Category: Departments

The EKA Interior Architecture Department is happy to announce that on 18 June at 4 pm, we’ll be opening an exhibition at the headquarters of the Estonian Forest Management Centre RMK (Toompuiestee 24, Tallinn), giving the wider public a chance to see the project our 1st year Bachelor’s programme students have been working on since September 2017.

The task given to the students was to re-think a campingsite at Nikerjärve, Aegviidu – this is the fourth project in a line of our co-operation projects with the RMK, looking into how contemporary, context-driven spatial design could improve the forest infrastructure for hikers and wanderers of all types. The exhibition will showcase 12 ideas for the area from 12 students, with scaled models and explanations. Of the 12, three concepts were selected earlier in spring and developed as teamwork – and of those three, one has been selected to be worked on further with the whole team, and to be built by August 2018, when the area will open for users in its new shape and form.

Facebook event.

Have you ever  wondered how to make the most out of your art practice or projects?

How to functions public art field in Scandinavia?

Where and how to exhibit your work abroad?

Then OPEN ARS: CONNECTORIUM series of events are meant for you.

All professionals in the field of contemporary art interested in expanding their networks and learning more about art-related processes – this is for you!

OPEN ARS: CONNECTORIUM project warmly welcomes you to the 4-day event held in ARS Art Factory focusing on public art in Scandinavia. Lectures, studio visits, meetings and a workshop will be led by curator and art consultant TORUN EKSTRAND and artist JAN CHRISTENSEN.

PROGRAM:

6th June at 5pm: lecture by Torun Ekstrand that shares her understanding and experience in public and contemporary art from the perspective of curator and commissioner. In her words: “this will be a talk about art in public space-processes, Baltic art projects, exhibitions and artists’ conditions – a variety of perspectives on contemporary art practises.”

Participation fee: 12 EUR

7th June: artist studio visits and meetings by request with Torun Ekstrand (the priority will be given to the ones, who participated in the lecture).

13th June at 5pm: artist talk by Jan Christensen. Jan will introduce his art practice, share his personal experience with public art projects and strategies how to survive from art practice.

Participation fee: 12 EUR (for the workshop participants the lecture is for FREE)

14th June 11am-7pm: workshop for artists by Jan Christensen. To the workshop are welcome all practicing artists, who wish to learn how to present their art project proposals in the best way. The participants will explore how to go from an idea to realization. Also, the workshop offers to learn from a successful artist how to survive and make a living from art practice.

Workshop program:

STRATEGY. Strategies for survival and notes on the general art world: Living and working as a contemporary artist today.

SAMPLE PROJECT. Comprehensive description of certain public art projects, from conception to construction.

PRESENTATION. Presenting tools and techniques with regards to the initial stages of compiling a presentation, discussing teamwork, software and advantages and disadvantages of technology.

Participation fee: 36 EUR (includes FREE entrance to the lecture of Jan Christensen)

The number of participants is limited. Please register here: https://docs.google.com/forms/d/e/1FAIpQLSedZ3Ccqnb2cqYeCBq-WGelaenFtcja33s7vLak46_ChzMQBA/viewform?usp=sf_link

The events take place at ARS Art Factory, Pärnu mnt 154 Tallinn, room 111.

In case of questions: Varvara Guljajeva, varvarag@gmail.com, telefon: 58178424

www.arsimaja.ee

Our first guest is an independent curator and art consultant Torun Ekstrand from Sweden. She is an expert on public art in Sweden and has a vast experience in establishing and managing the international network and collaborative projects. Torun has been working with international artists in different museums and art halls since 2002, the latest were Songlines for a New Atlas, Make a Change and Mare Balticum.

Art consultant in public art commissions, working with permanent and semi-permanent public art works and city development projects. Network curator. Project leader for the EU project Art Line, a platform for projects challenging the notion of public space in physical and digital space, together with 14 art institutions and academies in the Baltic Sea area. Leader for Think Tank Transbaltic, an interdisciplinary collaboration about around the Baltic Sea that use methods of participative art. Both of them got the Flagship award by the European Commission.

Regional art developer supporting art institutions, artists and art organization, and organizing A.I.R. Blekinge – Baltic One.

More about Torun and her projects: www.artland.se, www.artlinecatalogue.eu, www.artline-southbaltic.eu, www.thinktanktransbalticpilot.blogspot.com, www.konstiblekinge.se

The second guest is internationally recognized Norwegian artist Jan Christensen (Copenhagen, 1977), who lives and works in Oslo and Berlin. He has exhibited internationally since 2001. Institutional solo-exhibitions and projects include Kunsthaus Baselland, Basel; Artsonje Art Center, Seoul; Stenersenmuseet, Oslo; Galleri F15, Jeløya; Sørlandets Kunstmuseum, Kristiansand; Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent; Viborg Kunsthalle, Viborg; Kubus Lenbachhaus, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich.

He has been an artist in resident at institutions such as IASPIS, Stockholm (2003); Villa Arson, Nice (2004); The International Studio Program of Changdong/The National Art Studio, Seoul (2004), The Irish Museum of Modern Art (IMMA), Dublin (2005); FRAC  des Pays de la Loire, Carquefou/Nantes (2005); The Yeonhee-Dong 195 Residency Project, The Art Council of Korea, Seoul (2007); Montana State University, Bozeman, MT, USA (2010); SIM, Reykjavik, Iceland; Seoul Art Space Geumcheon (SASG), Seoul (2012) and Viborg Kunsthal, Viborg, Denmark (2014).

In addition to the rich trajectory of exhibitions, Jan has completed over 30 public art commissions in Norway, and other countries. His work is found in private collections internationally, from Seoul to New York and San Diego, and in the collections of the National Museum of Art and the Astrup Fearnley Museum of Modern Art, Oslo.

Jan Christensen is a Board Member and advisory board member of several art institutions, like Ingerid Fegerstens Stiftelse, Oslo; Fellesverkstedet, Oslo; Tromsø Kunstforening, Tromsø; Prosjektrom Normanns, Stavanger; Billedkunst, Oslo; Sparebankstiftelsen DNB Art Award;

http://www.janchristensen.org/

Sixteen young designers graduating with bachelor’s degree in Graphic Design present their final works in “GD18 SHOW” at EKA Gallery. The exhibition opens with a reception at 5PM on May 31st. The exhibition will feature publications, fonts, video and board games, interactive stories, sound projects and works for the Estonian Academy of Arts.
Exhibition runs through 19 June.

The projects address and deal with topic, such as attention economy, culture jamming, stereotypes, character play and creation, uncanny valley and more.

The starting point for the “GD18 SHOW” is the meeting place stuudioruum at Estonia pst 7, where the students have been working, studying and socializing for the past three years. The exhibition also reuses and gives another chance for the self-build and borrowed furniture.

Prior to the exhibition the graduating class will present their thesis projects May 30 from 10AM thorough 12.30PM at the gallery hall of Center of Architecture (Põhja pst 27a). Presentations will be in English.

Exhibiting designers: Kermo Aruoja, Allan Aug, Martina Gofman, Elis Kitt, Kaspar Kuldkepp, Vello Lutter, Oskar Mihhailov, Joosep Noorväli, Anselm Oja, Eva Rank, Johanna Ruukholm, Anastassia Tšepaikina, Nathan Tulve, Karl Uibo, Mathias Väärsi and Väino Õun.

Supervisors: Ranno Ait, Jaan Evart, Mikk Heinsoo, Ott Kagovere, Daniel Kotsjuba, Moonika Maidre, Sandra Nuut, Norman Orro, Brit Pavelson, Indrek Sirkel, Kert Viiart, and Kerli Virk.

GD18 SHOW programme:

June 1, 6PM – Presentation of the book BRNO GUIDE
(Vello Lutter & Mathias Väärsi)

June 5, 6PM – Presentation of the board game ALU
(Kermo Aruoja & Oskar Mihhailov)

June 8, 6PM – Bedtime Express II
(Eva Rank)

June 12, 6PM – Presentation of the video game Exquisite Corps
(Anastassia Tšepaikina)

June 15, 6PM – Social experiments and rave
(Anselm Oja)

June 19, 6PM – Bedtime Express III
(Eva Rank)

Since 1998, the Tallinn Print Triennial has been accompanied by young artists’ exhibitions. Spheres is the youth exhibition of the 17th Tallinn Print Triennial. Its aim is to study the contemporary human condition through the conceptual metaphor of a sphere. Philosopher and cultural theorist Peter Sloterdijk claims that spheres are hybrid and symbolic realities created by humans from whatever is ready to hand. They are spaces of coexistence that enable humans to exist as humans. All human life proceeds within membranes that provide meaning and immunity.

There are three types of spheres. Bubbles are microspheres and the smallest units of social existence. They are constituted by dyadic relationships between two entities. Globes are all-encompassing macrospheres that seek to unite all individual differences. Foam is the fragile and layered aggregate of vertically and horizontally contiguous bubbles that are characterized by co-fragility—if one bubble bursts, it affects all its neighbors.

The youth exhibition will take place in two parts. The second part will open at the Corridor Club of Kultuurikatel on the 31^st of May at 6 PM and will remain open until the 16^th of July. Participating artists— Valentin Alizer, Ann Pajuväli, Mark Antonius Puhkan, Irma Isabella Raabe, Kadi Reintamm, Elina Saat, Kristina Mirjam Villand and S3+A1 (Delija Thakur, Helga Aliis Saarlen, Elise Roos ja Patrik Olejňák). The exhibition is curated by Eve Kask and Oliver Laas. The exhibition designer is Delija Thakur, graphic designer is Kerli Virk.

Since 1998, the Tallinn Print Triennial has been accompanied by young artists’ exhibitions. Spheres is the youth exhibition of the 17th Tallinn Print Triennial. Its aim is to study the contemporary human condition through the conceptual metaphor of a sphere. Philosopher and cultural theorist Peter Sloterdijk claims that spheres are hybrid and symbolic realities created by humans from whatever is ready to hand. They are spaces of coexistence that enable humans to exist as humans. All human life proceeds within membranes that provide meaning and immunity.

There are three types of spheres. Bubbles are microspheres and the smallest units of social existence. They are constituted by dyadic relationships between two entities. Globes are all encompassing macrospheres that seek to unite all individual differences. Foam is the fragile and layered aggregate of vertically and horizontally contiguous bubbles that are characterized by co fragility—if one bubble bursts, it affects all its neighbors.

The youth exhibition will take place in two parts. The second part will open at the Corridor Club of Kultuurikatel on the 31 st of May at 6 PM and will remain open until the 16 th of July. Participating artists— Valentin Alizer, Ann Pajuväli, Mark Antonius Puhkan, Irma Isabella Raabe, Kadi Reintamm, Elina Saat, Kristina Mirjam Villand and S3+A1 (Delija Thakur, Helga Aliis Saarlen, Elise Roos ja Patrik Olejňák). The exhibition is curated by Eve Kask and Oliver Laas. The exhibition designer is Delija Thakur.

Vít Havránek’s “Display Case: Enjoy the Mirror” is the opening exhibition of the Showcase Gallery of the EKA Department of Photography. The gallery is connected to the Lembitu 10 building and the exhibition will open with a performance on 4 June at 14:00.

The exhibition “Display Case: Enjoy the Mirror” reflects on the usage of latin verb reflexio (reflection) that from early middle ages as description of a body that is repulsed by a mechanical obstacle. In this sense Descartes develops the reflections as a process of thinking when the thought is returned as a subject of thought about itself and its conditions. In this connection mirror image in absence of thinking is a bare image.

Vít Havránek is an art theoretician and curator living in Prague. He has been working since 2002 as director of the contemporary art initiative Tranzit.org. He has previously worked as a curator at Prague City Gallery and National Gallery in Prague. Havránek is a lecturer of contemporary art at the Academy of Arts, Architecture and Design in Prague and he co-curated Manifesta 8 and the 15th Jakarta Biennale. In 1999, Vít Havránek was one of the founders of the PAS collective. The group was created as a unit for organizing and producing events that promote new models of mediation between the public and art. In 2000, as one of the first projects, PAS set up showcase galleries in various Czech cities.  The showcase galleries were based on the example of the Communist showcase galleries that were used in the 1980s by the Communist regime and local authorities for disseminating political propaganda.

Open lecture by Samson Shafran: “Post-Digital Decadence:Les Fleurs du Mal”, on Monday, June the 4th at 11.00 Estonia Pst 7, room 429. The lecture will be concerned with addressing digital 3D modelling, Rapid prototyping (3D printing), their influence and augmentation of the creative process and the correlation between the artist / craftsman individual style and the aesthetical vocabulary derived from the digital making process.

This futuristic exhibition at Tallinn TV Tower tells a story of the planet Shift, through which the Estonian Academy of Arts students have moved the traditional boundaries of fashion. The exhibition will highlight 12 unique shifts that lack all practical connections with the world and are bound for the future instead.

Participating artists: Sandra Luks, Mari-Ly Kapp, Pamela Põld, Marleen Afanasjev, Elsbeth Tiisler, Kaia Kuusmann, Katrin Aasmaa, Kerttu Reinmaa and Aleksandra Tsusovljanova, Kirke Talu

Artists’ supervisors: Liisi Eesmaa, Anu Samarüütel-Long and Piret Puppart

Shift project manager: Sirli Pohlak

Graphic designer: Vahur Vogt

Photo material: Cärol Ott

Exhibition organisers: Hannes Rüütel, Külli-Triin Laanet and Edvard Hiietam

Course supervisor: Maiu Rõõmus

Dates:  13-17 August 2018

Volume: 40 hours, 2 ECTS

Location:  Estonian Academy of Arts

Number of participants: max 13

Cost: FREE (Please note that this course is meant for higher education students only)

Registration deadline:  6th of May

In addition to the general required materials, candidates are expected to submit a letter of motivation explaining why they are applying and what is their experience with 3D printing so far (max A4).

The Department of Ceramics at the Estonian Academy of Arts invites you to participate in an international Clay 3D Printing workshop. Ceramics have properties that allow it to be used in the most disparate fields. We usually don’t consider that ceramics are all around us, not just in kitchenware, but also in bathrooms, swimming pools and public interiors, and that stoves and fireplaces, even houses, are made of fired clay. Top-quality ceramics can be found in medical equipment, audio technology and air and space industry. Clay is sensitive, flexible and versatile material with its’ own technological limits which the participants will learn during the workshop.

3D printing in clay allows us to print three-dimensional objects or models at lower cost and more easily. For ceramists, it represents a new technological possibility, while for others it gives a chance to convert digital sketches into real three-dimensional objects. During this course, participants will learn the technical skills of 3D printing and printing in clay: creating G-code and STL files, plus preparation of the clay and printing. The aim of the course is to use innovative thinking to discover new ways of printing, using clay and the printed ceramics. The end of the workshop will feature a pop-up exhibition of the objects created.

The workshop is aimed at ceramics, architecture and design students, but admission is open to all students who have had experience with 3D printing and know how to create 3D files. Every participant needs to bring their own laptop. All other materials are provided, and students may keep the objects they print.

Homework assignment for selectees:

1) students will be asked to bring one of their 3D-file, print ready

2) students will be asked to come up with a design they would like to execute in the workshop. They will be asked to give a presentation on the design in person. As in a hackathon, they will then set to work on the problem.

More information and link to registration form: https://www.artun.ee/summeracademy/clay-3d-printing/

Dates: 20-24 August 2018

Volume: 40 hours, 3 ECTS

Location: Department of Architecture at the Estonian Academy of Arts, Pikk tn 20, Tallinn

Number of participants: max 25

Cost: FREE (Please note that this course is meant for higher education students only)

Registration deadline: 6th of May

In case of high volume of applications, prospective participants are asked to write an essay one A4-format page in length (approximately 250 words).

Content of the course

This workshop is structured on architecture, numbers and cognition with the focus mainly on public space. Two broader topics pervade the workshop. One of them is more physical, involving translating the world into parameters, and the other is mapping social activities. The broad goal is to find connections between the two sets of topics. The environment around us consists of a number of physically countable and measurable parameters, which we can use to describe it (width of a carriageway, location of a cafe). Which parameters are the best for describing or designing the world?  As another important topic, we will map the movements or activities of human masses, using photo and image analysis and Wi-Fi positioning to this end. When, why and where are people moving and how long do they stop – this is an important set of topics, because the quality of space is largely dependent on the presence of people.  The participants in the summer academy course will be challenged to find relationships between the physical world and human activity. It will be important to find a means and method for measuring and documenting the environment. Cognition referred to in the course name refers to experience that can be used in future to make decisions to design and re-design space.  Ideally, we envision the participants who complete the academy to be capable of imagining and perceiving the implications of 1,000 people or 100 cars passing a point.

Picking key parameters (properties) from this environment has long received attention from urbanism scholars: William H. Whyte, who attempted to trace patterns of use of public space, or Kevin Lynch, who tried to find the mental model people use to understand a city.

The late 20th century brought a rise in computing power, which has resulted in change in the accuracy and use of many calculations. In the past, it was not conceivable to calculate trajectories from one building to another manually, but it is now possible. Alongside this trend, a completely new field has arisen: various kinds of simulations. Simulations make it possible to model traffic, pedestrians or both at the same time. Gathering data has become more intensive with a focus moving from gathering qualitative data to collecting quantitative data.  A large part of the summer school involves field observations, which helps instil intuition in participants as to what a given indicator means. This will also give them a clearer understanding of the computational processes and outcomes and they will be able to rationally assess the outcomes of some simulation or facts presented to them.

Participants will become well-versed in methods and means for quantitatively and qualitatively documenting the street-level space, which can in turn later be used for analysis of other places. The participant will also receive an overview of and access to software used in the framework of the workshop. At the end of the summer school, all of the data that was gathered will be made public to allow third parties to use them in their projects – for example, to plan more fluid, safer traffic conditions.

More information and link to registration form: https://www.artun.ee/summeracademy/numbers-and-cognition/