Open architecture lecture: Sofia Nannini

31.05.2024

Open architecture lecture: Sofia Nannini

On May 31, at 11 AM Sofia Nannini will present a lecture “The mechanization of life: Histories, architecture, and paradoxes of intensive animal farming” in room A-403.

The zootechnical buildings of animal farming are everywhere and, paradoxically, they seem to be nowhere. Also, they are often perceived as anonymous and timeless. Yet, we may ask: How did the architecture of intensive animal farming develop since the late nineteenth century? This talk will briefly explore its geographical and institutional origins, and it will critically analyse the spatial, social, and ethical paradoxes on which the animal-industrial complex is grounded.

The lecture is intended for all disciplines, not only for students and professionals in the field of architecture.

Sofia Nannini is an Assistant Professor in architectural history at the Politecnico di Torino. She is author of “Icelandic Farmhouses: Identity, Landscape and Construction (1790-1945)” (Firenze University Press, 2023) and of “The Icelandic Concrete Saga: Architecture and Construction (1847–1958)” (Jovis, 2024). She is currently working on a book project tentatively entitled “The Mechanization of Life: An Architectural History of Intensive Animal Farming”.

 

Posted by Tiina Tammet — Permalink

Open architecture lecture: Sofia Nannini

Friday 31 May, 2024

On May 31, at 11 AM Sofia Nannini will present a lecture “The mechanization of life: Histories, architecture, and paradoxes of intensive animal farming” in room A-403.

The zootechnical buildings of animal farming are everywhere and, paradoxically, they seem to be nowhere. Also, they are often perceived as anonymous and timeless. Yet, we may ask: How did the architecture of intensive animal farming develop since the late nineteenth century? This talk will briefly explore its geographical and institutional origins, and it will critically analyse the spatial, social, and ethical paradoxes on which the animal-industrial complex is grounded.

The lecture is intended for all disciplines, not only for students and professionals in the field of architecture.

Sofia Nannini is an Assistant Professor in architectural history at the Politecnico di Torino. She is author of “Icelandic Farmhouses: Identity, Landscape and Construction (1790-1945)” (Firenze University Press, 2023) and of “The Icelandic Concrete Saga: Architecture and Construction (1847–1958)” (Jovis, 2024). She is currently working on a book project tentatively entitled “The Mechanization of Life: An Architectural History of Intensive Animal Farming”.

 

Posted by Tiina Tammet — Permalink

03.06.2024

Peer-review event of Maria Kapajeva’s exhibition

The peer-review of Maria Kapajevas exhibition “Listen To My Scream, Hear Their Dreams”  will take place on June 3 12.00-13.30 in EKA, room A502.  This exhibition is the second event of Kapajevas practice-based doctoral studies.

The thesis is supervised by Dr. Redi Koobak (University of Strathclyde, Glasgow) and Prof. Annika Elisabeth von Hausswolff (University of Gothenburg). The peer-reviewers of the exhibition are Dr. Ingrid Ruudi (EKA) and Dr. Britta Benno (EKA).

The exhibition was open 17.04.—11.05.2024 at Draakoni Gallery in Tallinn.

Maria Kapajeva’s exhibition, “Listen To My Scream, Hear Their Dreams,” is profoundly influenced by Draakon Gallery’s location directly across from the Russian Embassy in Tallinn’s Old Town. Positioned in this manner, Kapajeva aims to foster a more nuanced dialogue regarding the ongoing war in Ukraine, which has led to a continual exposure to harrowing imagery. Consequently, a process of desensitization has transpired, rendering us less able to empathize with the enduring violence faced by real individuals still fighting for their lives in Ukraine. The intricate details, nuances, and personal narratives have been reduced to easily shareable content that briefly crosses our screens before fading into obscurity.

The artworks selected and created for this exhibition stem from the necessity to provide a platform for the personal accounts of those who have fled Ukraine, as well as the artist’s own imperative to express and scrutinize her suppressed anger regarding the ongoing conflict. In this exhibition, there are no images of war; instead, viewers are presented with works that demand time to engage with— to be read, listened to, and truly heard. These artworks compel us to scrutinize the language of the oppressor, where imperialist ambitions lurk behind ostensibly positive rhetoric. We encounter intimate tales of despair and devastation, yet also of hope and compassion. We are invited into a tumult of emotions, ultimately finding catharsis in releasing the anger buried deep within us.

 

 

Posted by Irene Hütsi — Permalink

Peer-review event of Maria Kapajeva’s exhibition

Monday 03 June, 2024

The peer-review of Maria Kapajevas exhibition “Listen To My Scream, Hear Their Dreams”  will take place on June 3 12.00-13.30 in EKA, room A502.  This exhibition is the second event of Kapajevas practice-based doctoral studies.

The thesis is supervised by Dr. Redi Koobak (University of Strathclyde, Glasgow) and Prof. Annika Elisabeth von Hausswolff (University of Gothenburg). The peer-reviewers of the exhibition are Dr. Ingrid Ruudi (EKA) and Dr. Britta Benno (EKA).

The exhibition was open 17.04.—11.05.2024 at Draakoni Gallery in Tallinn.

Maria Kapajeva’s exhibition, “Listen To My Scream, Hear Their Dreams,” is profoundly influenced by Draakon Gallery’s location directly across from the Russian Embassy in Tallinn’s Old Town. Positioned in this manner, Kapajeva aims to foster a more nuanced dialogue regarding the ongoing war in Ukraine, which has led to a continual exposure to harrowing imagery. Consequently, a process of desensitization has transpired, rendering us less able to empathize with the enduring violence faced by real individuals still fighting for their lives in Ukraine. The intricate details, nuances, and personal narratives have been reduced to easily shareable content that briefly crosses our screens before fading into obscurity.

The artworks selected and created for this exhibition stem from the necessity to provide a platform for the personal accounts of those who have fled Ukraine, as well as the artist’s own imperative to express and scrutinize her suppressed anger regarding the ongoing conflict. In this exhibition, there are no images of war; instead, viewers are presented with works that demand time to engage with— to be read, listened to, and truly heard. These artworks compel us to scrutinize the language of the oppressor, where imperialist ambitions lurk behind ostensibly positive rhetoric. We encounter intimate tales of despair and devastation, yet also of hope and compassion. We are invited into a tumult of emotions, ultimately finding catharsis in releasing the anger buried deep within us.

 

 

Posted by Irene Hütsi — Permalink

21.05.2024

NART OPEN LECTURE – Kristiin Hanimägi and Joel Freeman

NART OPEN LECTURE IN EKA 3/3 – Kristiin Hanimägi and Joel Freeman
21 May at 17.45
Põhja pst 7 room A-501, EKA, Tallinn

The third and final NART open lecture this season will be on May 21. It will be by Kristiin Hanimägi (EST) and Joel Freeman (USA). Kristiin is an experimental photographer living in Tallinn where she works at the National Heritage Board of Estonia as an archivist. Joel is an artist and art worker living in Los Angeles, California. Together, they work as a duo and in Narva they research collective memory by offering locals to engage with camera obcuras.

Artists-in-residence from the Narva Art Residency give semi-regular public lectures at the Estonian Academy of Arts in Tallinn. They talk about the practicalities of being a professional artist, what the daily life of an art residency is like, and how to get involved in the opportunities offered to artists. Of course, they also introduce their creative work.

The final lecture this spring takes place on Tuesday, 21 May at 17.45. It will be in EKA (Põhja pst 7) in room A.501 on the fifth floor. The lecture is free of charge and open to all! The lecture will be held in English.

Posted by Andres Lõo — Permalink

NART OPEN LECTURE – Kristiin Hanimägi and Joel Freeman

Tuesday 21 May, 2024

NART OPEN LECTURE IN EKA 3/3 – Kristiin Hanimägi and Joel Freeman
21 May at 17.45
Põhja pst 7 room A-501, EKA, Tallinn

The third and final NART open lecture this season will be on May 21. It will be by Kristiin Hanimägi (EST) and Joel Freeman (USA). Kristiin is an experimental photographer living in Tallinn where she works at the National Heritage Board of Estonia as an archivist. Joel is an artist and art worker living in Los Angeles, California. Together, they work as a duo and in Narva they research collective memory by offering locals to engage with camera obcuras.

Artists-in-residence from the Narva Art Residency give semi-regular public lectures at the Estonian Academy of Arts in Tallinn. They talk about the practicalities of being a professional artist, what the daily life of an art residency is like, and how to get involved in the opportunities offered to artists. Of course, they also introduce their creative work.

The final lecture this spring takes place on Tuesday, 21 May at 17.45. It will be in EKA (Põhja pst 7) in room A.501 on the fifth floor. The lecture is free of charge and open to all! The lecture will be held in English.

Posted by Andres Lõo — Permalink

31.08.2024 — 06.09.2024

International Workshop “How to Reframe Monuments: Case Studies for Thinking Through Dissonant Heritage”

Russia’s full-scale invasion of Ukraine has sparked debates and conflicts over Russian and Soviet monuments in the former Eastern Bloc and has also revitalized global discussions about dissonant heritage. This has created a new need and a new framework for comparisons – for comparing monuments, as well as their toppling and rebuilding in different parts of the world and historical contexts.

This event is primarily about learning from cases of reframing. The lectures, seminars and workshops will bring together expertise and knowledge from different fields and contexts to explore solutions that aim not to dismantle dissonant heritage but to place it in a new, critical framework. During the three days, we will discuss the broader conceptualizations and histories of reframing monuments and heritage, as well as focus on concrete cases. The cases will include various artistic interventions as well as other means of reframing, ranging from educational programs and museology to community engagement.

We believe that there is an urgent need to bring together knowledge of existing cases also to develop future practices for reinterpreting heritage through cross-disciplinary collaboration: artistic research and memory studies, heritage conservation and digitization, and spatial interventions. Thus, this event aims to generate new knowledge and skills for dealing with complex heritage at different levels.

The event will consist of lectures, seminars, tours and group work. Students are divided into interdisciplinary groups to develop a reframing project, each of which will focus on a case study representing dissonant heritage from Narva and the neighbouring industrial regions of northeastern Estonia.

Experts: Riin Alatalu, Kirke Kangro, Gregor Taul, Anu Soojärv and Triinu Väikmeri (Estonian Academy of Arts), Kristo Nurmis (Tallinn University), Victoria Donovan (University of St. Andrews), Oksana Denisenko and Linara Dovydaitytė (Vytautas Magnus University), Egle Grebliauskaite (Vilnius University), Olha Honchar (Territory of Terror Museum, Ukraine)

More info:
Triinu Väikmeri (triinu.vaikmeri@artun.ee)

Posted by Maris Veeremäe — Permalink

International Workshop “How to Reframe Monuments: Case Studies for Thinking Through Dissonant Heritage”

Saturday 31 August, 2024 — Friday 06 September, 2024

Russia’s full-scale invasion of Ukraine has sparked debates and conflicts over Russian and Soviet monuments in the former Eastern Bloc and has also revitalized global discussions about dissonant heritage. This has created a new need and a new framework for comparisons – for comparing monuments, as well as their toppling and rebuilding in different parts of the world and historical contexts.

This event is primarily about learning from cases of reframing. The lectures, seminars and workshops will bring together expertise and knowledge from different fields and contexts to explore solutions that aim not to dismantle dissonant heritage but to place it in a new, critical framework. During the three days, we will discuss the broader conceptualizations and histories of reframing monuments and heritage, as well as focus on concrete cases. The cases will include various artistic interventions as well as other means of reframing, ranging from educational programs and museology to community engagement.

We believe that there is an urgent need to bring together knowledge of existing cases also to develop future practices for reinterpreting heritage through cross-disciplinary collaboration: artistic research and memory studies, heritage conservation and digitization, and spatial interventions. Thus, this event aims to generate new knowledge and skills for dealing with complex heritage at different levels.

The event will consist of lectures, seminars, tours and group work. Students are divided into interdisciplinary groups to develop a reframing project, each of which will focus on a case study representing dissonant heritage from Narva and the neighbouring industrial regions of northeastern Estonia.

Experts: Riin Alatalu, Kirke Kangro, Gregor Taul, Anu Soojärv and Triinu Väikmeri (Estonian Academy of Arts), Kristo Nurmis (Tallinn University), Victoria Donovan (University of St. Andrews), Oksana Denisenko and Linara Dovydaitytė (Vytautas Magnus University), Egle Grebliauskaite (Vilnius University), Olha Honchar (Territory of Terror Museum, Ukraine)

More info:
Triinu Väikmeri (triinu.vaikmeri@artun.ee)

Posted by Maris Veeremäe — Permalink

17.06.2024

PhD Thesis Defence of Nina Stener Jørgensen

On 17th June Nina Stener Jørgensen, a PhD candidate of the Estonian Academy of Arts, curriculum of Architecture and Urban Planning, will defend her thesis “Participation as Data? Architecture and Cybernetics in Europe around 1968” (Osalus kui andmed? Arhitektuur ja küberneetika Euroopas 1968. aasta paiku).

A public defence will be held on 17th June 2024 at 11.00 at EKA (Põhja pst 7), room A501.
Defense will be broadcast on EKA TV.

Supervisor: Prof. Maroš Krivy (Estonian Academy of Arts)
External Reviwers: Dr. Tahl Kaminer (Cardiff University), Dr. Ingrid Halland (University of Oslo)
Opponent: Dr. Tahl Kaminer

This dissertation unpacks histories of participation and computer technology, through the analysis of the intersection of adaptable space and cybernetics in architectural practice around 1968, focusing in particular on the role of participation in this convergence.

The main body of the thesis comprises three articles studying projects spanning from 1965 to the time around the oil crisis in 1973. From a moment in European architectural history, where the political East-West divide was particularly tangible, the cases represent and cover a broad sample of attitudes towards participation and cybernetics from a Western-European perspective. From Paris, which in many ways is the ‘locus of 1968’, from London which at the time fostered a rapid development of new computer technologies and business models, as well as from Copenhagen, which at the height of architectural modernism witnessed the first critiques of the so-called Scandinavian welfare model.

With its focus on archival material and historic case studies, “Participation as Data? Architecture and Cybernetics in Europe around 1968” aims to show how the urban and its city dwellers were accessed through the practice of participation and how this extraction was framed and conceived by architectural and cybernetic means. Throughout the articles, the main research question ‘Participation as data?’ has served as a recurring method of analysis, aimed at comprehending how exactly the architects made use of cybernetics and participation, and how they aimed to intersect the two concepts in an architectural practice, looking at how cybernetic participation cut across multiple scales, from the singular room to the city, all potentially expanding to a global and networked infrastructure. Through the analysis of British architect Cedric Price’s feasibility study for Oxford Corner House (1965–1966), Franco-Hungarian spatial artist Nicolas Schöffer’s proposal Tour Lumière Cybernétique (1961–1973) as well as Danish architects Susanne Ussing and Carsten Hoff’s practice as Atelier Cyberspace (1968–1970), the thesis proposes the term ‘Cybernetic participation’ to encompass their programmatic similarity; mainly the treatment of participation as an information collection process, but also how the projects subsequently sidestepped a direct interaction with its users.

The thesis is available HERE.

Defence Committee: Dr. Siim Tuksam (Head of the Committee), Dr. Anu Allas, Dr. Renee Puusepp, Prof. Andres Kurg, Prof. Panu Lehtovuori, Prof. Klaske Havik, Prof. Helena Mattsson.

 

Posted by Irene Hütsi — Permalink

PhD Thesis Defence of Nina Stener Jørgensen

Monday 17 June, 2024

On 17th June Nina Stener Jørgensen, a PhD candidate of the Estonian Academy of Arts, curriculum of Architecture and Urban Planning, will defend her thesis “Participation as Data? Architecture and Cybernetics in Europe around 1968” (Osalus kui andmed? Arhitektuur ja küberneetika Euroopas 1968. aasta paiku).

A public defence will be held on 17th June 2024 at 11.00 at EKA (Põhja pst 7), room A501.
Defense will be broadcast on EKA TV.

Supervisor: Prof. Maroš Krivy (Estonian Academy of Arts)
External Reviwers: Dr. Tahl Kaminer (Cardiff University), Dr. Ingrid Halland (University of Oslo)
Opponent: Dr. Tahl Kaminer

This dissertation unpacks histories of participation and computer technology, through the analysis of the intersection of adaptable space and cybernetics in architectural practice around 1968, focusing in particular on the role of participation in this convergence.

The main body of the thesis comprises three articles studying projects spanning from 1965 to the time around the oil crisis in 1973. From a moment in European architectural history, where the political East-West divide was particularly tangible, the cases represent and cover a broad sample of attitudes towards participation and cybernetics from a Western-European perspective. From Paris, which in many ways is the ‘locus of 1968’, from London which at the time fostered a rapid development of new computer technologies and business models, as well as from Copenhagen, which at the height of architectural modernism witnessed the first critiques of the so-called Scandinavian welfare model.

With its focus on archival material and historic case studies, “Participation as Data? Architecture and Cybernetics in Europe around 1968” aims to show how the urban and its city dwellers were accessed through the practice of participation and how this extraction was framed and conceived by architectural and cybernetic means. Throughout the articles, the main research question ‘Participation as data?’ has served as a recurring method of analysis, aimed at comprehending how exactly the architects made use of cybernetics and participation, and how they aimed to intersect the two concepts in an architectural practice, looking at how cybernetic participation cut across multiple scales, from the singular room to the city, all potentially expanding to a global and networked infrastructure. Through the analysis of British architect Cedric Price’s feasibility study for Oxford Corner House (1965–1966), Franco-Hungarian spatial artist Nicolas Schöffer’s proposal Tour Lumière Cybernétique (1961–1973) as well as Danish architects Susanne Ussing and Carsten Hoff’s practice as Atelier Cyberspace (1968–1970), the thesis proposes the term ‘Cybernetic participation’ to encompass their programmatic similarity; mainly the treatment of participation as an information collection process, but also how the projects subsequently sidestepped a direct interaction with its users.

The thesis is available HERE.

Defence Committee: Dr. Siim Tuksam (Head of the Committee), Dr. Anu Allas, Dr. Renee Puusepp, Prof. Andres Kurg, Prof. Panu Lehtovuori, Prof. Klaske Havik, Prof. Helena Mattsson.

 

Posted by Irene Hütsi — Permalink

29.05.2024 — 14.06.2024

EKA Grad Show TASE ’24

TASE ‘24
Estonian Academy of Arts Grad Show
30.05.–14.06.24
Open every day from 12 to 6 pm
tase.artun.ee

TASE is the yearly graduation show of the Estonian Academy of Arts, where the faculties of Architecture, Design, Art Culture and Fine Arts present current master theses and a selection of bachelor theses and portfolios. See the graduation works also on the website tase.artun.ee!

OPENING ON MAY 29

Schedule of the opening of TASE ’24 on Wednesday, May 29:

  • 3 pm doors open at the Estonian Academy of Arts
  • 4 pm opening of TASE ’24 at the graduation show of the Faculties of Architecture and Art Culture at the Estonian Academy of Arts
  • 5.30–6 pm collective procession from the Estonian Academy of Arts to Tallinn Art Hall
  • 6 pm opening of the graduation show of the Faculties of Design and Fine Arts at Tallinn Art Hall
  • 7–11 pm party at Tallinn Art Hall

On the opening day, on May 29, the graduation show is open to visitors from 5–8 pm at the Estonian Academy of Arts and from 5–9 pm at Tallinn Art Hall.

 

LOCATIONS

Estonian Academy of Arts
Graduation works of the Faculties of Architecture and Art Culture
30.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Põhja puiestee 7, Tallinn

Tallinn Art Hall, Tallinn Art Hall Gallery, Vent Space
Graduation works of the Faculties of Design and Fine Arts
30.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Vabaduse väljak 6 & 8, Tallinn

Design and Architecture Gallery
Graduation works of the bachelor students of Digital and Industrial Product Design and the master students of Product Design
29.05.–8.06.24, open Mon–Fri from 12 to 6 pm, Sat–Sun from 12 to 5 pm, free entry
Address: Pärnu mnt 6, Tallinn

ETC
Graduation exhibition “Do You Copy?” of the master students of Graphic Design
1.–7.06.24, open every day from 1 to 5 pm, free entry
Address: Niine 8a, Tallinn

Long Leg Gate Tower
Graduation exhibition “ETHEL IS GOD” by Ethel Ütsmüts, bachelor student of Ceramics
30.05.–14.06.2024, open Mon–Fri 10 to 14 pm, free entry
Address: Pikk Jalg 3, Tallinn

PoCoLAB.ai
Graduation works of the master students of Interaction Design (MIxD)
01.–08.07.2024, open every day from 3 to 8 pm, entry 5€/3€/0€
Address: Rotermanni 14, Tallinn

Põhja pst 2, Tallinn
Graduation exhibition “Where to Belong” by Laura Movits, bachelor student of Interior Architecture
1.–4.06.24, open every day from 12 to 6 pm, free entry

Uus Rada Gallery & Raja Building
Graduation works of the master students of Contemporary Art, participants Sandra Ernits, Mara Kirchberg, Sarah Noonan, Siim Preiman
31.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Raja tn 11a, Tallinn

 

PROGRAMME

EKA pop-up shop
29.05.–2.06.24 in the lobby of Tallinn Art Hall, open Wed 6–11 pm Thu–Sun 12–6 pm

Theses defences
27.05.–13.06.24

Guided tours about the graduation works part of Architecture with Gregor Taul at the Estonian Academy of Arts, starting in the lobby:
5.06. at 2 pm in English
5.06. at 4 pm in Estonian

Guided tours at Tallinn Art Hall, start in front of the building on Freedom Square:
8.06. at 1 pm by Anna-Liisa Villmann in Estonian
8.06. at 3.15 pm by Valeriya Ferschel in Russian
9.06. at 1 pm by Anna-Liisa Villmann in Estonian
9.06. at 3 pm by Anna-Liisa Villmann in English
14.06. at 4.30 pm tour about the stories of the building’s past with Kaisa Maasik in Estonian

TASE FILM, curated by Kaur Järve
11.06.2024 at 6 pm at the Estonian Academy of Arts, room A-101, free entry

28.05. at 5 pm opening of the exhibition by the students of Product Design at the Design and Architecture Gallery

30.05. at 4 pm opening of the graduation show of the master students of Contemporary Art at Raja 11a

31.05. at 4 pm opening of graduation exhibition “Where to Belong” by Laura Movits, bachelor student of Interior Architecture

31.05. at 7 pm opening of the graduation show „Do You Copy?“ of the master students of Graphic Design in the project space ETC

 

Public programme in the Design and Architecture Gallery:

1.06 at 1.30-3 pm workshop “Design quality time” for families in Estonian
1.06. at 12 & 3 pm guided tours in Estonian
2.06. at 12 & 3 pm guided tours in Estonian
8.06. guided tour at 12 pm in Estonian
2.06 at 1.30-3 pm workshop “Experiencing Design” in Estonian

 

SATELLITE PROGRAMME

Exhibition “Disruptive Dissonance” by the second year students of the department of Jewellery, Telliskivi 60, Telliskivi Kvartal
23.05.–5.06.24, open Tue–Sun from 12 to 7 pm, free entry
Opening: 22.05. at 6 pm
Participants: Emilia Santaella Barreto, Elisabet Kiverik, Alice Kupri, Lucie Pastyrikova, Liisu Saar, Jekaterina Šehovtsova, Ronja-Marjam Vene

 

Exhibition “With Love and Fortitude” by the first year master students of Contemporary Art, ARS Project Space, Showroom and Studio 53, ARS Art Factory, Pärnu mnt 154, Tallinn
25.05.–14.06.24, open every day from 12 to 6 pm, free entry
Opening: 24.05. at 6 pm
Participants: Yvette Bathgate, Mihhail Boitsov, Anna Broučková, Christina Gradtke, Katariina Kesküla, Yuko Kinouchi, Eleftheria Kofidou, Tea Lemberpuu, Sven Mantsik, Jana Mätas, Jane Muts, KitKit Para, Vitor Pascale, Merilin Põldsam, Jake Shepherd, Liza Tsindeliani, Elo Vahtrik, Kristi Vendelin

Screenings of Elle Lepik’s film “Agentic Glass Landscapes 1”, Energy Discovery Centre, Põhja pst 29, Tallinn
30.05.–14.06.24, Mon–Fri 11.15 am & 2.15 pm Sat 11.15 am & 3.15 pm, entry 15€/12€

Craft studies coursework, Kopli 70a, 2nd floor, Krull kvartal, Tallinn
31.05.–9.06.24, open Fri–Sat from 1 to 7 pm or by appointment
Opening: 30.06. at 6 pm
Participants: Sofiya Babiy, Iohan Figueroa, Rait Lõhmus, Juulia Aleksandra Mikson, Katariin Mudist, Maarja Mäemets, Alyona Movko-Mägi, Kati Saarits, Hannah Segerkrantz, Elias Sormane

Exhibition of the master students of Contemporary Art titled “AEGn/a: exhibition in the city centre of Tallinn”, Aegna Island, Tallinn
2.-26.06.24, visiting according to the ferry schedule
Opening: 2.06., guided tours at 11 am & 3 pm
Finissage: 26.06.
Participants: Yvette Bathgate, Chloé Geinoz, Katariina Kesküla, Eleftgeria Irene Kofidou, Jane Muts, Anumai Raska, Jake Shepherd, Melina Unterhauser, Elo Vahtrik
Curator: Keithy Kuuspu

Exhibition “Contemporary Drawing: Worlding in Layers” by the second year students of Fine Arts, NART studio and Narva Kreenholm Manufacturing Company
3.–30.06.24, NART studio open Mon–Fri from 3 to 7 pm Sat–Sun from 1 to 7 pm, Kreenholm can be visited on Saturdays at 1pm as part of a guided tour, free entry
Opening: 2.06. at 1 pm
Participants: August Joost, Maria Kallau, Laura Lillepuu, Triin Mänd, Elise Marie Olesk, Sandra Puusepp, Mia Mai Seppel, Hanna Vinter

Jana Mätas’ solo exhibition, Keskpuur, Keskturg, Keldrimäe 9, Tallinn
3.–23.06.24, open every day from 9.30 am to 3.30 pm, free entry
Opening: 8.06. at 1 pm

Graduation exhibition “Imprints of Being” by the photography students of the EKA Open Academy, EKA Billboard Gallery, Kotzebue 1, Tallinn
4.06.–25.08.24, open 24/7, free
Opening: 4.06. at 6 pm
Participants: Birgit Aitsam, Priit Jaak Sild, Karolin Kaplan, Reelika Helde-Mikkor, Geroli Peedu, Eveli Smitt, Liisi Tali, Grete Tuiken

Exhibition “I Hope You Don’t Mind…” by Rebecca Norman and Elisa Margot Winters, Cafe Ait, Vene 14, Tallinn
10.06.–31.10.24, open every day from 9 am to 7 pm, free entry
Opening: 8.06. at 5 pm

Screening of the graduation works of the Animation department’s bachelor and master students, Kino Sõprus, Vana-Posti 8, Tallinn
15.06.24 from 5 to 7 pm, free entry
Participants: Carlos Santiago Ordoñez Alarcon, Aurelijus Čiupas, Ditiya Ferdous, Naira Hatšaturjan, Kate Jansone, Elise Kruusel, Evridiki Papaiakovou, Inês Machado Sales Grade Pinto, Piret Potter, Kirke Ross, Xingpei Shen, Nicole Tanysh, Laura Andrea Gudiño Sosa, Kelli Tõnurist

Pille-Riin Valk’s artwork “Scent of Moments”, the facade of the Estonian Academy of Arts, Kotzebue 1, Tallinn
Open 24/7, free 

 

 

TASE TEAM

Organizer
Kaisa Maasik (kaisa.maasik@artun.ee, +372 5396 2524)

Assistant
Mia Tohver

Creative logisticians of TASE ’24
Vabaduse väljak 6 & 8
Brigit Arop, Johannes Luik

Creative logisticians of TASE ’24
Faculty of Architecture at the Estonian Academy of Arts
Anni Kärmik, Kairi Mändla

Curator of TASE FILM
Kaur Järve

Graphic design
Robin Raspel, Georg-Ander Sild, Ronald Trei

Communication
Pärtel Eelmere, Laura Jüristo, Triin Käo, Maarja Pabut, Andres Lõo (contact for press: andres.loo@artun.ee, +372 526 7253)

Technical director
Erik Hõim

Technical team
Katariina Kesküla, Ats Kruusing, Eke Ao Nattan, Reigo Nahksepp, Jake Shepherd, Mattias Jürgen Veller

 

SUPPORTERS

AkzoNobel, Cultural Endowment of Estonia, Estonian Artists’ Association, Punch, Tallinn Art Hall, ERASMUS

Posted by Maarja Pabut — Permalink

EKA Grad Show TASE ’24

Wednesday 29 May, 2024 — Friday 14 June, 2024

TASE ‘24
Estonian Academy of Arts Grad Show
30.05.–14.06.24
Open every day from 12 to 6 pm
tase.artun.ee

TASE is the yearly graduation show of the Estonian Academy of Arts, where the faculties of Architecture, Design, Art Culture and Fine Arts present current master theses and a selection of bachelor theses and portfolios. See the graduation works also on the website tase.artun.ee!

OPENING ON MAY 29

Schedule of the opening of TASE ’24 on Wednesday, May 29:

  • 3 pm doors open at the Estonian Academy of Arts
  • 4 pm opening of TASE ’24 at the graduation show of the Faculties of Architecture and Art Culture at the Estonian Academy of Arts
  • 5.30–6 pm collective procession from the Estonian Academy of Arts to Tallinn Art Hall
  • 6 pm opening of the graduation show of the Faculties of Design and Fine Arts at Tallinn Art Hall
  • 7–11 pm party at Tallinn Art Hall

On the opening day, on May 29, the graduation show is open to visitors from 5–8 pm at the Estonian Academy of Arts and from 5–9 pm at Tallinn Art Hall.

 

LOCATIONS

Estonian Academy of Arts
Graduation works of the Faculties of Architecture and Art Culture
30.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Põhja puiestee 7, Tallinn

Tallinn Art Hall, Tallinn Art Hall Gallery, Vent Space
Graduation works of the Faculties of Design and Fine Arts
30.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Vabaduse väljak 6 & 8, Tallinn

Design and Architecture Gallery
Graduation works of the bachelor students of Digital and Industrial Product Design and the master students of Product Design
29.05.–8.06.24, open Mon–Fri from 12 to 6 pm, Sat–Sun from 12 to 5 pm, free entry
Address: Pärnu mnt 6, Tallinn

ETC
Graduation exhibition “Do You Copy?” of the master students of Graphic Design
1.–7.06.24, open every day from 1 to 5 pm, free entry
Address: Niine 8a, Tallinn

Long Leg Gate Tower
Graduation exhibition “ETHEL IS GOD” by Ethel Ütsmüts, bachelor student of Ceramics
30.05.–14.06.2024, open Mon–Fri 10 to 14 pm, free entry
Address: Pikk Jalg 3, Tallinn

PoCoLAB.ai
Graduation works of the master students of Interaction Design (MIxD)
01.–08.07.2024, open every day from 3 to 8 pm, entry 5€/3€/0€
Address: Rotermanni 14, Tallinn

Põhja pst 2, Tallinn
Graduation exhibition “Where to Belong” by Laura Movits, bachelor student of Interior Architecture
1.–4.06.24, open every day from 12 to 6 pm, free entry

Uus Rada Gallery & Raja Building
Graduation works of the master students of Contemporary Art, participants Sandra Ernits, Mara Kirchberg, Sarah Noonan, Siim Preiman
31.05.–14.06.24, open every day from 12 to 6 pm, free entry
Address: Raja tn 11a, Tallinn

 

PROGRAMME

EKA pop-up shop
29.05.–2.06.24 in the lobby of Tallinn Art Hall, open Wed 6–11 pm Thu–Sun 12–6 pm

Theses defences
27.05.–13.06.24

Guided tours about the graduation works part of Architecture with Gregor Taul at the Estonian Academy of Arts, starting in the lobby:
5.06. at 2 pm in English
5.06. at 4 pm in Estonian

Guided tours at Tallinn Art Hall, start in front of the building on Freedom Square:
8.06. at 1 pm by Anna-Liisa Villmann in Estonian
8.06. at 3.15 pm by Valeriya Ferschel in Russian
9.06. at 1 pm by Anna-Liisa Villmann in Estonian
9.06. at 3 pm by Anna-Liisa Villmann in English
14.06. at 4.30 pm tour about the stories of the building’s past with Kaisa Maasik in Estonian

TASE FILM, curated by Kaur Järve
11.06.2024 at 6 pm at the Estonian Academy of Arts, room A-101, free entry

28.05. at 5 pm opening of the exhibition by the students of Product Design at the Design and Architecture Gallery

30.05. at 4 pm opening of the graduation show of the master students of Contemporary Art at Raja 11a

31.05. at 4 pm opening of graduation exhibition “Where to Belong” by Laura Movits, bachelor student of Interior Architecture

31.05. at 7 pm opening of the graduation show „Do You Copy?“ of the master students of Graphic Design in the project space ETC

 

Public programme in the Design and Architecture Gallery:

1.06 at 1.30-3 pm workshop “Design quality time” for families in Estonian
1.06. at 12 & 3 pm guided tours in Estonian
2.06. at 12 & 3 pm guided tours in Estonian
8.06. guided tour at 12 pm in Estonian
2.06 at 1.30-3 pm workshop “Experiencing Design” in Estonian

 

SATELLITE PROGRAMME

Exhibition “Disruptive Dissonance” by the second year students of the department of Jewellery, Telliskivi 60, Telliskivi Kvartal
23.05.–5.06.24, open Tue–Sun from 12 to 7 pm, free entry
Opening: 22.05. at 6 pm
Participants: Emilia Santaella Barreto, Elisabet Kiverik, Alice Kupri, Lucie Pastyrikova, Liisu Saar, Jekaterina Šehovtsova, Ronja-Marjam Vene

 

Exhibition “With Love and Fortitude” by the first year master students of Contemporary Art, ARS Project Space, Showroom and Studio 53, ARS Art Factory, Pärnu mnt 154, Tallinn
25.05.–14.06.24, open every day from 12 to 6 pm, free entry
Opening: 24.05. at 6 pm
Participants: Yvette Bathgate, Mihhail Boitsov, Anna Broučková, Christina Gradtke, Katariina Kesküla, Yuko Kinouchi, Eleftheria Kofidou, Tea Lemberpuu, Sven Mantsik, Jana Mätas, Jane Muts, KitKit Para, Vitor Pascale, Merilin Põldsam, Jake Shepherd, Liza Tsindeliani, Elo Vahtrik, Kristi Vendelin

Screenings of Elle Lepik’s film “Agentic Glass Landscapes 1”, Energy Discovery Centre, Põhja pst 29, Tallinn
30.05.–14.06.24, Mon–Fri 11.15 am & 2.15 pm Sat 11.15 am & 3.15 pm, entry 15€/12€

Craft studies coursework, Kopli 70a, 2nd floor, Krull kvartal, Tallinn
31.05.–9.06.24, open Fri–Sat from 1 to 7 pm or by appointment
Opening: 30.06. at 6 pm
Participants: Sofiya Babiy, Iohan Figueroa, Rait Lõhmus, Juulia Aleksandra Mikson, Katariin Mudist, Maarja Mäemets, Alyona Movko-Mägi, Kati Saarits, Hannah Segerkrantz, Elias Sormane

Exhibition of the master students of Contemporary Art titled “AEGn/a: exhibition in the city centre of Tallinn”, Aegna Island, Tallinn
2.-26.06.24, visiting according to the ferry schedule
Opening: 2.06., guided tours at 11 am & 3 pm
Finissage: 26.06.
Participants: Yvette Bathgate, Chloé Geinoz, Katariina Kesküla, Eleftgeria Irene Kofidou, Jane Muts, Anumai Raska, Jake Shepherd, Melina Unterhauser, Elo Vahtrik
Curator: Keithy Kuuspu

Exhibition “Contemporary Drawing: Worlding in Layers” by the second year students of Fine Arts, NART studio and Narva Kreenholm Manufacturing Company
3.–30.06.24, NART studio open Mon–Fri from 3 to 7 pm Sat–Sun from 1 to 7 pm, Kreenholm can be visited on Saturdays at 1pm as part of a guided tour, free entry
Opening: 2.06. at 1 pm
Participants: August Joost, Maria Kallau, Laura Lillepuu, Triin Mänd, Elise Marie Olesk, Sandra Puusepp, Mia Mai Seppel, Hanna Vinter

Jana Mätas’ solo exhibition, Keskpuur, Keskturg, Keldrimäe 9, Tallinn
3.–23.06.24, open every day from 9.30 am to 3.30 pm, free entry
Opening: 8.06. at 1 pm

Graduation exhibition “Imprints of Being” by the photography students of the EKA Open Academy, EKA Billboard Gallery, Kotzebue 1, Tallinn
4.06.–25.08.24, open 24/7, free
Opening: 4.06. at 6 pm
Participants: Birgit Aitsam, Priit Jaak Sild, Karolin Kaplan, Reelika Helde-Mikkor, Geroli Peedu, Eveli Smitt, Liisi Tali, Grete Tuiken

Exhibition “I Hope You Don’t Mind…” by Rebecca Norman and Elisa Margot Winters, Cafe Ait, Vene 14, Tallinn
10.06.–31.10.24, open every day from 9 am to 7 pm, free entry
Opening: 8.06. at 5 pm

Screening of the graduation works of the Animation department’s bachelor and master students, Kino Sõprus, Vana-Posti 8, Tallinn
15.06.24 from 5 to 7 pm, free entry
Participants: Carlos Santiago Ordoñez Alarcon, Aurelijus Čiupas, Ditiya Ferdous, Naira Hatšaturjan, Kate Jansone, Elise Kruusel, Evridiki Papaiakovou, Inês Machado Sales Grade Pinto, Piret Potter, Kirke Ross, Xingpei Shen, Nicole Tanysh, Laura Andrea Gudiño Sosa, Kelli Tõnurist

Pille-Riin Valk’s artwork “Scent of Moments”, the facade of the Estonian Academy of Arts, Kotzebue 1, Tallinn
Open 24/7, free 

 

 

TASE TEAM

Organizer
Kaisa Maasik (kaisa.maasik@artun.ee, +372 5396 2524)

Assistant
Mia Tohver

Creative logisticians of TASE ’24
Vabaduse väljak 6 & 8
Brigit Arop, Johannes Luik

Creative logisticians of TASE ’24
Faculty of Architecture at the Estonian Academy of Arts
Anni Kärmik, Kairi Mändla

Curator of TASE FILM
Kaur Järve

Graphic design
Robin Raspel, Georg-Ander Sild, Ronald Trei

Communication
Pärtel Eelmere, Laura Jüristo, Triin Käo, Maarja Pabut, Andres Lõo (contact for press: andres.loo@artun.ee, +372 526 7253)

Technical director
Erik Hõim

Technical team
Katariina Kesküla, Ats Kruusing, Eke Ao Nattan, Reigo Nahksepp, Jake Shepherd, Mattias Jürgen Veller

 

SUPPORTERS

AkzoNobel, Cultural Endowment of Estonia, Estonian Artists’ Association, Punch, Tallinn Art Hall, ERASMUS

Posted by Maarja Pabut — Permalink

17.05.2024 — 19.05.2024

“Plato’s Tent” and “Not Here and Not Quite There” at ARS

“Plato’s Tent” and “Not Here and Not Quite There” joint exhibition at ARS Art Factory 

ARS Art Factory Studio 53/98 17.05-19.05.2024 

Open Fri-Sun from 12:00 to 20:00 

Opening at 18:00 on 17th of May 

Animation and New Media students have listened, recorded, cut, transformed, visualized and installed sounds in Studio 53 and 98 in ARS Art Factory, officially opening the exhibition to the public at 18:00 on 17th of May. Works from 24 artists range from immersive audiovisual installations to delicate listening experiences, drawing inspiration from a diverse array of sources, including wildlife, mycelium growth, football stadium crowds, refracted glass, environmental shifts, squeaky toys, and technological intricacies. 

The works are presented in a joint exhibition made of two parts: the Animation MA’s alcove of abstracted visions “Plato’s Tent” (Studio 53), showing works that combine animation and sound, and the installations working with sites and “Not Here and Not Quite There” (Studio 98), featuring installations that explore sites and sounds from the New Media Sound Art 

studies module. The exhibition will be open for only three days, with extended viewing hours. 

The exhibition stems from two parallel courses focused on sound studies at EKA: ‘Sound Design’ at the Animation Department supervised by Bruno Quast and ‘Sound Art & Spatial Sound Experiments’ supervised by Sten Saarits, which is part of the Sound Art Connected Studies programme at New Media Arts. 

Artists: Ako Allik, Julia Virkki, Melina Unterhauser, Meret Stockhecker, Nils Geffre, Ott Kattel, Yiyang Sun, Chia-Hui Lei, Christopher Stephen Galinos, Leo Mourey, Lukas Wind, Melissa Noack, Shunyuan Yao, Valerie Sarle, Vilmos Peter, Lyza Karoly Jarvis Graphic design: Christopher Stephen Galinos 

The Exhibition is kindly supported by the Estonian Academy of Arts and the Estonian Artists’ Association for their support. 

Free admission 

ARS: https://www.arsfactory.ee/ 

EKA Animation: https://www.artun.ee/en/curricula/animation/ 

EKA New Media: https://www.artun.ee/en/curricula/new-media/ 

Posted by Andres Lõo — Permalink

“Plato’s Tent” and “Not Here and Not Quite There” at ARS

Friday 17 May, 2024 — Sunday 19 May, 2024

“Plato’s Tent” and “Not Here and Not Quite There” joint exhibition at ARS Art Factory 

ARS Art Factory Studio 53/98 17.05-19.05.2024 

Open Fri-Sun from 12:00 to 20:00 

Opening at 18:00 on 17th of May 

Animation and New Media students have listened, recorded, cut, transformed, visualized and installed sounds in Studio 53 and 98 in ARS Art Factory, officially opening the exhibition to the public at 18:00 on 17th of May. Works from 24 artists range from immersive audiovisual installations to delicate listening experiences, drawing inspiration from a diverse array of sources, including wildlife, mycelium growth, football stadium crowds, refracted glass, environmental shifts, squeaky toys, and technological intricacies. 

The works are presented in a joint exhibition made of two parts: the Animation MA’s alcove of abstracted visions “Plato’s Tent” (Studio 53), showing works that combine animation and sound, and the installations working with sites and “Not Here and Not Quite There” (Studio 98), featuring installations that explore sites and sounds from the New Media Sound Art 

studies module. The exhibition will be open for only three days, with extended viewing hours. 

The exhibition stems from two parallel courses focused on sound studies at EKA: ‘Sound Design’ at the Animation Department supervised by Bruno Quast and ‘Sound Art & Spatial Sound Experiments’ supervised by Sten Saarits, which is part of the Sound Art Connected Studies programme at New Media Arts. 

Artists: Ako Allik, Julia Virkki, Melina Unterhauser, Meret Stockhecker, Nils Geffre, Ott Kattel, Yiyang Sun, Chia-Hui Lei, Christopher Stephen Galinos, Leo Mourey, Lukas Wind, Melissa Noack, Shunyuan Yao, Valerie Sarle, Vilmos Peter, Lyza Karoly Jarvis Graphic design: Christopher Stephen Galinos 

The Exhibition is kindly supported by the Estonian Academy of Arts and the Estonian Artists’ Association for their support. 

Free admission 

ARS: https://www.arsfactory.ee/ 

EKA Animation: https://www.artun.ee/en/curricula/animation/ 

EKA New Media: https://www.artun.ee/en/curricula/new-media/ 

Posted by Andres Lõo — Permalink

18.05.2024 — 19.05.2024

Invitation to Fair Enough (Art) Book Fair

We warmly welcome you to visit the Fair Enough (Art) Book Fair, happening for the first time on 18 – 19 of May in Tallinn!

Come by to buy a book, meet interesting publishers, listen to a talk and hang out with nice people! We will be presenting and selling publications made by over 30 different artists and publishers around the world. In addition there will be a public program consisting of talks, publication launches, radio and music!

The book fair is located at ETC. (Niine 8a) and is open between 11.00–16.00 on Saturday and 11.00–15.00 on Sunday.

Follow us on Instagram to get up-to-date information about our program @fairenough_bookfair

Fair Enough (Art) Book Fair is kindly sponsored by Cultural Endowment of Estonia and Põhjala Brewery.

Hope to see you soon,

Agnes Isabelle & Linnea from Fair Enough Book Fair

Posted by Andres Lõo — Permalink

Invitation to Fair Enough (Art) Book Fair

Saturday 18 May, 2024 — Sunday 19 May, 2024

We warmly welcome you to visit the Fair Enough (Art) Book Fair, happening for the first time on 18 – 19 of May in Tallinn!

Come by to buy a book, meet interesting publishers, listen to a talk and hang out with nice people! We will be presenting and selling publications made by over 30 different artists and publishers around the world. In addition there will be a public program consisting of talks, publication launches, radio and music!

The book fair is located at ETC. (Niine 8a) and is open between 11.00–16.00 on Saturday and 11.00–15.00 on Sunday.

Follow us on Instagram to get up-to-date information about our program @fairenough_bookfair

Fair Enough (Art) Book Fair is kindly sponsored by Cultural Endowment of Estonia and Põhjala Brewery.

Hope to see you soon,

Agnes Isabelle & Linnea from Fair Enough Book Fair

Posted by Andres Lõo — Permalink

22.05.2024

Open Lecture: Nadir Tati

In connection with African business forum in Estonia renowned Angolan fashion designer Nadir Tati will give a public lecture in EKA on Wednesday May 22 in room A501 at 17:00

Nadir Tati is a leading figure in contemporary African fashion. As a champion of African customs and traditions she delves into the depths of African heritage, blending the past with the present and the future, exploring its vibrant colours, intricate patterns, and lush texture, revealing the essence of the continent.

Her work is characterized by a contemporary approach to traditional artisanal techniques with modern and innovative designs, reinventing Africa’s iconic patterns, such as wax print and kente. Vital to her work is the use of materials and production practices that respect the environment and local communities.

Nadir has been awarded the Best Designer in Angola in 2010, 2011, and 2012. She has also received various other honours for contribution to national culture and for excellence in business and industry, as well as awards for representing Angola on the world’s runways.

Posted by Andres Lõo — Permalink

Open Lecture: Nadir Tati

Wednesday 22 May, 2024

In connection with African business forum in Estonia renowned Angolan fashion designer Nadir Tati will give a public lecture in EKA on Wednesday May 22 in room A501 at 17:00

Nadir Tati is a leading figure in contemporary African fashion. As a champion of African customs and traditions she delves into the depths of African heritage, blending the past with the present and the future, exploring its vibrant colours, intricate patterns, and lush texture, revealing the essence of the continent.

Her work is characterized by a contemporary approach to traditional artisanal techniques with modern and innovative designs, reinventing Africa’s iconic patterns, such as wax print and kente. Vital to her work is the use of materials and production practices that respect the environment and local communities.

Nadir has been awarded the Best Designer in Angola in 2010, 2011, and 2012. She has also received various other honours for contribution to national culture and for excellence in business and industry, as well as awards for representing Angola on the world’s runways.

Posted by Andres Lõo — Permalink

07.06.2024

Portfolio Café 2024

Portfolio Café is a portfolio feedback event held annually during spring semester as a satellite to EKA graduation show TASE. It is designed as a series of one-on-one meetings between invited art field professionals and EKA Fine Art’s BA and MA students. Each meeting lasts approximately 30 minutes. During these sessions, students present themselves and their work, while experts offer feedback, ask questions, and share insights.

Registration: Portfolio Café invites all fine arts students from the BA and MA levels to participate. Participants will be selected based on their submitted portfolios. Limited spots! To apply, please fill out this registration form lates on June 3.

Portfolio Café 2024 takes place on June 7 from 10:00-16:00 at EKA Library. All Portfolio Café sessions are held in English.

 

EXPERTS

Juliane Foronda (she/her) is a Filipina-Canadian artist, writer, and researcher. Predominantly through object, intervention and text, her practice is invested in radical care, feminist hospitality, and traditions of gathering. She’s influenced by (found and fabricated) structures, built environments, and hidden labour, and her work negotiates how these notions play with the tension between reality and possibility, truth and imagination, and knowing and not knowing. A significant aspect of her arts practice involves archival and collections research. Her investment in this work unfolds with her affinity of learning about what people choose to keep close and why, as well as how communities are built, maintained, and preserved. She earned her MA in Fine Arts from Listaháskóli Íslands/Iceland University of the Arts, and her BA in Studio Art from the University of Guelph. She is a current resident at the Helsinki International Artist Programme (FI). 

www.julianeforonda.hotglue.me

Jussi Koitela is an independent curator and Head of Programme at Frame Contemporary Art Finland and will move to a new position as a Director of M-cult in June 2024. His curatorial work intertwines art, embodied research methods, urban spatial contexts, collaboration, hospitality, and materiality in various forms of exhibitions and knowledge production. 

He is currently curator of the Pavilion of Finland at the 60th International Art Exhibition – La Biennale di Venezia together with Yvonne Billmore (20 April -24 November 2024). Between 2019 to 2023 they also curated ‘Rehearsing Hospitalities’, Frame’s public programme. He is also curating “Measures” Survival Kit 2024 exhibition organised by Latvian Center of Contemporary Art, opening September 2024 in Riga. 

His selected curatorial work includes: Conflicting Relations at Vera List Center for Art and Politics, New York, Editorial Tables: Reciprocal Hospitalities at The Showroom, London, Secured – Politics of Bodies and Space at Vantaa Art Museum Artsi. Performing the Fringe at Konsthall C, Stockholm and Pori Art Museum, Pori Entangling Matter and Meaning/Intra-Structures – Monster of the Seven Lakes at Treignac Projet, Mattering City at SixtyEight Art Institute, Copenhagen, City Agents at Estonian Museum of Contemporary Art (EKKM), Tallinn, Skills of Economy Sessions at Finnish Theatre Academy, Baltic Circle Festival and Kiasma Museum of Contemporary Art, and Untitled (two takes on crises) – You Must Make Your Death Public at de Appel Art Centre, Amsterdam.  

He has edited, among others, Rehearsing Hospitalities Companions 1-4 published by Archive Books, 2019 – 2022 with Yvonne Billimore, the Finnish Art Policy Handbook published by Checkpoint Helsinki/Publics and Baltic Circle Festival 2015, Falling In — Movement and Becoming in Curatorial Research with Dahila El Broul and Ksenia Kaverina, published by Mousse Publishing, 2024 and The pleasures we choose with Yvonne Billimore, published by k.verlag, 2024. 

Mailis Timmi is a curatorial MA student at Estonian Academy of Arts and the founder and director of Tütar Gallery. Prior to her immersion in the art world, Mailis spent 17 years in strategic communications and advertising, where she gained experience in supporting younger generation artists in their quest to be seen and recognised. 

www.tutar.ee

Florian & Michael Quistrebert are an artist duo whose recent work explores the paradoxes between the sacred and the material through immersive exhibitions that combine paintings and videos. Both artists graduated from the École Nationale Supérieure des Beaux-Arts in Nantes and have collaborated since 2007. The duo focuses on the power and fascination of light, often creating immersive experiences that provoke extra-optical and synesthetic perceptions among viewers.

Florian & Michael Quistrebert’s works are included in numerous public and private collections. Their notable exhibitions include “Visions of Void” at Dundee Contemporary Arts in 2015, “The Light of the Light” at Palais de Tokyo in 2016, “ZigZag” at CCCOD in Tours in 2019, and “Silent Symphony” at Dirimart in Istanbul. The artists often design their exhibition spaces to resemble a luminous opera, featuring dynamic elements such as blazing torments, lightning rays, serene shimmers, and crescendos of illumination.

http://www.quistrebert.com/

Posted by Kati Saarits — Permalink

Portfolio Café 2024

Friday 07 June, 2024

Portfolio Café is a portfolio feedback event held annually during spring semester as a satellite to EKA graduation show TASE. It is designed as a series of one-on-one meetings between invited art field professionals and EKA Fine Art’s BA and MA students. Each meeting lasts approximately 30 minutes. During these sessions, students present themselves and their work, while experts offer feedback, ask questions, and share insights.

Registration: Portfolio Café invites all fine arts students from the BA and MA levels to participate. Participants will be selected based on their submitted portfolios. Limited spots! To apply, please fill out this registration form lates on June 3.

Portfolio Café 2024 takes place on June 7 from 10:00-16:00 at EKA Library. All Portfolio Café sessions are held in English.

 

EXPERTS

Juliane Foronda (she/her) is a Filipina-Canadian artist, writer, and researcher. Predominantly through object, intervention and text, her practice is invested in radical care, feminist hospitality, and traditions of gathering. She’s influenced by (found and fabricated) structures, built environments, and hidden labour, and her work negotiates how these notions play with the tension between reality and possibility, truth and imagination, and knowing and not knowing. A significant aspect of her arts practice involves archival and collections research. Her investment in this work unfolds with her affinity of learning about what people choose to keep close and why, as well as how communities are built, maintained, and preserved. She earned her MA in Fine Arts from Listaháskóli Íslands/Iceland University of the Arts, and her BA in Studio Art from the University of Guelph. She is a current resident at the Helsinki International Artist Programme (FI). 

www.julianeforonda.hotglue.me

Jussi Koitela is an independent curator and Head of Programme at Frame Contemporary Art Finland and will move to a new position as a Director of M-cult in June 2024. His curatorial work intertwines art, embodied research methods, urban spatial contexts, collaboration, hospitality, and materiality in various forms of exhibitions and knowledge production. 

He is currently curator of the Pavilion of Finland at the 60th International Art Exhibition – La Biennale di Venezia together with Yvonne Billmore (20 April -24 November 2024). Between 2019 to 2023 they also curated ‘Rehearsing Hospitalities’, Frame’s public programme. He is also curating “Measures” Survival Kit 2024 exhibition organised by Latvian Center of Contemporary Art, opening September 2024 in Riga. 

His selected curatorial work includes: Conflicting Relations at Vera List Center for Art and Politics, New York, Editorial Tables: Reciprocal Hospitalities at The Showroom, London, Secured – Politics of Bodies and Space at Vantaa Art Museum Artsi. Performing the Fringe at Konsthall C, Stockholm and Pori Art Museum, Pori Entangling Matter and Meaning/Intra-Structures – Monster of the Seven Lakes at Treignac Projet, Mattering City at SixtyEight Art Institute, Copenhagen, City Agents at Estonian Museum of Contemporary Art (EKKM), Tallinn, Skills of Economy Sessions at Finnish Theatre Academy, Baltic Circle Festival and Kiasma Museum of Contemporary Art, and Untitled (two takes on crises) – You Must Make Your Death Public at de Appel Art Centre, Amsterdam.  

He has edited, among others, Rehearsing Hospitalities Companions 1-4 published by Archive Books, 2019 – 2022 with Yvonne Billimore, the Finnish Art Policy Handbook published by Checkpoint Helsinki/Publics and Baltic Circle Festival 2015, Falling In — Movement and Becoming in Curatorial Research with Dahila El Broul and Ksenia Kaverina, published by Mousse Publishing, 2024 and The pleasures we choose with Yvonne Billimore, published by k.verlag, 2024. 

Mailis Timmi is a curatorial MA student at Estonian Academy of Arts and the founder and director of Tütar Gallery. Prior to her immersion in the art world, Mailis spent 17 years in strategic communications and advertising, where she gained experience in supporting younger generation artists in their quest to be seen and recognised. 

www.tutar.ee

Florian & Michael Quistrebert are an artist duo whose recent work explores the paradoxes between the sacred and the material through immersive exhibitions that combine paintings and videos. Both artists graduated from the École Nationale Supérieure des Beaux-Arts in Nantes and have collaborated since 2007. The duo focuses on the power and fascination of light, often creating immersive experiences that provoke extra-optical and synesthetic perceptions among viewers.

Florian & Michael Quistrebert’s works are included in numerous public and private collections. Their notable exhibitions include “Visions of Void” at Dundee Contemporary Arts in 2015, “The Light of the Light” at Palais de Tokyo in 2016, “ZigZag” at CCCOD in Tours in 2019, and “Silent Symphony” at Dirimart in Istanbul. The artists often design their exhibition spaces to resemble a luminous opera, featuring dynamic elements such as blazing torments, lightning rays, serene shimmers, and crescendos of illumination.

http://www.quistrebert.com/

Posted by Kati Saarits — Permalink