Open Lectures

Opening the architecture Open Lectures season on the 5th of October at 6 pm will be Enric Ruiz-Geli, Spanish architect whose innovative practices in the field of building energy efficiency, climate change led changes to construction and understanding of a building on a molecular level have inspired the world for nearly a quarter of a century.

Ruiz-Geli was designing bio-architecture already ten years ago, and has – unlike most – had his designs also built: his office building in Barcelona has an inflatable smart facade to regulate sunlight and temperature reaching the interior of the building. At present, Ruiz-Geli is co-operating with Ferran Adria and El Bulli, one of the most innovative restaurants in the world, currently being transformed into a scientific research institute for food – the goal being that the building to house the research for the future of food should also represent the future of architecture.

Enric Ruiz-Geli and his interdisciplinary architectural team Cloud 9 in Barcelona works at the interface between architecture and art, digital processes and technological material development. The architect’s multifaceted projects include stage designs and buildings, installations and patents, and are realized together with collaborative partners. Committed to the use of new technological developments for digital fabrication and the performative character of architecture, which creates intelligent structures in emulation of nature, its green agenda is to look at Pilot Projects in Global Warming Scenarios.

Enric Ruiz-Geli / Cloud 9 has been awarded nationally and internationally for the Research and Innovation applied to the design at, above other multiple times, the Research and Development Award of the Southern California Institute of Architecture and the Catalonian Award of Environment for the Sustainable Architecture.

Their most important projects include the Villa Nurbs in Empuriabrava, an organically formed, ecological and futuristic house; the Millennium Project in Valladolid, with an urban retrofitting and using for the first time 10 urban wind turbines; elBulli Foundation for the chief Ferran Adrà as a living laboratory in Cap de Creus; and the Media – ICT building in Barcelona that has been awarded as Best Building of the World by WAF 2011; a Net Zero Building with a very competitive cost of construction.

About Enric Ruiz-Geli: http://www.ruiz-geli.com/

The Open Lecture Series brings to Tallinn a number of exciting architects, urban planners, academics from across the world. All Open Lectures are free of charge, in English, take place every fortnight, and are open to everyone – for both students and professionals of the field, general audience and students considering architecture for their further studies.

The lecture is supported by the Spanish Embassy in Tallinn.
The series is funded by the Estonian Cultural Endowment

Curators: Sille Pihlak, Siim Tuksam
www.avatudloengud.ee
https://www.facebook.com/EKAarhitektuur/
More info: Pille Epner / arhitektuur@artun.ee / +372 642 0071

On the 20th of September, artist Hana Miletić will hold a public talk about her practice at Estonian Academy of Arts. The talk takes place on the 20.09 at 18 o’clock at Estonia pst 7, room 440a. The talk is open for everyone.
Miletić comes to Tallinn at the invitation of the photography department of Estonian Academy of Arts. She will hold a workshop with the photography students on artist book making, drawing on the work of Mladen Stilinović, amongst other. For the production of the printed matter, the students are invited to use and appropriate the immediate surroundings of the school.
Hana Miletić was born in Zagreb (1982), she lives and works in Brussels and Zagreb. In her work she explores the residues and upheavals of political changes, whereby she focuses on the formation of subjectivity, on the level of both the individual and the community. She describes her artistic practice as street photography via which she documents objects and narratives in a continuous investigation into DIY cultures. Photography serves as a means of orientation in her ongoing exploration of social realities. She has a multiform practice that includes, among others, sculptures, textiles, performances, workshops, printed matter and writing.

Portrait photo by: Miles Fischler

Press release by:

Laura Kuusk
Associate professor and project manager
Department of Photography
Estonian Academy of Arts
+372 55 584 609
laura.kuusk@artun.ee

FROM 25TH THROUGH 27TH OF SEPTEMBER A MASTERCLASS AND OPEN LECTURE WILL BE HELD BY DONATELLA BARBIERI, A COSTUME DESIGNER AND RESEARCHER FROM LONDON COLLEGE OF FASHION/ VICTORIA&ALBERT MUSEUM.
BARBIERI’S WORK FOCUSES ON THE EMBODIED EXPERIENCE CREATED THROUGH COSTUME IN PERFORMANCE.

25.09 – 01.10 Exhibition: https://www.facebook.com/events/853305954845876/

29.09 15.00 Talk: https://www.facebook.com/events/123706798363506/

The ways that materials and garments are created, are in a constant change. There are continuous dialogues between the appearance and functionality of the clothing. Sustainable design examples emerge as alternatives next to the mass production, and technology integrates into garment production means in different levels. Exploring alternative futures for textile and garment production, the exhibition presents examples from diverse interpretations of connecting textiles with technology. Textile Futures talk offers the opportunity to meet with the designers, artists and technologists behind the exhibition work to understand more their vision for the textile futures.

Anja Hertenberger (Holland) explores how technology can help us connect to our bodies and maximize our senses. Tara St James (USA) introduces sustainability in fashion. Oscar Tomico (Holland/Spain) offers insights into bringing technology close to the body. Kristi Kuusk (Estonia) wonders about the exhibition “Textile Futures” and talks to the Fashion & Textile MA students of Estonian Academy of Arts about their work at the exhibition.
Q&A with designers.

Event is free of charge, but please register:

RSVP kristi@spell.ee

More info: http://www.disainioo.ee/2017-program/textile-futures-talks

by Samson Shafran (Shenkar College of Engineering, Design and Art)

Mo 4th of September 2017. Estonia pst. 7 room 426 at 2.15 p.m.

An overview of 3D Modelling and Printing technologies and their impact on the industry both in terms of design process and creative development.

– 3D printing technologies, their use and implementation.
– Use of 3D modelling software as creative development tool.
– Use of 3D printing in a variety of design segments from industrial design to textiles.
– Recent developments and inventions in 3D printing technology.

– Work of prominent 3D artists who use 3D modelling and 3D printing technologies in their work.

You are very welcome to attend the open presentation of the results of the Tallinn Summer Academy – Numbers and Cognition in Urban Environment workshop results on August 25 at 2 pm. The presentation will take place at the Faculty of Architecture, Pikk 20, Tallinn on 3rd floor, main lecture room.

International students from top architecture schools worked on data collection in the urban environment and formed visualisations of the results. Come and see for yourself!

Homme, 9. juunil kell 17.00 – 20.00 linastuvad Kino Sõpruses TASE FILMIL Eesti Kunstiakadeemia 2016/17 tudengifilmide paremik. Esmakordselt linastub TASE FILMIl külalislinateos “Natalja” (Kadi Poll, Laura Kõrvits), mis võitis Balti Filmi- ja Meediakooli parim dokumentaali tiitli. Film räägib EKA modellist Nataljast. Sissejuhatuse teeb produtsent Laura Kõrvits.

Seekord tegi valiku žürii koosseisus kunstnik Kristi Kongi, kunstiteadlane Keiu Krikmann, kunstnik Olivia Verev (I TASE FILM korraldaja), graafiline disainer/visuaalkunstnik Norman Orro, turundusspetsialist/kunstnik Rachel Kinbar, animatsiooni osakonna juhataja Helen Unt ja kommunikatsiooni osakonna juhataja Solveig Jahnke.

Valikusse sattusid filmid nii vabade kunstide, arhitektuuri- kui disainiteaduskonnast. Ringvaatesse saavad ka valitud lühikatsetused ja moestilistika reklaamfilmid, mida saavad näha varased saabujad alates kell 16.30.

Kõik on teretulnud! Pilet 2 Eurot.

—

Screening of EAA Student Films of 2016 and 2017. In addition, for the first time – a guest film from Baltic Film and Media School – Best Documentary” about the EAA model Natalya.

Special priced ticket – 2 Euros!

Programm

16:30 eelseanss

(Ringvaade)

17.00 – 20.00

Žürii valitud filmid

I sessioon

Natalja (13 min) – Režissöör Kadi Poll, produtsent Laura Kõrvits (BFM parim dokk!).

I TASE külalisfilm, mis räägib loo EKA modellist Nataljast.

OFF (11 min) – Kelli Gedvil

Ma olin jõudnud oma loomaprotsessis punkti, kus millegi loomiseks, oli vaja vana pind hävitada. Nii eemaldasin need vanad kihid kihtide haaval.

Reidi tee projekt – Juhan Teppart

Urbanistika magistritöö osana valminud dokfilmi. Magistritöö uurib Reidi tee projekteerimise ümber lahvatanud konflikti, selle erinevaid osapooli ja mõju teeprojekti menetlemisele. Dokfilm on kokku lõigatud magistritöö raames läbiviidud intervjuudest ja toob välja võtmeisikute rollid ja eri osapoolte vastandlikud seisukohad ja Tallinna linnaplaneerimise murekohad.

Kokku kestvus 56:25 min

—

II sessioon

Freedog Trippo Priidik (7 min) – Vello Lutter

Käesoleva aasta alguses toimus EKA graafilise disaini II kuruse tudengite eksperimentaalsete lühidokumentaalfilmide workshop “14 karakterit”. Minu poolt valmis film “Freedog Trippo Priidik”, milles räägib oma nägemusest ja nime valimisest muusik Priidik Hallas. Muusika filmis on tema enda looming. Film ise on tänu oma tempole ja peategelase karakterile 7-minutiline vitamiinipomm.

Funeral (32 min) – Robin Nõgisto

Autorifilm, mis jutustab igavikulise loo elust ja surmast. Robin Nõgisto film “Funeral” ei ole religioosne film, vaid räägib lugu autori enda loodud mütoloogilisest maailmast.

Filmis põimuvad läbi kolm tegelast, kes kõik on otsingutel, otsides neile kuuluvat vabadust. Lugu keerleb ümber noormehe, kes on kahe maailma vahel kinni ja kelle missiooniks on leida lepitus iseendaga, kuid hoopis leiab armastuse keda on igatsenud.

“Funeral” on kõike muud kui dramaturgia, tegemist on kunstniku omanäolise positsiooniga. See seisab kõige eest mida autor omal nahal tunneb ja tunnetab.

Teos on filmitud anamorphic objektiiviga ja on mõeldud spetsiaalselt suurele ekraanile.

Filmis löövad kaasa peale autori enda, Roosi Natali Nõgisto ja Olivia Verev.

Kokku kestvus 39 min

—

III sessioon TASE Anima

Aggie Lee Pak Yee

Muteum

Joonisfilm / drawn film

4’09’’

Kunstimuuseumis me peaksime olema…

In an Art Museum, we ought to be…

Evgeniia Golikova

Don’t wake / Ära ärata

Maalianimatsioon / paint-on-glass

5’30’’

A man spent most of his life in a prison.His body fully covered with tattoos, which says plenty about his criminal past and high authority status. But at one point, the time came to leave the prison… Would it be easy for the inmate to leave his Zone – comfort zone?

Mees veetis enamus oma elust vanglas. Tema keha on üleni kaetud tätoveeringutega, mis räägivad tema kriminaalsest minevikust ja kõrgest positsioonist. Aga ühel hetkel saab ta vanglast välja.. Kui lihtne on tal lahkuda oma Tsoonist, oma mugavustsoonist?

Helen Woolston

Krooniline tsirkus / A Chronic Circus

Joonisfilm / drawn film

6’

Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.

A bored cow tries to find some means of self expression. Some visiting clowns offer a

tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread

of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted

deeply and cannot be eradicated completely.

Helen Woolston

Magic Potion

Eksperimentaalfilm / experimental film

2’32’’

Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.

Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.

Terje Henk

Soorebane / Swampfox

Liivaanimatsioon / sand animation

5’55’’

Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.

Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.

Teele Strauss

Ükskord igavuse väljadel / Once in the Fields of Boredom

Segatehnika / mixed media

6’

Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.

Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.

My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.

The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.

This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.

Katarina Skott

Esimesest silmapilgust / At First Sight

Kuivpastellis joonisfilm / drawn film with pastels

4’16”

“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?

“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?

Leore Klyszejko

Põdra Maja / Moose House

Joonisfilm / drawn film

2’56”

Põdral maja metsa sees, väiksest aknast välja vaatab.

There’s a moose in the forest, he has a house with tiny windows.

Jüri Lääs

Paradise Island

Joonisfilm / drawn film

3’14”

Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.

A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.

Liisi Grünberg

Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure

Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen

3’21”

Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.

Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’

Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.

A bored cow tries to find some means of self expression. Some visiting clowns offer a tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted deeply and cannot be eradicated completely.

Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’

Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.

Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.

Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’

Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.

Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.

Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’

Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.

Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.

My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.

The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.

This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.

Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”

“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?

“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?

Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”

Põdral maja metsa sees, väiksest aknast välja vaatab.

There’s a moose in the forest, he has a house with tiny windows.

Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”

Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.

A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.

Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure

Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”

Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.

Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Lisateave
Solveig Jahnke
Kommunikatsioonijuht/Head of Communications
solveig.jahnke@artun.ee
Tel +372 6267 111
Mob +372 5626 4949
www.artun.ee

Homme, 9. juunil kell 17.00 – 20.00 linastuvad Kino Sõpruses TASE FILMIL Eesti Kunstiakadeemia 2016/17 tudengifilmide paremik. Esmakordselt linastub TASE FILMIl külalislinateos “Natalja” (Kadi Poll, Laura Kõrvits), mis võitis Balti Filmi- ja Meediakooli parim dokumentaali tiitli. Film räägib EKA modellist Nataljast. Sissejuhatuse teeb produtsent Laura Kõrvits.

Seekord tegi valiku žürii koosseisus kunstnik Kristi Kongi, kunstiteadlane Keiu Krikmann, kunstnik Olivia Verev (I TASE FILM korraldaja), graafiline disainer/visuaalkunstnik Norman Orro, turundusspetsialist/kunstnik Rachel Kinbar, animatsiooni osakonna juhataja Helen Unt ja kommunikatsiooni osakonna juhataja Solveig Jahnke.

Valikusse sattusid filmid nii vabade kunstide, arhitektuuri- kui disainiteaduskonnast. Ringvaatesse saavad ka valitud lühikatsetused ja moestilistika reklaamfilmid, mida saavad näha varased saabujad alates kell 16.30.

Kõik on teretulnud! Pilet 2 Eurot.

—

Screening of EAA Student Films of 2016 and 2017. In addition, for the first time – a guest film from Baltic Film and Media School – Best Documentary” about the EAA model Natalya.

Special priced ticket – 2 Euros!

Programm

16:30 eelseanss

(Ringvaade)

17.00 – 20.00

Žürii valitud filmid

I sessioon

Natalja (13 min) – Režissöör Kadi Poll, produtsent Laura Kõrvits (BFM parim dokk!).

I TASE külalisfilm, mis räägib loo EKA modellist Nataljast.

OFF (11 min) – Kelli Gedvil

Ma olin jõudnud oma loomaprotsessis punkti, kus millegi loomiseks, oli vaja vana pind hävitada. Nii eemaldasin need vanad kihid kihtide haaval.

Reidi tee projekt – Juhan Teppart

Urbanistika magistritöö osana valminud dokfilmi. Magistritöö uurib Reidi tee projekteerimise ümber lahvatanud konflikti, selle erinevaid osapooli ja mõju teeprojekti menetlemisele. Dokfilm on kokku lõigatud magistritöö raames läbiviidud intervjuudest ja toob välja võtmeisikute rollid ja eri osapoolte vastandlikud seisukohad ja Tallinna linnaplaneerimise murekohad.

Kokku kestvus 56:25 min

—

II sessioon

Freedog Trippo Priidik (7 min) – Vello Lutter

Käesoleva aasta alguses toimus EKA graafilise disaini II kuruse tudengite eksperimentaalsete lühidokumentaalfilmide workshop “14 karakterit”. Minu poolt valmis film “Freedog Trippo Priidik”, milles räägib oma nägemusest ja nime valimisest muusik Priidik Hallas. Muusika filmis on tema enda looming. Film ise on tänu oma tempole ja peategelase karakterile 7-minutiline vitamiinipomm.

Funeral (32 min) – Robin Nõgisto

Autorifilm, mis jutustab igavikulise loo elust ja surmast. Robin Nõgisto film “Funeral” ei ole religioosne film, vaid räägib lugu autori enda loodud mütoloogilisest maailmast.

Filmis põimuvad läbi kolm tegelast, kes kõik on otsingutel, otsides neile kuuluvat vabadust. Lugu keerleb ümber noormehe, kes on kahe maailma vahel kinni ja kelle missiooniks on leida lepitus iseendaga, kuid hoopis leiab armastuse keda on igatsenud.

“Funeral” on kõike muud kui dramaturgia, tegemist on kunstniku omanäolise positsiooniga. See seisab kõige eest mida autor omal nahal tunneb ja tunnetab.

Teos on filmitud anamorphic objektiiviga ja on mõeldud spetsiaalselt suurele ekraanile.

Filmis löövad kaasa peale autori enda, Roosi Natali Nõgisto ja Olivia Verev.

Kokku kestvus 39 min

—

III sessioon TASE Anima

Aggie Lee Pak Yee

Muteum

Joonisfilm / drawn film

4’09’’

Kunstimuuseumis me peaksime olema…

In an Art Museum, we ought to be…

Evgeniia Golikova

Don’t wake / Ära ärata

Maalianimatsioon / paint-on-glass

5’30’’

A man spent most of his life in a prison.His body fully covered with tattoos, which says plenty about his criminal past and high authority status. But at one point, the time came to leave the prison… Would it be easy for the inmate to leave his Zone – comfort zone?

Mees veetis enamus oma elust vanglas. Tema keha on üleni kaetud tätoveeringutega, mis räägivad tema kriminaalsest minevikust ja kõrgest positsioonist. Aga ühel hetkel saab ta vanglast välja.. Kui lihtne on tal lahkuda oma Tsoonist, oma mugavustsoonist?

Helen Woolston

Krooniline tsirkus / A Chronic Circus

Joonisfilm / drawn film

6’

Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.

A bored cow tries to find some means of self expression. Some visiting clowns offer a

tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread

of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted

deeply and cannot be eradicated completely.

Helen Woolston

Magic Potion

Eksperimentaalfilm / experimental film

2’32’’

Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.

Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.

Terje Henk

Soorebane / Swampfox

Liivaanimatsioon / sand animation

5’55’’

Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.

Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.

Teele Strauss

Ükskord igavuse väljadel / Once in the Fields of Boredom

Segatehnika / mixed media

6’

Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.

Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.

My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.

The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.

This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.

Katarina Skott

Esimesest silmapilgust / At First Sight

Kuivpastellis joonisfilm / drawn film with pastels

4’16”

“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?

“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?

Leore Klyszejko

Põdra Maja / Moose House

Joonisfilm / drawn film

2’56”

Põdral maja metsa sees, väiksest aknast välja vaatab.

There’s a moose in the forest, he has a house with tiny windows.

Jüri Lääs

Paradise Island

Joonisfilm / drawn film

3’14”

Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.

A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.

Liisi Grünberg

Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure

Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen

3’21”

Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.

Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Helen Woolston
Krooniline tsirkus / A Chronic Circus
Joonisfilm / drawn film
6’

Igavlev lehm üritab leida mõnd väljendusvahendit. Saabuvad klounid ahvatlevad kaosega. Talumees üritab lehma kontrolli all hoida ning kaost ojata. Aga kaose seemned on külvatud sügavale ja päris ära ei kao.

A bored cow tries to find some means of self expression. Some visiting clowns offer a tempting glimpse of chaos. A farmer tries to keep control of the situation, seeing this spread of chaos as a kind of plague which he must put a stop to. But the seeds of chaos are planted deeply and cannot be eradicated completely.

Helen Woolston
Magic Potion
Eksperimentaalfilm / experimental film
2’32’’

Nõia võlujoogi pajas tantsivad, oigavad ja muunduvad erinevad koostisosad, et luua uusi eluvorme.

Within the melting pot of a witch’s magic potion, the different ingredients dance, moan and transform together to create new forms of life.

Terje Henk
Soorebane / Swampfox
Liivaanimatsioon / sand animation
5’55’’

Liivanimatsioon kolmest inimesest ja ühest rebasest. Kuidas kinnismõte kaasa kisub, sõber lahti ei lase ja kui raske on unustada. See on lugu olukorrast, mis nõnda vetrub ja vajub, et raske on terve nahaga pääseda. Nurjatu rebane ei oska aidata ka siis, kui ta seda väga tahab.

Sand animation about three people and one fox. How obsession pulls, friend refuses to let go and how hard it is to forget. It’s a story of a situation so muddy it’s difficult to come out of it in tact. The wicked fox can’t help even if she really wants to.

Teele Strauss
Ükskord igavuse väljadel / Once in the Fields of Boredom
Segatehnika / mixed media
6’

Lugu „Ükskord igavuse väljadel“ kätkeb endas õhtuhämaruses peetavat õhtusööki, piknikku, mille osalisteks on tegelased Naine ja Mees. Tegevust justkui ei toimuks, dialoog näib olevat vaikimises, kuniks toimub katkestus – mille tagajärjel Naine lahkub/kaob vaateväljalt. Mees on segaduses ja otsustab Naisele järgneda. Peale pikki otsinguid metsas jõuab ta sarnasele piknikustseenile, mille osalisteks on Naine koos uue, tundmatu tegelasega. Mehe kohaleilmumisest ei muutu midagi, tema roll ühe osapoolena selles suhtes on läbi saanud.

Film räägib igavusest. Eksistentsiaalsest tühjusest ja igatsusest. Joonistatud animatsioonitegelaste viimisega projektsioonina metsa taustale üritasin tekitada teatava nihke karakterite olemuse ja ümbritseva keskkonna vahel, mis aitaks edasi anda nende valikuid ja käitumist.

My short animation „Once in the Fields of Boredom“ is a short story about a couple whose life together has come to an end – they struggle with boredom.

The movie starts with a supper, which is obviously dull and intolerable for both of them, especially for the Women. When there is an interruption with the flow and the Man shifts his attention to the possible interloper, the Woman disappears. As there is still some feelings and curiosity left, the Man starts to look for the Woman. He finds her after interrupting her supper with a new companion and realizes his defeat.

This story is technically a mixture of frame-by-frame animation projected on the forest. There is a shift in the design of the characters and the real forest. With this technique I wanted to emphasize their acting and the importance of the choices they make.

Katarina Skott
Esimesest silmapilgust / At First Sight
Kuivpastellis joonisfilm / drawn film with pastels
4’16”

“Esimesest silmapilgust” räägib valgusest pimedas armastuses. Kui elad maailmas mis sinus väärtust ei näe, kas seda näeb keegi teine?

“At First Sight” is a story about hope in blind love. When living in a world that sees no value in you, will somebody else set their sights on it instead?

Leore Klyszejko
Põdra Maja / Moose House
Joonisfilm / drawn film
2’56”

Põdral maja metsa sees, väiksest aknast välja vaatab.

There’s a moose in the forest, he has a house with tiny windows.

Jüri Lääs
Paradise Island
Joonisfilm / drawn film
3’14”

Jääkaru ärkab kiiresti muutuvasse maailma. Olles pikalt merel triivinud, leiab ta viimase kuiva maa.

A polar bear wakes up into a world that is changing fast. After a long drift on the sea he finds the last piece of land above water.

Liisi Grünberg
Muki ja Kalju seiklus surnuaial / Muki and Kalju have a Graveyard Adventure

Digitaalne kollaaž vesivärvist ja pastapliiatsist / digital collage of water colour paint and ball-point pen
3’21”

Muki ja Kalju teavad, mida saab teha surnuaia kaevu põhja koguneva veega. Nende rituaal vabastab maapinnast teadvused, kes ei suuda teha rohkemat, kui ühte liigutust korrata. Mõni asi tiksub, mõni voolab ja kolmas võtab lihtsalt poose. Muusikaline animatsioon proovib oma audiovisuaalses maailmas väljendada liikumise vaatamisest saadavat mõnu.

Muki and Kalju know what can be done with the water in the graveyard well. Their ritual frees spirits hidden in the ground. Such consciousness can do nothing but repeat an action. There are things that tick, some that flow and others that just strike poses. The audiovisual world in this musical animation is trying to convey the pleasure in watching movement.
Lisateave
Solveig Jahnke
Kommunikatsioonijuht/Head of Communications
solveig.jahnke@artun.ee
Tel +372 6267 111
Mob +372 5626 4949
www.artun.ee

“Architecture and Materiality: From Vitruvius to the Digital Era”. Open Lecture by Antoine Picon

On May 11th at 6 pm, the Open Lecture Series of the faculty of architecture will be happy to present architect and historian researching the history of architecture and urban technologies, Antoine Picon, at Kanuti Gildi SAAL (Pikk 20, Tallinn). Open Lectures are open to all architecture and design students, professionals and general audience intrigued by spatial and design matters: the lectures are in English and free of charge.

Antoine Picon is the G. Ware Travelstead Professor of the History of Architecture and Technology and Director of Research at the Harvard GSD and Director of Research at the Ecole Nationale des Ponts et Chaussées in Paris. Trained as an engineer, architect, and historian, Picon works on the history of architectural and urban technologies from the eighteenth century to the present. He has published extensively on this subject.

Four of his books are devoted to the transition from early-modern societies to the industrial era.
With La Ville territoire des cyborgs (1998), Picon began to investigate the changes brought to cities and architecture by the development of digital tools and digital culture.
His three most recent books are dealing extensively with this question. Digital Culture in Architecture: An Introduction for the Design Profession (2010) offers a comprehensive overview of this important transition. Ornament: The Politics of Architecture and Subjectivity (2013) focuses on the “return” of ornament in digital architecture to further the investigation. Finally, Smart Cities: A Spatialised Intelligence (2015) discusses its impact on cities.

Open Lecture Series is supported by Estonian Cultural Endowment and organised by the Estonian Academy of Arts architecture department. All lectures are in English and free of charge.
Series is curated by Sille Pihlak and Siim Tuksam (PART)
www.avatudloengud.ee

https://www.facebook.com/EKAarhitektuur/

About Antoine Picon: http://www.gsd.harvard.edu/person/antoine-picon/

More info: Pille Epner / arhitektuur@artun.ee / +372 642 0071

How to build up a fashion brand in the heart of fashion world?

Luxury Womenswear designer Roberta Einer moved from her hometown of Tallinn to London to study on the prestigious fashion courses at Central Saint Martins and the University of Westminster. During her studies she completed internships with Mary Katrantzou and Alexander McQueen, before moving to Paris upon graduation to assist at Balmain for a year where she continued to develop her craft. Establishing her label upon her return to London, the Roberta Einer brand is now in its third season creating experimental, luxury womenswear which focuses on textiles and working with traditional couture techniques. Her innovative designs have been featured in the likes of American Vogue, Teen Vogue, Dazed & Confused, HUNGER and i-D Magazine.

www.robertaeiner.com