Category: Faculty of Design

On Tuesday, 26 October at 17:30 Charlotte Rohde will give a lecture at EKA hall.

Typedesigner and artist Charlotte Rohde will talk about her latest project “HOT MESS 2021”, which she will contextualise within her practice. In her work “HOT MESS 2021”, Rohde explores the idea of 2021 womanhood through niche internet culture, thinking about Naomi Osaka and Britney Spears, who dared to become human under the public eye. Machine-produced and hand-treated, “HOT MESS 2021” performs a self-fetishisation to reclaim its body and emotionality from the public gaze.

Charlotte Rohde is a (type-)designer and artist researching letters as an extension of the body and dealing with hyper-femininity, pop culture and (self-)control. Her work manifests somewhere between contemporary art, niche internet culture and type design as a tool of écriture féminine.

As part of the design theory course at the Faculty of Design, professor Alison J. Clarke will give a public lecture The Politics of Design on Tuesday, 19 October at 9:30AM at the EKA hall.

This lecture draws on the themes of the speaker’s recent publication Victor Papanek: Designer for the Real World (MIT Press 2021) and the co-curated exhibition The Politics of Design (with Vitra Design Museum, Germany) exploring the origins of the social design movement and its attempts to consciously decolonise design. Unpicking the contradictions of designers’ gestures to transform the material and social worlds of the ‘excluded’ and ‘under-represented’ – the talk casts a critical eye on how attempts have been made, with varying degrees of success, to build cultural difference into design practice and theory.

The lecture will be held at the EKA hall. EKA students and staff are asked to follow the general EKA COVID-19 safety rules. Guests are kindly asked to follow all COVID-19 rules and prove their infection safety. There is no on-site testing. The lecture will be held in English, and it will be streamed on EKA TV platform live, however, the lecture will not be recorded.

Professor Alison J. Clarke, author of Victor Papanek: The Politics of Design (MIT Press 2021) and Design Anthropology: Object Cultures in Transition (Bloomsbury 2018), explores the intersection of design, material culture and anthropology. A design historian (Royal College of Art London) and trained social anthropologist (University College London), she joined the University of Applied Arts Vienna from the Royal College of Art, London to become chair of the department of Design History and Theory and founding director of the Papanek Foundation: she is convener of the biennial Papanek Symposium exploring the ethics and futures of contemporary design. Recipient of major international grants and fellowships (including the Smithsonian; Arts and Humanities Research Council; Austrian Science Fund; Graham Foundation), she acts as an expert advisor and jury member for numerous academic bodies including the Danish Independent Research Council and the German Research Foundation (DfG) program, Clusters of Excellence.

Clarke is a regular media broadcaster, curator and international speaker in the field of design; her monograph Tupperware: The Promise of Plastic in 1950s American was optioned for an Emmy-nominated documentary. She is co-editor of the anthology Émigré Cultures in Design and Architecture and co-founder of the leading academic journal Home Cultures: The Journal of Architecture, Design and Domestic Space. She has recently curated, with Vitra Design Museum, Germany, the international travelling exhibition Victor Papanek: The Politics of Design (2017-2020). Her latest book project, for MIT Press, explores the historical origins and legacies of the intertwining of social science and industrial design.

Soft Negotiations
Exhibition of the Department of Textile Design of EKA in the EKA Gallery.

Exhibition is opened 16.10–13.11.202. Põhja puiestee 7, Tallinn. Opening hours Tue–Sat, 12–18
Opening of the exhibition on the 15th of October at 4 p.m.
The performance of Inês Rodrigues Neves “Drawing the Line” will take place at the exhibition opening. Entrance with covid pass.

Just as the warp threads connect the weft, serving as a bridge for each other, this exhibition by the Department of Textile Design invites audiences to ponder the role of textile in today’s and future society. At the exhibition, the department presents contemporary trends that often straddle or meld with the boundaries of other disciplines. That in turn creates a new, multidisciplinary approach where textile can take very different forms: it can convey structure, idea, protest, message, self-expression, pattern or simply colour combination.

The exhibition presents works by students and teaching staff of the Estonian Academy of Arts that investigate the all-encompassing role of textile design. Besides conventional roles, new hybrid forms emerge, presenting new knowledge in the context of artistic research. Emerging technological approaches are demonstrated, in which textile, interwoven with digital properties or technology at different levels, mediates collaborative processes in design of social interaction.

The exhibition has three conceptual threads, which intersect each other:

Textile as STATE(MENT)

#critical and conceptual practices

Textile as LAB

#experimental practice #flirting with science #biotextiles #new materials and structures

Textile as WELLBEING

#design that values the environment and well-being #sustainability #recycling #healthcare #social responsibility #therapy

Participants:

Frank Abner, Arife Dila Demir, Katrin Kabun, Liisbet, Karjel, Kadi Kibbermann, Mari-Triin Kirs, Kristi Kuusk + Ana Tajadura-Jiménez (Madriidi Carlos III Ülikool) + Aleksander Väljamäe (Tartu Ülikool), Krista Leesi, Kille- Ingeri Liivoja + Juulia Aleksandra Mikson, Greth-Ann Loog + Riina Samelselg + Anete Vihm, Inês Rodrigues Neves, Nithikul Nimkulrat (OCAD UNIVERSITY), Marin Nooni, Kärt Ojavee + Johanna Ulfsak, Ingrid Helena Pajo, Maria Kristiin Peterson, Piret Roos + Liisa Torsus, Zane Shumeiko, Marie Vihmar + Sirje Sasi (TLU), Piret Valk, Varvara & Mar + Sebastian Mealla, Carl-Rasmus Õunaste

Curators: Varvara Guljajeva (HKUST(GZ)), Kristel Laurits, EKA Department of Textile Design

Exhibition design: Varvara Guljajeva
Exhibition technical support: Tehniline Direktor
Graphic design: Jesus Rodriguez Santos
Translation and proofreading: Gepard OÜ
Exhibition team: Kristi Kuusk, Varvara Guljajeva, Krista Leesi, Kadi Kibbermann, Eelike Virve, Frank Abner, Juulia Aleksandra Mikson, Johannes Luik, Piret Valk

Supporter: Cultural Endowment of Estonia

Exhibition Catalogue: https://issuu.com/artun/docs/softnegotiations_catalogue_lowres

Estonian Academy of Arts
Graphic Design Department presents

Åbäke
ENTER FATIMA, or what happened at Tel Aviv Airport when the custom officer scanned my luggage and saw body parts

Wednesday, 29 September, 7om
Narva Art Residency (NART)
Joala 18, Narva, Estonia
or online at tv.artun.ee

Flows into Being. Eighth Estonian Small-Scale Sculpture Exhibition and the Annual Exhibition of the Estonian Sculptors’ Union in Gallery Pallas.

22.09.2021 – 23.10.2021

On Wednesday, 22 September at 5 p.m. the Eighth Estonian Small-Scale Sculpture Exhibition will be opened in the Gallery Pallas alongside the Annual Exhibition of the Estonian Sculptors’ Union. 

Among participating artists there are many of EKA’s alumni, current tutors and artists. 

Participating artists: Luisa Harjak, Reelika Harlatšov, Elize Hiiop, Kadri Jäätma, Kristiina Jakimenko, Juhan Jõers, Elle Kannike, Kersti Karu, Kati Kerstna, Tiiu Kirsipuu, Ellen Kolk, Georg Kotter, Heiti Kulmar, Leena Kuutma, Ingrid Allik, Olger Lehtsaar, Elo Liiv, Karmen Machachor, Maarit Mälgi, Paul Mänd, Mari Männa, Eneken Maripuu, Piret Meos (Uibotalu), Mare Mikoff, Meiu Münt, Iris Müntel, Ann Nurga, Jüri Ojaver, Terje Ojaver, Tamar Paal, Tõnis Paberit, Hille Palm, Per William Petersen, Rait Prääts, Kaie Pungas, Silver Rannak, Hristina Rinasci, Elise Rohtaas, Ingmar Roomets, Anne Rudanovski, Kärt Seppel, Ahti Seppet, Uku Sepsivart, Gea Sibola Hansen, Kerttu Siplane, Tõnu Smidt, Hannes Starkopf, Mari-Liis Tammi, Nele Tiidelepp, Silja Truus, Andras Tukmann, Ines Villido, Ivan Zubaka.

The tradition of these open call group exhibitions was founded by the long-time sculpture collection registrar at the Tartu Art Museum Ahti Seppet in 1986. Therefore, the present edition also marks the 35th anniversary of the series.

Small-scale works from 53 authors with the longest side being no longer than 60 centimetres were selected through the application process. In addition to numerous works in classical materials like ceramics and bronze, the exhibition also includes various installations. Participants include both art students and professional authors at the height of their careers.

The theme of the exhibition invited the artists to seek for the “flow” in their creative process. This allowed the authors to explore ideas and motifs that they found individually most intriguing, joining them to theme through their creative process.

The “flow” as a phenomenon was defined by the Hungarian psychologist Mihaly Csikszentmihalyi. It is a playful and enjoyable process that is free of criticism and can be accompanied by a loss of sense of time and a complete captivation by the joy of creation. Since most people encounter this to different extents in their everyday lives, this state is not limited to artists and musicians, but it is something shared by all humans. Therefore, instead of having a single motif as a theme, the aim of the exhibition is to consciously achieve “flow” during creation and to explore which tendencies and phenomena arise. The focus is on the process and the best result is determined by individual characteristics of the creator. 

The exhibition is accompanied by a publication about the history of the exhibition series containing an article by Ahti Seppet. The audience programme consists of a curatorial tour, a workshop and a discussion about the creative process.

Audience programme:
29.09.2021, 4pm–6pm Workshop “Creative assemblage from mass produced toys” (register at heiti.kulmar@gmail.com, 58581678)

6.10.2021, 5pm Curatorial tour

13.10.2021, 5pm–5.30pm Discussion group “Flow in creation”

We thank the Sculpture Department of the Pallas University of Applied Sciences and its head, Anne Rudanovski, sculptor Ahti Seppet, Estonian Sculptors’ Union, the Cultural Endowment of Estonia and Pallas University of Applied Sciences
Curator: Heiti Kulmar

Graphic design: Tnxalatte Design Collective

Exhibition team: Richard Adang, Anne Rudanovski, Ahti Seppet, Peeter Talvistu, Anti Saar, Reet-Pulk Piatkowska, Sculpture Department of the Pallas University of Applied Sciences.

For more info:
Heiti Kulmar
+372  58581678
heiti.kulmar@gmail.com

Galerii Pallas
Tue-Sat 11am–6pm
Riia 11, Tartu

EKA Textile Department presents:
‘Folding as a Language of Design’

Paul Jackson’s ZOOM lecture on THIS LINK

The presentation will describe how folding is used by designers and how it can play an important role in our sustainable future.

“All designers fold. That is, all designers fold, crease, bend, pleat, wrinkle, drape, twist and knot flat, 2-D materials to create 3-D forms. This process of transformation from 2-D to 3-D is one of the most fundamental and common languages of design, yet it is also one of the least understood.” P.J.

Paul Jackson has been a professional paper artist, designer writer and educator for almost 40-years.  He has been a folding consultant for Nike, Disney, Tetra Pak and many other companies, taught folding as a language of design in 80 Schools of Design in 11 countries, written more than 40 books and exhibited his artworks worldwide.  He says, ‘It’s a dirty job, but someone’s got to do it.’

Exhibition in the showcase of EKA Library. 

The artists’ book “How to shoplift books” by David Horvitz is a guide on how to steal books. It details 80 ways one can steal a book, from the very practical to the witty, imaginative, and romantic.

This project by David Horvitz with Edition Taube is an ongoing translation and publishing work that started in 2013. For each language, they collaborate with a publisher from the corresponding language region. The latest book in the series, the Estonian translation, was published with Lugemik Publishing, translated by Keiu Krikmann and edited by Indrek Sirkel.

All the translations published so far are on display in the showcase of the Library of the Estonian Academy of Arts in Tallinn: English, French, Spanish, German, Italian, Chinese, Greek, Dutch, Brazilian Portuguese, Lithuanian, Danish, Korean, Georgian, Hebrew, Romanian, Swiss-German, Russian, Japanese, Turkish, Serbian Cyrillic, Serbian Latin, Hungarian, Icelandic, Swedish, and Estonian.

David Horvitz (b 1982) is an American artist based in Los Angeles who uses art books, photography, performance art, and mail art as mediums for his work.

The exhibition is organised by Indrek Sirkel, the Professor of Graphic Design of the Estonian Academy of Arts and the head of Lugemik Publishing. With thanks to David Horvitz, Jan Steinbach, and Mait Väljas for their kind support.

Happy reading, happy shoplifting!

More information about the book. 

The exhibition SECOND CHANGE at Tallinn Design Festival on the subject of reuse, which also includes the cooperation project “Food and Advice” of the Estonian Academy of Arts and the Fotografiska restaurant. The premiere of the exhibition, which was warmly received, was at the Venice Design Biennale this summer.

In cooperation with Fotografiska Tallinn restaurant and its chef Peeter Pihel, students of EKA ceramics, glass, jewelery and blacksmithing designed food utensils and accessories that would be in line with the restaurant’s values: recycling, zero waste, sustainability, local material and new design.

The project explored the experience of zero-cost restaurants around the world, found new ways to recycle broken dishes, and discovered unexpected ways to recycle scrap material. The design students used scrap metal, used tableware and cups as raw materials and created new, unique dishes that harmonize with the restaurant’s environment.

CERAMICS, GLASS, JEWELERY AND BLACKSMITHING
Artists: Indrek Linnamägi, Sofja Melikova, Kristin Sepp, Mart Talvar, Endel Maas, Taavi Teevet, Nga Man Chan, Kairit Mäeots, Rita Rebane Lonks, Cathy Saarm, Johanna Tamm, Mart Vaarpuu, Aleksandra Kazanina, Kerttu Rannik, Greete Rüütmann, Tiia Põldmets, Kristiina Väljamäe, Salome Ship, Mart Kekišev

õhuLoss’ group show at the 1st Lisbon Contemporary Jewellery Biennial SOUR FRIO / COLD SWEAT, Galeria Brotéria, Portugal

õhuLoss (Castle in the Air) is a group of six Estonian jewellery artists – Piret Hirv, Kristiina Laurits, Eve Margus-Villems, Kadri Mälk, Villu Plink and Tanel Veenre. Formed in 1999, õhuLoss is one of the internationally most recognized groups of Estonian jewellery. Artists have been exhibiting together for more than 20 years their works in Estonia, the Netherlands, Spain, Germany, Denmark, Portugal, Italy, Israel, Hungary, France, Latvia and China.

Art critics have described the art of õhuLoss group as a slightly confusing phenomenon, hovering and playing in spacetime. The materials used are often unconventional. They make use of many organic materials in the creating of objects which are on the border between applied and visual arts. The value of the works consists in their persuasiveness, which wakes in the spectator’s alertness. The new jewellery of the õhuLoss group probes itself, the world and life.

õhuLoss in Brotéria Art Centre is part of the Contemporary Jewellery Biennial in Lisbon ‘Cold Sweat’.

Exhibition of jewellery and blacksmithing students at the Biennial of Contemporary Jewellery in Lisbon includes EKA students Erle Nemvalts, Taavi Teevet, Terje Meisterson, Isimini Pachi, Tauris Reose, Mirjam Aun and Kristiina Tang on 17.–20. September 2021 at Ar.Co – Centro de Arte e Comunicação Visual, at the first Lisbon Contemporary Jewelery Biennale SUOR FRIO / COLD SWEAT

The challenge was presented to 8 European schools with different approaches to contemporary jewellery, with the aim of creating dialogues between young participants. The exhibition, as well as the biennial more generally, invites to reflect on three contemporary keywords – body, fear and protection, the latter of which refers to the characteristic historical aspect of jewellery as a means of protection for the wearer.

Participating schools are: Ar.Co – Centro de Arte e Comunicação Visual, Burg Giebichenstein– Hochschule für Kunst und Design Halle (DE), Central of Saint Martins – University of the Arts (UK), École Nationale Supérieur d’Árts de Limoge (F), Eesti Kunstiakadeemia (EE), Lucerne School of Art and Design (CH), PXL-MAD School of Arts Media Arts Design (B) and Saint Lucas School of Arts Antwerpen (B).

September 16–November 20, 2021 – exhibitions, colloquium, master classes