Open Lectures

On Tuesday, December 11th at 5PM French artist and inventor Chienpo will do a presentation in an open space A300 at The Estonian Academy of Arts (Põhja pst 7, Tallinn).

Jérémie Cortial, with an artist name Chienpo, is a celebrated digital artist, who uses drawing as a technique to connect virtual with the future. He is a founding member of artistic group Elshopo, which has a fun and experimental approach to screen printing, expanding the technique to different unconventional materials and mediums. They print on pancakes with food coloring and a performative approach to their work is often important. Playing with the boundaries of art, entertainment, DIY and exploration, his works are often playful and carried out with a pop aesthetic.

Chienpo is in Tallinn for the LVLup! museum event Chienpo Drawing Laboratory.

Gudy Herter will give a lecture about “Current lifestyle trends for 2019/2020” on Monday, 10^th of December at 12 am at the EKA auditorium A101 and an additional masterclass for fashion department MA and 3rd course BA students.

Gudy Herder is an international trend consultant, keynote speaker, and certified trainer based in Barcelona, Spain. She helps brands and businesses anticipate trends and use them to develop products that inspire, tell a story, and ultimately, sell. First and foremost, Gudy considers herself a visual creative passionate about scouting trends in interior design & lifestyle. With a sharp eye honed by years of hands-on experience in international retail management, she observe trends as they emerge.

Look at: https://youtu.be/rpCO5-dA6nw

More info: Piret Puppart
Head of Fashion Department
Estonian Academy of Arts
+372 5074243

“An experience with jewelry making in Amazonian forest” open lecture by Miriam Mirna Korolkovas will be on Thursday, December 6 at 6pm in room A403 (Põhja pst 7).

“Origin, originality, feathers, colonial history, and who´s the Master”, a Brazilian conversation over necklaces, jewelry-making, rainforests, artistic quality and the colonial legacy.

On the Alto Anapu river, southwest of the Marajó island, in the Brazilian Amazon forest, Caxiuanã area, between the states of Pará and Amazonas, lives the Caiçara community, also known as Ribeirinhos. As part of the Shared Artistic Experimentation Expedition with the Peoples of the Forest, led by the NORTEAR project, artist and Brazilian AJF ambassador, Miriam Mirna Korolkovas, develops a practice where conviviality and jewelry-making come together.

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Miriam Mirna Korolkovas
Brazilian artist, architect, and curator.
Graduation and Ph.D. in Architecture and Urban Planning at the University of São Paulo, Brazil.
Master’s in Fine Arts at Pratt Institute, USA.
Awarded a Visitor Professor Scholar by Fulbright Commission/CAPES at University of Michigan – School of Art & Design, USA.
Brazilian Ambassador at AJF – Art Jewelry Forum.

On 27th of November at 5pm artist Johann Arens will give a public talk about his art practice at EKA Sculpture department’s monumental studio.

Johann Arens (b.1981) is an artist based in London. He received his MFA in Fine Arts at Goldsmiths, University of London. Since then he was awarded the Fellowship in Contemporary Art by the British School at Rome and has been resident at Fondazione Antonio Ratti, Space London and the Rijksakademie in Amsterdam. Last year he received the Prize for Young Art by the Neuer Aachener Kunstverein. Recent exhibitions include ‘These Rotten Words’, Chapter Arts, Cardiff (2017); Anxiety Impress, Neuer Aacherer Kunstverein, Germany (2016); ‘Somatic Matter’, Le Foyer, Zürich; ’New Acquisitions’, Fondazione Fotografia Modena; ‘Pillar Huggers’, Or Gallery, Berlin (2015); ‘TTTT’, Jerwood Space, London; ‘Emotional Resources’, Northern Gallery for Contemporary Art, Sunderland (2014) and ‘Internet Centre & Habesha Grocery’, Paradise Row, London (2013).

Johann Arens is invited to Tallinn to give a workshop “Sculpting the Moving Image” on November 26-28th at the EKA Installation and Sculpture department. Arens’s public artist talk will also be part of the event program of student-run International Sculpture and Installation Month called SkulpaKuu.

The next lecturer of the Open Lecture Series this autumn will be Stockholm-based writer, editor, designer and broadcaster James Taylor-Foster. Taylor-Foster will be stepping on the stage of the main auditorium of the new EKA building on the 29th of November at 6 pm to talk about the role of display, exhibitionism, words, and speech as instruments of architectural practice.

James Taylor-Foster is working in the fields of architecture, design, e-culture and technology. He is curator of contemporary architecture and design at ArkDes, Sweden’s national centre for architecture and design. Formerly European editor-at-large at ArchDaily, the world’s most visited architecture platform, he has practiced architecture in the UK and The Netherlands. In 2016 he co-curated the Nordic Pavilion at the 15th Biennale Architettura di Venezia.

With bylines at Metropolis, PIN-UP, Domus, Volume, Monocle, Mousse, Disegno, and Real Review, he is also a regular voice on Monocle 24 radio. James has been a visiting critic or lecturer in architecture at the University of Cambridge, The Bartlett (UCL), University College Dublin, the Architectural Association, the CASS, the Strelka Institute, TU Delft, the Berlage Institute, and MIT. He sits on the advisory board of the Future Architecture Platform.

According to Taylor-Foster architecture is a practice of referencing, referring to, mimicking, and communicating. Architects—and those who operate in and around the sphere of building environments for people and things—hunt and gather in order to absorb and represent. This talk will explore the role of display, exhibitionism, words, and speech as instruments of architectural practice.

The architecture and urban planning department of the EKA has been curating the Open Lectures on Architecture series since 2012 – each year, a dozen architects, urbanists, both practicing as well as academics, introduce their work and field of research to the audience in Tallinn. All lectures are in English, free and open to all interested.

The series is funded by the Estonian Cultural Endowment.

Curators: Sille Pihlak, Johan Tali

www.avatudloengud.ee
Event in Facebook

“Art Direction and Fashion Communication: Post Truth – Addressing New Form of Authenticity”

The question that always remains the same is “What is the key to success in business of fashion?”. Fashion is inevitable – it’s everywhere and has a part in everything around us. But what are we able to see in the bigger picture and in the end: what do we want to see? We have ideas, creativity, knowledge of craftsmanship and even knowledge of branding. But usually they are all theoretical facts that don’t create the expected results. How to see the bigger picture and turn it into successful reality?

WE PRESENT: POLIMODA tour in the Baltic countries and for the first time ever open lecture of POLIMODA representatives in Tallinn in the Estonian Academy of Arts! Polimoda is a highly prestigious international institute of fashion, which according to international ratings ranks as nr1 fashion institution in Italy and 5th in the world. Don’t miss a chance to hear international fashion expert Marco Bartolucci together with Lithuanian fashion industry professional Marija Palaikyte.

The content of the lecture invites you to experience new way of understanding fashion and includes most recent knowledge of global fashion industry, art direction and fashion communication.
This event is the opportunity to learn from the experience of internationally successful experts, both in theory and most valuable practical knowledge.  

PROGRAM:
Marija Palaikyte: “Business of Fashion: Beyond Knowledge”
Introductional presentation based on the understanding of global fashion system and contemporary approach to culture, fashion and the success in creative industries.

Marco Bartolucci: “Art Direction and Fashion Communication: Post Truth – Addressing New Form of Authenticity”
Vide spectrum lecture, based on international experience in understanding fashion phenomena, fashion anthropology and how this knowledge should be translated into practice in fashion communication.

CONTENT:
– Contemporary consumer – anthropological approach
– Connecting with the audience to a deeper level: what if truth and transparency are not enough anymore
– Diversity as normality: when allegiances and differentiations become key role in aesthetics and communication
– Embracing new forms of iconographical and iconoclastic spirituality: the ability to broaden up all the discussions around beauty, ethic, aesthetics, disrupting the concept of right or wrong

Duration of the event: 1,5 hour + questions
Organizers of the event: Marija Palaikyte, POLIMODA
Partners: EKA

About the lecturers:
Marija Palaikyte: fashion trend forecaster, organizer of “Men’s Fashion Week” in Lithuania, author of radio talk show “mission of fashion with Marija Palaikyte”, lecturer, fashion writer. From the beginning of her career she is successfully growing new alternative understanding of fashion phenomena and fashion anthropology in the local society. For the past 5 years Marija is organizing various fashion businesses oriented events both in academic and commercial fields. Marija Palaikyte believes that there can’t be limits for dreams same as for goals. The key to success is sincere passion for life, wide global view on cultural climate and constant investment into personal experience. “Fashion is not only a charming, glamorous institution – it is and it must be valued as a unique sociocultural phenomena. But as to truly understand the unseen depth of this phenomena  we have to look through way wider spectrum” – says Marija and invites to experience a new way of understanding fashion.

Marco Bartolucci: fashion trend forecaster, lecturer in POLIMODA international fashion institute. Marcos unique approach to fashion was noticed in the early stage of his studies. He got not only noticed but eventually earned respect of the colleagues that brought him straight to the position in academic field as a lecturer in the prestigious institute – POLIMODA. “I have always been a person viscerally impassioned by every form of human expression. I believe that the film rouge that has traveled through my life, and continues to do so, has been the extreme interest and curiosity of understanding how man can shape, concretize, materialize and translate his own interiority – that is through the art, music, fashion, literature. I work and research with a phenomenological  approach combined to a deep psycho-sociological research structure in the field of cross-cultural and countercultural fashion and human manifestation. Working with the intersections among every human visual expression and representation (fashion, art, photography, cinema….) therefore among all the topics related to the research field the deepest focus is about the formation of the subjectivity and the role of the body, the post-human interactions within the real/unreal dichotomy, psychoanalysis and fashion, construction and de-construction of human expressions, contemporary ritualism and liminal events.” With this description Marco Bartolucci creates a unique intrigue about the upcoming lecture and leaves open space for creative thinking and interpretation.

Dr Helena Gabrijelčič Tomc (University of Ljubljana, Faculty of Natural Sciences and Engineering, Department of Textiles, Graphic Arts and Design) open lecture “3D Technologies and Cultural Heritage” on Wednesday, November 28 at 6PM at the EKA auditiorium A101.

The presentations and interpretations of cultural heritage pose many challenges to researchers, as they need to be not only accurate in terms of documenting the facts about the object of interest but also attractive, interactive and engaging regarding the user experience. Implementation of 3D technologies in documentation, preservation and presentation of cultural heritage is a multi-layered process. After the acquisition of the target data, the processes of data storage, archiving and managing are interlaced with the aim of keeping the data accuracy and adding them values with the processing and analysis. In the steps that follow, i.e. presentation, interpretation and reproduction, 3D technologies (3D scanning, 3D printing, 3D computer aided modelling and design) are widely used and applicable due to their accuracy, repeatability and mostly non-invasive nature. The implementation of these technologies in the framework, however, should not overlooked especially to the more subtle aspects of the cultural object(s) included in the study, i.e. preserving the details of the objects and author’s style.

In the lecture the use of 3D technologies and 3D computer aided-design in cultural heritage are presented closely on the results of four project works, including:

1. the use of 3D visualisation in textile cultural heritage;
2. 3D technologies as an interpretative tool to introduce accessibility for the users;

3. 3D technologies as an interpretative realisation and reconstruction of cultural monument, when the documents of the object are inconsistent and poorly preserved and

4. 3D computer-aided visualisation as a facilitation for the preservation process of the object of contemporary design.

In the first part, the review of the use of 3D technologies in textile cultural heritage is presented and 3D-modelling process and visualisation of a woman’s folk costume from the Gorenjska region (Slovenia) is shown. In order to create a realistic 3D visualisation of the clothing, a real dress was modelled and a thorough examination of all the patterns in the costume was conducted. To create a realistic 3D visualisation of the parts of the cloth with visible porosity, the image data from these parts were processed, analysed and reinterpreted in the visualisation. The workflow for visualisation of textile porous structures was determined.

In the second part of the lecture, 3D modelling and 3D printing are presented in the process of 3D interpretation of Snežnik castle, located in the southwest part of the Lož Valle in the municipality of Loška Dolina (Slovenia) and for 3D interpretation of a non-realised sacred monument that was planned by a known Slovenian architect Jože Plečnik.

In the last part of the lecture 3D reconstruction methodologies, i.e. 3D scanning, photogrammetry and 3D computer graphic are introduced in the preservation of lounger Gondola, a product of Oskar Kogoj, a Slovenian contemporary designer. In the workflow, the computer-aided reproduction is presented together conservation-restoration work and the analytical approach that enabled the observations and the determination of the circumstances in which the lounger suffered severe damage of an irreversible nature during the use.

Associate professor Gabrijelčič Tomc is a lecturer and researcher at University of Ljubljana (Slovenia), Faculty of Natural Sciences and Engineering, Department of Textiles, Graphic Arts and Design. Her research work involves a development of constructional and color-mixing models based on physical products and computer-generated simulations; generating, processing and reproduction of data in media and 3D technologies. With her colleagues she is establishing more noticeable role of the use of 3D technologies and 3D computer graphic in Slovenian cultural and natural heritage. In collaboration with the students, she is researching also the novelties in learning approaches and development, testing and implementation of 2D and 3D computer graphic in creative processes of studying. Besides, she is collaborating with Slovenian studios, companies and researching institutions in the projects involving multimedia production, interaction design and graphic visualisations.

More info:
Maris Veeremäe
maris.veeremae@artun.ee

In search for an architectural ontology: Open Lecture by Caroline Voet

The next lecturer of the Open Lecture Series this autumn will beCaroline Voet – Belgian architect and professor at the KU Leuven, Faculty of Architecture. Voet will be stepping on the stage of the main auditorium of the new EKA building on the 15th of November at 6 pm to talk about the work of Dom Hans van der Laan and the search for an architectural ontology.

Voet is the co-founder of the award-winning architectural practice Voet en De Brabandere in Antwerp, Belgium. Her research and teaching have always been combined with an architectural practice. After working for Zaha Hadid Architects in London and Christian Kieckens Architects in Brussels, she founded her own office in Antwerp, working on a range of award-winning projects from furniture and museum interiors to housing and schools. She focuses on reconversions and the design of cultural buildings, public interiors, scenography and furniture. Voet is professor at the KU Leuven, Faculty of Architecture, Campus St-Lucas Ghent and Brussels, where she received her Ph.D. in 2013 on the work of Dom Hans van der Laan. She holds degrees in architecture from the Architectural Association in London and the Henry van de Velde Institute in Antwerp. She has been published in for example ARQ and Interiors Routledge. She wrote for the Architectural Yearbook Flanders and in 2016 she was co-editor of the book Autonomous Architecture in Flanders. She recently published “Dom Hans van der Laan. Tomelilla (Architectura and Natura)” and “Dom Hans van der Laan. A House for the Mind” (VAi).

In 1977, the Dutch Benedictine monk and architect Dom Hans van der Laan (1904-1991) published his treatise Architectonic Space, fifteen lessons on the disposition of the human habitat. At the same time, he built four convents and a house, a typical elementary and austere architecture that strongly communicates through tactility, colour and light. Through philosophical concepts like mass / space, inside / outside, the book tried to define a deep-level structure that would explain how we perceive space and how we build. Is it possible to grasp experience and tactility within a philosophical and rational framework? Voet’s lecture unravels the interwoven genealogy of theory, design practice and building. It links Dom van der Laan’s philosophical concepts of dwelling with the concrete experience of his architecture. What is the connection between theory and practice, if any?

Caroline Voet’s open lecture takes place in co-operation with EKKM, where on 16 November at 6 pm, Ingel Vaikla exhibition You Have Become the Space opens (curated by Laura Toots). More info on the exhibition: https://www.facebook.com/events/2229621923950764/

The architecture and urban design department of the Estonian Academy of Arts has been curating the Open Lectures on Architecture series since 2012 – each year, a dozen architects, urbanists, both practicing as well as academics, introduce their work and field of research to the audience in Tallinn. All lectures are in English, free and open to all interested.

The series is funded by the Estonian Cultural Endowment.

Curators: Sille Pihlak, Johan Tali, for this lecture: Siim Tuksam.

www.avatudloengud.ee
https://www.facebook.com/EKAarhitektuur/

More info:
Pille Epner
E-post: arhitektuur@artun.ee

Jiro Kamata, 1978, born in Hirosaki, Japan.
Artist that lives and works in Munich, studied at The Academy of Fine Arts Munich, with Prof.Otto Künzli and has works at the following collections: Hiko-Mizuno Collection, Tokyo. Marzee Collection, Nijmegen. Alice and Louis Koch Ring Collection, Basel. Helen Drutt Collection, Philadelphia.

The work of Jiro Kamata is fascinating because of it’s perfect surface, highlevel goldsmithing and also because of it’s affinity to fashion. It is young and powerful and in the same moment very delicate and poetic. Jiro Kamata likes to play with traditional moments and transform them into our contemporary view on things. / Klimt02.net /

Jiro Kamata was inivited to give masterclass “Mirror, mirror on the wall…” for jewellery students on November 12-16, 2018.

More:
http://www.jirokamata.com/
https://klimt02.net/jewellers/jiro-kamata

From Carpenter to Architect: Open Lecture by Wolfgang Tschapeller

The next lecturer of the Open Lecture Series this autumn will be Austrian architect and head of the Institute of Art and Architecture at the Academy of Fine Arts in Vienna – Wolfgang Tschapeller. Tschapeller will be stepping on the stage of the main auditorium of the new EKA building on the 1st of November at 6 pm to talk about Architecture with a capital A.

Wolfgang Tschapeller was initially trained as a carpenter and studied architecture at the University of Applied Arts in Vienna and at Cornell University in Ithaca, NY. Tschapeller has taught as a visiting professor at Cornell University, the University of Art and Design in Linz, Austria, and the State University of New York in Buffalo, as well as other academic institutions.

Johan Tali, one of the curators of the Architecture Open Lecture series, points out that Wolfgang Tschapeller is considered today one of the most important contemporary Austrian architects. “The longtime dean of the Academy of Fine Arts, Vienna Institute of Art and Architecture, Tschapeller is a proponent of progressive spatial education and an uncompromising practitioner. He employs contemporary design and new technologies and materials in his work to create new and exciting spatial experiences, and to – if only for a moment – sway the persistent gravitational force and the comfort zone of human perception. His background in woodworking gives him a unique advantage: the detailed and painstaking process of designing and constructing structures out of minute parts leads to an original architectural whole nearly without exception.”

More about Wolfgang Tschapeller: www.tschapeller.com

Known for his unusual building proposals, Tschapeller’s large-scale projects include the BVA 1, 2, and 3 series for the Vienna headquarters of the Austrian Insurance Fund for Public Employees; the design for the construction of a hotel in the Schwarzenberg Palace Garden in Vienna; the European Cultural Centre between the Palatine Chapel and the city hall in Aachen, Germany; the project for the Centre for Promotion of Science in Belgrade and the University of Applied Arts Vienna. The administrative building of the municipal authority in Murau, Austria (2002) and the St. Joseph House (2007) embody some of his quintessential ideas.

The architecture and urban design department of the Estonian Academy of Arts has been curating the Open Lectures on Architecture series since 2012 – each year, a dozen architects, urbanists, both practicing as well as academics, introduce their work and field of research to the audience in Tallinn. All lectures are in English, free and open to all interested.

The series is funded by the Estonian Cultural Endowment.

Curators: Sille Pihlak, Johan Tali
www.avatudloengud.ee
https://www.facebook.com/EKAarhitektuur/

More info:
Pille Epner
E-post: arhitektuur@artun.ee