Fine Arts Assessment Marathon 2.–19.12.2024

December brings an opportunity to experience, in an exhibition format, works produced by students in the Faculty of Fine Arts as their term projects: every day there will be a fresh crop of university students’ works on display in the gallery.

Works in animation, contemporary art, installation and sculpture, painting, photography, graphic art, scenography curricula will be on display. On each evening of the marathon, a new exhibition will be installed and in the following evening the exhibit will give way to the next one. Hopefully, viewers will be able to keep up with the pace of the young artists.

The assessments will take place in the main building of EKA (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206, EKA Gallery; Kotzebue 1), in the new EKA building (Kotzebue 10) and at Uus Rada gallery (Raja 11A).

On the assessment day, the exhibitions at EKA gallery and the new EKA building (Kotzebue 10) are open from 3 pm to 6 pm, on Sundays the exhibitions are open from 12 pm to 6 pm.

SCHEDULE
Mon 2.12. Photography, supervisor Krista Mölder (EKA Gallery)
Mon 2.12. Drawing, supervisor Tõnis Saadoja (2nd & 3rd floor general areas)
Tue 3.12. Drawing, supervisor Eero Alev (EKA Gallery)
Wed 4.12. Drawing, supervisor Ulvi Haagensen (EKA Gallery)
Thu 5.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (EKA Gallery)
Fri 6.12. Scenography, supervisor Ene-Liis Semper (EKA Gallery)
Sat 7.12. – Sun 8.12. Scenography, supervisor Mark Raidpere (EKA Gallery)

Mon 8.12. New Media, supervisor Sten Saarits (EKA Gallery)
Mon 8.12. Photography, supervisors Marge Monko, Reimo Võsa-Tangsoo NB! Uus Rada Gallery, the exhibition will remain open until 15.12.
Tue 10.12. Studio photography, supervisor Tanja Muravskaja (EKA Gallery)
Tue 10.12. Drawing (animation and scenography), supervisor Britta Benno (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Wed 11.12. Painting, supervisors Tõnis Saadoja, Mihkel Maripuu, Holger Loodus (EKA Gallery)
Thu 12.12. Animation, supervisors Lilli-Krõõt Repnau, Ülo Pikkov, Anu-Laura Tuttelberg (EKA Gallery)
Thu 12.12. Anatomical drawing, supervisors Maiu Rõõmus, Matti Pärk (2nd & 3rd floor general areas, 2nd floor drawing classes A-205 and A-206)
Fri 13.12. Painting, supervisors Karl-Kristjan Nagel, Tõnis Saadoja (EKA Gallery)
Sat 14.12. – Sun 15.12. Painting, supervisors Sirja-Liisa Eelma, Alice Kask, Mart Vainre (EKA Gallery)

Mon 16.12. Graphic Art, supervisors Liisi Grünberg, Viktor Gurov, Liina Siib, Britta Benno, Eve Kask, Eve Kaaret (EKA Gallery)
Mon 16.12. Photography, supervisors Triin Kerge, Annika Haas (Kotzebue 10)
Tue 17.12. Graphic Art, supervisors Lembe Ruben, Mark Antonius Puhkan, Maria Izabella Lehtsaar, Paul Rannik (EKA Gallery)
Wed 18.12. Sculpture, supervisors Taavi Talve, Laura Põld (EKA Gallery)
Wed 18.12. Contemporary Art, supervisors Marge Monko, Reimo Võsa-Tangsoo, Liina Siib, Taavi Talve, Anu Vahtra, Maris Karjatse, Laura Põld, Holger Loodus, Kristi Kongi, Sten Saarits, Camille Laurelli, Eve Kask (2nd & 3rd floor general areas of the main building of EKA and the new building, Kotzebue 10)
Thu 19.12. Contemporary Art, supervisors Maris Karjatse, Eve Kask, Kristi Kongi, Camille Laurelli, Holger Loodus, Marge Monko, Laura Põld, Sten Saarits, Liina Siib, Taavi Talve, Anu Vahtra, Reimo Võsa-Tangsoo (EKA Gallery & Kotzebue 10)

On Thursday, 21.11, at 19.00 Yujie Zhou will open their solo show White Shadow at Vent Space, all welcome! 

On Friday, 22.11 at 17.00 they will give an artist talk at EKA in room A302.

The exhibition White Shadows interweaves personal memory and political identity with collective ideologies. Featuring a series of handwoven Jacquard tapestries and video works, the artist Yujie Zhou explores the complex interplay between their autobiographical experiences and systems of discipline. Through these works, Zhou seeks to transform what once symbolized uniformity into something deeply personal and reflective.

White Shadows is centered around the notion of shadow. In Chinese, the etymology of the word photography has it translate as the action of capturing shadows, in contrast to that of drawing with light. It is on this regard that shadows hold great significance in the work of the artist, these are the lens through which they conceive an alternative way of seeing –one symbolizing both erasure and shelter. This duality heightens the tension of pairing an urge to resist with the subtle self-cersorship that is present in/all-throughout their body of work.

Yujie Zhou is a Chinese visual artist based in Helsinki, Finland. They navigate performativity and a decoded notion of language through photography, textiles, video, and publishing. Based on the juxtaposition between their nationalist upbringing and their current life, their practice interrogates dominant historical narratives and power structures while reframing collective individuality.

Zhou completed a Master’s Degree in Arts with a Major in Photography and a Minor in Textiles—Materials and Structures at Aalto University in 2023. Selected solo exhibitions include QWERTY at Photographic Gallery Hippolyte, Helsinki, Finland (2023), Four Women at Photographic Centre Peri, Turku, Finland (2023), and White Shadows at Taidekeskus Mältinranta, Tampere, Finland (2024). Group exhibitions include MoA 23 at the Finnish Museum of Photography, Helsinki, Finland (2023); Make Me Find You at alpha nova & galerie futura, Berlin, Germany (2023); and Disrupted Narratives at the Singapore International Photography Festival, Singapore (2024). Select awards include the FUTURES Photography Talent 2024 nomination by Fotogalleriet, Oslo, Norway; the Finnish Art Society’s Young Artist Grant (2023); Shortlist of PhMuseum 2024 Photography Grant’s Main Prize; nominated artist for Plat(t)form 2023 at Fotomuseum Winterthur, Switzerland. Selected Residencies include Kone Foundation’s Saari Residency Fellowship (2024); and an 11-month Artist-in-Residence at HIAP (2024).

Mental Vitamin Week is back and happening next week! From November 18–22, we will host various exciting activities to bring some fun and relaxation to the long and tiring school days.

**MONDAY, 18.11.2024**

– Morning run at 8:00 (meeting in front of the school)
– Fruit in exchange for your phone
– 12:00–18:00 Sauna in the school courtyard
– Gaming in A300

**TUESDAY, 19.11.2024**

– Morning run at 8:00 (meeting in front of the school)
– Health shots
– 12:00–18:00 Sauna in the school courtyard
– Gaming in A300
– Scream room in the ÜE tower
– 19:00 EKAAJU quiz (in the atrium, registration required)

**WEDNESDAY, 20.11.2024**

– Morning run at 8:00 (meeting in front of the school)
– Gaming in A300
– Confession room and worry box (5th floor box)

**THURSDAY, 21.11.2024**

– Morning run at 8:00 (meeting in front of the school)
– Gaming in A300

**FRIDAY, 22.11.2024**

– Final morning run of the week at 8:00 (meeting in front of the school)
– Gaming in A300

Design Issues: Hasso Krull’s Talk “Earth Thought: sentipensar con la tierra Arturo Escobar and the Cosmovisions of the Relational Ontology” on Tuesday, November 19 at 4:00 PM, in room A501 at the Estonian Academy of Arts (EKA).

We have been taught that we live in the modern world. The axis of modernity is progress, based on rationality, development and technology. However, we have also learned that modernity is in a perpetual crisis. But why does development always lead to a disaster? Maybe modernity is not a solution, but in itself a problem? If that is the case, we need to redefine it. We need several new cosmovisions and something that Arturo Escobar has called pluriversal politics.
Hasso Krull (b. 1964) is an Estonian poet who has published sixteen books of poetry and nine collections of essays that include literary criticism as well as writings concerning art, cinema and society. During 1990-2017 he was teaching cultural theory at the Estonian Institute of Humanities (special courses on creation myths, oral tradition, continental philosophy and psychoanalysis). From 2019 he has been teaching creative writing in the Estonian Academy of Arts.

The Design Open Lecture series 2024 is part of Sandra Nuut and Ruth-Helene Melioranski’s Design Issues course. It is public and open to all.

A conference from the series “Studies in Contemporary Culture”, dedicated to Andrus Kivirähk’s novel from 2000 with the Estonian title “Rehepapp ehk November” and its multiple adaptations in various media, will be taking place on November 25th at Tallinn’s Writers’ Building (Harju 1). The conference is organized by the Research Group of Contemporary Estonian Culture in collaboration with the Estonian Writers’ Union.

Minna Henriksson: Archive as artwork. Kiila Feminist Archive and other cases

Artist Minna Henriksson will talk about the crucial role archives have played in her artworks, both as source of information and influence. In addition, Henriksson has built archives, or complemented existing ones, as artworks. During the talk she will introduce several cases, where she has implemented archives and archiving in her artistic practice in different ways, and aims to explain her motivations for working with archives, and history writing in general.

Minna Henriksson (b. 1976, Oulu, Finland, lives in Helsinki) is a visual artist working with a disparate range of tools including text, drawing, painting and linocut. In dealing with historical cases, Henriksson hopes to politicize contemporary events that seem neutral and inevitable. The ideological nature of historiography is a recurring theme in her work.

Contemporary Art and Context is a lecture series hosted by MA Contemporary Art. This lecture is organized in collaboration with Archival Impulse, an elective course taught by Lieven Lahaye that introduces students to the practicalities, considerations and possibilities of using archives and archival material as part of their practice as artists and designers.

The lecture is held in English, everyone is welcome to join!

Liis Vares and Taavet Jansen’s new mixed reality production, Held in Human II: Rose in Your Brain, premieres on November 14 at the University of Tartu Library and will be open until November 28. This VR experience draws inspiration from materials collected from the public during the installation Held in Human at the EKA Gallery in the fall of 2023.

“Something is changing, I can no longer make sense of what here means, as I increasingly feel that while I am here, I am also always a little bit there. There, where my thoughts are, there where my imagination roams — and not only mine, but someone else’s as well, simultaneously. It is real. I am always inside a body, in this form that makes me visible and touchable; yet I am also always in a space, where no one can see me. It is a space of thought, an invisible space, but also an ever-present network, a movement. I am present, held in human.”

Held in Human II: Rose in Your Brain is a mixed reality performance, a collective thought space where linguistic thinking meets the instinctive physique. It is a physical reading experience, a choreography of thoughts that you can experience within your own body using mixed reality glasses. Plug in — let your body and thoughts carry you.

Authors: Liis Vares and Taavet Jansen

Mixed reality solution: Norbert Pape

Sound design: Mihkel Tomberg

Graphic design: Jaan Evart

Room design: Mari Möldre

Photographer: Alissa Šnaider

Producer: Anu Almik, elekrton.art

Premiere: 14.11.2024 at University of Tartu Library

Next performances: 15.-28.11.2024. UT Library is open Mon-Fr 9-21 ja Sat-Sun 12-18

Festivals: 26.-27.10 showing PAD festival Wiesbaden Germany

Supporters: Estonian Ministry of Culture, Cultural Endowment of Estonia, Tallinn city, Dortmund Academy of Theater and Digitality, Estonian Academy of Arts through the ACuTe project, Erasmus program, VARES Valga Architecture Residency, University of Tartu

The production was developed as part of the ACuTe project, in which EKA is one of the partners.

11.11
Triin Tint – “Stitch by stitch – a journey from EKA to the H&M knitting design team (and who knows where to go)”

Triin Tint is a designer with a background at EKA and Aalto University, whose niche is knitwear. The designer, who has long been interested in conceptual (fashion) art and telling stories through clothes, ironically has been working for the last few years in one of the biggest fashion brands in Stockholm.

In the lecture on 11.11, Triin will talk about his own journey and its development.

The lecture will be held in English

On 9 December at 14:00 Hasso Krull will defend his thesis “Cosmic Trickster in Estonian Mythology” (“Kosmiline trikster eesti mütoloogias”).

The public defence will be held in EKA (Põhja pst 7), room A501.
The defence will be broadcast on EKA TV.
The defence is in Estonian.

Supervisors: Prof. Virve Sarapik, (Estonian Academy of Arts), Dr. Margus Ott (Estonian University of Life Sciences)
External reviewers: Prof. Ülo Valk (University of Tartu), Dr. Jaan Undusk (Member of the Estonian Academy of Sciences, Under and Tuglas Literature Centre)
Opponents: Prof. Ülo Valk, Dr. Jaan Undusk

An Estonian mythology, does it really exist? Yes, but only on one condition: it exists, if the Estonian landscape equally exists. Cosmic trickster is the creator of the Estonian landscape. Therefore, the Estonian landscape is a mythical landscape, appearing and becoming visible to us after we have acquired the mythical narrative.

Until today, the Estonian mythology has been described either following a taxonomic or a concentric model. Neither of them should be underestimated. I propose a new concentric model focusing on the cosmic trickster. He often acts as one pole of a creator pair.

Trickster was already active in a primordial creation time, when everything was still in flux and even the stones were soft. Landscape carries many visual signes of his activity: rocks and stones, sources, rivers and lakes, mountains and valleys. This landscape is different from the modern landscape, that is dominated by a homogenuous space without any mythical dimension.

The treatise is divided into four parts. First part analyzes the concept of the trickster. Second part describes the course of mythologial studies in the 19th Century. Third part explores the creation myth, where the central protagonist is the trickster. Fourth part observes the return of the trickster in literature. Finally there is an exodus, outlining a project of a mythical ecology.

The thesis is available HERE.

Defence Committee: Prof. Andres Kurg, Dr. Anu Allas, Prof. Krista Kodres, Dr. Anneli Randla, Prof. Hilkka Hiiop, Prof. Aigi Rahi-Tamm, Prof. Eneken Laanes

Karolin Tampere: Curiosity led learning through curating, collaboration and care

Karolin Tampere will show and tell from her ongoing PhD research project Down in the Bog – Thinking with Peatlands. A project led by an ambition to create cross-pollinating meeting grounds for art, natural science, environmental issues and the public. The three chapters project emphasizes the sharing and embodying of knowledge and awareness to create attention towards the need for increased care for peatland areas, locally, nationally and internationally. Practically and conceptually, the topic of peatlands act as a guiding map and compass to learn about historical, cultural and contemporary and geopolitical changes in the environments in Sápmi / Northern Norway, Estonia and selected places internationally.

Throughout the two group exhibitions Down in the Bog: Hibernation (Tromsø Art Center) and Down in the Bog – Sporulation (EKKM, Tallinn) followed by Thinking with Peatlands symposium, artists, natural scientists, environmental activists, NGOs and the public have lent the ecosystem of peatlands as a prism for sharing, learning and collaboration. Together we have dived deep into the bog, listened, smelled, touched it and learnt from it.

Karolin Tampere is an artist and curator currently a PhD Research fellow in Curatorial practice at Tromsø Art Academy, UiT and KMD, Faculty of Fine Art, Bergen, Norway. She has a particular interest in collaborative, cross disciplinary, long term socially engaged art practices, sound, music and listening. Karolin´s curatorial practice has dealt with a wide range of topics fueled by her interests, including gentrification, city development, art in public space, rights of nature, socially engaged art and ecology and the other-than-human.

Since 2004 she has regularly contributed to the “forever lasting” art project Sørfinnset skole/the nord land initiated by artists Geir Tore Holm and Søssa Jørgensen. Together with Åse Løvgren their ongoing collaboration Rakett was initiated in 2003. In 2013 and partly 2014 she was serving as director of Konsthall C in Stockholm and collaboratively transformed the directorship of the institution into a collective named the Work Group/Arbetslaget. In 2017-2022 she served as curator at North Norwegian Art Centre, realizing context specific projects with artists across the whole region of Northern Norway. She co-curated Lofoten Sound Art Symposium (with Svein Ingvoll Pedersen) and LIAF2019 Lofoten International Art Festival (with Hilde Mehti, Torill Østby Håland and Neal Cahoon). Since 2011 she is part of ENSAYOS – a collective research practice that has developed distinct inquiries into extinction, human geography, and coastal and peatland health. The mission of Ensayos is to do eco-cultural conservation work in Tierra del Fuego and other archipelagos through collaborative art, science and community projects in partnership with existing decolonial, ecological, and cultural conservation initiatives. In 2022 ENSAYOS presented «The Gift» as part of «TURBA TOL HOL HOL TOL» – The Chilean Pavilion at the 59th Venice Biennale.

«Contemporary Art and Context» is a lecture series hosted by MA Contemporary Art.

The lecture will be held in English, everyone is welcome to join!