsak’s artistic practice engages with the human body, drawing inspiration, among other things, directly from the operating table. By dissecting the human body with colours, she seeks answers to larger existential questions, such as: What is the biological force in the human body that pushes and pulls us toward each other? Lisette Lepik’s painting practice has focused on the body, sensations, sexuality and related traumas. In this exhibition, the artist expresses thoughts, feelings and fears related to love through her distinctive colour, composition and form language.”
The exhibition invites viewers on an introspective journey and into contemplation about desire, love, touch and fears, as well as the absence of love, searching and discoveries.
Brenda Purtsak (b. 1994) is an Estonian artist who graduated from the Estonian Academy of Arts with a master’s degree in Contemporary Art (2022) and a bachelor’s degree in Painting (2020). She has been working as a lecturer at the Academy since 2023.
Lisette Lepik (b. 1999) is an Estonian artist based in Tallinn. She graduated with a bachelor’s degree in painting from the Estonian Academy of Arts (2022) and furthered her studies in installation art at the Icelandic Academy of the Arts (2019). Since 2023, she has been working as a lecturer at the Estonian Academy of Arts.
Kerly Ritval (b. 1996) is an Estonian curator and critic who completed a bachelor’s degree in art history and visual culture studies (2020) and a master’s degree in curatorial studies at the Estonian Academy of Arts (2023). She also supplemented her curatorial studies in Iceland (2022) and recently furthered her education in New York, assisting in producing the performance biennial Performa (2023).
Graphic designer: Rainer Kasekivi
Poetry used in the exhibition by Andres Anissimov
The exhibition is supported by the Estonian Cultural Endowment and the city of Tartu.
The exhibition will remain open until 3 March.
Lepik and Purtsak the Monumental Gallery of the Tartu Art House
Friday 02 February, 2024 — Sunday 03 March, 2024
On Friday, 2 February at 5 p.m., the joint exhibition “Urge“ by Lisette Lepik and Brenda Purtsak will open in the monumental gallery of the Tartu Art House.
The curator of the exhibition is Kerly Ritval.
The exhibition brings together the artists and the curator to examine the diverse and mysterious nature of love. They explore boundaries and express in art what drives and fulfils human life: love.
Love can’t be truly expressed in words, is invisible to the eye, and is intangible, making it difficult to find, hold onto and let go of. It accompanies a person throughout life as a strongly beating urge.
The curator explains: “Brenda Purtsak’s artistic practice engages with the human body, drawing inspiration, among other things, directly from the operating table. By dissecting the human body with colours, she seeks answers to larger existential questions, such as: What is the biological force in the human body that pushes and pulls us toward each other? Lisette Lepik’s painting practice has focused on the body, sensations, sexuality and related traumas. In this exhibition, the artist expresses thoughts, feelings and fears related to love through her distinctive colour, composition and form language.”
The exhibition invites viewers on an introspective journey and into contemplation about desire, love, touch and fears, as well as the absence of love, searching and discoveries.
Brenda Purtsak (b. 1994) is an Estonian artist who graduated from the Estonian Academy of Arts with a master’s degree in Contemporary Art (2022) and a bachelor’s degree in Painting (2020). She has been working as a lecturer at the Academy since 2023.
Lisette Lepik (b. 1999) is an Estonian artist based in Tallinn. She graduated with a bachelor’s degree in painting from the Estonian Academy of Arts (2022) and furthered her studies in installation art at the Icelandic Academy of the Arts (2019). Since 2023, she has been working as a lecturer at the Estonian Academy of Arts.
Kerly Ritval (b. 1996) is an Estonian curator and critic who completed a bachelor’s degree in art history and visual culture studies (2020) and a master’s degree in curatorial studies at the Estonian Academy of Arts (2023). She also supplemented her curatorial studies in Iceland (2022) and recently furthered her education in New York, assisting in producing the performance biennial Performa (2023).
Graphic designer: Rainer Kasekivi
Poetry used in the exhibition by Andres Anissimov
The exhibition is supported by the Estonian Cultural Endowment and the city of Tartu.
The exhibition will remain open until 3 March.
24.01.2024 — 17.02.2024
Melnikova, Keskküla, Monko, Daniliauskaitė at Draakon Gallery
On Wednesday, January 24 at 6 pm we welcome you to the opening of the exhibition Swirling, Twirling, Spinning curated by Merilin Talumaa.
The exhibition includes works by Daria Melnikova, Helena Keskküla, Marge Monko and Viktorija Daniliauskaitė.
The exhibition Swirling, Twirling, Spinning unites artists across generations in an empowering context, drawing inspiration from the ideas of Lithuanian-American archaeologist and anthropologist Marija Gimbutas. Her profound research brought attention to the ancient cultures of the Baltic region and the broader Indo-European world, exploring archaeological artefacts, linguistics, ethnography, and folklore. Gimbutas posited a thesis that prehistoric European culture centered around the worship of a Mother Goddess, as the giver of all life. A spiritual sense of connectedness was artfully expressed through a sophisticated symbol system and an abundance of ritual objects. Nature and body were honored in Europe for tens of thousands of years. Whereas women had an especially strong position in societies across Eastern and Central Europe – a tendency no longer necessarily evident today.
Swirling, Twirling, Spinning poetically weaves a narrative that bridges ancient myths and beliefs, natural cycles, and the transformative power of feminine energy across different cultures and times. Gimbutas, who having opened the treasure trove of prehistory, inspired a belief in a peaceful existence in our time – to bring back to life suppressed vital elements, such as the earth, the body (health), the feminine, and the subconscious. Participating artists, through imaginative and fictitious narratives, share personal stories and cultural myths that also reflect the influence of Gimbutas’ theories on ancient symbolism. Their works echo these concepts through a contemporary lens, incorporating elements such as spirals, circles, and motifs such as snakes and birds – symbols rooted in ancient European matriarchal cultures that continue to resonate in Baltic art and culture.
The exhibition contemplates on reimagining a world centered around goddess worship, with its emphasis on embracing womanhood, preserving nature, and forsaking warfare. Could this theoretical concept transcend into the tangible reality of our future society? Swirling, Twirling, Spinning seamlessly intertwines historical narratives and mythology, immersing us in the themes that Marija Gimbutas ignited: the celebration of life’s cycles, constant renewal, the sanctity of the female body, and the spirituality inherent in these concepts. Gimbutas’ exploration of the spiritual dimensions of a harmonious Old Europe and her vision for a New Europe free from dominance and warfare, feels remarkably pertinent in our contemporary world.
First exhibition around the heritage of Marija Gimbutas took place in L’Atlas Gallery in Paris, France (7 November 2023–3 January 2024). The cycle of exhibitions is foreseen to continue with an upcoming show in La Traverse in Marseille, France (27 August–26 October 2024).
Marija Gimbutas (1921–1994) was a Lithuanian-American archaeologist and anthropologist. She contributed to what is considered to be one of the most significant academic watershed moments in women’s studies with her archaeological and philosophical work on Neolithic culture and religion. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of “Old Europe,” a term she introduced. Old Europe referred to both the geographical area and social structures that existed before the Indo-European influence. Gimbutas unequivocally established the existence of a Goddess religion who is the most persistent feature in the archaeological record of the ancient world. The Goddess in all her manifestations was a symbol of the unity of all life in nature. Gimbutas’ discoveries took on great symbolic importance for feminists across various disciplines who found, in her vision of a peaceful, nature-revering society, a sense of hope for the future based on this foundation in the distant past.
Roots to Routes is an initiative created by curators Merilin Talumaa, Maija Rudovska and Justė Kostikovaitė, gathering a community of artists, curators and cultural producers whose trajectories are connected to the Baltic states region. Acting as a nomadic agency, its goal is to support and make visible artistic practices beyond cultural and (geo)political borders. An important part of the collaboration is to create and develop possible joint projects, aiming to build sustainable networks and forms of cooperation between various art scenes.
https://roots2routes.org/
Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko AS.
Melnikova, Keskküla, Monko, Daniliauskaitė at Draakon Gallery
Wednesday 24 January, 2024 — Saturday 17 February, 2024
On Wednesday, January 24 at 6 pm we welcome you to the opening of the exhibition Swirling, Twirling, Spinning curated by Merilin Talumaa.
The exhibition includes works by Daria Melnikova, Helena Keskküla, Marge Monko and Viktorija Daniliauskaitė.
The exhibition Swirling, Twirling, Spinning unites artists across generations in an empowering context, drawing inspiration from the ideas of Lithuanian-American archaeologist and anthropologist Marija Gimbutas. Her profound research brought attention to the ancient cultures of the Baltic region and the broader Indo-European world, exploring archaeological artefacts, linguistics, ethnography, and folklore. Gimbutas posited a thesis that prehistoric European culture centered around the worship of a Mother Goddess, as the giver of all life. A spiritual sense of connectedness was artfully expressed through a sophisticated symbol system and an abundance of ritual objects. Nature and body were honored in Europe for tens of thousands of years. Whereas women had an especially strong position in societies across Eastern and Central Europe – a tendency no longer necessarily evident today.
Swirling, Twirling, Spinning poetically weaves a narrative that bridges ancient myths and beliefs, natural cycles, and the transformative power of feminine energy across different cultures and times. Gimbutas, who having opened the treasure trove of prehistory, inspired a belief in a peaceful existence in our time – to bring back to life suppressed vital elements, such as the earth, the body (health), the feminine, and the subconscious. Participating artists, through imaginative and fictitious narratives, share personal stories and cultural myths that also reflect the influence of Gimbutas’ theories on ancient symbolism. Their works echo these concepts through a contemporary lens, incorporating elements such as spirals, circles, and motifs such as snakes and birds – symbols rooted in ancient European matriarchal cultures that continue to resonate in Baltic art and culture.
The exhibition contemplates on reimagining a world centered around goddess worship, with its emphasis on embracing womanhood, preserving nature, and forsaking warfare. Could this theoretical concept transcend into the tangible reality of our future society? Swirling, Twirling, Spinning seamlessly intertwines historical narratives and mythology, immersing us in the themes that Marija Gimbutas ignited: the celebration of life’s cycles, constant renewal, the sanctity of the female body, and the spirituality inherent in these concepts. Gimbutas’ exploration of the spiritual dimensions of a harmonious Old Europe and her vision for a New Europe free from dominance and warfare, feels remarkably pertinent in our contemporary world.
First exhibition around the heritage of Marija Gimbutas took place in L’Atlas Gallery in Paris, France (7 November 2023–3 January 2024). The cycle of exhibitions is foreseen to continue with an upcoming show in La Traverse in Marseille, France (27 August–26 October 2024).
Marija Gimbutas (1921–1994) was a Lithuanian-American archaeologist and anthropologist. She contributed to what is considered to be one of the most significant academic watershed moments in women’s studies with her archaeological and philosophical work on Neolithic culture and religion. Gimbutas is best known for her research into the Neolithic and Bronze Age cultures of “Old Europe,” a term she introduced. Old Europe referred to both the geographical area and social structures that existed before the Indo-European influence. Gimbutas unequivocally established the existence of a Goddess religion who is the most persistent feature in the archaeological record of the ancient world. The Goddess in all her manifestations was a symbol of the unity of all life in nature. Gimbutas’ discoveries took on great symbolic importance for feminists across various disciplines who found, in her vision of a peaceful, nature-revering society, a sense of hope for the future based on this foundation in the distant past.
Roots to Routes is an initiative created by curators Merilin Talumaa, Maija Rudovska and Justė Kostikovaitė, gathering a community of artists, curators and cultural producers whose trajectories are connected to the Baltic states region. Acting as a nomadic agency, its goal is to support and make visible artistic practices beyond cultural and (geo)political borders. An important part of the collaboration is to create and develop possible joint projects, aiming to build sustainable networks and forms of cooperation between various art scenes.
https://roots2routes.org/
Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko AS.