Open Architecture Lecture: Büro Bietenhader Moroder

Open architecture lecture “Dumb Emancipatory Housing. Dumb Emancipatory City Planning”: Sebastian Bietenhader and Matthias Moroder / Büro Bietenhader Moroder

On January 12 at 6 pm in room A-400

The lecture is held in English, is free and open to all interested parties.

The open lecture will finish the “Dumb emancipatory housing Workshop” held by EASA (European Architecture Student Assembly) on January 8 – 12. The workshop at EKA is supported by Cultural Endowment of Estonia.

Sebastian Bietenhader and Matthias Moroder have been working together as Büro Bietenhader Moroder since 2015. Büro Bietenhader Moroder deals with copyness as a positive formal property of architecture, which makes it possible to work formally against the neoliberal architecture of differentiation, flexibilization and individualization. By simultaneously maximizing the formal relations of architectural settings to one another, which is conceptually defined as copyness, Büro Bietenhader Moroder opens up a re-reading of the formal characteristics of social housing of French and Russian revolutionary architecture and that of Red Vienna.

Cities are starting again to build housing as builder-owners to counter the suffocation of urban life through real-estate speculation. This new public housing needs its own architecture. However, the historical formal and aesthetic distinctions between public and free market housing have been lost, all housing mimics or is luxury housing.

In the search for an intrinsically public housing architecture Büro Bietenhader Moroder has discovered a totally overlooked formal quality of architecture: Maximalist intentional sameness, termed dumb copyness. Dumb copyness is fundamentally different than mere serial repetition. Instead, it relies on formal qualities that enhance the maximum sameness of rooms, flats, entire housing blocks or urban settings far beyond mere industrial or functionalist seriality.

Hereby methodological rigor is central. Through a rejection of creative ad-hoc-subversion, deviation on every level, – the ubiquitous demand for ‘smartness’ –, a methodical planning can be re-established that achieves a directness that is greatly and blatantly dumb.

Guided by this focus Büro Bietenhader Moroder seeks to rediscover and reclaim the historical forms and aesthetics of pre-WWII public housing, such as Russian revolutionary architecture and that built by Red Vienna from 1919 to 1934. In this period, we find specific formal articulations of a non-functionalist public housing architecture that is almost forgotten and that gives shape to a collective life that is affordable and emancipatory. Through this critical historical re-reading we are developing a design method for emancipatory housing that is so directly public, so clear and basic that it is dumb.

Sebastian Bietenhader and Matthias Moroder have been working together as Büro Bietenhader Moroder since 2015. Büro Bietenhader Moroder deals with copyness as a positive formal property of architecture, which makes it possible to work formally against the neoliberal architecture of differentiation, flexibilization and individualization. By simultaneously maximizing the formal relations of architectural settings to one another, which is conceptually defined as copyness, Büro Bietenhader Moroder opens up a re-reading of the formal characteristics of social housing of French and Russian revolutionary architecture and that of Red Vienna.

Sebastian Bietenhader studied architecture at the ETH Zurich (BSc.) and at the Harvard GSD, as well as history and philosophy of knowledge, also at the ETH Zurich (MSc.), where he did a thesis on the development of the computer modelling space, which will be essential for BIM. He headed the student discussion group “Ambitus”. He is a regular guest critic at the ETH and has been teaching architecture at various (non)- institutions.

Matthias Moroder studied architecture (AA Dipl.) at the Architectural Association in London, art history (BA) and philosophy (BA) at the University of Vienna and history and theory of architecture (MAS) at the ETH Zurich. Besides the work as Büro Bietenhader Moroder, since 2018 he is co-leading MAGAZIN, an independent exhibition space for architecture in Vienna. He is currently a PhD candidate at the department of art history of the University of Vienna and has been teaching architecture and architectural history and theory at various (non)- institutions. Matthias is also co-founder of the Vienna Architecture Summer School.

EKA Doctoral School will be hosting an online info session about doctoral studies at EKA on February 7, 2024, at 13:00-14:30 EET (local Estonian time) . 

Info session provides a good opportunity to hear more about doctoral studies at EKA, available programmes, admission requirements and procedure, etc; also meet and ask questions directly from people behind the Doctoral School and the programmes. The info session will be hosted online over Zoom.

REGISTER HERE

The Estonian Academy of Arts offers following PhD level programmes for international applicants:

• Architecture and Urban Planning
• Art and Design
• Art History and Visual Culture
• Cultural Heritage and Conservation

Admission period for international PhD applicants for 2024/2025 starts on February 1st, 2024. Deadline for submitting application is March 31st, 2024.

Admission requirements for PhD programmes can be found HERE.

More information:
Irene Hütsi
Doctoral School coordinator
irene.hutsi@artun.ee

A preparatory course for those interested in pursuing doctoral studies in practice-based and/or artistic research in EKA will take place 19.02–18.03.
The course will take place on-site at the EKA, there is no possibility to participate online.

The course focuses on planning and composing a creative research proposal, introduces doctoral studies at EKA, completed and ongoing doctoral theses, and helps clarify how to interconnect research problems, methods, and creative practice.

The course consists of four seminars and a consultation where you can get individual feedback on your project. The course will be led by Dr. Jaana Päeva, Head of the PhD Programme in Art and Design, and Dr. Liina Unt. Dr. Kristi Kuusk will join them for consultations.

The course is supported by Fine Arts faculty’s “PhD Vitamin”, which will bring together experts from artistic and practice-based research and prospective doctoral candidates.

Timetable

To participate, please send a short introduction (max 1.5 pages) to irene.hutsi@artun.ee by 12.02. The text should address your motivation, previous experience and the potential topic of your research. The number of places is limited, the acceptance will be confirmed by 14.02. The course will be held in English.

Additional info:

Online info session: doctoral studies at EKA

Conditions for admission to doctoral studies

Estonian Artistic Research Framework Agreement

EKA Interaction Design MA programme invites prospective Master’s students to join the online info session on Thursday, February 1, 2024 at 18:00 EET (local Estonian time).

Register HERE

More information about the Interaction Design MA (IxD.ma) programme:

• https://www.ixd.ma
• https://www.artun.ee/ixd
• https://www.facebook.com/IxD.ma

Admissions period starts on the 1st of February 2024 and application deadline is 4th of March 2024.

https://artun.ee/admissions

EKA Contemporary Art MA program invites prospective students to join the online info session on Monday, January 29, 2024 at 17:00 EET (local Estonian time). This will be an opportunity to hear more about the program, to meet and ask questions directly from the faculty.

The online info session will be hosted on Zoom, the link will be e-mailed to all registrants 2 hours before the start of the event.

Register HERE

VOYAGE
Leon Höllhumer
12.01.–14.02.2024
Opening: 11.01. at 7 pm

Höllhumer’s films are created through performative film shoots – live events as a total spectacle where mundane preparations alternate with intense and brutal sessions. The performances are characterized by the use of different set pieces that may come from everyday life, trying to capture the essence of masquerades.

Leon Höllhumer (b. 1986 in Austria) works as an artist, choreographer and filmmaker in Vienna. He studied Contextual painting with Ashley Hans Scheirl at the Academy of Fine Arts. As a multimedia artist focusing on performance, sculpture, photography and film, he has shown his work since 2014 at numerous exhibitions and institutions in Austria and abroad.

The project is supported by the Cultural Endowment of Estonia and Põhjala Brewery.

EKA Gallery
Kotzebue 7, Tallinn
Open Tue–Sat 12–18, free entry

More info:
eka.galerii@artun.ee

Open Lecture
 Blood-sweat-tears-love-animation

Animation at UMPRUM in Prague

Michaela Režová  

The Department of Animation and Film at the University of Art, Architecture and Design in Prague is the oldest in the Czech Republic, founded in 1951. The department has a rich history and is known for its exploration of formal intersections and experimentation with audiovisual works. In a lecture by Michaela Režová, a filmmaker and studio lecturer, the evolution of the studio’s history over the past 70 years will be discussed, along with the changes in teaching and curriculum. Režová, herself a graduate of the department, is known for her work in the animated documentary genre, with a focus on different forms within that genre. She has collaborated with Czech Radio and worked as a creative director on various projects, including a permanent exhibition at the National Museum in Prague. The lecture will be followed by the screening of short films.

Blood-sweat-tears-love-animation / Animation at UMPRUM in Prague
The Animation and Film Department at the Academy of Art, Architecture, and Design in Prague, established in 1951, holds the distinction of being the oldest in the Czech Republic. While it cherishes and builds upon traditions, the department actively explores formal crossovers and possibilities for experimenting with audiovisual works. Lecture will present 70 years and their transformations. How did the research of the studio’s history unfold? What have we discovered? And what does the teaching and curriculum look like today? This will be presented by Michaela Režová, a filmmaker and lecturer from the studio. In conclusion, a presentation of short films will follow.

bio

Michaela Režová is a filmmaker and director whose work primarily focuses on the genre of animated documentary and its various forms. In 2017, she graduated from UMPRUM with a specialization in animation and film. Her diploma project, the short film Chase (2017), brings to life the glory days of Czechoslovak hockey, exploring both its triumphs and darker moments. In 2018, she collaborated with Czech Radio on the film Gambler. Between 2020 and 2022, she was the curator for the exhibition ANIMATION 70 (celebrating the 70th anniversary of the animation studio at UMPRUM) and also she was the editor of a publication bearing the same name.
As a creative director, she worked on a 360° video for the permanent exhibition History of the 20th Century at the National Museum in Prague and on six films for the exhibition Design and Transformation: Stories of Czech Design 1990-2020. She stands behind the platform f-a-t.cz which works under the motto “From animators to animators” and brings content from animation world. Currently she is also a lecturer at UMPRUM.

On Friday, December 29 at 6 pm we open the solo exhibition “It will take approximately 25 minutes to experience this exhibition, we apologize for any inconvenience” by Sten Saarits. The exhibition will remain open until January 22, 2024.

How much of our valuable time do we unconsciously give for nothing, without receiving anything in return.. Like drifting obliviously, without noticing the surroundings and those around us. The desire to belong is fundamentally a basic human need. Studies suggest that the craving for social interactions arise from the same region of the brain where our need for food is felt, and when we are excluded, the experience is processed in the same brain region responsible for the sensation of physical pain.. And then we activate. Like toys with new batteries. Panic-induced false belonging sets in, and smart devices play a significant role in fulfilling the basic need for connection. The somewhat unsettling sense of non-belonging paves the way for digital non-spaces and fantastic, theatrical realms within it. Humans have the essential need to observe and be observed.. To be seen, heard and considered by others. It is safe to move in packs, each one still lonely, eyes staring to the non-world.. because the possibility for non-world is always present; it is nowhere and belongs to no one.. There is no accountability, neither for actions nor for consequences, I do not participate, I am just an observer.. Slightly calming, somewhat entertaining, but excellent for passing the time.

Our desire to belong pushes us to action, but it cannot happen without sacrifice. Am I willing though.. These are my experiences, my belongings, my people, my thoughts and feelings.. What if the new ones are not coming.. Will I remain stranded here, idle and free-falling in the middle world.. And so we turn, cautiously testing our trust, and walking into the future.. We sort of slowly begin to move, and then we circle back to a core familiar to us.. There is a sense of security when we know that we are for a fact present in a specific place, at least physically. “I’ll wear a reflective vest as well – so if I happen to wander too far, would you mind calling me back, okay?” If someone generous in real life would put these dots down for us, there would be a clear objective and it would be easy.. no need to think much ourselves. And so it often is, that we let our lives be curated by someone else’s dots.. thinking that these are our own choices.

Kristel Saan

Special thanks to Erko Ever, Carmen Kalata, Egle Ehtjen, Madli Kadakas, Tiina Vändre, Mart Joost, Kert Viiart, Kristel Saan, Sirje ja Rein Kuusik, Kertu Rooma ja T1 Keskus.

Exhibition is supported by: Estonian Cultural Endowment

Exhibitions in Hobusepea gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko AS.

EKA Craft Studies MA programme invites prospective master’s students to join the programme’s online info session on Tuesday, February 6, 2024 at 17:00 EET (local Estonian time).

This will be a good opportunity to hear more about the curriculum, and to meet and ask questions from the people behind the programme.

The online info session will be hosted online over Zoom and the link will be e-mailed out to all registrants 2 hours before the start of the event.

If you would like to attend, please register online through the form below.

Register HERE

More information about the Craft Studies MA programme: https://www.artun.ee/en/curricula/craft-studies/overview/

Admissions period starts on the 1st of February 2024 and application deadline is 4th of March 2024.

https://artun.ee/admissions