Category: Departments

Composing the Sublime: Rituals in Electroacoustic Music
Can electroacoustic music concerts become places of ritual?

Open lecture on Monday, 9.03. at 16:00, room A302

In this talk, Yiorgis Sakellariou (GR) will explore this question that marked the beginning of an analytical and practical research of the social existence of electroacoustic music and the sublime experience of acousmatic listening.

The research expands the framework of sonic arts and suggests methods for further theoretical interrogation and artistic practice. Having taken a qualitative methodological approach, the research drew inspiration from ethnomusicological and anthropological contexts and used digital sound technology to embody the evocative and transcendental atmosphere of religious rituals in electroacoustic music concerts.

The artistic outcomes (published compositions and public performances) focus on the communal experience of listening and the communication between composer, audiences, performance spaces and the rest of the physical and supernatural world.

Yiorgis Sakellariou is a composer of experimental and electroacoustic music. Since 2003, he has been active internationally being responsible for solo and collaboration albums, having composed music for short films and theatrical performances, leading workshops and ceaselessly performing his music around the globe.

His practice focuses on the communal experience of listening and the communication between composer, audiences, performance spaces and the rest of the physical and supernatural world. He only performs in absolute darkness, fostering an all-inclusive and profoundly submerging sonic experience.

He completed his PhD at Coventry University (April 2018). His research drew inspiration from ethnomusicological and anthropological contexts and explored the sonic symbolism and socio-aesthetic settings in ecstatic religious rituals in relation to field recording, electroacoustic composition and acousmatic performance.

Yiorgis Sakellariou is a member of the Athenian Contemporary Music Research Centre, the Hellenic Electroacoustic Music Composers Association and the Lithuanian Composers Union. Since 2004 he has curated the label Echomusic. He is currently a lecturer at VDU and an assistant lecturer at LMTA.

https://mechaorga.wordpress.com/

NB! The lecture is CANCELED!

HIMMELB(L)AU 68 Revisited: We will not allow Art to be exiled from Architecture. Open Lecture by Wolf D. Prix

Arriving to Tallinn on 12 March is the co-founder, Design Principal and CEO of Vienna-based international architecture practice COOP HIMMELB(L)AU Wolf D. Prix, according to whom COOP HIMMELB(L)AU does not so much as fight gravity with their buildings which often seem to float or sway, but rather tries to ignore gravity in the first place. Prix’s lecture is titled “HIMMELB(L)AU 68 Revisited. We will not allow Art to be exiled from Architecture” and is part of the Estonian Academy of Arts architecture open lecture series. All lectures are free and open for all.

Wolf D. Prix studied architecture at the Vienna University of Technology, the Architectural Association of London as well as at the Southern California Institute of Architecture (SCI-Arc) in Los Angeles. Amongst others, Wolf D. Prix is a member of the Österreichische Bundeskammer der Architekten und Ingenieurkonsulenten, the Bund Deutscher Architekten, Germany (BDA), the Royal Institute of British Architects (RIBA), the Architectural Association Santa Clara, Cuba, and Fellow of the American Institute of Architecture (FAIA). Prix has received numerous award, including the Great Austrian State Award and the Austrian Decoration of Honor for Science and Art.

COOP HIMMELB(L)AU was founded in Vienna in 1968 and has since then been operating in the fields of art, architecture, urban planning, and design. Another branch of the firm was opened in Los Angeles in 1988. In numerous countries the firm has realized museums, concert halls, science and office buildings as well as residential buildings. Presently COOP HIMMELB(L)AU is working on various projects in Europe, Asia and the Middle East.

The company’s most well-known international projects include the Rooftop Remodeling Falkestraße attic conversion in Vienna, the multifunctional UFA Cinema Center in Dresden, the BMW Welt in Munich, the Akron Art Museum in Ohio, the Central Los Angeles Area High School #9 for the Visual and Performing Arts, the Busan Cinema Center in Korea and the Dalian International Conference Center in China and the House of Music in Aalborg, Denmark.

The Faculty of Architecture of the Estonian Academy of Arts has curated the Open Lectures on Architecture series since 2012 – each year, a dozen architects, urbanists, both practicing as well as academics, introduce their work and field of research to the audience in Tallinn. All lectures are in English, free and open to everyone.

The series is funded by the Estonian Cultural Endowment.

Curators: Sille Pihlak, Johan Tali

www.avatudloengud.ee
www.facebook.com/EKAarhitektuur/

More info:
E-mail: arhitektuur@artun.ee
Tel. +372 642 0071

You are invited to the opening of the exhibition “This is not a labyrinth” on 11 March at 5 PM at the EKA Billboard Gallery. The gallery is located outside on the EKA building on Kotzebue street. The exhibition will remain open until 8 April.

Walking through the cities, they change into something else: it’s impossible to walk along the same street twice, the shadows and light are growing and shrinking on their own. We are lost since morning. Don’t let go. Don’t get lost. This is not anymore the place you came to.
Like in “Invisible Cities” by Italo Calvino, we show one city we visited together, but more so one city, we visited in our imaginations. “This is not a labyrinth” is a photo album about on day in a foggy dreamy place.

Graphic Art 3rd year students: Mark Hiir, Hanneleele Kaldmaa, Brit Kikas, Maria Izabella Lehtsaar, Riin Maide, Liis-Marleen Verilaskja

Supervisor: Liina Siib

How would your smartphone apps look like if there was no touchscreen interface? Which senses would they need to stimulate in order for your interactions to be effective and purposeful? In a world saturated by visual and sounds, we decided to explore how we can interact with software while stimulating our “other” senses.

Taking a mindful approach to design, four teams accepted the challenge to re-think the way we interact with calendars, weather apps, mindfulness and room booking software.

The result is a pop up exhibition that will be in display for only one day in the Estonian Academy of Arts’s 1st floor atrium. There you will discover “off the screen” prototypes of apps, designed to bring people away from their phones and back into the real world.

Join us from 11:00 till 20:00 on Friday 6th to discuss Tangible Interactions, enjoy tangible welcome drinks at 19:00, and stay with us from 20:00 for a tangible party.

Hand sanitizer on us, beer on you!

artun.ee/IxD

What connects Toblerone to Bill Gates, waterbeds, orange juice, Coca-Cola, the Virgin Mary, and Immanuel Kant? Olof Olsson takes you on a mind-bending trip of comic infotainment.

Driving the Blues Away is an info comedy racing through the histories of art, chocolate, cola-drinks, personal computers, philosophy, and theology. Along the way there’s a romantic melodrama – where Olof’s almost partner is seduced by an ultra famous software entrepreneur in the tax-free shop of Delhi’s Indira Gandhi Airport. The whole thing is steeped in Olof’s twisted love of language: “Our language and the world are not always hooked up one-to-one. It’s a mess, and that makes us nervous. But it’s a funny mess.”

Olof Olsson is a product of the charter tourism of the 1960s. His Dutch catholic mother and Swedish social democrat father met on Mallorca. In his youth Olof made attempts in journalism, documentary photography, and as a radio disc jockey. After having studied languages, philosophy and translation theory, Olof studied visual art at Konstfack in Stockholm and the Royal Academy in Copenhagen. Between 1992 and 2007, Olof mainly made conceptual art. Since 2007, Olof has been focusing on spoken performances – like lectures, speeches, and info comedy.

Olof Olsson’s Driving the Blues info comedy will be in English and is part of the EKA Contemporary Art MA (MACA) programme’s public lecture series ART TALKS.

Everybody is welcome to join!

In Praise of Bad Architects: Open Lecture by Pippo Ciorra

The next lecturer of the Open Lecture Series this spring will be Rome-based architect, critic and professor Pippo Ciorra. Ciorra’s lecture will focus on the contribution given to architecture and especially to modern architecture by designers whose skill was not mainly focused in the exclusive relation with the drawing process and the construction expertise but more to be found in their attitude to conceptualize, politicize, push architecture towards new dimensions and new relations with society. Ciorra will be stepping on the stage of the main auditorium of the EKA building on the 5th of March at 6 pm.

Pippo Ciorra is since 2009 the senior curator for architecture at the MAXXI museum in Rome and longtime editor in chief of “Casabella”. Architect, critic and professor, member of the editorial board of “Casabella” from 1996 to 2012, he collaborates with journals, reviews and national press and is author of many essays and publications. In 2011 he has published an overview of the conditions of architecture in Italy, Senza architettura, le ragioni per una crisi (Laterza). Author of a number of books and, he’s published monographic studies on Ludovico Quaroni (Electa, 1989), Peter Eisenman (Electa, 1993), and then on museums, city, photography and contemporary Italian architecture. He teaches design and theory at SAAD (University of Camerino) and is the director of the international PhD program “Villard d’Honnecourt” (IUAV). He’s a member of CICA (International Committee of Architectural Critics), advisor for the award “Gold Medal of the Italian architecture”. He’s been chairing or participating to national and international design competitions. He has curated and designed exhibitions in Italy and abroad.

The Faculty of Architecture of the Estonian Academy of Arts has curated the Open Lectures on Architecture series since 2012 – each year, a dozen architects, urbanists, both practicing as well as academics, introduce their work and field of research to the audience in Tallinn. All lectures are in English, free and open to everyone.

The series is funded by the Estonian Cultural Endowment.

Curators: Sille Pihlak, Johan Tali

www.avatudloengud.ee
www.facebook.com/EKAarhitektuur/

More info:
E-mail: arhitektuur@artun.ee
Tel. +372 642 0071

Open lecture is cancelled!

On March 16th at 17:00 a public lecture will be held in Estonian Academy of Arts on Late Soviet Modernism in Georgia by Nini Palavandishvili and Estonia by Laura Ingerpuu. The lecture is part of a study course “Understanding Late Soviet Modernism”. Both countries are rich of intriguing architectural masterpieces worth to be evaluated and protected.

NINI PALAVANDISHVILI is a passionate and erudite researcher of Georgian architecture and heritage, especially late soviet modernism. The focus of her research and curatorial projects lies in social and political contexts and their interpretation in the framework of cultural production and contemporary art. She cooperates with Blue Shield Georgia in the protection of heritage in Georgia.

LAURA INGERPUU is a PhD student of Estonian Academy of Arts. Her research field is the soviet modernist architecture in Estonia with an emphasis on the architecture of the collective farms.

Rumour and Justice: A Troubled Relationship

Rumours are “unconfirmed information” (Weingart 2006). Like images, they share a troubled relationship with law (see Vismann 2008) and justice. Since Virgil’s ancient epic Aeneid, “Fama” has been regarded as the allegory of both fame and rumour. Depicted as a trumpeting angel-monster with countless tongues and mouths, the figure is in urgent need of a gender critique. Unsurprisingly, Fama is an unwanted actor before court, for embodying hearsay and mediality.

In her public lecture, Lisa Stuckey philosophically addresses jurisdiction and “rumourological” (Ronell 1986) phenomena in contemporary art and culture. The legal-artistic engagements of Forensic Architecture will inform an exploration into how the political metaphor of the “leak” functions: where do forensic and poetic investigations into voids connect, where diverge? In this context, Stuckey also reflects the artistic-research methodology of her project Fama facing Trial: Words as Currency.

Lisa Stuckey is a media artist and cultural theorist. She is about to complete her doctoral thesis on contemporary art and jurisdiction at the Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna. She holds a MA in Art and Communication with emphasis on the History and Theory of Art and a MFA in Media Art. 2018/2019 she was Junior Fellow / Abroad of IFK International Research Center for Cultural Studies, through which she undertook research stays at the Department of Visual Cultures at Goldsmiths College in London and at Haus der Kulturen der Welt in Berlin. 2019/2020 she is associate member of the Graduiertenkolleg Configurations of Film at Goethe University Frankfurt.

More info: lisastuckey.net

The talk is in English and is part of the EKA Contemporary Art MA (MACA) programme’s public lecture series ART TALKS.

Everybody is welcome to join!

On February 21–22, 2020, the Estonian Academy of Arts will host an international symposium titled “Prisms of Silence”. The symposium seeks to analyse and understand the prisms through which we could meaningfully reconsider significant silences. A particular interest lies in rethinking the silences about WWII, its aftermath and the Soviet era in order to explore how they could offer productive ways of understanding present social change. The main organizers of the symposium are Dr Margaret Tali at the Institute of Art History and Visual Culture at the Estonian Academy of Arts, and Ieva Astahovska at the Latvian Centre for Contemporary Art. The symposium is a part of the collaborative project “Communicating Difficult Pasts” between the Institute of Art History and Visual Culture at EAA and the LCCA. The participants include humanities scholars, curators and artists: see the CFP.

“PRISMS OF SILENCE” SYMPOSIUM PROGRAM

Venue: Room A501, Estonian Academy of Arts,

Põhja puiestee 7, Tallinn

DAY 1: FRIDAY, 21 FEBRUARY 2020

9:00 – 9:10 Welcome by Mart Kalm, Rector of the Estonian Academy of Arts

9:10 – 9:30 Introduction to the Symposium by Margaret Tali and Ieva Astahovska 

9:30 – 11:00  Session 1: Absences, their Impacts and Memory Work, Moderated by Violeta Davoliūtė, Vilnius University

Asja Mandić, Suppression of Socialist Narratives of the Second World War and its Modes of Visual Representation

Annika Toots, Exhibition Displaced Time: 10 Photographs from Restricted Collections as a Model of Remembrance

Jan Miklas-Frankowski, A City of Amnesia: Marcin Kącki’s Białystok. White Power. Black Memory

11:00 – 11:30 Coffee break

11:30 – 13:00  Session 2: Difficult Knowledge and Artistic Interventions, Moderated by Ieva Astahovska

Margaret Tali, Thinking through Silence and Mental Health in Recent Documentary Film

Zuzanna Hertzberg, Nomadic Memory: Artivism as Everyday Feminist Antifascist Practice

Rasa Goštautaitė, Contested Soviet Legacy: The Case of the Petras Cvirka Monument in Vilnius, Lithuania

13:00 – 14:00  Lunch break

14:30 – 16:00  Guided tour in the Vabamu Museum, Toompea 8 (1,5 h)

16:30 – 18:30 Session 3: When Sources Fail: Visual Languages for Analysing Past Trauma, Moderated by Margaret Tali

Assel Kadyrkhanova, Image, Sound, Absence, Silence. Artmaking on Historical Trauma

Lia Dostlieva, “I still feel sorry when I throw away food – Grandma used to tell me stories about the Holodomor.”

Kai Ziegner, A History of Violence 

Aslan Goisum, Realms of Memory and Sources of Resistance

18:30 – 19:30 Dinner

SATURDAY, 22 FEBRUARY 2020 

9:30 – 10:15 Short keynote by Giedrė Jankevičiūtė, Reconstruction of Contested History: Vilnius, 1939-1949, Introduced by Margaret Tali

10:15 – 11:45 Session 4: The Unspeakable and Agency, Moderated by Eneken Laanes, Tallinn University

Katrina Black, Absence as Form: Spaces of Articulation in the Work of Chantal Akerman

Kati Roover, Project Red

Jaana Kokko, Oral History and Moving Image

11:45 – 12:15 Coffee break

12.15 – 13.45 Session 5: Patterns of Muting and Silencing, Moderated by Siobhan Kattago, University of Tartu

Franziska Link, Brawling Silences. Rereading Louis-Ferdinand Céline’s Écrits Maudits 

Mischa Twitchin, Refracting Implication: The Uses of Silence

Jan Matonoha, Dispositives of Silence: Injurious Attachments and Discursive Emergence of Silencing; “Missing” Gender in Czech Dissent Samizdat and Exile Literature

13:45 – 14:45 Lunch break

14:45 – 16:15 Session 6: Breaking Silences and Challenges to Changing Discourses, Moderated by Ilya Lensky, Director of the Museum “Jews in Latvia”

Shelley Hornstein, Architecture’s Dirty Little Secrets

Ieva Astahovska, On Collaborations, Silences and Lustration

Maayan Raveh, The Implication of Silence – The Promised Land in Palestinian Christian Theology

16:15 – 16:45 Coffee break

16:45 – 18:15 Session 7: There and Not There – Ways of Giving Voice to the Past, Moderated by Pille Runnel, Head of Research at Estonian National Museum

Elina Niiranen, Finnish Linguist Pertti Virtaranta and Silenced Identity of Karelians in the 1960’s Soviet Karelia

Paulina Pukytė, Repetition of Silence

Elisabeth Kovtiak, (Non-)sites of Memory of the Holocaust in Belarus: Cases of Minsk and Brest

18:15 – 18:45 Final discussion and conclusions

19:00 – 20:00 Dinner

Supporters of the symposium:

EKA LOOVKÄRG – Eesti visuaal- ja ruumikultuuri õppe- ja
teaduskeskus (Sisutegevuste projekt)
2014-2020.4.01.16-0045

Nordic Culture Point

Cultural Endowment of Estonia

EKA research fund

NEP4DISSENT: COST Action 16213