Category: Departments

From 1 February the exhibition “Ocean Botlights” by Taavi Suisalu will be open at the Tallinn City Gallery. Suisalu, who tackles the relationship between people and technology, here explores light – simultaneously a giver of life and a conveyer of information, spreading out in a web of rays the breadth of a hair at the bottom of the oceans, where no other light can reach. The exhibition is curated by Siim Preiman.

The exhibition will open on Thursday, 31 January at 6pm and will remain open until 31 March.

Taavi Suisalu (b. 1982) is an artist, who seems to be constantly flickering between different times, simultaneously looking into the ancient past and the future just out of reach. It seems that this tension between eras is an activating force in his work. At the exhibition “Ocean Botlights”, light is what brings together the ancient and the modern, simultaneously one of the prerequisites for life on Earth as well as the conveyer of information along the super-fast fibre optic cables that cover the world like a spider’s web.

“Light is not just a condition necessary for life, but the infrastructure of our information society also relies on it – the internet relies in large part on the relay of information in the form of light along fibre optic cables. Along with productivity, cheapness and user-friendliness, the internet has helped the mass growth of information and communication technology (ICT) in society. As a result, almost all important products and services in first-world countries depend on ICTs,” Oliver Laas writes in the accompanying booklet.

The installations on show at the exhibition bring together the characteristics of light both ancient and new. Suisalu seems to be trying to capture continuity in his work and is searching for something with a longer perspective. “Although how people behave and think acclimatises to new technologies quickly, the changes in sensations, physiology and mentality are more long-term,” he writes in the accompanying text. It seems that Suisalu is striving towards such a level of standardisation that would allow us to overcome the seemingly accelerating and unstoppable fervour for technological development.

Taavi Suisalu activates peripheral areas using technology, sound and performance based art as tools for an intriguing coming together. His work is inspired by the way contemporary society relates to technology and its influence on how a social being behaves, senses and thinks. In his work, he also connects cultural phenomena with contemporary cultural practices and approaches that are more traditional. His recent solo-exhibitions include “Landscapes and Portraits” (Hobusepea Gallery, 2017) and “I Am NOT Sitting in a Room” (Draakoni Gallery, 2015).

We would like to thank: Estonian Cultural Endowment, Estonian Ministry of Culture, Estonian Artists’ Association, Veinisõber, AkzoNobel, WRO Art Center, EMAP / EMARE, Creative Europe, Tartu Valgus, KOOR Wood, Kadri Toom, Indrek Tali, Mihkel Säre, Tõnu Narro, John Grzinich

Tallinn City Gallery (Harju 13) is open Wednesday till Sunday 12–7pm. Entrance is free.

Public lecture by Raine Vasquez will be held today(17.01) at 5pm in room nr A301

In an informal conversation Raine Vasquez will discuss his complicated and frustrated relationship with art, his exodus into philosophy, and his continued work at the Museum of Impossible Forms and other art-centric organizations. He will discuss some points of his forthcoming “anti-art” manifesto, contemplate arts’ role as a technology of late-capitalism, and whether it really has the power to disrupt that it is so often claimed to possess. He will wonder about the ethics of continuing to make art, and speak about disappointment, hopelessness, and self-exile.

http://www.raine–vasquez.com

Janne Lias will open her first
solo exhibition titled “Dog Show”
on Wednesday, January 16 at 6–8pm
at Vent Space project space.

“To get over some fears, you need to actively deal with them. Some others you may simply grow out of and realise at some point that you just aren’t afraid anymore. That said, terrifying past events leave their mark and leave you with unpleasant memories.

One active method for overcoming phobias is to confront them i.e. through exposure, in which you get used to the frightening situation or object through careful yet consistent contact with them. Another method is to poke fun at the fear and convince yourself you aren’t afraid anymore. But does this work?”

The exhibition will be open from January 17 to 19 at 12–6pm and
on January 20 at 12–4pm.

Janne Lias (b. 1981, Tallinn) studies
at the painting department of the Estonian Academy of Arts. Having previously acquired a master’s in computer science from Tallinn University of Technology,
Lias often uses IT knowledge in her work. Working in the field of art, she likes to experiment with different materials and techniques. Emotions and a sense of humour are important tools for her in creating her work.

The collaborate exhibition implies the question of what is being hidden/revealed from the observers. The focus is on the relationships between inner and outer layers, covering and core, mask and truth. Covering or wrapping functions as the filter transmitting or blocking out the qualities of contents. In a selective way, it’s shaping the communication between inside and out. Both artists are approaching the topic in slightly different ways.

Liina Leo (b.1993) received a bachelor’s degree in Textile Design from the Estonian Academy of Arts this June and was awarded the Mari Adamson Prize. She complemented her undergraduate program with a one year at the Kunsthochschule Berlin Weissensee specializing in surface design. Beginning this autumn, Liina is working as a weaving workshop tutor at the Estonian Academy of Arts.

Misa Asanuma (b.1994) is an artist from Japan. She studied literature at Meiji University, Tokyo. She is currently in the middle of her MA studies in the department of Contemporary Art of the Estonian Academy of Arts and mainly working on photography.

Katrin Enni will open her solo exhibition “Almost Parallel” at Vent Space project space on Tuesday, January 8, 2019 at 6pm.

“Almost Parallel” is an audiovisual installation. The inspiration for creating
the installation came from a romantic
sci-fi fantasy about lonely robots drifting around in space and looking for companions. During the process, while investigating the physicality of sound and how materials resonate, the robots were born with bodies looking like large metal cones. At the same time they also function as large vibrating speakers. The final result is a cosmic sound installation, involving sound, noise, light, movement, algorithms and also randomness.

A live performance by Katrin Enni
will take place on Thursday, January 10
at 7pm. Various soundscapes that are created specially for this sound installation will be presented. Entrance is free.

The exhibition is open daily from
1pm to 7pm and will remain open
until January 11, 2019.

Katrin Enni is currently studying at the Master programme of Contemporary Art at the Estonian Academy of Arts (where she also obtained her BA in 2018 in the department of Sculpture and Installation). She has created sound installations from electronic components, micro motors, found objects, ready-mades and industrial materials. “Almost Parallel” is her first solo exhibition.

Inclusive City and Street Commerce: the Hidden Structure of Retail Location Patterns and Vibrant Sidewalks – Lectures by Lily Song & Andres Sevtsuk

Lily Song (Lecturer in Urban Planning and Design and Senior Research Associate at the Harvard University Graduate School of Design) and Andres Sevtsuk (Assistant Professor of Urban Planning at the Harvard Graduate School of Design) and will give lectures on Friday, 21st of December at 4 pm in the mail hall of Estonian Academy of Arts, looking into Tallinn’s challenges and opportunities in exploring urban planning and policy interventions that promote sociospatial equity and inclusion and how “good” street commerce is part and parcel of building inclusive, diverse, and vital local economies. Both lectures open for architecture students from across Estonia as well as field professionals, city officials, and general public interested in the future of Tallinn urban centre. The lectures will be in English.

***Lily Song. Inclusive City***

Amidst growing income and wealth inequality in many countries, the urban and spatial dimensions of this issue remain less investigated and understood. This talk will consider Tallinn’s challenges and opportunities in exploring urban planning and policy interventions that promote sociospatial equity and inclusion.

Lily Song is a Lecturer in Urban Planning and Design and Senior Research Associate with the Transforming Urban Transport-Role of Political Leadership (TUT-POL) project at the Harvard University Graduate School of Design.Her research focuses on the relations between urban sustainability and livability initiatives, sociospatial inequality, and race and class politics in American cities and other postcolonial contexts. Her projects— which topically span building energy retrofits, sustainable urban transport, and informal street vending among others— are motivated by the common question of how historically marginalized and disenfranchised urban inhabitants and communities can drive transformative urban policy and governance in collaboration with differently situated and abled partners. She holds a PhD in Urban and Regional Planning from MIT, where her dissertation, entitled “Race and Place: Green Collar Jobs and the Movement for Economic Democracy in Los Angeles and Cleveland,” focused on the analysis of two community-based green economic and workforce development projects aiming to build shared wealth and stabilize poor, inner city neighborhoods. The research partly explored how progressive urban coalitions might use race as a diagnostic and dialogic tool in undertaking transformative economic programs towards realization of the “just city.”

***Andres Sevtsuk. Street Commerce: the Hidden Structure of Retail Location Patterns and Vibrant Sidewalks***

“Good” street commerce is part and parcel of building inclusive, diverse, and vital local economies, convivial neighborhoods, and sustainable built environments. However, cities and communities will only realize such gains and benefits if they proactively plan and regulate street commerce.

Andres Sevtsuk is an Assistant Professor of Urban Planning at the Harvard Graduate School of Design. His research interests include urban design and spatial analysis, modeling and visualization, urban and real estate economics, transit and pedestrian oriented development, spatial adaptability and urban history. Andres has worked with a number of city governments, international organizations, planning practices and developers on urban designs, plans and policies in both developed and rapidly developing urban environments, most recently including those in Indonesia and Singapore. He is the author of the Urban Network Analysis toolbox, which is used by researchers and practitioners around the world to study spatial relationships in cities along networks. He has led various international research projects; exhibited his research at TEDx, the World Cities Summit and the Venice Biennale; and received the President’s Design Award in Singapore, International Buckminster Fuller Prize and Ron Brown/Fulbright Fellowship. He was previously an Assistant Professor of Architecture and Planning at the Singapore University of technology and Design (SUTD), and a lecturer at MIT.

“Unfinished City” is a three-year large-scale research project conducted by the Estonian Academy of Arts Faculty of Architecture in cooperation with the City of Tallinn. The research project asks what could be a good and livable city in the 21st century and how this could be reflected in the urban development of Tallinn. The project focuses on exploring Tallinn’s urban design visions and spatial future scenarios. The research will be carried out thanks to the support from Kapitel.

Additional information: https://www.artun.ee/en/curricula/architecture-and-urban-design/unfinished-city/

21 Grams, 2018 Hangzhou Contemporary International Jewelry and Metal Art Triennial

Under the title 21 grams Ruudt Peters has organized a jewelry exhibition where a large number of artists where asked to make a jewel with the weight and content of the soul 21 grams, to develop specifically for this exhibition. There will be an equal number of western and eastern artists invited to take part at the exhibition.The installation of the art works is an important part of the concept. The works of the 21 grams jewelry will be present on scales to verify whether an artist has succeeded to the weight of the soul 21 grams to meet.

Artist list
Paul Adie, Manami Aoki, Peter Bauhuis, David Bielander, Rudolf Bott, Helen Britton, Beatrice Brovia, Bifei Cao, Carla Castiajo, Guozhen Chen, Shuming Chen, Nicolas Cheng, Xiang Cheng, Florian Chumeng, Shachar Cohen, Erinn Cox, Aaron Patrick Decker, Peter Deckers, Patrícia Domingues, Yanli Duan, Iris Eichenberg, Nedda El Asmar, Benedikt Fischer, Shaoxiong Fu, Sara Gackowska, Jie Gao, Maya Gao, Shan Gao, Wei Gao, Yun Ge, Zhiwei Gong, Niki Grandics, Adam Grinovich, Xin Guo, Rupai Han, Sophie Hangarth, Ann-Kathrin Hartel, Jing He, Nils Hint, Simone Hompel ten, Meiing Hsu, Jun Hu, Shifa Hu, David Huycke, Meiri Ishida, Koen Jacobs, Xuezhi Ji, Chengyu Jiang, Xueling Jin, Junwon Jung, Lauren Kalman, Jiro Kamata, Yeonmi Kang, Heejoo Kim, Young-I Kim, Panjapol Kulpapangkorn, Seulgi Kwon, Heng Lee, Seulki Lee, Helena Lehtinen, Linlin Lei, Danqing Li, Shanshan Li, Tianqing Li, Yinliang Li, Yiping Li, Yunxuan Li, Zifeng Li, Xiao Liang, Enying Lin, Xiao Liu, Urmas Lüüs, Suska Mackert, Lilian Mattuschka, Jasmin Matzakow, Mei Meng, Carla Movia, Eija Mustonen, Kadri Mälk, Chequita Nahar, Xianou Ni, Evert Nijland, Zijun Ning, Ted Noten, Lumy Nouguez, Pavel Opocensky, Seth Papac, Liling Peng, Yiwen Peng, Ruudt Peters, Annika Pettersson, Karen Pontoppidan, Suzanne Pugh, Haiming Ren, Estela Saez, Nina Sajet, Juliane Schölß, Sondra Sherman, Jun Shi, Robert Smit, Nadja Soloviev, Deganit Stern Schocken, Zhongge Sui, Jie Sun, Jieyi Sun, Xiangxiang Sun, Yiping Sun, Tore Svensson, Anneleen Swillen, Fumiki Taguchi, Edu Tarin, Terhi Tolvanen, Vivi Touloumidi, Fabrizio Tridenti, Yiumsiri Vantanapindu, Frank Verkade, Kezhen Wang, Qi Wang, Qiong Wang, Taidi Wang, Xiaojia Wang, Xiaoxin Wang, Zhenghong Wang, Chumeng Weng, Mian Wu, Renjie Wu, Jun Xie, Binglei Xu, Chenqian Xu, Jiaying Xu, Jing Xu, Congcong Yan, Zhao Yang, Xiaoyou Ying, Tala Yuan, Shuang Yue, Christoph Zellweger, Xihan Zhai, Chenzhi Zhang, Fan Zhang, Kun Zhang, Yi Zhang, Yunting Zhang, Zaozao Zhang, Zhaodan Zhang, Zhi Zhang, Yanmin Zhao, Yi Zhao, Hanqi Zheng, Hengfeng Zhou, Mingming Zhou, Ruoxue Zhou, Zhuohan Zhou, Aiyu Zhu, Yijie Zhu, Weiyang Zhuo

This year’s Hangzhou International Jewelry and Metal Art Triennial invited 155 exhibitors who are famous educators, artists and scholars from 25 countries and regions to participate in the One Belt, One Road guidelines and policy, focusing on the China Academy of Art. About 50 well-known institutions in Asia, Europe, and the Americas form a high-level jewelry and metalworking academic feast worldwide. This exhibition has attracted the enthusiastic participation of many domestic and foreign contemporary jewelry and metal artists. It also pays special attention to the incubation of young artists and has become a mature communication platform for the contemporary jewelry art circle. This exhibition also conducts academic discussions with experts from around the world to expand the academic, artistic, technical and aesthetic aspects to promote the development of jewelry and metal art.

Through the 21g exhibition, we will present the most avant-garde metal art creations at home and abroad from a professional perspective, and promote the development of the overall discipline of jewelry and metal art. Through exhibitions, to understand the different areas of jewelry and metal art in the international and domestic, to explore the development of jewelry and metal art in the era of new technology, to reflect on how artists should face and eliminate the boundaries between art and crafts. At the same time, through the academic research of international art creation, combined with art history, modern and post-modern art theory, sociology and anthropology, the interdisciplinary discussion on the rhythm of art jewelry and other related issues.

Exhibition Theme: “21 grams”
With the intention to prove the existence of the human soul scientifically MacDougall introduced in 1907 a medical experiment by six patients roads during their dying process. The beds were positioned on an industrial scale so that the weight of the patient before, during, and could be held in the holes after death. The patients lost directly or minutes to hours after death 21 grams weight. This minimal research shows that the soul has a substantial weight. The concept of 21 grams has a mysterious imagination that is attractive to artists. The weight of 21 grams is both imaginative and literally for jewellery makers a challenge.

This triennial is scheduled to travel to European countries in 2019.
– 2018.11.07-2018.12.10 (China)
– 2019.03.11-2019.04.20 (Germany)
– 2019.05-2019.06 (Poland)
– 2019.07-2019.08 (Belgium)
– 2019.10-2019.11 (Netherlands)

/https://klimt02.net/events/exhibitions/21-grams-china-academy-art/

More:

https://klimt02.net/forum/articles/why-do-you-wear-jewelry-triennial-ping-zou

Erinn M. Cox_John Carl Cox 1919-1992_forty-one cast sterling silver baby teeth of artist`s late grandfather, sterling silver, rhodium plating, 21 grams_2018

Nils Hint_brooch_Elephant_leather, blood, sweat, oil, dirt, stainless steel_2018

Urmas Lüüs_Filled Emptiness_bone, iron chloride, sodium silicate, water, video documentation_ 2018_Photo by Valdek Laur and Urmas Lüüs

On Wednesday, the 12th of December at 19 o’clock, we will open the exhibition “Dissemble” at Vent Space (Vabaduse väljak 6/8). The exhibition is open from 13 to 19 of December from 14-20 o’clock.

It is the first group show of the students of the 2nd year of photography department.

The participating artists: Kristiina Aarna, Ben Caro, Gerda Nurk, Diana Olesjuk, Anna Pazucha, Pille-Riin Vihtre & Lisann Lillevere.

Through their individual visions they propose unique viewpoints of their surroundings. By looking closer they have re-constructed reality within the photographic frame to ask us to question hierarchies both inside and outside the image. Furthermore they have de-constructed reality and built a meditative space into which they invite us into. De-constructing familiar places through a rather personal view. Using a historical viewpoint to highlight overlooked traces visible under close looking.

The final speaker of EKA open architecture lecture series’ 2018 autumn semester is Patrik Schumacher, the director of Zaha Hadid Architects. His completed projects include the MAXXI Centre of Contemporary Art and Architecture, Rome, which won the Stirling prize in 2010 and one of the practice’s first completed constructions, the Vitra Fire Station (1992). He is currently involved in several master plan projects, including Kartal Pendik in Istanbul and Singapore One North. In 2017, Zaha Hadid Architects’ proposal titled ‘Streamcity’ was selected as the winner of the international competition to masterplan the revitalization of Port of Tallinn’s Old City Harbour area. The lecture will take place at the EKA main hall on Thursday, 13 September at 6 pm.

Patrik Schumacher is principal of Zaha Hadid Architects and has been leading the firm since Zaha Hadid’s passing in March 2016. He joined ZHA in 1988 and was seminal in developing

Zaha Hadid Architects to become a 400 people global architecture and design brand. Schumacher studied philosophy, mathematics and architecture in Bonn, Stuttgart and London and received his Diploma in architecture in 1990. He has been a partner since 2003

and a co-author on all projects. In 2010, Patrik Schumacher won the Royal Institute of British

Architects’ Stirling Prize for excellence in architecture together with Zaha Hadid, for MAXXI, the

National Italian Museum for Art and Architecture of the 21st century in Rome. He is also Member of the Academy of the Berlin Academy of Arts.

In 1996 he founded the Design Research Laboratory at the Architectural Association in London

where he continues to teach. In 1999 he completed his PHD at the Institute for Cultural Science,

Klagenfurt University. Patrik Schumacher is lecturing worldwide and is currently a guest

professor at Harvard’s GSD. During the last 20 years he has contributed over 100 articles to

architectural journals and anthologies. In 2008 he coined the phrase Parametricism and has

since published a series of manifestos promoting Parametricism as the new epochal style for

the 21st century. In 2010/2012 he published his two-volume theoretical opus magnum “The

Autopoiesis of Architecture”. Patrik Schumacher is widely recognized as one of the most

prominent thought leaders within the fields of architecture, urbanism and design.

Architect Sille Pihlak, one of the curators of the Architecture Open Lecture series, says that

both Zaha Hadid ja Patrik Schumacher were highly inspirational throughout her studies at the University of Applied Arts Vienna: “When giving feedback to students’ projects they didn’t merely cover the full design scale from a city to a furniture, but also always pushed you to pay attention to the sociopolitical, technological, economical and culture innovation tendencies. Patrik – in his statements often antagonistic and objectionable in the eyes of the wider architecture community – is currently one of the most important practitioner, whose statements pull architects out of their comfort zone, pushing us to argue our actions in a constructive and context-sensitive manner. This kind of approach towards the art of building and acknowledgment of wider context is essential for our students to witness.”

The architecture and urban design department of the Estonian Academy of Arts has been curating the Open Lectures on Architecture series since 2012 – each year, a dozen architects, urbanists, both practicing as well as academics, introduce their work and field of research to the audience in Tallinn. All lectures are in English, free and open to all interested.

The series is funded by the Estonian Cultural Endowment.

Curators: Sille Pihlak, Johan Tali

www.avatudloengud.ee

https://www.facebook.com/EKAarhitektuur/

More info:

Pille Epner

E-post: arhitektuur@artun.ee

Tel. +372 642 0071

Gudy Herter will give a lecture about “Current lifestyle trends for 2019/2020” on Monday, 10^th of December at 12 am at the EKA auditorium A101 and an additional masterclass for fashion department MA and 3rd course BA students.

Gudy Herder is an international trend consultant, keynote speaker, and certified trainer based in Barcelona, Spain. She helps brands and businesses anticipate trends and use them to develop products that inspire, tell a story, and ultimately, sell. First and foremost, Gudy considers herself a visual creative passionate about scouting trends in interior design & lifestyle. With a sharp eye honed by years of hands-on experience in international retail management, she observe trends as they emerge.

Look at: https://youtu.be/rpCO5-dA6nw

More info: Piret Puppart
Head of Fashion Department
Estonian Academy of Arts
+372 5074243