Open Lectures
23.11.2022
Open Lecture: Nomadic Research at the Fringes
An open lecture and discussion on the possibilities of artistic research to approach socially complex and even conflicting questions through the practices of the curator and architectural researcher dr Ines Moreira and the media scholar dr Nico Carpentier.
Both of their artistic research travels to sites, which are related to non-beloved industrial heritage and memorialisation, feeding into the complex, sensitive and divisive debate with creative means.
The event is organised by the Design Faculty of the Estonian Academy of Arts and the museology working group of the Estonian National Museum. It is part of our collaboration over the sites in the European geographical fringes at COST Action EFAP working group 1 “Contexts”.
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Iconoclastic controversies: Arts-based research on the memorialization of the Cyprus Problem
Nico Carpentier
The Cyprus Problem is a term that refers to a chain of armed conflicts, starting with the decolonial struggle of EOKA against the British, followed by the ethnonationalist violence after independence, then leading to the Turkish 1974 invasion and the division of the island. The cultural trauma that came out of these conflicts also had a very tangible translation through the production of a multitude of memorials and commemoration sites, on both sides of the divide. Using arts-based research, this nomadic research project offers a visual, theoretically-supported analysis of these memorials, how they often connect to (and strengthen) antagonistic nationalism, but also how—in rare cases—they offer counter-hegemonic possibilities by articulating a peace discourse. The analysis also juxtaposes the memorials from north and south, showing the uncanny similarities in how they both represent the Self and the Enemy-Other.
Nico Carpentier is Extraordinary Professor at Charles University (Prague, Czech Republic), Chief Research Fellow at Vilnius Gediminas Technical University (Lithuania) and President of the International Association for Media and Communication Research (2020-2024). His theoretical focus is on discourse theory, his research is situated in the relationship between communication, politics and culture, especially towards social domains as war & conflict, ideology, participation and democracy. His latest monographs are The Discursive-Material Knot: Cyprus in Conflict and Community Media Participation (2017, Peter Lang, New York) and Iconoclastic Controversies: A Photographic Inquiry into Antagonistic Nationalism (2021, Intellect, Bristol).
http://nicocarpentier.net/
Foto siin: http://www.nicocarpentier.net/temp/Nico.tif
Fieldwork in/on/through Non-beloved Heritage – curator’s notes from eastern and western European fringes
Inês Moreira (Lab2PT-UMinho, Portugal)
The year 2022 has been a period of rising tension and awareness on war, conflict and its consequences in Europe, and elsewhere. The sociopolitical and cultural situation has led us to look upon past events and to non-beloved legacies of conflict from the last century.
For some years I have been doing research and curatorial projects around postindustrial sites in Eastern and Western Europe, from Gdańsk to Ave Valley. Some sites embody the material and symbolic legacy of eastern political past, some encapsulate military and security secrecy – industry and the military systems have close articulation.
This talk shares field notes and some theoretical references collected in the last couple of years, which were devoted to fieldwork inquiry and to nomadic research around (what we perceive as) sites in the European geographical fringes. Focusing on ecologies, settlements, memorials and other symbolic and artistic legacies of military and post-socialist past, it is a modest visual and urban cultures contribution to address and relate to non-beloved heritage.
Bio:
Inês Moreira is a Principal Researcher in Visual Arts at Lab2PT-University of Minho, Portugal. She completed a Postdoctoral project at Universidade Nova de Lisboa (2016-2022) and created the research cluster Curating the Contemporary: on Architectures, Territories and Networks (2018-21). PhD in Curatorial/Knowledge (University of London), Master in Urban Culture (Universitat Politécnica de Catalunya/CCCB) and Architect (FAUP).
She is an active member of cultural and academic European projects, such as European Forum for Advanced Practices, and Press Here, a Living Archive of European Industry.
Open Lecture: Nomadic Research at the Fringes
Wednesday 23 November, 2022
An open lecture and discussion on the possibilities of artistic research to approach socially complex and even conflicting questions through the practices of the curator and architectural researcher dr Ines Moreira and the media scholar dr Nico Carpentier.
Both of their artistic research travels to sites, which are related to non-beloved industrial heritage and memorialisation, feeding into the complex, sensitive and divisive debate with creative means.
The event is organised by the Design Faculty of the Estonian Academy of Arts and the museology working group of the Estonian National Museum. It is part of our collaboration over the sites in the European geographical fringes at COST Action EFAP working group 1 “Contexts”.
–
Iconoclastic controversies: Arts-based research on the memorialization of the Cyprus Problem
Nico Carpentier
The Cyprus Problem is a term that refers to a chain of armed conflicts, starting with the decolonial struggle of EOKA against the British, followed by the ethnonationalist violence after independence, then leading to the Turkish 1974 invasion and the division of the island. The cultural trauma that came out of these conflicts also had a very tangible translation through the production of a multitude of memorials and commemoration sites, on both sides of the divide. Using arts-based research, this nomadic research project offers a visual, theoretically-supported analysis of these memorials, how they often connect to (and strengthen) antagonistic nationalism, but also how—in rare cases—they offer counter-hegemonic possibilities by articulating a peace discourse. The analysis also juxtaposes the memorials from north and south, showing the uncanny similarities in how they both represent the Self and the Enemy-Other.
Nico Carpentier is Extraordinary Professor at Charles University (Prague, Czech Republic), Chief Research Fellow at Vilnius Gediminas Technical University (Lithuania) and President of the International Association for Media and Communication Research (2020-2024). His theoretical focus is on discourse theory, his research is situated in the relationship between communication, politics and culture, especially towards social domains as war & conflict, ideology, participation and democracy. His latest monographs are The Discursive-Material Knot: Cyprus in Conflict and Community Media Participation (2017, Peter Lang, New York) and Iconoclastic Controversies: A Photographic Inquiry into Antagonistic Nationalism (2021, Intellect, Bristol).
http://nicocarpentier.net/
Foto siin: http://www.nicocarpentier.net/temp/Nico.tif
Fieldwork in/on/through Non-beloved Heritage – curator’s notes from eastern and western European fringes
Inês Moreira (Lab2PT-UMinho, Portugal)
The year 2022 has been a period of rising tension and awareness on war, conflict and its consequences in Europe, and elsewhere. The sociopolitical and cultural situation has led us to look upon past events and to non-beloved legacies of conflict from the last century.
For some years I have been doing research and curatorial projects around postindustrial sites in Eastern and Western Europe, from Gdańsk to Ave Valley. Some sites embody the material and symbolic legacy of eastern political past, some encapsulate military and security secrecy – industry and the military systems have close articulation.
This talk shares field notes and some theoretical references collected in the last couple of years, which were devoted to fieldwork inquiry and to nomadic research around (what we perceive as) sites in the European geographical fringes. Focusing on ecologies, settlements, memorials and other symbolic and artistic legacies of military and post-socialist past, it is a modest visual and urban cultures contribution to address and relate to non-beloved heritage.
Bio:
Inês Moreira is a Principal Researcher in Visual Arts at Lab2PT-University of Minho, Portugal. She completed a Postdoctoral project at Universidade Nova de Lisboa (2016-2022) and created the research cluster Curating the Contemporary: on Architectures, Territories and Networks (2018-21). PhD in Curatorial/Knowledge (University of London), Master in Urban Culture (Universitat Politécnica de Catalunya/CCCB) and Architect (FAUP).
She is an active member of cultural and academic European projects, such as European Forum for Advanced Practices, and Press Here, a Living Archive of European Industry.
17.11.2022
Open Lecture: Neil Brownsword
Open Lecture: Neil Brownsword
Thursday 17 November, 2022
25.11.2022
Seminar ‘Arts, Crafts, Affects’
Public seminar Arts, Crafts, Affects: Documenting HerStories and Worldbuilding at Estonian Academy of Arts and workshop by #FramedinBelarus
Participants: #FramedinBelarus (Rufina Bazlova and Sofia Tocar), Katrin Mayer, Mare Tralla
Discussant: Katrin Kivimaa
Organized by Margaret Tali (Estonian Academy of Arts) & Ulrike Gerhardt (University of Potsdam)
Pre-registration is required. Please register here
Introduction
Handi/crafts have made a visible and present return in contemporary art. Many artists have found their tools of expression in traditional media which require special training and skills that are often passed down through generations. Yet these manual ancestral techniques have complex connotations which can be pinned down to their specific purposes; these range from spiritual to communicative, ecological to existential, and last but not least, economic needs.
The area of handi/craft and textile studies has long been neglected and marginalized in art history writing. Yet textile art often has a strong conceptual and epistemic grounding and the use of crafts and old techniques brings to the fore new possibilities of resistance and alternative worldbuilding. In various Eastern European countries between the late 1960s and mid-1980s, many communities were formed around textile art, transforming the genre into an experimental, progressive, and community-feeding way of art making (Hock 2013). More recently, over the last decade, textile, quilting and embroidery techniques have seen a renaissance that urges us to rethink this research field as an increasingly intertwined and interdisciplinary terrain of art, design, material culture and handi/craft.
Feminist art historians have suggested that embroidery and related media have provided women with weapons of resistance, offering a potential challenge to the boundaries between high and low, gender and class relations, and their intersections with identity, race and diasporic memories (Parker 1984, Smith 2014, Plummer 2022). In this context, embodied herstory can be understood as women’s history embedded and encrypted in gendered techniques, textures and patterns, through which this historical knowledge is being carried, lived and transformed through generations, continents and local contexts.
This public seminar will bring together the experiences and research strategies of two artists, Mare Tralla (London / Tallinn) and Katrin Mayer (Düsseldorf / Berlin), as well as one collaborative craftivist project, #FramedinBelarus (Rufina Bazlova and Sofia Tocar, Prague). They will articulate relationships between embodied herstories and their chosen material forms. Furthermore, they will consider handi/craft as a channel of alternative communication that has long been used for transmitting women’s struggles and hardships in patriarchally structured and capitalist societies. Central questions of the public seminar are: How can we explain this return of traditional and transgenerational body-related techniques in art in the age of surveillance capitalism and diaspora? What kinds of affects do these techniques and materials channel and carry? How do they allow us to document and connect different feminist struggles, and bring together contemporary and historical resistances? In the context of this public seminar, art historians Margaret Tali (Tallinn) and Ulrike Gerhardt (Potsdam) are specifically interested in handi/craft as a newly interpreted tradition and as material labor and a means to express and communicate the unspeakable, including its capacity to raise new questions about international solidarity, acts of resistance and mental health, and to offer alternative worldbuilding practices.
On November 26th a workshop by #FramedinBelarus will take place in collaboration with the Vabamu Museum of Occupations and Freedom in the framework of the seminar.
Mare Tralla is an Estonian queer-feminist interdisciplinary artist and activist living in London.
Katrin Mayer is an artist based in Berlin. Her approach is a type of archeology of knowledge, she takes up gender political histories of a place and translates them into spatial-material formulations.
Rufina Bazlova is a Belarusian artist who works with the traditional folk embroidery as a medium to depict socio-political issues.
Sofia Tocar is a curator and cultural manager who works on artivist collaborative projects and documentary films in the region of Central and Eastern Europe.
#FramedinBelarus is a social art project by Stitchit dedicated to political prisoners and organized by Stitchit art group. Stitchit was created in 2021 in Prague by Rufina Bazlova and Sofia Tocar, who invite different communities and individuals to join their creative process.
Katrin Kivimaa is an art historian, whose main areas of research are feminist art history, Estonian modern and contemporary art, historiography of Estonian art history, representation of women in art and visual culture.
Ulrike Gerhardt is a visual studies scholar with a focus on cultural memory practices in post-socialist art and artistic co-directress of the feminist video art platform D’EST.
Margaret Tali is an art historian and cultural theorist whose work deals with memory politics, art museums and curation of difficult histories in the Baltic context. She co-curates the project “Communicating Difficult Pasts”.
The event is supported by European Regional Development Fund, Estonian Academy of Arts and University of Potsdam.
Seminar ‘Arts, Crafts, Affects’
Friday 25 November, 2022
Public seminar Arts, Crafts, Affects: Documenting HerStories and Worldbuilding at Estonian Academy of Arts and workshop by #FramedinBelarus
Participants: #FramedinBelarus (Rufina Bazlova and Sofia Tocar), Katrin Mayer, Mare Tralla
Discussant: Katrin Kivimaa
Organized by Margaret Tali (Estonian Academy of Arts) & Ulrike Gerhardt (University of Potsdam)
Pre-registration is required. Please register here
Introduction
Handi/crafts have made a visible and present return in contemporary art. Many artists have found their tools of expression in traditional media which require special training and skills that are often passed down through generations. Yet these manual ancestral techniques have complex connotations which can be pinned down to their specific purposes; these range from spiritual to communicative, ecological to existential, and last but not least, economic needs.
The area of handi/craft and textile studies has long been neglected and marginalized in art history writing. Yet textile art often has a strong conceptual and epistemic grounding and the use of crafts and old techniques brings to the fore new possibilities of resistance and alternative worldbuilding. In various Eastern European countries between the late 1960s and mid-1980s, many communities were formed around textile art, transforming the genre into an experimental, progressive, and community-feeding way of art making (Hock 2013). More recently, over the last decade, textile, quilting and embroidery techniques have seen a renaissance that urges us to rethink this research field as an increasingly intertwined and interdisciplinary terrain of art, design, material culture and handi/craft.
Feminist art historians have suggested that embroidery and related media have provided women with weapons of resistance, offering a potential challenge to the boundaries between high and low, gender and class relations, and their intersections with identity, race and diasporic memories (Parker 1984, Smith 2014, Plummer 2022). In this context, embodied herstory can be understood as women’s history embedded and encrypted in gendered techniques, textures and patterns, through which this historical knowledge is being carried, lived and transformed through generations, continents and local contexts.
This public seminar will bring together the experiences and research strategies of two artists, Mare Tralla (London / Tallinn) and Katrin Mayer (Düsseldorf / Berlin), as well as one collaborative craftivist project, #FramedinBelarus (Rufina Bazlova and Sofia Tocar, Prague). They will articulate relationships between embodied herstories and their chosen material forms. Furthermore, they will consider handi/craft as a channel of alternative communication that has long been used for transmitting women’s struggles and hardships in patriarchally structured and capitalist societies. Central questions of the public seminar are: How can we explain this return of traditional and transgenerational body-related techniques in art in the age of surveillance capitalism and diaspora? What kinds of affects do these techniques and materials channel and carry? How do they allow us to document and connect different feminist struggles, and bring together contemporary and historical resistances? In the context of this public seminar, art historians Margaret Tali (Tallinn) and Ulrike Gerhardt (Potsdam) are specifically interested in handi/craft as a newly interpreted tradition and as material labor and a means to express and communicate the unspeakable, including its capacity to raise new questions about international solidarity, acts of resistance and mental health, and to offer alternative worldbuilding practices.
On November 26th a workshop by #FramedinBelarus will take place in collaboration with the Vabamu Museum of Occupations and Freedom in the framework of the seminar.
Mare Tralla is an Estonian queer-feminist interdisciplinary artist and activist living in London.
Katrin Mayer is an artist based in Berlin. Her approach is a type of archeology of knowledge, she takes up gender political histories of a place and translates them into spatial-material formulations.
Rufina Bazlova is a Belarusian artist who works with the traditional folk embroidery as a medium to depict socio-political issues.
Sofia Tocar is a curator and cultural manager who works on artivist collaborative projects and documentary films in the region of Central and Eastern Europe.
#FramedinBelarus is a social art project by Stitchit dedicated to political prisoners and organized by Stitchit art group. Stitchit was created in 2021 in Prague by Rufina Bazlova and Sofia Tocar, who invite different communities and individuals to join their creative process.
Katrin Kivimaa is an art historian, whose main areas of research are feminist art history, Estonian modern and contemporary art, historiography of Estonian art history, representation of women in art and visual culture.
Ulrike Gerhardt is a visual studies scholar with a focus on cultural memory practices in post-socialist art and artistic co-directress of the feminist video art platform D’EST.
Margaret Tali is an art historian and cultural theorist whose work deals with memory politics, art museums and curation of difficult histories in the Baltic context. She co-curates the project “Communicating Difficult Pasts”.
The event is supported by European Regional Development Fund, Estonian Academy of Arts and University of Potsdam.
03.11.2022
Open Architecture Lecture: Bika Rebek
Bika Rebek (Some Place Studio): Between Worlds
We are focusing on Berlin. What is being done in this city, which architecture offices operate in Berlin, what is being built and what is being thought about: the series of open architecture lectures of the EKA Faculty of Architecture will travel to the capital of Germany and one of the most colourful metropolises in Europe this fall, with architects from Berlin as guests.
On November 3, architect, educator and curator Bika Rebek, head and co-founder of the architecture studio Some Place Studio, will be making sense of Berlin in the EKA hall. The studio is engaged in the creation of sustainable spaces for diverse communities. Rebek’s work is defined by an expansive interest in contemporary issues of equity, sustainability and technology through the lens of architectural discourse. Some Place Studio operates mainly in Berlin, but also brings globally together architects, designers and strategists from around the world.
Warum Berlin?
According to the curator of the lecture program, Johan Tali, Berlin is loaded. On the one hand, due to its tragic past, the wounds of which have to be dealt with in the urban space until now. On the other hand, hundreds of communities with different cultures gather in Berlin, and the result is one of the largest cultural compotes in Europe.
The open lectures are intended for students and professionals of all disciplines – not just the field of architecture. All lectures take place in the large auditorium of EKA, are in English, free of charge and open to all interested parties.
Every academic year, the Department of Architecture and Urban Planning of EKA brings to the audience in Tallinn about a dozen unique practitioners and valued theoreticians of the field. You can watch previous years’ lectures on YouTube and www.avatudloengud.ee
The lecture series is supported by the Cultural Endowment of Estonia.
Curator: Johan Tali
Open Architecture Lecture: Bika Rebek
Thursday 03 November, 2022
Bika Rebek (Some Place Studio): Between Worlds
We are focusing on Berlin. What is being done in this city, which architecture offices operate in Berlin, what is being built and what is being thought about: the series of open architecture lectures of the EKA Faculty of Architecture will travel to the capital of Germany and one of the most colourful metropolises in Europe this fall, with architects from Berlin as guests.
On November 3, architect, educator and curator Bika Rebek, head and co-founder of the architecture studio Some Place Studio, will be making sense of Berlin in the EKA hall. The studio is engaged in the creation of sustainable spaces for diverse communities. Rebek’s work is defined by an expansive interest in contemporary issues of equity, sustainability and technology through the lens of architectural discourse. Some Place Studio operates mainly in Berlin, but also brings globally together architects, designers and strategists from around the world.
Warum Berlin?
According to the curator of the lecture program, Johan Tali, Berlin is loaded. On the one hand, due to its tragic past, the wounds of which have to be dealt with in the urban space until now. On the other hand, hundreds of communities with different cultures gather in Berlin, and the result is one of the largest cultural compotes in Europe.
The open lectures are intended for students and professionals of all disciplines – not just the field of architecture. All lectures take place in the large auditorium of EKA, are in English, free of charge and open to all interested parties.
Every academic year, the Department of Architecture and Urban Planning of EKA brings to the audience in Tallinn about a dozen unique practitioners and valued theoreticians of the field. You can watch previous years’ lectures on YouTube and www.avatudloengud.ee
The lecture series is supported by the Cultural Endowment of Estonia.
Curator: Johan Tali
26.10.2022
Open Lecture by Designer Linda van Deursen
On Wednesday, 26 October at 17:30, designer Linda van Deursen holds an open lecture at the EKA auditorium (A101).
Linda van Deursen is a graphic designer who works and lives in The Netherlands. Together with Armand Mevis she founded Mevis & van Deursen in 1987. Since then they have worked for cultural institutions such as Stedelijk Museum Amsterdam, documenta 14, Haus der Kulturen der Welt, and have collaborated with artists on publications and exhibitions, such as Armin Linke, Yael Davids, and Aglaia Konrad.
Since 1990 she has taught graphic design at various institutions such as the Gerrit Rietveld Academie Amsterdam (where she also served as head of the graphic design department), Yale School of Art in New Haven and currently NLN at the Royal Academy of Arts in The Hague.
The talk is held in English.
Open Lecture by Designer Linda van Deursen
Wednesday 26 October, 2022
On Wednesday, 26 October at 17:30, designer Linda van Deursen holds an open lecture at the EKA auditorium (A101).
Linda van Deursen is a graphic designer who works and lives in The Netherlands. Together with Armand Mevis she founded Mevis & van Deursen in 1987. Since then they have worked for cultural institutions such as Stedelijk Museum Amsterdam, documenta 14, Haus der Kulturen der Welt, and have collaborated with artists on publications and exhibitions, such as Armin Linke, Yael Davids, and Aglaia Konrad.
Since 1990 she has taught graphic design at various institutions such as the Gerrit Rietveld Academie Amsterdam (where she also served as head of the graphic design department), Yale School of Art in New Haven and currently NLN at the Royal Academy of Arts in The Hague.
The talk is held in English.
25.10.2022
Paulius Petraitis’ Artist Talk
Paulius Petraitis will hold an artist talk at 6 p.m. on Tuesday, October 25 in EKA room A-501.
The artist has been invited to hold a masterclass “Images in Conflict: How to Respond to War?” in the department of photography on October 24–28.
Everyone is invited to take part in the artist talk!
Paulius Petraitis is an artist-theorist and independent curator based in Vilnius. Much of his work explores the role of technology in meaning-making and examines ways in which photographic images function in online and offline environments. Petraitis curated On Photographic Beings (2020) at the Latvian National Museum of Art and Vorsprung durch Technik (2021) at Atletika in Vilnius.
His personal project A man with dark hair and a sunset in the background (2017-20) explores visual recognition through a dialogue-based approach with an image interpretation software, and was published by 6 chairs books and Lugemik.
His artist’s books are held in numerous institutional collections, including libraries at MoMA, The Met, MACBA, as well as Clark Art Institute and Joan Flasch Collection.
Paulius Petraitis’ Artist Talk
Tuesday 25 October, 2022
Paulius Petraitis will hold an artist talk at 6 p.m. on Tuesday, October 25 in EKA room A-501.
The artist has been invited to hold a masterclass “Images in Conflict: How to Respond to War?” in the department of photography on October 24–28.
Everyone is invited to take part in the artist talk!
Paulius Petraitis is an artist-theorist and independent curator based in Vilnius. Much of his work explores the role of technology in meaning-making and examines ways in which photographic images function in online and offline environments. Petraitis curated On Photographic Beings (2020) at the Latvian National Museum of Art and Vorsprung durch Technik (2021) at Atletika in Vilnius.
His personal project A man with dark hair and a sunset in the background (2017-20) explores visual recognition through a dialogue-based approach with an image interpretation software, and was published by 6 chairs books and Lugemik.
His artist’s books are held in numerous institutional collections, including libraries at MoMA, The Met, MACBA, as well as Clark Art Institute and Joan Flasch Collection.
25.11.2022 — 27.11.2022
Garage48 Future of Wood: Rebuild Ukraine
Garage48, Estonian Academy of Arts, Estonian Research Council and TSENTER Competence Center invite you to create the future of wood. This time all the creative and out of the box ideas are welcome to rebuild Ukraine in a green and sustainable manner.
Ukraine has been fighting a war on their home since February 24th. They need our ongoing support now as much as when the invasion began. We believe that the Future of Wood makeathon can be a place to contribute to this matter. Let’s create collaboration between Estonia and Ukraine to build, create and revalue the use of wood, for the purpose of rebuilding in Ukraine.
The end result we seek at the makeathon is either physical or digital prototypes. So whether you are someone who works with a CNC machine, a chisel or a laptop – we welcome you. We’re welcoming students, working practitioners, experts and enthusiasts. You can join with or without an idea, as an individual or a team.
The focus topic this year are:
- Modular, circular and climate neutral construction;
- Technologies for rapid design, engineering and production;
- Smart valorization of biomass in construction and long-lasting products;
- Roll-up, Fold-up, Flip-up, Pack-up – products that fit perfectly into, onto or next to modular buildings.
See more information about the machinery available, our experts and the focus topics on our website
Pre-event
Estonian Research Council and EAS are hosting a SekMo (sectorial mobility measure) cooperation day for entrepreneurs and researchers that will be focused on wood. It is a great way to have 1:1 discussions between entrepreneurs and researchers regarding their problems and field of study. Use this opportunity to build a base for future cooperation and brainstorm ideas that can be turned into a physical prototype at the Garage48 Future of Wood: Rebuild Ukraine makeathon.
If you have any questions please do not hesitate to get in touch with us at noora@garage48.org
Põhja puiestee 7, Tallinn – Estonia Academy of Arts
Garage48 Future of Wood 2022 is financed by the Estonian Academy of Arts, the Estonian Research Council, and the Cultural Endowment of Estonia
Garage48 Future of Wood: Rebuild Ukraine
Friday 25 November, 2022 — Sunday 27 November, 2022
Garage48, Estonian Academy of Arts, Estonian Research Council and TSENTER Competence Center invite you to create the future of wood. This time all the creative and out of the box ideas are welcome to rebuild Ukraine in a green and sustainable manner.
Ukraine has been fighting a war on their home since February 24th. They need our ongoing support now as much as when the invasion began. We believe that the Future of Wood makeathon can be a place to contribute to this matter. Let’s create collaboration between Estonia and Ukraine to build, create and revalue the use of wood, for the purpose of rebuilding in Ukraine.
The end result we seek at the makeathon is either physical or digital prototypes. So whether you are someone who works with a CNC machine, a chisel or a laptop – we welcome you. We’re welcoming students, working practitioners, experts and enthusiasts. You can join with or without an idea, as an individual or a team.
The focus topic this year are:
- Modular, circular and climate neutral construction;
- Technologies for rapid design, engineering and production;
- Smart valorization of biomass in construction and long-lasting products;
- Roll-up, Fold-up, Flip-up, Pack-up – products that fit perfectly into, onto or next to modular buildings.
See more information about the machinery available, our experts and the focus topics on our website
Pre-event
Estonian Research Council and EAS are hosting a SekMo (sectorial mobility measure) cooperation day for entrepreneurs and researchers that will be focused on wood. It is a great way to have 1:1 discussions between entrepreneurs and researchers regarding their problems and field of study. Use this opportunity to build a base for future cooperation and brainstorm ideas that can be turned into a physical prototype at the Garage48 Future of Wood: Rebuild Ukraine makeathon.
If you have any questions please do not hesitate to get in touch with us at noora@garage48.org
Põhja puiestee 7, Tallinn – Estonia Academy of Arts
Garage48 Future of Wood 2022 is financed by the Estonian Academy of Arts, the Estonian Research Council, and the Cultural Endowment of Estonia
13.10.2022
Open lecture of architecture: Marvin Bratke, Berlin
Warum Berlin?
We continue digging into Berlin’s architectural landscape. What is being done in this city, which architecture offices operate in Berlin, what is being built and what is being thought about: the series of open architecture lectures of the EKA Faculty of Architecture will travel to the capital of Germany and one of the most colourful metropolises in Europe this fall, with architects from Berlin as guests.
According to the curator of the lecture program, Johan Tali, Berlin is loaded. On the one hand, due to its tragic past, the wounds of which have to be dealt with in the urban space until now. On the other hand, hundreds of communities with different cultures gather in Berlin, and the result is one of the largest cultural compotes in Europe.
On October 13, architect, entrepreneur and spatial innovation studio Urban Beta and co-founder of the architectural firm Bart // Bratke Marvin Bratke will be on stage with a lecture “Circular Futures. Architecture for a Post-Growth Society”.
Bart // Bratke is a research and architecture studio based in London and Berlin, founded to create visions of future mobility and architectural research touchpoints. They realize their multidisciplinary and functional concepts in planning versatile spaces of the future. Urban Beta offers technological solutions for carbon-negative modular system buildings included in the circular economy.
The open lectures are intended for students and professionals of all disciplines – not just the field of architecture. All lectures take place in the large auditorium of EKA, are in English, free of charge and open to all interested parties.
Every academic year, the Department of Architecture and Urban Planning of EKA brings to the audience in Tallinn about a dozen unique practitioners and valued theoreticians of the field. You can watch previous years’ lectures on YouTube and www.avatudloengud.ee
The lecture series is supported by the Cultural Endowment of Estonia.
Curator: Johan Tali
Open lecture of architecture: Marvin Bratke, Berlin
Thursday 13 October, 2022
Warum Berlin?
We continue digging into Berlin’s architectural landscape. What is being done in this city, which architecture offices operate in Berlin, what is being built and what is being thought about: the series of open architecture lectures of the EKA Faculty of Architecture will travel to the capital of Germany and one of the most colourful metropolises in Europe this fall, with architects from Berlin as guests.
According to the curator of the lecture program, Johan Tali, Berlin is loaded. On the one hand, due to its tragic past, the wounds of which have to be dealt with in the urban space until now. On the other hand, hundreds of communities with different cultures gather in Berlin, and the result is one of the largest cultural compotes in Europe.
On October 13, architect, entrepreneur and spatial innovation studio Urban Beta and co-founder of the architectural firm Bart // Bratke Marvin Bratke will be on stage with a lecture “Circular Futures. Architecture for a Post-Growth Society”.
Bart // Bratke is a research and architecture studio based in London and Berlin, founded to create visions of future mobility and architectural research touchpoints. They realize their multidisciplinary and functional concepts in planning versatile spaces of the future. Urban Beta offers technological solutions for carbon-negative modular system buildings included in the circular economy.
The open lectures are intended for students and professionals of all disciplines – not just the field of architecture. All lectures take place in the large auditorium of EKA, are in English, free of charge and open to all interested parties.
Every academic year, the Department of Architecture and Urban Planning of EKA brings to the audience in Tallinn about a dozen unique practitioners and valued theoreticians of the field. You can watch previous years’ lectures on YouTube and www.avatudloengud.ee
The lecture series is supported by the Cultural Endowment of Estonia.
Curator: Johan Tali
04.11.2022 — 05.11.2022
EKA 108 Reunion, Auction, Workshops, PARTY!
Save the date!
More info soon!
19.00 – Speeches, workshops, house tours
19.30 – Music by Andres Lõo
20.00 – Auction
21.45 – Cake
22.00 – The Boondocks
23.00 – DJ Raul Saaremets
Buy the tickets from Fienta: https://fienta.com/eka-108.
Discounted tickets (5€ for alumni and employees and 3€ for students) available until 28th October!
An art auction is planned, where the works of both alumni and students will be sold. With the collected money, we support young artists.
The majors organize workshops, Ülle Marks together with the students makes an unforgettable drawing spectacle, there are excursions in the exhibition and in the building of the EKA museum.
Bars and cafes are open.
Facebook event: https://www.facebook.com/events/3214788912109329
EKA 108 Reunion, Auction, Workshops, PARTY!
Friday 04 November, 2022 — Saturday 05 November, 2022
Save the date!
More info soon!
19.00 – Speeches, workshops, house tours
19.30 – Music by Andres Lõo
20.00 – Auction
21.45 – Cake
22.00 – The Boondocks
23.00 – DJ Raul Saaremets
Buy the tickets from Fienta: https://fienta.com/eka-108.
Discounted tickets (5€ for alumni and employees and 3€ for students) available until 28th October!
An art auction is planned, where the works of both alumni and students will be sold. With the collected money, we support young artists.
The majors organize workshops, Ülle Marks together with the students makes an unforgettable drawing spectacle, there are excursions in the exhibition and in the building of the EKA museum.
Bars and cafes are open.
Facebook event: https://www.facebook.com/events/3214788912109329
06.10.2022
Lauren Kacher’s Open Lecture “Metareality”
Lauren (KALAU) Kacher is a phygital fashion pioneer, design consultant and creative director. Since 2012, Lauren has worked in New York, London, and Paris at top luxury houses including Saint Laurent, and Loewe.
She founded Alterrage in 2021, the first DAO-led fashion label to leverage blockchain technology to create interoperable collections across physical, augmented, and digital spaces with a mission to use technology to inspire real world activism.
Lauren also works as a creative director and consultant to guide brands to create authentic digital collections with metaverse, AR, and phygital wearability. She is leading creative direction at the Metaverse Fashion Council and building the Paris based Web3 fashion industry.
Lauren Kacher’s Open Lecture “Metareality”
Thursday 06 October, 2022
Lauren (KALAU) Kacher is a phygital fashion pioneer, design consultant and creative director. Since 2012, Lauren has worked in New York, London, and Paris at top luxury houses including Saint Laurent, and Loewe.
She founded Alterrage in 2021, the first DAO-led fashion label to leverage blockchain technology to create interoperable collections across physical, augmented, and digital spaces with a mission to use technology to inspire real world activism.
Lauren also works as a creative director and consultant to guide brands to create authentic digital collections with metaverse, AR, and phygital wearability. She is leading creative direction at the Metaverse Fashion Council and building the Paris based Web3 fashion industry.