James Carey, Flooring duration 2017. aAh and charcoal residue from indeterminate duration [for david]. 2017
3. korruse avatud ala (A300)
Start Date:
09.09.2019
Start Time:
16:00
End Date:
09.09.2019
Open lecture „becoming [in]determinate: from specificity to responsiveness, from site to situation” by JAMES CAREY, artist and lecturer in Interior Design, School of Architecture and Urban Design, RMIT University on Monday, 9 September 4 pm (A300).
James Carey’s creative research practice explores process-based interventions within decommissioned buildings and gallery spaces. This presentation will discuss James’ practice and how it shifted during his PhD candidature; from one that was defined by himself and others as site-specific and spatial practice, to one that explores and manifests the concept of duration through a practice that is temporal, material and spatial. Furthermore, James will also discuss his ongoing creative research practice, particularly in the cities of Detroit and Hamtramck, USA and his project as part of the Oslo Architecture Triennale 2019.
Biography:
James Carey is an artist and a Lecturer in Interior Design, School of Architecture and Urban Design, RMIT University. James is also an artistic director at BLINDSIDE gallery, and he lives and works in Melbourne, Australia.
James has an inherent curiosity to notions of process, time and duration. His practice is one of mark making, marking time, making time, and time making; foregrounding duration and marking an occurrence. His technique is one of working responsively, allowing particular temporal conditions to surface within specific situations. His marks materialise immateriality and allow the residue of particular processes to be assembled as collections of materialised and spatialised time.
Recent projects and exhibitions include interruptions Stockroom Gallery, Kyneton 2018, future interior with staff and PhD candidates Interior Design, School of Architecture & Urban Design, RMIT as part of Melbourne Design Week 2019, and ! 金! curated by Dr Kent Wilson and La Trobe Art Institute, as part of the Castlemaine State Festival, Australia 2019. In June and July 2019, James returned to Detroit, USA for continuing research, and he will also participate in the Oslo Architecture Triennale, whose provocation explores the concept of degrowth within contemporary cities and cultures.