Category: Departments

15.05.2021 — 27.06.2021

Exhibition “In Isolation” at the Tartu Art Museum

On 15 May, the exhibition “In Isolation”, curated by the master’s students of the Estonian Academy of Arts, will open in the Tartu Art Museum. It uses the motif of looking out of a window to examine the isolation experienced in different eras and in different locations. The exhibition brings together the internationally renowned artist Ilya Kabakov and the oeuvre of the Estonian classic masters Ülo Sooster, Jüri Arrak, Karl Pärsimägi, Nikolai Kormašov, Andres Tolts, Ilmar Malin and Kai Kaljo. The exhibition will remain open until 27 June.

 

The central artwork and conceptual starting point of the exhibition “In Isolation” is Ilya Kabakov’s visual narrative “The Looking-out-the-Window Arkhipov”, which is about a character named Arkhipov who is hospitalised; isolation and loneliness have an increasingly devastating effect on his mental condition.

 

Last spring, we unexpectedly found ourselves in a situation that is reminiscent of Arkhipov’s. Isolated inside the four walls of our homes for an unknown length of time, we at first enthusiastically followed the random passers-by and everyday situations from our windows, but as time passed and loneliness intensified, windows became the border between isolation and freedom. Windows not only showed what was visible, but in them were also reflected our dreams and yearnings.

 

The curators of the exhibition invite visitors to look out of the window together with the artists and to contemplate this unique time in history when in a weird way isolation has become the thing that unites us all and maybe manages to do so in a more personal manner than any situation ever has.

 

Curators: Signe Friedenthal, Reigo Kuivjõgi, Eerika Niemi, Jelizaveta Pratkunas, Kerly Ritval, Jelizaveta Sedler and Mae Variksoo

Team: Richard Adang, Nele Ambos, Indrek Grigor, Mare Joonsalu, Margus Joonsalu, Hanna-Liis Kont, Kristlyn Liier, Katrin Lõoke, Kadri Mägi, Julia Polujanenkova, Anti Saar, Kristel Sibul, Peeter Talvistu and Ago Teedema

Graphic design: Laura Pappa

Works from the Tartu Art Museum, the Art Museum of Estonia and the artist Kai Kaljo

Supporters: Cultural Endowment of Estonia, Estonian Academy of Arts, Krisostomus, Hektor Light and Peaasi.ee

Additional information: https://tartmus.ee/naitus/eraldatuses/

Posted by Annika Toots — Permalink

Exhibition “In Isolation” at the Tartu Art Museum

Saturday 15 May, 2021 — Sunday 27 June, 2021

On 15 May, the exhibition “In Isolation”, curated by the master’s students of the Estonian Academy of Arts, will open in the Tartu Art Museum. It uses the motif of looking out of a window to examine the isolation experienced in different eras and in different locations. The exhibition brings together the internationally renowned artist Ilya Kabakov and the oeuvre of the Estonian classic masters Ülo Sooster, Jüri Arrak, Karl Pärsimägi, Nikolai Kormašov, Andres Tolts, Ilmar Malin and Kai Kaljo. The exhibition will remain open until 27 June.

 

The central artwork and conceptual starting point of the exhibition “In Isolation” is Ilya Kabakov’s visual narrative “The Looking-out-the-Window Arkhipov”, which is about a character named Arkhipov who is hospitalised; isolation and loneliness have an increasingly devastating effect on his mental condition.

 

Last spring, we unexpectedly found ourselves in a situation that is reminiscent of Arkhipov’s. Isolated inside the four walls of our homes for an unknown length of time, we at first enthusiastically followed the random passers-by and everyday situations from our windows, but as time passed and loneliness intensified, windows became the border between isolation and freedom. Windows not only showed what was visible, but in them were also reflected our dreams and yearnings.

 

The curators of the exhibition invite visitors to look out of the window together with the artists and to contemplate this unique time in history when in a weird way isolation has become the thing that unites us all and maybe manages to do so in a more personal manner than any situation ever has.

 

Curators: Signe Friedenthal, Reigo Kuivjõgi, Eerika Niemi, Jelizaveta Pratkunas, Kerly Ritval, Jelizaveta Sedler and Mae Variksoo

Team: Richard Adang, Nele Ambos, Indrek Grigor, Mare Joonsalu, Margus Joonsalu, Hanna-Liis Kont, Kristlyn Liier, Katrin Lõoke, Kadri Mägi, Julia Polujanenkova, Anti Saar, Kristel Sibul, Peeter Talvistu and Ago Teedema

Graphic design: Laura Pappa

Works from the Tartu Art Museum, the Art Museum of Estonia and the artist Kai Kaljo

Supporters: Cultural Endowment of Estonia, Estonian Academy of Arts, Krisostomus, Hektor Light and Peaasi.ee

Additional information: https://tartmus.ee/naitus/eraldatuses/

Posted by Annika Toots — Permalink

11.05.2021 — 20.06.2021

The Showcase gallery starting a new season

The Showcase gallery of the Department of Photography is starting its new season. 

The spring/autumn season of 2021 is dedicated to one-picture exhibitions. 

The first exhibition, “On inimesi, kes surevad merd nägemata” ( There are people who die without seeing the sea)  by Céline Bernadac, will open on 11th of May.

Céline Bernadac
“On inimesi, kes surevad merd nägemata” ( There are people who die without seeing the sea)  is a fact: there are people who have and will pass away without ever seeing the sea’s waters. In Estonia, most of the land is surrounded by the Baltic sea. My home country, France, is also surrounded by several seas and the Atlantic Ocean. In Estonia and France, it is quite easy to travel towards the seaside. Yet, in those two countries as of all around the world, there are still people who have and will never see it.

Céline Bernadac (b. 1999 in Ecully, Rhônes-Alpes, France)  is a writer and photographer based in Lyon who is currently an Erasmus exchange student in the Photography Department of Estonian Academy of Arts.  She has graduated from the DNA (National Diploma of Art) in the Higher School of Art and Design in Saint-Etienne (ESADSE) in 2020 and is currently pursuing her studies in the first year of Master.

Since 2018, she has been exploring photography and its associated disciplines. In her photographic work, she focuses solely on ‘physical’ techniques, film, polaroid, cyanotype, photogram. Bernadac is interested in edition and collaborative work and has auto-edited some books under the name Céline Lazare.

Location of Vitriingalerii: On the facade wall of the Estonian Museum of Contemporary Art (EKKM), Põhja pst 35.

The exhibition is on view until the 20th of June and can be viewed on 24 hours basis.

11.05 – 20.06

Posted by Andres Lõo — Permalink

The Showcase gallery starting a new season

Tuesday 11 May, 2021 — Sunday 20 June, 2021

The Showcase gallery of the Department of Photography is starting its new season. 

The spring/autumn season of 2021 is dedicated to one-picture exhibitions. 

The first exhibition, “On inimesi, kes surevad merd nägemata” ( There are people who die without seeing the sea)  by Céline Bernadac, will open on 11th of May.

Céline Bernadac
“On inimesi, kes surevad merd nägemata” ( There are people who die without seeing the sea)  is a fact: there are people who have and will pass away without ever seeing the sea’s waters. In Estonia, most of the land is surrounded by the Baltic sea. My home country, France, is also surrounded by several seas and the Atlantic Ocean. In Estonia and France, it is quite easy to travel towards the seaside. Yet, in those two countries as of all around the world, there are still people who have and will never see it.

Céline Bernadac (b. 1999 in Ecully, Rhônes-Alpes, France)  is a writer and photographer based in Lyon who is currently an Erasmus exchange student in the Photography Department of Estonian Academy of Arts.  She has graduated from the DNA (National Diploma of Art) in the Higher School of Art and Design in Saint-Etienne (ESADSE) in 2020 and is currently pursuing her studies in the first year of Master.

Since 2018, she has been exploring photography and its associated disciplines. In her photographic work, she focuses solely on ‘physical’ techniques, film, polaroid, cyanotype, photogram. Bernadac is interested in edition and collaborative work and has auto-edited some books under the name Céline Lazare.

Location of Vitriingalerii: On the facade wall of the Estonian Museum of Contemporary Art (EKKM), Põhja pst 35.

The exhibition is on view until the 20th of June and can be viewed on 24 hours basis.

11.05 – 20.06

Posted by Andres Lõo — Permalink

14.05.2021

A Tale of Persistence: Expanding on Decline in Ida-Virumaa

urbanmodels_2021
In Ida-Virumaa the politics of the climate neutral futures, the deprived status quo and the infrastructures inherited from the past intensively meet, showing multiple endings but also some possible new beginnings. The landscapes of Ida-Viru, where distinguishing between the man-made and the natural has become increasingly difficult, conceal something we might describe with the word ‘hope’. They speak of a future different from the one that was planned in the past. That difference, despite the bleak outlook is still liveable—these are environments of adaptation where a new tale is being made.Students of urban studies and interior architecture were asked to question how various experiences of habitation could be connected to the governance of decline and strategic shrinkage of the built environment. A Tale of Persistence focuses on areas of Kohtla-Järve and Kiviõli, a duo of out of many municipalities in decline in East Estonia, where the changing policies and socio-economic drivers of recent decades have led to excess supply of housing. Contrary to specific housing programmes and demolition initiatives, this course has approached housing as an experience. Tandems of both study programmes worked with different conditions of decline by rethinking growth or adaptation. Their projects use varied mediums and techniques to examine formal and informal practices, debates in literature and applied studies.

 

A Tale of Persistence: Expanding on Decline in Ida-Virumaa is a final grading of Estonian Academy of Arts Urban Studies and Interior Architecture Urban models studio, tutored by Kristi Grišakov, Keiti Kljavin and Laura Linsi.

 

Students: Þórhildur B. Guðmundsdóttir, Ardo Hiiuväin, Janosh Heydorn, Daria Khrystych, Veera Gontšugova, Juss Heinsalu, Eeros Lees, Oleksandr Nenenko, Mira Samonig, Fernanda Torres, Semele Kari, Mirell Ülle, Triin Juhanson.

 

Guest critics: Anna Anna Bitkina (The Creative Association of Curators TOK), Tüüne-Kristin Vaikla and Maroš Krivy (Estonian Academy of Arts)

Join us online: https://zoom.us/j/94968674543

 

————————————————————————–

Hope Against Hope

The In-Betweenness of Emptiness

by Mirell Ülle and Mira Samonig

Emptiness does not necessarily equal a state of something being empty; in fact, it can be very full, but full with the wrong things. This renders emptiness to a condition of disorder, of unclearness. It constitutes a state in-between the tension of something that has ended, and another thing that is not yet graspable.

This project investigates the concept of emptiness within the shrinking context of the east Estonian town Kiviõli. It highlights the varying aspects of emptying traced throughout Kiviõli’s history and intends to make emptiness informed by a feeling of hopelessness comprehensible. Eventually, a glimpse into a possible future is offered that re-approaches emptiness neither through the lens of hopelessness nor hope, but as a potentiality for both.

 

Plural Preservations

by Janosh Heydorn and Juss Heinsalu

Plural Preservations reflects on the complexity of maintaining areas of milieu value. A compiled album of the possible futures of Lehola Street ansambel takes a close look at the Stalinist architecture and its prospect. Engaging with theories and formal guidelines of preservation, speculative scenarios unfold seemingly disappearing options to navigate protective regulations, ownership division, financial segregation, architectural value and will. This project is a flow of thought, an experiment to explore the concepts of preservation in the context of shrinkage.

 

DachaIn

By Oleksandr Nenenko and Triin Juhason

The focus t of the project is to find a conceptual vision for a ‘green’ strategy which could help to deal with the decline of the Järve district in Kohtla-Järve. Inspired by the experience of countries like Germany and the US, we looked into the possibility of bridging urban farming and post-soviet dacha culture (its structure, functions and practices). Our work investigates possible ways of bringing those two phenomena into the urban context of Kohtla-Järve in order to create sustainable and ecological urban blocks that through supporting various forms of gardening lifestyles help to reactivate the town.

 

 

Sompa Sanctum

By Semele Kari

The condition of living in godforsaken Ida-Virumaa declining settlements made me wonder, “Why do people stay in these ghost-towns and how?” Since then, I have rephrased the question to: Why should someone new go and live there? If this environment symbolises an abandoned territory, could it speak out to those whose environment has neglected them?

In this interaction between human and built environment I see a way for redemption. This shrinking physical world is giving back something by going backwards, dying a slow death. And in the process of leaving this world it represents an ongoing prospect of decay.

The user of this world harvests the last it has to offer: silence, solitude and sanctuary, the spirits of this long gone functional world. These last men standing are giving back to architecture in means of mercy, worship and care which manifest in the coexistence of decline.

 

Adaptation of Facades in Times of Decadence

By Eeros Lees and Fernanda Ayala Torres

Our project investigates the aesthetic change of Kohtla-Järve central boulevard Keskallee. Here the adaptation and transformation of the facades of Stalinist architecture are reflected, as their ornamentation and symbolism are making a way for small businesses on the first floors bringing along new signs, window stickers, painting practices, new entrances and perhaps also new hope? Our vision marks the changing reality of a decadent city that reinvents itself through its facades but must still follow heritage requirements.

 

To Keep Or Not To Keep: Reconsideration of Khrushchevka

By Veera Gontšugova and Daria Khrystych

The project is an online archive aiming to recover the public image of the Soviet-time mass housing building typology, known as the Khrushchevka. Such a typology tends to be not favored in the post-Soviet environment, occasionally entailing the abandonment and demolition of these buildings. By gathering and structuring information, our goal is to present a future-oriented point of view to showcase the potential and hope for this particular residential building typology. We base our storytelling on the historical findings, empirical data as well as presenting the examples of dealing with the similar issue in different contexts. By looking at both material and social aspects, we are referring to the retrofitting and collective living strategies that can be implemented in order to rebound the reputation of Khrushchevka.

 

Rethinking Growth

Þórhildur B. Guðmundsdóttir and Ardo Hiiuväin

Our project explores the idea of “giving land back to nature” within the context of spatial shrinkage and half-emptiness, with a focus on rewilding. Accepting the half-empty future of Sompa, we aim to question the concept of wilderness and emphasise the importance of the shared sense of responsibility required to create a sustainable living environment.

These ideas are implemented through proposing a vision competition for the rewilding of a selected housing complex in Sompa. With the hope of bringing in a wide array of ideas and perspectives, the competition entries would reflect the different ways of which rewilding can be a tool for engaging with spatial shrinkage. Furthermore, the goal of hosting the competition is to bring attention to this subject, inviting the public to ask what shrinkage actually entails, what it means for those affected and ultimately valuing the already existing qualities embedded in these shrinking communities.

Posted by Keiti Kljavin — Permalink

A Tale of Persistence: Expanding on Decline in Ida-Virumaa

Friday 14 May, 2021

urbanmodels_2021
In Ida-Virumaa the politics of the climate neutral futures, the deprived status quo and the infrastructures inherited from the past intensively meet, showing multiple endings but also some possible new beginnings. The landscapes of Ida-Viru, where distinguishing between the man-made and the natural has become increasingly difficult, conceal something we might describe with the word ‘hope’. They speak of a future different from the one that was planned in the past. That difference, despite the bleak outlook is still liveable—these are environments of adaptation where a new tale is being made.Students of urban studies and interior architecture were asked to question how various experiences of habitation could be connected to the governance of decline and strategic shrinkage of the built environment. A Tale of Persistence focuses on areas of Kohtla-Järve and Kiviõli, a duo of out of many municipalities in decline in East Estonia, where the changing policies and socio-economic drivers of recent decades have led to excess supply of housing. Contrary to specific housing programmes and demolition initiatives, this course has approached housing as an experience. Tandems of both study programmes worked with different conditions of decline by rethinking growth or adaptation. Their projects use varied mediums and techniques to examine formal and informal practices, debates in literature and applied studies.

 

A Tale of Persistence: Expanding on Decline in Ida-Virumaa is a final grading of Estonian Academy of Arts Urban Studies and Interior Architecture Urban models studio, tutored by Kristi Grišakov, Keiti Kljavin and Laura Linsi.

 

Students: Þórhildur B. Guðmundsdóttir, Ardo Hiiuväin, Janosh Heydorn, Daria Khrystych, Veera Gontšugova, Juss Heinsalu, Eeros Lees, Oleksandr Nenenko, Mira Samonig, Fernanda Torres, Semele Kari, Mirell Ülle, Triin Juhanson.

 

Guest critics: Anna Anna Bitkina (The Creative Association of Curators TOK), Tüüne-Kristin Vaikla and Maroš Krivy (Estonian Academy of Arts)

Join us online: https://zoom.us/j/94968674543

 

————————————————————————–

Hope Against Hope

The In-Betweenness of Emptiness

by Mirell Ülle and Mira Samonig

Emptiness does not necessarily equal a state of something being empty; in fact, it can be very full, but full with the wrong things. This renders emptiness to a condition of disorder, of unclearness. It constitutes a state in-between the tension of something that has ended, and another thing that is not yet graspable.

This project investigates the concept of emptiness within the shrinking context of the east Estonian town Kiviõli. It highlights the varying aspects of emptying traced throughout Kiviõli’s history and intends to make emptiness informed by a feeling of hopelessness comprehensible. Eventually, a glimpse into a possible future is offered that re-approaches emptiness neither through the lens of hopelessness nor hope, but as a potentiality for both.

 

Plural Preservations

by Janosh Heydorn and Juss Heinsalu

Plural Preservations reflects on the complexity of maintaining areas of milieu value. A compiled album of the possible futures of Lehola Street ansambel takes a close look at the Stalinist architecture and its prospect. Engaging with theories and formal guidelines of preservation, speculative scenarios unfold seemingly disappearing options to navigate protective regulations, ownership division, financial segregation, architectural value and will. This project is a flow of thought, an experiment to explore the concepts of preservation in the context of shrinkage.

 

DachaIn

By Oleksandr Nenenko and Triin Juhason

The focus t of the project is to find a conceptual vision for a ‘green’ strategy which could help to deal with the decline of the Järve district in Kohtla-Järve. Inspired by the experience of countries like Germany and the US, we looked into the possibility of bridging urban farming and post-soviet dacha culture (its structure, functions and practices). Our work investigates possible ways of bringing those two phenomena into the urban context of Kohtla-Järve in order to create sustainable and ecological urban blocks that through supporting various forms of gardening lifestyles help to reactivate the town.

 

 

Sompa Sanctum

By Semele Kari

The condition of living in godforsaken Ida-Virumaa declining settlements made me wonder, “Why do people stay in these ghost-towns and how?” Since then, I have rephrased the question to: Why should someone new go and live there? If this environment symbolises an abandoned territory, could it speak out to those whose environment has neglected them?

In this interaction between human and built environment I see a way for redemption. This shrinking physical world is giving back something by going backwards, dying a slow death. And in the process of leaving this world it represents an ongoing prospect of decay.

The user of this world harvests the last it has to offer: silence, solitude and sanctuary, the spirits of this long gone functional world. These last men standing are giving back to architecture in means of mercy, worship and care which manifest in the coexistence of decline.

 

Adaptation of Facades in Times of Decadence

By Eeros Lees and Fernanda Ayala Torres

Our project investigates the aesthetic change of Kohtla-Järve central boulevard Keskallee. Here the adaptation and transformation of the facades of Stalinist architecture are reflected, as their ornamentation and symbolism are making a way for small businesses on the first floors bringing along new signs, window stickers, painting practices, new entrances and perhaps also new hope? Our vision marks the changing reality of a decadent city that reinvents itself through its facades but must still follow heritage requirements.

 

To Keep Or Not To Keep: Reconsideration of Khrushchevka

By Veera Gontšugova and Daria Khrystych

The project is an online archive aiming to recover the public image of the Soviet-time mass housing building typology, known as the Khrushchevka. Such a typology tends to be not favored in the post-Soviet environment, occasionally entailing the abandonment and demolition of these buildings. By gathering and structuring information, our goal is to present a future-oriented point of view to showcase the potential and hope for this particular residential building typology. We base our storytelling on the historical findings, empirical data as well as presenting the examples of dealing with the similar issue in different contexts. By looking at both material and social aspects, we are referring to the retrofitting and collective living strategies that can be implemented in order to rebound the reputation of Khrushchevka.

 

Rethinking Growth

Þórhildur B. Guðmundsdóttir and Ardo Hiiuväin

Our project explores the idea of “giving land back to nature” within the context of spatial shrinkage and half-emptiness, with a focus on rewilding. Accepting the half-empty future of Sompa, we aim to question the concept of wilderness and emphasise the importance of the shared sense of responsibility required to create a sustainable living environment.

These ideas are implemented through proposing a vision competition for the rewilding of a selected housing complex in Sompa. With the hope of bringing in a wide array of ideas and perspectives, the competition entries would reflect the different ways of which rewilding can be a tool for engaging with spatial shrinkage. Furthermore, the goal of hosting the competition is to bring attention to this subject, inviting the public to ask what shrinkage actually entails, what it means for those affected and ultimately valuing the already existing qualities embedded in these shrinking communities.

Posted by Keiti Kljavin — Permalink

10.05.2021 — 29.05.2021

Exhibition “Filling The Void”

Filling The Void
10. – 29.05.2021
Estonian National Library
6th floor gallery
An exhibition by 3rd year students of the Graphic Art Department of the Estonian Academy of Arts

Participating artists: Pille Alasi, Daana-Loreen Kägra, Frida Ritz, Adam, Elis Raud, Liisa Tammert, Liis Tedre
Supervisor: Kadri Toom

The theme of the exhibition “Filling the Void” derives from the potential of empty space. At the essence of the creative process is imagination, which requires space to emerge. Pause (silence) and time are important components of imagining, enabling new ideas to come forward.

The participants of the exhibition have drawn inspiration from the unexpected; empty urban spaces and landscapes, inner silence, ignorance, the presence of absence. The exhibition combines cyanotype technique invented in the 19th century with modern visual language, and offers insight into both miniature close-ups of personal experiences as well as monumental visuals, along with forms on socially critical topics.

The exhibition is open Mon – Fri 10–19, Sat 12–19

Posted by Maria Erikson — Permalink

Exhibition “Filling The Void”

Monday 10 May, 2021 — Saturday 29 May, 2021

Filling The Void
10. – 29.05.2021
Estonian National Library
6th floor gallery
An exhibition by 3rd year students of the Graphic Art Department of the Estonian Academy of Arts

Participating artists: Pille Alasi, Daana-Loreen Kägra, Frida Ritz, Adam, Elis Raud, Liisa Tammert, Liis Tedre
Supervisor: Kadri Toom

The theme of the exhibition “Filling the Void” derives from the potential of empty space. At the essence of the creative process is imagination, which requires space to emerge. Pause (silence) and time are important components of imagining, enabling new ideas to come forward.

The participants of the exhibition have drawn inspiration from the unexpected; empty urban spaces and landscapes, inner silence, ignorance, the presence of absence. The exhibition combines cyanotype technique invented in the 19th century with modern visual language, and offers insight into both miniature close-ups of personal experiences as well as monumental visuals, along with forms on socially critical topics.

The exhibition is open Mon – Fri 10–19, Sat 12–19

Posted by Maria Erikson — Permalink

12.05.2021

The Urban Studies studio presents

karl-lueger-history-detail

The Urban Studies studio “Preservation: Architecture, Nature and Politics” will conclude with a public presentation of student projects on the 12 of May at 14.00 (EEST).

Preservation has achieved cultural significance as a lens through which various experts have come to imagine how a socially and environmentally sound future might look like. As an approach, preservation has been applied to disparate phenomena ranging from historic neighborhoods and natural environments to democracy and identity.

Through case studies from different parts of the world around topics such as green extractivism, simulated heritage and cultural marginalizations, students have built on the insight that preservation cannot be neatly delineated from various forms of violence and destruction. Their projects experiment with a variety of mediums, from a traditional essay to video, drawings and collages, to examine conceptualizations, debates and practices of preserving architecture and nature, and to ask the following questions: Who decides what to preserve and what to neglect? Who has the capacity to take on this responsibility? Preservation is political because, as with a fruit preserve, the act of preserving transforms the preserved object into something altogether different.

Guest critics: Ewa Effiom (Manchester School of Architecture, UK) and Jonas Žukauskas (Neringa Forest Residency, Lithuania)

Students: Petra Ďurišková, Johannes Growe, Þórhildur B. Guðmundsdóttir, Janosh Heydorn, Malin Hilding, Daria Khrystych, Oleksandr Nenenko, Mathilde Olivier, Dalma Pszota, Mira Samonig, Fernanda Torres

Tutors: Maroš Krivý, Kaija-Luisa Kurik, Sean Tyler

This virtual presentation takes the form of individual presentations alongside a collaborative website launch and is open to the public.

Join in on ZOOM HERE

Posted by Andres Lõo — Permalink

The Urban Studies studio presents

Wednesday 12 May, 2021

karl-lueger-history-detail

The Urban Studies studio “Preservation: Architecture, Nature and Politics” will conclude with a public presentation of student projects on the 12 of May at 14.00 (EEST).

Preservation has achieved cultural significance as a lens through which various experts have come to imagine how a socially and environmentally sound future might look like. As an approach, preservation has been applied to disparate phenomena ranging from historic neighborhoods and natural environments to democracy and identity.

Through case studies from different parts of the world around topics such as green extractivism, simulated heritage and cultural marginalizations, students have built on the insight that preservation cannot be neatly delineated from various forms of violence and destruction. Their projects experiment with a variety of mediums, from a traditional essay to video, drawings and collages, to examine conceptualizations, debates and practices of preserving architecture and nature, and to ask the following questions: Who decides what to preserve and what to neglect? Who has the capacity to take on this responsibility? Preservation is political because, as with a fruit preserve, the act of preserving transforms the preserved object into something altogether different.

Guest critics: Ewa Effiom (Manchester School of Architecture, UK) and Jonas Žukauskas (Neringa Forest Residency, Lithuania)

Students: Petra Ďurišková, Johannes Growe, Þórhildur B. Guðmundsdóttir, Janosh Heydorn, Malin Hilding, Daria Khrystych, Oleksandr Nenenko, Mathilde Olivier, Dalma Pszota, Mira Samonig, Fernanda Torres

Tutors: Maroš Krivý, Kaija-Luisa Kurik, Sean Tyler

This virtual presentation takes the form of individual presentations alongside a collaborative website launch and is open to the public.

Join in on ZOOM HERE

Posted by Andres Lõo — Permalink

14.05.2021

Pre-reviewing of Dila Demir’s design case-study

IMG_7353

Pre-reviewing of Art and Design PhD student Dila Demir’s first design case-study “SQUEAKY/PAIN” will take place via Zoom on Friday, May 14th at 15.00.
Case-study SQUEAKY/PAIN is part of the artistic doctoral thesis of Dila Demir.
Please register for the pre-reviewing HERE

Peer Reviewers: Dr. Danielle Wilde and Dr. Claudia Núñez-Pacheco
Supervisors: Dr. Nithikul Nimkulrat and Dr. Kristi Kuusk

Online Exposition “SQUEAKY/PAIN”: https://dilademir.com/PhD-Porjects

Dila is a Ph.D. student at the Estonian Academy of Arts. She is working in the field of interactive textiles, bodily engagements, soma design, and somaesthetics. She will be presenting her first case study on the 14th of May. Her first design case titled SQUEAKY/PAIN is an inquiry into the possibilities of wearable interactive textiles to facilitate somaesthetic awareness through movement-based bodily interactions. The project utilizes bodily disturbances as a design material for bodily engagements, specifically, pain is adopted as a bodily disturbance in this design case. “SQUEAKY/PAIN” is the name of the interactive wearable artifact that externalizes pain by mimicking its qualities. With this project, Dila is exploring the ways of promoting somaesthetic awareness via sensory bodily interactions by mimicking the pain experience. The research question of the project is:

How pain can be externalized through interactive textiles and how interactive textiles that externalize pain can facilitate somaesthetic awareness?

In addition to the peer review event, Dila is presenting her work in a form of online exposition (https://dilademir.com/PhD-Porjects). In this online exposition, you can explore the research and design process, and findings of her study.

Posted by Irene Hütsi — Permalink

Pre-reviewing of Dila Demir’s design case-study

Friday 14 May, 2021

IMG_7353

Pre-reviewing of Art and Design PhD student Dila Demir’s first design case-study “SQUEAKY/PAIN” will take place via Zoom on Friday, May 14th at 15.00.
Case-study SQUEAKY/PAIN is part of the artistic doctoral thesis of Dila Demir.
Please register for the pre-reviewing HERE

Peer Reviewers: Dr. Danielle Wilde and Dr. Claudia Núñez-Pacheco
Supervisors: Dr. Nithikul Nimkulrat and Dr. Kristi Kuusk

Online Exposition “SQUEAKY/PAIN”: https://dilademir.com/PhD-Porjects

Dila is a Ph.D. student at the Estonian Academy of Arts. She is working in the field of interactive textiles, bodily engagements, soma design, and somaesthetics. She will be presenting her first case study on the 14th of May. Her first design case titled SQUEAKY/PAIN is an inquiry into the possibilities of wearable interactive textiles to facilitate somaesthetic awareness through movement-based bodily interactions. The project utilizes bodily disturbances as a design material for bodily engagements, specifically, pain is adopted as a bodily disturbance in this design case. “SQUEAKY/PAIN” is the name of the interactive wearable artifact that externalizes pain by mimicking its qualities. With this project, Dila is exploring the ways of promoting somaesthetic awareness via sensory bodily interactions by mimicking the pain experience. The research question of the project is:

How pain can be externalized through interactive textiles and how interactive textiles that externalize pain can facilitate somaesthetic awareness?

In addition to the peer review event, Dila is presenting her work in a form of online exposition (https://dilademir.com/PhD-Porjects). In this online exposition, you can explore the research and design process, and findings of her study.

Posted by Irene Hütsi — Permalink

30.04.2021

Online Symposium: Crafting Situations – Conversations exploring public private boundaries in the (present pandemic impacted) city

Screenshot 2021-04-27 at 17.11.30

This Friday, 30 April there will be an online symposium “Crafting Situations – Conversations exploring public private boundaries in the (present pandemic impacted) city” in four sessions 13:00–17:00. 

Join the symposium here or on the Crafting Conversations platform here.

“Crafting Situations – Conversations exploring public private boundaries in the (present pandemic impacted) city” is an experimental symposium conducted and developed through a collaboration between the projects Crafting Situations of Knowledge Exchange at HDK Valand Academy of Art and Design Gothenburg, SE, and curation of conversations that investigate the different public private boundaries in the city at Estonian Academy of Arts (EKA), EE.

 

Schedule of the symposium:

 

13:00–13:45 EET

“weaving urban intersections on the crossroads of nature connections” – A Game of Associations moderated through the “Polledge” format

Guest speaker: Ott Kagovere

“weaving urban intersections on the crossroads of nature connections” – A Game of Associations curated by Louise Borinski, Björn Giesecke, Malin Hilding

Format “Polledge” crafted by Hanna Peterson, Emil Söderberg, Fanny Däldborg, Bekhar Azimov, Malene Valentin

 

14:00–14:45 EET

“Surveillance: Losing Control” discussed “in the Dark”

Guest speaker: Damiano Cerrone

“Surveillance: Losing Control” curated by Nursultan Barun and Bruce Shujun Wang

Format “In the Dark” crafted by Anna Roth, Daniela Kaiser, Shirun Zheng

 

15:00–15:45 EET

“Outsiders” negotiated via “Bread for the Table”

Guest speaker: Marge Monko & Margit Säde

“Outsiders” curated by Francesca Keaveney

Format “Bread for the table” crafted by Lea Wilhelm, Julia Tienvieri, Daniel Palatz, Hannah Simann Ax, Lucrezia Sterrantino, Victor Nilsson

 

16:00–16:45 EET

“A Wish to Meet” via “The Pace”

Guest speakers: Marek Glow & Uku Sepsivart

“A Wish to Meet” curated by Paula Buskevica and Katarina Sarap

Format “The Pace” crafted by Julia Niklasson, John Wattström, Ellen Solding, Katarina Frisö, Gabriella Di Feola

 

About Crafting Conversations

Crafting Conversations is a platform and approach to investigate situations of knowledge exchange as a matter for design. This means, to shift focus from WHAT to HOW knowledge is exchanged, transferred, created and thus shapes/influences WHAT content can be said, perceived, shared and created.

The Symposium “Crafting Situations – Conversations exploring public boundaries in the (present pandemic impacted) city is the result of a collaboration between the Estonian Academy of Arts, Tallinn and HDK Valand – Academy of Art and Design, Gothenburg. It is conceived and mentored by Sandra Nuut, and Prof. Judith Seng, Berlin/Gothenburg. HDK Valand MFA Design students have developed scores and formats of knowledge exchange and the students of Estonian Academy of Arts have curated topics through the provided formats. The final contributions for the Symposium have been developed through a collaborative rehearsing week in which the relation between HOW and WHAT has been explored by the students.

The Symposium “Crafting Situations – Conversations exploring public boundaries in the (present pandemic impacted) city takes place as part of the public programme of the exhibition Acting Things VIII – Silent Conversations by Judith Seng and curated by Sandra Nuut at the Tallinn Art Hall, 5 June–1 August, 2021.

 

Symposium is supported by CIRRUS/Nordplus

Posted by Sandra Nuut — Permalink

Online Symposium: Crafting Situations – Conversations exploring public private boundaries in the (present pandemic impacted) city

Friday 30 April, 2021

Screenshot 2021-04-27 at 17.11.30

This Friday, 30 April there will be an online symposium “Crafting Situations – Conversations exploring public private boundaries in the (present pandemic impacted) city” in four sessions 13:00–17:00. 

Join the symposium here or on the Crafting Conversations platform here.

“Crafting Situations – Conversations exploring public private boundaries in the (present pandemic impacted) city” is an experimental symposium conducted and developed through a collaboration between the projects Crafting Situations of Knowledge Exchange at HDK Valand Academy of Art and Design Gothenburg, SE, and curation of conversations that investigate the different public private boundaries in the city at Estonian Academy of Arts (EKA), EE.

 

Schedule of the symposium:

 

13:00–13:45 EET

“weaving urban intersections on the crossroads of nature connections” – A Game of Associations moderated through the “Polledge” format

Guest speaker: Ott Kagovere

“weaving urban intersections on the crossroads of nature connections” – A Game of Associations curated by Louise Borinski, Björn Giesecke, Malin Hilding

Format “Polledge” crafted by Hanna Peterson, Emil Söderberg, Fanny Däldborg, Bekhar Azimov, Malene Valentin

 

14:00–14:45 EET

“Surveillance: Losing Control” discussed “in the Dark”

Guest speaker: Damiano Cerrone

“Surveillance: Losing Control” curated by Nursultan Barun and Bruce Shujun Wang

Format “In the Dark” crafted by Anna Roth, Daniela Kaiser, Shirun Zheng

 

15:00–15:45 EET

“Outsiders” negotiated via “Bread for the Table”

Guest speaker: Marge Monko & Margit Säde

“Outsiders” curated by Francesca Keaveney

Format “Bread for the table” crafted by Lea Wilhelm, Julia Tienvieri, Daniel Palatz, Hannah Simann Ax, Lucrezia Sterrantino, Victor Nilsson

 

16:00–16:45 EET

“A Wish to Meet” via “The Pace”

Guest speakers: Marek Glow & Uku Sepsivart

“A Wish to Meet” curated by Paula Buskevica and Katarina Sarap

Format “The Pace” crafted by Julia Niklasson, John Wattström, Ellen Solding, Katarina Frisö, Gabriella Di Feola

 

About Crafting Conversations

Crafting Conversations is a platform and approach to investigate situations of knowledge exchange as a matter for design. This means, to shift focus from WHAT to HOW knowledge is exchanged, transferred, created and thus shapes/influences WHAT content can be said, perceived, shared and created.

The Symposium “Crafting Situations – Conversations exploring public boundaries in the (present pandemic impacted) city is the result of a collaboration between the Estonian Academy of Arts, Tallinn and HDK Valand – Academy of Art and Design, Gothenburg. It is conceived and mentored by Sandra Nuut, and Prof. Judith Seng, Berlin/Gothenburg. HDK Valand MFA Design students have developed scores and formats of knowledge exchange and the students of Estonian Academy of Arts have curated topics through the provided formats. The final contributions for the Symposium have been developed through a collaborative rehearsing week in which the relation between HOW and WHAT has been explored by the students.

The Symposium “Crafting Situations – Conversations exploring public boundaries in the (present pandemic impacted) city takes place as part of the public programme of the exhibition Acting Things VIII – Silent Conversations by Judith Seng and curated by Sandra Nuut at the Tallinn Art Hall, 5 June–1 August, 2021.

 

Symposium is supported by CIRRUS/Nordplus

Posted by Sandra Nuut — Permalink

28.04.2021 — 05.05.2021

“110m vahet” opens its last week

EKA Photography 1st year students’ exhibition “110m vahet” (110m distance) starts its last week!

Anna Ovtšinnikova‘s “Aliens of Tallinn” and Micaela Dunne‘s “Loneliness and Solitude” have been open in two Old Town showcases (Suur-Karja 7 and Vanaturu kael 7) since April 28.

This exhibition includes works completed within the framework of the art project of the 1st year students of the Department of Photography of the Estonian Academy of Arts, which have been created following the display case format. The key concepts of the projects are author position and visual communication. Based on these concepts, each student has an image that expresses an idea and / or emotion. The title of the exhibition refers to the distance between the two showcases.

The exhibition will be open till May 5 and it will be open 24 h a day.

Artists: Micaela Dunne, Grete Eerikson, Erik Hõim, Birna Sísí Jóhannsdóttir, Enriko Kroon, Jette Laane, Anna Ovtšinnikova, Tobias Tikenberg, Georg Tšupov, Stina Vürmer

Posted by Andres Lõo — Permalink

“110m vahet” opens its last week

Wednesday 28 April, 2021 — Wednesday 05 May, 2021

EKA Photography 1st year students’ exhibition “110m vahet” (110m distance) starts its last week!

Anna Ovtšinnikova‘s “Aliens of Tallinn” and Micaela Dunne‘s “Loneliness and Solitude” have been open in two Old Town showcases (Suur-Karja 7 and Vanaturu kael 7) since April 28.

This exhibition includes works completed within the framework of the art project of the 1st year students of the Department of Photography of the Estonian Academy of Arts, which have been created following the display case format. The key concepts of the projects are author position and visual communication. Based on these concepts, each student has an image that expresses an idea and / or emotion. The title of the exhibition refers to the distance between the two showcases.

The exhibition will be open till May 5 and it will be open 24 h a day.

Artists: Micaela Dunne, Grete Eerikson, Erik Hõim, Birna Sísí Jóhannsdóttir, Enriko Kroon, Jette Laane, Anna Ovtšinnikova, Tobias Tikenberg, Georg Tšupov, Stina Vürmer

Posted by Andres Lõo — Permalink

29.05.2021 — 15.08.2021

The 8th Tallinn Applied Art Triennial announces “translucency”

The 8th Tallinn Applied Art Triennial opening at the end of May has selected events for its satellite programme. Among more than 20 exhibitions, the selection includes jewellery and glass art, site specific installations and events involving various fields of art. In the spirit of the times, the programme also features many window exhibitions and a flexible approach to programming.

The theme of the 2021 triennial is “translucency” and many satellite exhibitions have been inspired by that. For example, the installation “In-Tangible” by Federica Cogliandro and Tauris Reose will be set up in the Noblessner area at the end of May, and Master’s students from jewellery, blacksmithing, glass and ceramics departments of the Estonian Academy of Art will present their work at the group exhibition “Phantasmagoria” at Sitsi Factory in Tallinn.

Solo shows include projects by jewellery artists Darja Popolitova (Hobusepea gallery), Kristiina Laurits (Hop gallery), Jaan Pärn (Meistrite Hoov gallery), and Marta Boan (at the Estonian Applied Art and Design Museum’s gallery space). An exciting and dignified combination of installations, objects and jewellery by Kadri Mälk, Julia Maria Künnap and Kai Koppel will be presented at the Laboratooriumi street chapel. Jewellery artists Triin Kukk and Merlin Meremaa showcase their work in a garage on Luha Street. A-gallery shows fresh work from 18 local and international artists in their windows as well as in the Vault.

Rait Prääts and Gleb Divov bring together glass art and augmented reality at Okapi gallery. Kai Kaljo shows her fused glass objects and jewellery at the applied art and design gallery Kunstiaken. In parallel with the triennial Estonian Applied Art and Design Museum welcomes visitors to two glass art shows by Tiina Sarapu and Ivo Lill.

The satellite programme also includes Riste Laasberg’s tapestry exhibition at St. Jacob’s Church in Viimsi, window exhibitions of Katariina Guild’s studios, and an exhibition by ceramics and glass art students of the Estonian Academy of Arts at Salme Cultural Centre.

“I am thrilled that despite uncertain circumstances, we are able to present a substantial satellite programme and artists have found clever ways to showcase their works,” said Merle Kasonen, the chairwoman of the Triennial Society. “Interpreting the world through your art is part of being an artist and it is equally important to share your creations with an audience. I believe and hope that art audiences, too, are hungry for culture.”

The main exhibition of the 8th Tallinna Applied Art Triennial “Translucency” opens on 29 May at Kai Art Center and remains open to visitors until 15 August. The main exhibition of the Triennial is curated by Danish glass artist and art historian Stine Bidstrup, who selected works from 22 international artists to interpret the theme. While the main exhibition includes international artists, the satellite programme highlights local art and gives an overview of Estonian contemporary craft.

The events of the satellite programme take place in May and during summer months, a more detailed schedule will be announced as soon as the governmental Covid restrictions allow for that. 

More info

Posted by Andres Lõo — Permalink

The 8th Tallinn Applied Art Triennial announces “translucency”

Saturday 29 May, 2021 — Sunday 15 August, 2021

The 8th Tallinn Applied Art Triennial opening at the end of May has selected events for its satellite programme. Among more than 20 exhibitions, the selection includes jewellery and glass art, site specific installations and events involving various fields of art. In the spirit of the times, the programme also features many window exhibitions and a flexible approach to programming.

The theme of the 2021 triennial is “translucency” and many satellite exhibitions have been inspired by that. For example, the installation “In-Tangible” by Federica Cogliandro and Tauris Reose will be set up in the Noblessner area at the end of May, and Master’s students from jewellery, blacksmithing, glass and ceramics departments of the Estonian Academy of Art will present their work at the group exhibition “Phantasmagoria” at Sitsi Factory in Tallinn.

Solo shows include projects by jewellery artists Darja Popolitova (Hobusepea gallery), Kristiina Laurits (Hop gallery), Jaan Pärn (Meistrite Hoov gallery), and Marta Boan (at the Estonian Applied Art and Design Museum’s gallery space). An exciting and dignified combination of installations, objects and jewellery by Kadri Mälk, Julia Maria Künnap and Kai Koppel will be presented at the Laboratooriumi street chapel. Jewellery artists Triin Kukk and Merlin Meremaa showcase their work in a garage on Luha Street. A-gallery shows fresh work from 18 local and international artists in their windows as well as in the Vault.

Rait Prääts and Gleb Divov bring together glass art and augmented reality at Okapi gallery. Kai Kaljo shows her fused glass objects and jewellery at the applied art and design gallery Kunstiaken. In parallel with the triennial Estonian Applied Art and Design Museum welcomes visitors to two glass art shows by Tiina Sarapu and Ivo Lill.

The satellite programme also includes Riste Laasberg’s tapestry exhibition at St. Jacob’s Church in Viimsi, window exhibitions of Katariina Guild’s studios, and an exhibition by ceramics and glass art students of the Estonian Academy of Arts at Salme Cultural Centre.

“I am thrilled that despite uncertain circumstances, we are able to present a substantial satellite programme and artists have found clever ways to showcase their works,” said Merle Kasonen, the chairwoman of the Triennial Society. “Interpreting the world through your art is part of being an artist and it is equally important to share your creations with an audience. I believe and hope that art audiences, too, are hungry for culture.”

The main exhibition of the 8th Tallinna Applied Art Triennial “Translucency” opens on 29 May at Kai Art Center and remains open to visitors until 15 August. The main exhibition of the Triennial is curated by Danish glass artist and art historian Stine Bidstrup, who selected works from 22 international artists to interpret the theme. While the main exhibition includes international artists, the satellite programme highlights local art and gives an overview of Estonian contemporary craft.

The events of the satellite programme take place in May and during summer months, a more detailed schedule will be announced as soon as the governmental Covid restrictions allow for that. 

More info

Posted by Andres Lõo — Permalink

29.04.2021 — 29.05.2021

Online exhibition “Meanwhile”

“Meanwhile” is an online art exhibition presented by the 3rd year students of the Estonian Academy of Arts Textile Design and Accessory Design departments. 

Material-sensitive artists focus on personal and universal observations on the topic of recycling and waste management. The effects of the pandemic and isolation can be clearly perceived in many artworks but the exhibition, established during spring, displays a sense of awakening at the same time – highlighting topics that have been overshadowed by global events of the recent times. The exhibition offers a smooth camera flight through the exhibition landscape, where artificial and natural motifs are fused into a new landscape open for critical reflection.

“Meanwhile” appears as a phantom exhibition, established somewhere in a physical space that remains inaccessible to everyone and can only be experienced from a distance.

Artists: Carmen Sibbul, Eva Tarn, Georg Orover, Greta Vinkel, Juulia Aleksandra Mikson, Kille-Ingeri Liivoja, Lea Heinoja, Liisa Põldoja, Merili Põllu, Merilin Pärismaa
Special thanks to Martin Põldoja, Iris Peil, Paul Henrich Daude, Hannes Tarn, Joonas Tarn
Video Production by Roman-Sten Tõnissoo
Supervised by Sten Saarits 

Visit the exhibition at www.bestbefore.ee

Posted by Andres Lõo — Permalink

Online exhibition “Meanwhile”

Thursday 29 April, 2021 — Saturday 29 May, 2021

“Meanwhile” is an online art exhibition presented by the 3rd year students of the Estonian Academy of Arts Textile Design and Accessory Design departments. 

Material-sensitive artists focus on personal and universal observations on the topic of recycling and waste management. The effects of the pandemic and isolation can be clearly perceived in many artworks but the exhibition, established during spring, displays a sense of awakening at the same time – highlighting topics that have been overshadowed by global events of the recent times. The exhibition offers a smooth camera flight through the exhibition landscape, where artificial and natural motifs are fused into a new landscape open for critical reflection.

“Meanwhile” appears as a phantom exhibition, established somewhere in a physical space that remains inaccessible to everyone and can only be experienced from a distance.

Artists: Carmen Sibbul, Eva Tarn, Georg Orover, Greta Vinkel, Juulia Aleksandra Mikson, Kille-Ingeri Liivoja, Lea Heinoja, Liisa Põldoja, Merili Põllu, Merilin Pärismaa
Special thanks to Martin Põldoja, Iris Peil, Paul Henrich Daude, Hannes Tarn, Joonas Tarn
Video Production by Roman-Sten Tõnissoo
Supervised by Sten Saarits 

Visit the exhibition at www.bestbefore.ee

Posted by Andres Lõo — Permalink