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Rubriik: Erialad
18.10.2018
Kanada kunstniku Tor Lukasik-Foss kunstnikuvestlus
Installatsioon ja skulptuur
Neljapäeval, 18. oktoobril kell 17.00 toimub EKAs (ruumis A302) )Kanada kunstniku Tor Lukasik-Fossi kunstnikuvestlus.
Tor Lukasik-Foss(1967) on Kanadast pärit kunstnik ja kirjanik, kelle teosed uurivad avaliku ruumi ja sotsiaalse ärevuse toimemehanisme. Viimase kümne aasta jooksul on ta tegelenud performatiivsete skultpuuride seeriaga “ebatõenäolised kontserdid”, mis kasutades varjuteatri elemente kompavad skulptuuri avaliku ja privaatse ruumi piire. Lisaks kujutava kunsti praktikale on Lukasik-Foss viimase kahekümne aasta jooksul avaldanud mitu originaalloomingut sisaldavat muusikaalbumit pseudonüümi “tiny bill cody” alt. Tor Lukasik-Foss on hetkel Eesti Kunstnike Liidu ja Hamiltoni Kunsti Euroopa Nõukogu poolt korraldatud neljanädalases reisdentuuris Tallinna Kunstihoones.
Neljapäeval Eesti Kunstiakadeemias toimuval kunstnikuvestlusel kõneleb Tor Lukasik-Foss oma varasemast praktikast, Tallinna residentuurikogemusest ning vaatleb laiemalt sotsiaalset ärevust ning selle mõju skulptuurile ja performance’ile.
Vestlus toimub inglise keeles.
Postitas Maarja Pabut — Püsilink
Kanada kunstniku Tor Lukasik-Foss kunstnikuvestlus
Neljapäev 18 oktoober, 2018
Installatsioon ja skulptuur
Neljapäeval, 18. oktoobril kell 17.00 toimub EKAs (ruumis A302) )Kanada kunstniku Tor Lukasik-Fossi kunstnikuvestlus.
Tor Lukasik-Foss(1967) on Kanadast pärit kunstnik ja kirjanik, kelle teosed uurivad avaliku ruumi ja sotsiaalse ärevuse toimemehanisme. Viimase kümne aasta jooksul on ta tegelenud performatiivsete skultpuuride seeriaga “ebatõenäolised kontserdid”, mis kasutades varjuteatri elemente kompavad skulptuuri avaliku ja privaatse ruumi piire. Lisaks kujutava kunsti praktikale on Lukasik-Foss viimase kahekümne aasta jooksul avaldanud mitu originaalloomingut sisaldavat muusikaalbumit pseudonüümi “tiny bill cody” alt. Tor Lukasik-Foss on hetkel Eesti Kunstnike Liidu ja Hamiltoni Kunsti Euroopa Nõukogu poolt korraldatud neljanädalases reisdentuuris Tallinna Kunstihoones.
Neljapäeval Eesti Kunstiakadeemias toimuval kunstnikuvestlusel kõneleb Tor Lukasik-Foss oma varasemast praktikast, Tallinna residentuurikogemusest ning vaatleb laiemalt sotsiaalset ärevust ning selle mõju skulptuurile ja performance’ile.
Vestlus toimub inglise keeles.
Postitas Maarja Pabut — Püsilink
18.10.2018 — 19.10.2018
Baltimaade arhitektuurikoolide parimate diplomitööde võistlus
Arhitektuur ja linnaplaneerimine
18.–19. oktoobril toimub Eesti Kunstiakadeemias Baltimaade arhitektuurikoolide 2018. aasta parimate diplomitööde ülevaatus. Kahe päeva jooksul esitletakse magistri-, rakendusarhitektuuri-bakalaureuse taseme lõputöid, valitakse välja parimad, avatakse diplomitöödest koosnev näitus ning tutvustatakse veebikataloogi.
Võistlustöödega saab juba eelnevalt tutvuda näitusel, mis avatakse pidulikult neljapäeval, 18. oktoobril kell 16.00 EKA II korruse galeriis (Põhja pst 7, Tallinn), kus see jääb avatuks kuni 2. novembrini.
Bakalaureuse- ja magistritööde presentatsioonid toimuvad reedel, 19. oktoobril algusega kell 10.00 EKA suures saalis. Igale osalejale on ette nähtud 15 minutit oma töö presenteerimiseks. Päeva lõpuks selgitab rahvusvaheline žürii välja parimad.
Võistlusel osalevad kokku seitsme Balti arhitektuurikooli BA ja MA tudengid ning võistlustulle astub 17 projekti: 10 Leedust, 4 Eestist ja 3 Lätist.
Sündmused on avalikud, tasuta ning kõik huvilised on oodatud osalema!
Võistlust korraldab Eesti Arhitektide Liit koostöös Leedu ja Läti Arhitektide Liitudega (BAUA).
Lisaks toetavad: Eesti Kultuurkapital, Läti Kultuuriministeerium, Eesti Kunstiakadeemia arhitektuuriteaduskond, Tallinna Tehnikakõrgkooli arhitektuuriinstituut, Riia Tehnikaülikool ja Knauf.
Rohkem infot 18.–19. oktoobril EKAs toimuvate sündmuste kohta ning täpsema ajakava leiate kirjaga kaasas olevast dokumendist.
Postitas Mart Vainre — Püsilink
Baltimaade arhitektuurikoolide parimate diplomitööde võistlus
Neljapäev 18 oktoober, 2018 — Reede 19 oktoober, 2018
Arhitektuur ja linnaplaneerimine
18.–19. oktoobril toimub Eesti Kunstiakadeemias Baltimaade arhitektuurikoolide 2018. aasta parimate diplomitööde ülevaatus. Kahe päeva jooksul esitletakse magistri-, rakendusarhitektuuri-bakalaureuse taseme lõputöid, valitakse välja parimad, avatakse diplomitöödest koosnev näitus ning tutvustatakse veebikataloogi.
Võistlustöödega saab juba eelnevalt tutvuda näitusel, mis avatakse pidulikult neljapäeval, 18. oktoobril kell 16.00 EKA II korruse galeriis (Põhja pst 7, Tallinn), kus see jääb avatuks kuni 2. novembrini.
Bakalaureuse- ja magistritööde presentatsioonid toimuvad reedel, 19. oktoobril algusega kell 10.00 EKA suures saalis. Igale osalejale on ette nähtud 15 minutit oma töö presenteerimiseks. Päeva lõpuks selgitab rahvusvaheline žürii välja parimad.
Võistlusel osalevad kokku seitsme Balti arhitektuurikooli BA ja MA tudengid ning võistlustulle astub 17 projekti: 10 Leedust, 4 Eestist ja 3 Lätist.
Sündmused on avalikud, tasuta ning kõik huvilised on oodatud osalema!
Võistlust korraldab Eesti Arhitektide Liit koostöös Leedu ja Läti Arhitektide Liitudega (BAUA).
Lisaks toetavad: Eesti Kultuurkapital, Läti Kultuuriministeerium, Eesti Kunstiakadeemia arhitektuuriteaduskond, Tallinna Tehnikakõrgkooli arhitektuuriinstituut, Riia Tehnikaülikool ja Knauf.
Rohkem infot 18.–19. oktoobril EKAs toimuvate sündmuste kohta ning täpsema ajakava leiate kirjaga kaasas olevast dokumendist.
Postitas Mart Vainre — Püsilink
16.10.2018
EKA FOTO 20 klubi vol 3: kunst ja sõnad
Fotograafia
16. oktoobril kell 18:00 toimub EKKMi kohvikus järjekorras kolmas EKA FOTO 20 klubiõhtu. Vestluse teemaks on: “Kunst ja sõnad”.
Et tänases kaasaegses kunstis sõnadeta enam hakkama ei saa, võib näida ohuna nii kunstile kui eripärasele suhtluskeelele kui ka väljendusvahendite mitmekesisuse säilimisele ühtlustuvas globaalses maailmas. Kas kunst on aktiivselt ja eneseteadlikult tungimas aladele, mis on traditsiooniliselt olnud sõnade pärusmaa? Või on kunst, vastupidi, andmas ära oma positsioone kõnelejana sellest, millest sõnadega rääkida ei saa? Räägime kunsti ja sõnade vahekorrast tänases hüpervisuaalses maailmas, aga ka kaasaegsest kunstist kui globaalsest institutsioonist, mille mängureeglite juurde kuulub üha vältimatumalt kirjaoskus.
Vestlust modereerib Liisa Kaljula ning osalevad Indrek Grigor, Taavi Talve, Siim Preiman, Maarja Kangro ja Laura Kuusk.
Süüa pakub EKA fotograafia osakonna maitselabori tudengite grupp Hirohisha Koike ja Reimo Võsa-Tangsoo juhendamisel. DJ on NexTrax muusikalabelist DhmR.
EKA foto 20 visuaalse identiteedi autoriteks on graafilise disaini osakonna tudengid Mai Bauvald ja Ran-Re Reimann. EKA FOTO 20 veebileht, mis täieneb aasta jooksul infoga osakonna ajaloo kohta, on kättesaadav siin:https://www.foto.artun.ee/
Täname: Mai Bauvald, Ran-Re Reimann ja Anneli Kripsaar, Eve Kiiler, Marco Laimre, Eesti Kultuurkapital, Eesti Kaasaegse Kunsti Muuseum.
Kogu ürituste programmi saab jälgida siin:
Eesti Kunstiakadeemia koduleht: https://www.foto.artun.ee/
Facebook: https://www.facebook.com/EKA-Fotograafia-142012159217400/?ref=br_rs
Sündmus 16. oktoobril EKKMis: https://www.facebook.com/events/273786519928765/
Instagram: https://www.instagram.com/eka_fotograafia/
Kontakt:
Laura Kuusk
Fotograafia osakond, Eesti Kunstiakadeemia
laura.kuusk@artun.ee, Tel. +372 55 584 609
Laura Toots
Eesti Kaasaegse Kunsti Muuseum
laura@ekkm.ee, Tel. +372 511 7886
Postitas Mart Vainre — Püsilink
EKA FOTO 20 klubi vol 3: kunst ja sõnad
Teisipäev 16 oktoober, 2018
Fotograafia
16. oktoobril kell 18:00 toimub EKKMi kohvikus järjekorras kolmas EKA FOTO 20 klubiõhtu. Vestluse teemaks on: “Kunst ja sõnad”.
Et tänases kaasaegses kunstis sõnadeta enam hakkama ei saa, võib näida ohuna nii kunstile kui eripärasele suhtluskeelele kui ka väljendusvahendite mitmekesisuse säilimisele ühtlustuvas globaalses maailmas. Kas kunst on aktiivselt ja eneseteadlikult tungimas aladele, mis on traditsiooniliselt olnud sõnade pärusmaa? Või on kunst, vastupidi, andmas ära oma positsioone kõnelejana sellest, millest sõnadega rääkida ei saa? Räägime kunsti ja sõnade vahekorrast tänases hüpervisuaalses maailmas, aga ka kaasaegsest kunstist kui globaalsest institutsioonist, mille mängureeglite juurde kuulub üha vältimatumalt kirjaoskus.
Vestlust modereerib Liisa Kaljula ning osalevad Indrek Grigor, Taavi Talve, Siim Preiman, Maarja Kangro ja Laura Kuusk.
Süüa pakub EKA fotograafia osakonna maitselabori tudengite grupp Hirohisha Koike ja Reimo Võsa-Tangsoo juhendamisel. DJ on NexTrax muusikalabelist DhmR.
EKA foto 20 visuaalse identiteedi autoriteks on graafilise disaini osakonna tudengid Mai Bauvald ja Ran-Re Reimann. EKA FOTO 20 veebileht, mis täieneb aasta jooksul infoga osakonna ajaloo kohta, on kättesaadav siin:https://www.foto.artun.ee/
Täname: Mai Bauvald, Ran-Re Reimann ja Anneli Kripsaar, Eve Kiiler, Marco Laimre, Eesti Kultuurkapital, Eesti Kaasaegse Kunsti Muuseum.
Kogu ürituste programmi saab jälgida siin:
Eesti Kunstiakadeemia koduleht: https://www.foto.artun.ee/
Facebook: https://www.facebook.com/EKA-Fotograafia-142012159217400/?ref=br_rs
Sündmus 16. oktoobril EKKMis: https://www.facebook.com/events/273786519928765/
Instagram: https://www.instagram.com/eka_fotograafia/
Kontakt:
Laura Kuusk
Fotograafia osakond, Eesti Kunstiakadeemia
laura.kuusk@artun.ee, Tel. +372 55 584 609
Laura Toots
Eesti Kaasaegse Kunsti Muuseum
laura@ekkm.ee, Tel. +372 511 7886
Postitas Mart Vainre — Püsilink
07.11.2018 — 08.11.2018
Seminar: Ways of drifting in research through design
Disainiteaduskond
Date: November 7-8, 2018
Venue: Estonian Academy of Arts, Põhja pst 7
Lecturer: Thomas Markussen
Research through design is about understanding how processes of designing and creating artworks can serve as the primary method of inquiry into questions relevant for art and design. Originally, the method was described by Christopher Frayling (1993) and Bruce Archer (1995), and since then many different suggestions for what the characteristics of research through design have been presented. This 2-day seminar offers PhD students visual sketching techniques and methodological tools that can be used to clarify how they practice research through design. Based on readings and the students’ position papers, we will be using visual models and diagrams to map out the role played by designerly and artistic experiments in the students’ own projects? Questions that will be addressed are: How can experiments in art and design serve as means for inquiry? How do we account for knowledge produced by these experiments? Each day will be framed by a talk that will set up a conceptual space for collective work.
Thomas Markussen is associate professor and co-founder of the Social Design Research Unit, at the University of Southern Denmark. In his work, Markussen focuses on how design can be used as a political and critical aesthetic practice, notably in the fields of social design, design activism and design fiction. He is one of the contributors to the recently published book Practice-based Design Research, edited by Laurene Vaughan, and has previously been head of phd education at Kolding School of Design. His other publications include journal articles such as “The disruptive aesthetics of design activism: enacting design between art and politics” (Design Issues); “Disentangling the ‘social’ in social design’s engagement with the public realm” (CoDesign); and “The politics of design activism – from impure politics to parapolitics” appearing in Routledge’s forthcoming book Design and Dissent.
Registration
Theseminar is open to PhD and MA students and researchers with ongoing research projects. Registration is open until 26.10.
Requirements
Particpants must submit a position paper (max 1 page) that describe their PhD project. The paper should provide understanding of the aim of the project, primary research questions, methods and the students training and background. Please send your paper to elika.kiilo@artun.eeby 30.10
As preparation for the seminar, participants will be asked to read:
Bang., A-L; Ludvigsen, M; Krogh P-G & Markussen, T. (2012):The Role of Hypothesis in Constructive Design Research. The Art of Research Conference, Aalto University, Helsinki.
Krogh, P-G; Markussen, T & Bang, A-L (2015): ICord’15 – International Conference on Research into Design, Springer Verlag.
The text will be made available upon registration.
Students can earn 2 credit points (ECTS) for participation.
Preliminary Program
Wednesday, Nov 7
13:00-14:00Introduction to Research through Design – a murky concept or expanding methodology?, talk by Thomas Markussen
Break
14:15-15:30 Group work – understanding the basic elements of research through design PhD projects
Break
15:45-16:30 PhD Poster exhibition
Thursday, Nov 8
9:30-10:30Ways of drifting – 5 methods for experimenting in research through design, talk by Thomas Markussen
Break
10:45-11:45 Group work on the role of designerly and artistic experiments in research through design PhD projects
Lunch
12:30:-13:15 Group work on the role of designerly and artistic experiments in research through design PhD projects
13:15-14:30 Collective sharing and presenting
This event is organised by the Graduate School of Culture Studies and Arts, supported by the ASTRA project of the Estonian Academy of Arts – EKA LOOVKÄRG (European Union, European Regional Development Fund).
Postitas Elika Kiilo — Püsilink
Seminar: Ways of drifting in research through design
Kolmapäev 07 november, 2018 — Neljapäev 08 november, 2018
Disainiteaduskond
Date: November 7-8, 2018
Venue: Estonian Academy of Arts, Põhja pst 7
Lecturer: Thomas Markussen
Research through design is about understanding how processes of designing and creating artworks can serve as the primary method of inquiry into questions relevant for art and design. Originally, the method was described by Christopher Frayling (1993) and Bruce Archer (1995), and since then many different suggestions for what the characteristics of research through design have been presented. This 2-day seminar offers PhD students visual sketching techniques and methodological tools that can be used to clarify how they practice research through design. Based on readings and the students’ position papers, we will be using visual models and diagrams to map out the role played by designerly and artistic experiments in the students’ own projects? Questions that will be addressed are: How can experiments in art and design serve as means for inquiry? How do we account for knowledge produced by these experiments? Each day will be framed by a talk that will set up a conceptual space for collective work.
Thomas Markussen is associate professor and co-founder of the Social Design Research Unit, at the University of Southern Denmark. In his work, Markussen focuses on how design can be used as a political and critical aesthetic practice, notably in the fields of social design, design activism and design fiction. He is one of the contributors to the recently published book Practice-based Design Research, edited by Laurene Vaughan, and has previously been head of phd education at Kolding School of Design. His other publications include journal articles such as “The disruptive aesthetics of design activism: enacting design between art and politics” (Design Issues); “Disentangling the ‘social’ in social design’s engagement with the public realm” (CoDesign); and “The politics of design activism – from impure politics to parapolitics” appearing in Routledge’s forthcoming book Design and Dissent.
Registration
Theseminar is open to PhD and MA students and researchers with ongoing research projects. Registration is open until 26.10.
Requirements
Particpants must submit a position paper (max 1 page) that describe their PhD project. The paper should provide understanding of the aim of the project, primary research questions, methods and the students training and background. Please send your paper to elika.kiilo@artun.eeby 30.10
As preparation for the seminar, participants will be asked to read:
Bang., A-L; Ludvigsen, M; Krogh P-G & Markussen, T. (2012):The Role of Hypothesis in Constructive Design Research. The Art of Research Conference, Aalto University, Helsinki.
Krogh, P-G; Markussen, T & Bang, A-L (2015): ICord’15 – International Conference on Research into Design, Springer Verlag.
The text will be made available upon registration.
Students can earn 2 credit points (ECTS) for participation.
Preliminary Program
Wednesday, Nov 7
13:00-14:00Introduction to Research through Design – a murky concept or expanding methodology?, talk by Thomas Markussen
Break
14:15-15:30 Group work – understanding the basic elements of research through design PhD projects
Break
15:45-16:30 PhD Poster exhibition
Thursday, Nov 8
9:30-10:30Ways of drifting – 5 methods for experimenting in research through design, talk by Thomas Markussen
Break
10:45-11:45 Group work on the role of designerly and artistic experiments in research through design PhD projects
Lunch
12:30:-13:15 Group work on the role of designerly and artistic experiments in research through design PhD projects
13:15-14:30 Collective sharing and presenting
This event is organised by the Graduate School of Culture Studies and Arts, supported by the ASTRA project of the Estonian Academy of Arts – EKA LOOVKÄRG (European Union, European Regional Development Fund).
Postitas Elika Kiilo — Püsilink
18.10.2018
Avatud Loeng, arhitektuur: Levente Polyak
Arhitektuur ja linnaplaneerimine
Neljapäeval, 18. oktoobril algusega kell 18.30 toimub Eesti Kunstiakadeemia auditooriumis A501 (Põhja pst 7) avaliku ruumi nõuniku Levente Polyaki avatud loeng. Polyak pühendub oma töös eelkõige linnakeskondade taastamisele, kultuurilistele arengutele ja kogukondlikule kaasamisele. Polyak tuleb Tallinnasse esinema EKA arhitektuuriteaduskonna Avatud Loengute sarja raames ning ta on väljavalitud Tuleviku Arhitektuuri Foorumi finalistidest (FAP)– loengud toimuvad neljapäeviti iga kahe nädala tagant, on inglise keeles ning tasuta.
Levente Polyak on linnaplaneerija, uurija ning sotsiaal-poliitilise agendaga avaliku ruumi nõunik. Pühendudes linnakeskondade taastamisele, kultuurilistele arengutele, kogukondlikule kaasamisele ja innovatsioonile, keskendub tema uurimustöö hoone ehituslikele probleemidele, juhindudes kohalikest materjalidest. Polyak õppis arhitektuuri Budapesti Tehnoloogiaülikoolis, urbanistikat Pariisi Linnaplaneerimise Instituudis ning sotsioloogiat Eötvös Loránd’i Ülikoolis Budapestis ja EHESSis Pariisis. Ta on töötanud külalislektorina Moholy-Nagy Disaini- ja Kunstiülikoolis, Budapesti Tehnoloogiaülikoolis ja Viini Tehnikaülikoolis. Doktorikraadi sotsioloogias kaitses ta Kesk-Euroopa Ülikoolis. Ta on tegelenud linnaosade taaselustamisega New Yorgi linnaplaneerimise ametis ning Pariisis ja Roomas. Aastatel 2012-13 töötas ta Budapesti linnaplaneerimise direktori nõunikuna, olles Budapesti linnaarengu strateegia 2030 kaastoimetaja.
Polyak on kohalikke omavalitsusi linnaplaneerimise ja kogukondade kaasamisel konsulteeriva büroo Eutropian Research & Action kaasasutaja. Hetkel töötab ta Euroopa Investeerimispanga ja Euroopa Regioonide Komitee kodanikedialoogi konsultandina.
Oma loengus pealkirjaga “Rahastades ühistulisi linnu: kogukonnarahandus ja avaliku ruumi ökonoomika” räägib Polyak sellest, kuidas viimastel aastatel on kultuuriline, sotsiaalne, ühiskondlik ja hariduslik ruum muutunud uute elamise, töötamise, õppimise ja kollektiivse läbikäimise viiside laboratooriumiteks. Sellise avaliku ruumi puhul on aga tihti keeruline leida stabiilseid majandusstruktuure või piisavalt finantsvahendeid pikaajalise, jätkusuutliku ja sõltumatu tegutsemise tagamiseks. Uurimusprojekt “Ühistuliste linnade rahastamine” on püüdnud välja selgitada, kuidas kodanikeinitsiatiivid, ühistud, MTÜd, ühisrahastusplatformid, eetilised pangad ja spekuleerimise vastased sihtasutused suudavad toimida väljaspool tavapärase kinnisvaraarenduse dünaamikat ning luua uusi mehhanisme saamaks ligipääsu, osta, renoveerida või ehitada hooneid kogukondadele. “Ühistuliste linnade rahastamine” üritab kogemuste toel aidata ja inspireerida kodanikuühiskonna initsiatiive, aidates neil koguda ühist kapitali, luues stabiilseid finantsmudeleid, tugevdades lokaalset majandust, hoides kasumid naabruskondades ning tagades avalikku ruumi, mis takistab avalikkuse mahasurumist ja kasumi väljaviimise majandusmudelit.
Kuulama on oodatud kõikide Eesti koolide tudengid – olgu siis arhitektuuri, urbanistika, sisearhitektuuri või ka robootika, programmeerimise, disaini ning vabade kunstide valdkonnast; samuti tegutsevad arhitektid, õppejõud ning lihtsalt arhitektuuri- ja ruumihuvilised – eriti aga kõik, kes kaaluvad tulevikus arhitektuuri õppima asumist. Avatud loengud on alati tasuta ja inglise keeles.
EKA arhitektuuri ja linnaplaneerimise osakond on arhitektuuri avatud loenguid korraldanud 2012. aastast alates – igal õppeaastal astub Tallinnas erialase publiku ette kümmekond valdkonna omanäolist praktikut ja hinnatud teoreetikut. EKA arhitektuuriteaduskond on Eesti arhitektuurihariduse keskpunkt ja olulisim kompetentsikeskus kõigis tehiskeskkonda loovates distsipliinides, hõlmates sisearhitektuuri, arhitektuuri ja linnaplaneerimise valdkonda.
Loengusarja toetab Eesti Kultuurkapital. Levente Polyaki loeng on osa Future Architecture programmist. Tegu on innovatsiooni ning eksperimenteerimist edendava programmiga, mis tutvustab arhitektuuri ja Euroopa linnu lähitulevikus kujundama hakkavat noort põlvkonda. Täpsem info: http://futurearchitectureplatform.org.
Kuraatorid: Sille Pihlak, Johan Tali
https://www.facebook.com/EKAarhitektuur/
Lisainfo:
Pille Epner
E-post: arhitektuur@artun.ee
Postitas Triin Männik — Püsilink
Avatud Loeng, arhitektuur: Levente Polyak
Neljapäev 18 oktoober, 2018
Arhitektuur ja linnaplaneerimine
Neljapäeval, 18. oktoobril algusega kell 18.30 toimub Eesti Kunstiakadeemia auditooriumis A501 (Põhja pst 7) avaliku ruumi nõuniku Levente Polyaki avatud loeng. Polyak pühendub oma töös eelkõige linnakeskondade taastamisele, kultuurilistele arengutele ja kogukondlikule kaasamisele. Polyak tuleb Tallinnasse esinema EKA arhitektuuriteaduskonna Avatud Loengute sarja raames ning ta on väljavalitud Tuleviku Arhitektuuri Foorumi finalistidest (FAP)– loengud toimuvad neljapäeviti iga kahe nädala tagant, on inglise keeles ning tasuta.
Levente Polyak on linnaplaneerija, uurija ning sotsiaal-poliitilise agendaga avaliku ruumi nõunik. Pühendudes linnakeskondade taastamisele, kultuurilistele arengutele, kogukondlikule kaasamisele ja innovatsioonile, keskendub tema uurimustöö hoone ehituslikele probleemidele, juhindudes kohalikest materjalidest. Polyak õppis arhitektuuri Budapesti Tehnoloogiaülikoolis, urbanistikat Pariisi Linnaplaneerimise Instituudis ning sotsioloogiat Eötvös Loránd’i Ülikoolis Budapestis ja EHESSis Pariisis. Ta on töötanud külalislektorina Moholy-Nagy Disaini- ja Kunstiülikoolis, Budapesti Tehnoloogiaülikoolis ja Viini Tehnikaülikoolis. Doktorikraadi sotsioloogias kaitses ta Kesk-Euroopa Ülikoolis. Ta on tegelenud linnaosade taaselustamisega New Yorgi linnaplaneerimise ametis ning Pariisis ja Roomas. Aastatel 2012-13 töötas ta Budapesti linnaplaneerimise direktori nõunikuna, olles Budapesti linnaarengu strateegia 2030 kaastoimetaja.
Polyak on kohalikke omavalitsusi linnaplaneerimise ja kogukondade kaasamisel konsulteeriva büroo Eutropian Research & Action kaasasutaja. Hetkel töötab ta Euroopa Investeerimispanga ja Euroopa Regioonide Komitee kodanikedialoogi konsultandina.
Oma loengus pealkirjaga “Rahastades ühistulisi linnu: kogukonnarahandus ja avaliku ruumi ökonoomika” räägib Polyak sellest, kuidas viimastel aastatel on kultuuriline, sotsiaalne, ühiskondlik ja hariduslik ruum muutunud uute elamise, töötamise, õppimise ja kollektiivse läbikäimise viiside laboratooriumiteks. Sellise avaliku ruumi puhul on aga tihti keeruline leida stabiilseid majandusstruktuure või piisavalt finantsvahendeid pikaajalise, jätkusuutliku ja sõltumatu tegutsemise tagamiseks. Uurimusprojekt “Ühistuliste linnade rahastamine” on püüdnud välja selgitada, kuidas kodanikeinitsiatiivid, ühistud, MTÜd, ühisrahastusplatformid, eetilised pangad ja spekuleerimise vastased sihtasutused suudavad toimida väljaspool tavapärase kinnisvaraarenduse dünaamikat ning luua uusi mehhanisme saamaks ligipääsu, osta, renoveerida või ehitada hooneid kogukondadele. “Ühistuliste linnade rahastamine” üritab kogemuste toel aidata ja inspireerida kodanikuühiskonna initsiatiive, aidates neil koguda ühist kapitali, luues stabiilseid finantsmudeleid, tugevdades lokaalset majandust, hoides kasumid naabruskondades ning tagades avalikku ruumi, mis takistab avalikkuse mahasurumist ja kasumi väljaviimise majandusmudelit.
Kuulama on oodatud kõikide Eesti koolide tudengid – olgu siis arhitektuuri, urbanistika, sisearhitektuuri või ka robootika, programmeerimise, disaini ning vabade kunstide valdkonnast; samuti tegutsevad arhitektid, õppejõud ning lihtsalt arhitektuuri- ja ruumihuvilised – eriti aga kõik, kes kaaluvad tulevikus arhitektuuri õppima asumist. Avatud loengud on alati tasuta ja inglise keeles.
EKA arhitektuuri ja linnaplaneerimise osakond on arhitektuuri avatud loenguid korraldanud 2012. aastast alates – igal õppeaastal astub Tallinnas erialase publiku ette kümmekond valdkonna omanäolist praktikut ja hinnatud teoreetikut. EKA arhitektuuriteaduskond on Eesti arhitektuurihariduse keskpunkt ja olulisim kompetentsikeskus kõigis tehiskeskkonda loovates distsipliinides, hõlmates sisearhitektuuri, arhitektuuri ja linnaplaneerimise valdkonda.
Loengusarja toetab Eesti Kultuurkapital. Levente Polyaki loeng on osa Future Architecture programmist. Tegu on innovatsiooni ning eksperimenteerimist edendava programmiga, mis tutvustab arhitektuuri ja Euroopa linnu lähitulevikus kujundama hakkavat noort põlvkonda. Täpsem info: http://futurearchitectureplatform.org.
Kuraatorid: Sille Pihlak, Johan Tali
https://www.facebook.com/EKAarhitektuur/
Lisainfo:
Pille Epner
E-post: arhitektuur@artun.ee
Postitas Triin Männik — Püsilink
19.10.2018 — 20.10.2018
Konverents! “Koostööpööre kunstis: uurimisprotsess kunstipraktikas”
Doktorikool
Konverents Koostööpööre kunstis: uurimisprotsess kunstipraktikas tegeleb loomeuurimusega laiendatud tähenduses ja koostöö küsimustega loomingulises praktikas.
Mõiste “loomeuurimus” (artistic research) on aktiivses rahvusvahelises kasutuses 2000. aastate algusest. Esimene loomeuurimuslik doktoritöö õppekaval “Kunst ja disain” kaitsti Eesti Kunstiakadeemias 2011. aastal.
“Looming” on seostatav eelteadmiseta sündiva, inspiratsioonilise ja mitteratsionaalse praktikaga ning “uurimus” on mõistetav kui “teaduslik tegevus” — ratsionaalne ja mõistuslik, põhineb eelneval info ja teadmistel. Kuid loomeuurimuse termini ja praktika levik iseloomustab muutunud olukorda.
Kollektiivne uurimispraktika on teaduses tavapärane, kollektiivsus on omane ka teostusprotsessidele disainis. Kaasaegses kujutavas kunstis on kollektiivsus haruldasem, kuid siin on näha põhimõttelisi muutusi: kunstnikud loovad interdistsiplinaarsetes kollektiivides, tellivad oma projektide osi professionaalsetelt teostajatelt, kunstiteosed leiavad aset erinevate meediate, tehnoloogiate ja lokaalsuste koostöös. Varasem individualistlik, introvertne ja heroiline kunstnik on asendumas kommunikaatori ja projektijuhiga, kes on paindlik suhtluses teostajate ja kunsti vastuvõtjatega.
Konverentsi eesmärgiks on kaardistada uurimuslikku ja kollektiivset loomingut kunstis.
Kutsutud esinejad: Malin Arnell, Varvara Guljajeva, Chris Hales, Andi Hektor, Taavet Jansen, Marianne Jõgi, Jan Kaila, Raul Keller, Arne Maasik, Tuula Närhinen, Piibe Piirma, Taavi Talve, Pia Tikka, Julijonas Urbonas ja teised.
Konverentsi korraldajad: Raivo Kelomees (EKA), Chris Hales (Liepaja Ülikool), EKA vabade kunstide teaduskond.
Registreerumine kuni 15. oktoobrini.
Konverents toimub EKA ruumis A501.
Kontakt: raivo.kelomees@artun.ee
Conference programme
Estonian Academy of Arts, Põhja pst 7, room A501
Day 1
Friday, October 19, 2018
9.30 Coffee
10.00 Welcome words by prof. Epp Lankots, Vice Rector for Research, Estonian Academy of Arts
10.10 Introduction and moderation: Raivo Kelomees (EAA)
10.25 Pia Tikka. Neurocinematics & Art-Science Collaboration
10.50 Piibe Piirma. Inter- and Transdisciplinarity in Artistic Research
11.15 Chris Hales. From Tacit Knowledge to Academic Knowledge
11.35 Arne Maasik. On Geometry in Architecture of Louis Kahn
12.00 Lunch break
13.00 Taavi Talve. Paldiski Project, Case Study
13.30 Raul Keller. Process
14.00 Andi Hektor. What is a Research Paper?
14.30 BREAK (a tour in the building)
15.30 Tuula Närhinen. Phenomenotechnics in Visual Art Practice – a hands-on approach
16.00 Julijonas Urbonas. Gravitational Aesthetics and Exodisciplinary Art
16.30 Questions and discussion
Day 2
Saturday, October 20, 2018
Estonian Academy of Arts, Põhja pst 7, room A501
10.00 Morning coffee
10.20 Summary of the previous day and moderation: Chris Hales
10.30 Varvara Guljajeva. From Interaction to Postparticipation: The Disappearing Role of the Active Participant
11.00 Malin Arnell. The Word for Research is Action – engaging a live dissertation.
11.30 Jan Kaila. 20 Years of Artistic Research – what has been lost and what has been found? (45 min)
12.20 Questions and discussion
12.30 Lunch break (45 min)
13.15 Chris Hales. Creating and Running a Practice-led Doctorate in Latvia, 2009 – 2018
13.35 Marianne Jõgi. Spatio-temporal self-similarity in the creative process
14.00 Taavet Jansen. NEUROTHEATER as an interdisciplinary collaboration form: example from New Stage of Alexandrinsky Theatre
14.30 Break (15 min)
14.45 Doctoral students presentations ca 15 min each
14.45 Tze Yeung Ho
15.00 Rait Rosin
15.15 Hirohisa Koike
15.30 Conclusion
18.00 and later. Options in the city:
- NU Performance Festival: avaõhtu / opening night
Koht/location: Sveta Baar (Telliskivi 62, Tallinn)
- VI Artishok Biennial
From 20 to 28 October, the passenger terminal of the Baltic railway station in Tallinn will host the VI Artishok Biennial (VI AB) which will use the format of a fashion exhibition. Starts 18.00
/Summary of speakers’ biographies and presentations see below/
Short bios:
Malin Arnell (SE) PhD, interdisciplinary artist, researcher and educator is a frequent collaborator with other artists, activists and writers. http://www.malinarnell.org/
Varvara Guljajeva (EE) MA, is an artist and a researcher. Varvara is a PhD candidate at Estonian Academy of Arts. http://www.varvarag.info/
Taavet Jansen (EE) has been working on the field of performing art for more than 20 year – as a dancer, choreographer, director, sound-designer, light-designer, video-designer, interactivity programmer etc. http://taavetjansen.mimproject.org/
Marianne Jõgi (EE) MA, is an artist based in Tallinn. She graduated from the Georg Ots Music School where she majored in music theory. She holds an MA in sculpture and installation from the Estonian Academy of Arts. http://www.mariannejogi.com/
Jan Kaila (FI) DFA, Dean of the Academy of Fine Arts/Art University Helsinki. He was one of the founding members of the European Artistic Research Network in 2004 and in 2010 he was nominated as a member of the executive board of the Society of Artistic Research. Between 2011-2013 he was a member of ELIA´s executive board. https://www.uniarts.fi/en/jan-kaila-0
Chris Hales (GB) PhD, is a long-time specialist of the interactive moving image, as artist-practitioner, educator (Bachelors, Masters, Doctoral) and researcher. http://smartlab-ie.com/faculty/dr-chris-hales/
Andi Hektor (EE) PhD, is a Senior Researcher at the National Institute of Chemical Physics and Biophysics, Tallinn. https://www.etis.ee/CV/Andi_Hektor/est?lang=ENG
Raul Keller (EE) MA, is a professor and head of the New Media chair at the Estonian Academy of Arts. Based in Tallinn. http://raul.kuuratsanikud.ee/index.php/en/
Arne Maasik (EE) is a photographer and artist with an education in architecture. http://arnemaasik.org/
Tuula Närhinen (FI) PhD, is a visual artist based in Helsinki, Finland. http://www.tuulanarhinen.net/
Piibe Piirma (EE) PhD, is an artist and researcher based in Tallinn. http://www.piibepiirma.com/
Taavi Talve (EE) earned MA from the Estonian Academy of Arts (2008). Member of the artist collective Johnson and Johnson (2005). Docent of Sculpture and Installation department at the Estonian Academy of Arts.
Pia Tikka (FI) PhD, is a professional filmmaker and EU Mobilitas Research Professor at the Baltic Film, Media, Arts and Communication School (BFM) and MEDIT Centre of Excellence, Tallinn University. http://enactivevirtuality.tlu.ee
Julijonas Urbonas (LT) is an artist, designer, researcher, engineer, Vice-Rector for Art at the Vilnius Academy of Arts in Vilnius, and PhD student in Design Interactions at the Royal College of Art, London. http://julijonasurbonas.lt/
Raivo Kelomees (EE) PhD, is an artist, critic and new media researcher, holding a Senior Researcher position at the Estonian Academy of Arts. Lives and works in Tallinn. www.kelomees.net
Summary of speakers’ biographies and presentations:
Malin Arnell
The Word for Research is Action – engaging a live dissertation
Avhandling / Av_handling (Dissertation / Through_action)* was articulated / manifested over the course of 72 hours, situating itself within and proceeding from KTH R1 Experimental Performance Space, a decommissioned nuclear reactor hall 25 meters below ground on the campus of Royal Institute of Technology (KTH), May 27-29, 2016. The opponents and the examining committee were invited to become part for 42 hours; so was the audience—as agentially intra-acting components.
http://dissertationthroughaction.space/
* The English word dissertation translated to Swedish makes “avhandling.” When you break the word into its composite parts (“av” and “handling”), “av” can be translated to of, by, for, from, with. I chose to translate it to “through,” because I have pursued my research through the actions of my practice. “Handling” can be translated to action, document, or deed. I chose “action” to emphasize the continually unfurling and shifting nature of this research, and to echo Hannah Arendt, who maintained that actions have no end.
Biography:
Interdisciplinary artist, researcher and educator Malin Arnell, PhD, is a frequent collaborator with other artists, activists and writers. Through these collaborative practices, Malin works with key issues for participating in (social) domains by emphasising the porous intimacy between environments and actions. In doing so, Malin focuses on the experiences around/in/through/of the body (my body, their body, our body) by incorporating the affectivity between relationalities, territories, and power.
Longer bio: http://www.malinarnell.org/bio/bio/
Varvara Guljajeva
From Interaction to Postparticipation: The Disappearing Role of the Active Participant
The presentation introduces my practice-based dissertation which analyses and contextualises passive audience interaction, in the form of post-participation. The research explores the paradoxical situation in interactive art, where the artworks that demonstrate no direct audience interaction are addressed as interactive ones. It is argued that the concept of post-participation helps to address the shift from an active to a passive spectator in the complex age of dataveillance—an age where humans are continuously tracked, traced, monitored, and surveilled without their consent.
Biography:
Varvara Guljajeva is an artist and a researcher and currently a PhD candidate at the Estonian Academy of Arts. She has been invited as a visiting researcher to IAMAS (Ogaki, Japan), LJMU (Liverpool, UK), and Interface Cultures (Linz University of Art and Design).
Varvara unites with Mar Canet in the form of the artist duo Varvara & Mar. The duo has been exhibiting in international shows since 2009. Their works have been shown at MAD in New York, FACT in Liverpool, Santa Monica in Barcelona, Barbican in London, Onassis Cultural Centre in Athens, Ars Electronica museum in Linz, ZKM in Karlsruhe, etc. The duo’s work is frequently inspired by the digital age and in their practice they confront social change and the impact of the technological era.
Taavet Jansen
NEUROTHEATER as a interdisciplinary collaboration form: an example from the New Stage of Alexandrinsky Theatre
In my short presentation, I will talk about the TLU summer school “Experimental Interaction Design: physiological computing technologies for performative arts ” held in ITMO University in St.Petersburg: how artists and scientists met in this one-week laboratory; what were the main concepts we discussed; how was the whole process held; and what are the final thoughts.
Biography:
Taavet Jansen has been working in the field of performance art for more than 20 years—as a dancer, choreographer, director, sound-designer, light-designer, video-designer, interactivity programmer etc. Studied Art and Science at Den Haag Art Academy and Dance and New Technologies at the Amsterdam Theatre school. Taavet is one of the founders of the technological art network MIMproject, and head of the performing arts department at TÜ Viljandi Cultural Academy.
http://taavetjansen.mimproject.org/
Marianne Jõgi
Spatio-temporal self-similarity in the creative process
Neurological evidence suggests a specialisation of the cerebral hemispheres when processing temporal and spatial information from the sound field. Further studies have revealed optimal geometric principles as well as digital technologies for creating sustainable sound fields. The presentation will focus on links between the concepts of physiological and cultural sustainability.
Biography:
Marianne Jõgi (b.1983 in Tallinn, Estonia) is an artist based in Tallinn. She graduated from the Georg Ots Music School where she majored in music theory. She holds an MA in sculpture and installation from the Estonian Academy of Arts. Her postgraduate research and practice involves investigations at the intersection of architectural acoustics and art, with the aim of integrating sensory environmental technologies with spatial forms. She has been exhibiting work since 2005. In 2013, Jõgi was awarded the Young Artist Award (Estonia) for her installation Inaudibles.
Jan Kaila
20 Years of Artistic Research – what has been lost and what has been found?
I will talk about the situation within Artistic Research (AR) in 2005 or so, in comparison with how it looks today. My questions are: Do arts need fundamental research (like in the sciences)? Is the PhD in the arts educating “better” artists or is it educating researchers that have a completely different context than for example MA-students? Is AR a new player in the “hierarchy of the art world ? if it is – what are the consequences?
Biography:
Jan Kaila (born 1957) studied at the Doctoral Studies Program at the Finnish Academy of Fine Arts from 1997 to 2002. The subject of his doctorate, completed in 2002, was Photographicality and Representation in Contemporary Art.
Kaila worked in the 1980s and 1990s as a teacher and lecturer in several Nordic photography schools, including the University of Art and Design Helsinki and the School of Photography at Gothenburg University. In 2001, he was elected Professor of Photography at the Estonian Academy of Arts, and, in 2004, he was appointed Professor of Artistic Research at the Finnish Academy of Fine Arts. In 2008, he was elected Vice Rector of the Academy.
Kaila was one of the founding members of the European Artistic Research Network in 2004 and in 2010 he was nominated as a member of the executive board of the Society of Artistic Research. Between 2011-2013 he was a member of ELIA´s executive board.
Kaila has worked as an evaluator of fine art educations and artistic research in Estonia, Sweden, Norway, Germany, Austria and Ireland and he has lectured about research in United States, France, Germany, Hungary and Latvia.
Since 1980, Kaila has held one-man exhibitions and participated in group shows in many Nordic and Central European countries, Russia, the United States, Japan, South Korea and China. Kaila has also worked as a curator and has published writings about visual art and photography.
Since 2014 Kaila worked as Scientific Advisor of Artistic Research at the Swedish Research Council and as a Senior Researcher at the Art University Helsinki being in charge of the by Swedish Research Council funded project Poetic Archaeology. In 2018 Kaila started working as the Dean of the Academy of Fine Arts/Art University Helsinki.
Chris Hales
From Tacit Knowledge & Collaborative Practice to Academic Knowledge & Individual Practice
This short talk will present a personal journey starting from the enthusiasm of making interactive artworks in an intuitive manner to the drudgery of a more informed and methodologic approach for doctoral purposes. The willing collaborator transforms into an individualistic academic researcher. Let’s discuss!
Creating and Running a Practice-led Doctorate in Latvia, 2009—2018
A short presentation about how a new doctoral course was developed at Liepaja University, the first practice-led arts degree in Latvia. Some conclusions will be drawn from the experiences and outcomes of creating the course and actually delivering it.
Biography:
Long-time specialist of the interactive moving image, as artist-practitioner, educator (Bachelors, Masters, Doctoral) and researcher. PhD in 2006: ‘Rethinking the Interactive Movie’. Currently working independently and as a visiting lecturer in various educational institutions. Associate Professor (Docent) at the Liepaja University ‘New Media Art’ programme and Director of Studies of its doctoral course. Exhibitions of interactive film installations date from ARTEC’95 in Japan, to ZKM’s Future Cinema (2003), the Prague Triennale of 2008, the X111 Media Forum in Moscow in 2012 and most recently the premiere of You·Who? at the Madeira Film Festival 2018.
Andi Hektor
What is a Research Paper?
What is a research paper? A research paper is an academic work that is published in an academic journal and follows a rather standardised structure, e.g. IMRAD (introduction, methods, results, and discussion). The paper has usually multiple authors with (or without) special roles. A new trend is that the data presented by a paper should follow FAIR (findability, accessibility, interoperability, and reusability) principles. But what is the content of a paper? Is it some new knowledge and data? In the talk I will point out similarities between a research paper and a story, a work of art and an arbiter of fashion.
Andi Hektor
is a Senior Researcher at the National Institute of Chemical Physics and Biophysics, Tallinn.
https://www.etis.ee/CV/Andi_Hektor/est?lang=ENG
Raul Keller
Process is a piece which documents a technological and somewhat mediaarcheological approach to a process of physically inscribing sound into material, of homebrewed vinyl/plastic scribing with the emphasis on the emerging artefacts and outcomes of the process. It begins with a research into online DIY cultures and history of lofi sound reproduction on X-ray film sheets and continues into revisiting/revamping the historical professional devices. Perhaps the process will evolve into new and alternative physical reproduction devices that are technologically set back from the current state-of-the-art by decades but are lead by a different mindset.
Bio
Since end of 90s has been engaged in a multitude of contemporary art practices, focusing on site-specific sound installation, performance, improvisation, DIY culture, video- and radiophonic art. Sonic performances and radio art with LokaalRaadio (with Katrin Essenson, Hello Upan). Member of Eesti Elekter, experimental electronics performance group (Kerikmäe, Leemets, Lond, Tikas, Tikas). Free impro noise duo Post Horn (with Hello Upan). Performed as Paul Cole with his group The Great Outdoors in burlesque americana rock genre. Founding member of MKDK, A Dynamic Collective of Music and Arts. Founder of radio art festival Radiaator (with Katrin Essenson). Member of artist collective MIMproject. Works commissioned / performances in Great Britain, France, Germany, The Netherlands, Iceland, Brazil, India, Poland, Russia and The Baltic States. Since 2014 professor and head of New Media chair in the Estonian Academy of Arts. Residing in Tallinn, Estonia.
http://raul.kuuratsanikud.ee/index.php/en/biocv-eng
Arne Maasik
On Geometry in the Architecture of Louis Kahn
The Louis Kahn project: Louis Kahn (1901-1974) is considered one of the greatest architects of the 20th century, and he has a direct link with Estonia—Kahn lived in Kuressaare until he was five years old and visited his home island again in 1928, when he was a young architect. The Louis Kahn Estonia Foundation, the art historian Heie Treier and Estonia’s most recognized architectural photographer Arne Maasik have looked at the striking similarities between the architecture of Louis Kahn and the sacral architecture found on Saaremaa. In his lecture Arne Maasik will give a brief overview of his journeys to Kahn-related locations in the US, India, Bangladesh and Saaremaa, Estonia.
Arne Maasik is a photographer and artist with an education in architecture. He has participated in long-term projects involving large-scale research and had numerous solo exhibitions at home and abroad. Arne Maasik’s work is characterised by an awareness of metaphysical undercurrents and muted poetry. As an artist his focus is on metropolises as well as their outskirts, old houses and scrublands, as well as other peripheral living environments that become animated and alive in his photos.
He has worked as a faculty member in the Photography Department of the Tartu Higher Art School, Estonian Academy of Arts. Contributed to many architectural and art publications in Estonia and abroad. Member of the Estonian Artists’ Association since 2003.
Tuula Närhinen
Phenomenotechnique in Visual Art Practice
My projects examine the inherent visual potential in naturally occurring events. I have constructed visual interfaces that enable us to move beyond the explicit and to grasp the unfurling of a world invisible to the naked eye. Empiric and experimental methods are at the core of the inquiry. This talk focuses on tracings and (photo)graphic recordings. I consider the role of various inscribing apparatuses in a process that allows natural phenomena to manifest themselves. The installations showcase the DIY instruments implicated, encouraging the spectator to participate in the re-presentation of an event.
Biography:
Tuula Närhinen is a visual artist based in Helsinki, Finland.
Her works explore the pictorial agency of natural phenomena such as water and wind. Re-adapting instruments derived from natural sciences, Närhinen has developed methods for letting trees trace the shape of wind on their branches and found techniques that the enable the waves of the sea to inscribe themselves on paper.
Närhinen holds a Doctorate of Fine Arts (DFA) from the University of the Arts Helsinki. She is a graduate of the Finnish Academy of Fine Arts (MFA), and the Helsinki University of Technology (M.Sc. in Architecture). Find her at www.tuulanarhinen.net
Piibe Piirma
Inter- and Transdisciplinarity in Artistic Research
Interdisciplinarity as the combining of academic disciplines into a single study is a concept increasingly used in all instances where the finding of something new and unique and the crossing of boundaries between fields is considered important. This concept in more general terms is linked to the 20th century but its historical roots lie within Greek philosophy. In short, the interdisciplinary approach is related to the aim to create more perfect knowledge because in order to resolve important problems, staying within specific disciplines in a traditional or conventional manner is not enough.
Collaboration between art and science permits highly specific characteristics to be discovered that do not fit into the boundaries of conventional scientific research or the practice-based study of an artist. In what way is it important and novel both in terms of the focus on disciplines as well as the greater inclusion than before – in terms of collaboration in which the lines of thought of the scientific, societal, political, ethical and aesthetic world views are in harmony? The diversity of lines of thought and potential solutions, as well as the fact that engaging in science can involve many intuitive ideas and – until now – uninvolved groups of society leads us to analyse the term of transdisciplinarity.
Biography:
Piibe Piirma is media artist, curator and teacher based in Tallinn, Estonia. She has worked as designer and visual artist since 2002 and curated several new media art exhibitions since 2006. Piibe’s latest activities were related with PhD studies at Estonian Academy of Arts since 2009. She graduated on 2015, the title of her thesis was “Hybrid Practice. Art and Science in Artistic Research”. In her research she were focusing on her artistic experience by collaborating different Science labs in Estonia – TUT Centre of Biorobotics, TUT Department of Chemistry, UT Institute of Molecular and Cell Biology, TUT Institute of Marine Systems etc.
Taavi Talve
Paldiski Project, Case Study
The Paldiski Project. This case study focuses on communal art practices in Paldiski by the artist group Johnson and Johnson in terms of artistic collaboration and collectively elaborated meaning.
Biography:
Born 1970, Tartu. Earned MA from the Estonian Academy of Arts (2008). Member of the artist collective Johnson and Johnson (2005). Docent of Sculpture and Installation department at the Estonian Academy of Arts.
Pia Tikka
Neurocinematics & Art-Science Collaboration
I will discuss the first hand knowledge gained from several collaborative projects in which I have worked as a consulting film expert, and my own neurocinematic projects in which I have functioned as the principal investigator. I will highlight the diversity of issues one faces in collaborations between artists and scientists. Especially interesting will be to reflect conceptual, technological and methodological differences between arts and sciences. The discussion will range from conceptual to technological issues, however the focus will be on challenges such as finding shared language, working methods, best division of labor and responsibilities and authorship.
Biography:
Dr. Pia Tikka is a professional filmmaker and EU Mobilitas Research Professor at the Baltic Film, Media, Arts and Communication School (BFM) and MEDIT Centre of Excellence, Tallinn University. She has directed fiction films “Daughters of Yemanjá”, “Sand Bride”, and the Möbius Prix Nordic winning cinematic installation “Obsession”. As the leader of the research groups NeuroCine and Enactive Cinema, she has published on the topics of neurocinematics and enactive media, and written the book “Enactive Cinema: Simulatorium Eisensteinense.” She has been honoured with titles of Adjunct Professor of New Narrative Media at the University of Lapland and Fellow of Life in the Society for Cognitive Studies of the Moving Image. Currently her ENACTIVE VIRTUALITY research group studies the viewer’s experience of co-presence emerging in facial encounters with an enactive screen character. http://enactivevirtuality.tlu.ee
Julijonas Urbonas
Gravitational Aesthetics and Exodisciplinary Art
For almost a decade, working between amusement park design, space medicine, choreography, sci-fi and robotics, the artist Julijonas Urbonas has been developing various creative tools of negotiating gravity: from a killer rollercoaster to an artificial planet made up entirely of human bodies. In these projects he coins the term gravitational aesthetics, an artistic approach exploiting the means of manipulating gravity to create experiences that push the body and imagination to its extremes. In this lecture he will introduce his creative methodology by surveying a selection of his projects.
Biography:
Julijonas Urbonas is an artist, designer, researcher and engineer. He is Vice-Rector for Art at the Vilnius Academy of Arts in Vilnius, and a PhD student in Design Interactions at the Royal College of Art, London.
Before embarking on an artistic career, since childhood, Julijonas worked in amusement park development. In 2004, he became the head of an amusement park in Klaipeda, Lithuania, and ran it for three years. Having worked in this field — also as a designer and engineer — he became fascinated with what in his research he calls ‘gravitational aesthetics.’ This experience is unavailable elsewhere, and he became intrigued by this under-developed topic. Since then the topic has been at the core of his artistic research, intermingling such fields as critical design, speculative engineering, social sci-fi, performative architecture, choreographic heuristics, medicine, theatre and dance.
His work has been exhibited internationally and received many awards, including the Award of Distinction in Interactive Art, Prix Ars Electronica 2010. His projects can be found in private and museum collections such as the permanent collection of the Centre for Art and Media Karlsruhe (ZKM).
Raivo Kelomees
PhD (art history), artist, critic and new media researcher. Presently working as senior researcher at the Estonian Academy of Arts, Tallinn. He studied psychology, art history, and design at Tartu University and the Academy of Arts in Tallinn. He has published articles in the main Estonian cultural and art magazines and newspapers since 1985. His works include the book “Surrealism” (Kunst Publishers, 1993) and an article collection “Screen as a Membrane” (Tartu Art College proceedings, 2007), “Social Games in Art Space” (EAA, 2013). His Doctoral thesis was “Postmateriality in Art. Indeterministic Art Practices and Non-Material Art” (Dissertationes Academiae Artium Estoniae 3, 2009).
In recent years he has been participating on conferences dedicated to new media, digital humanities, theatre and visual art in São Paulo, Manizales, Plymouth, Krems, Riga, Shanghai, Göteborg, Hong Kong, Dubai and other places.
This event is organised by the Graduate School of Culture Studies and Arts, supported by the ASTRA project of the Estonian Academy of Arts – EKA LOOVKÄRG (European Union, European Regional Development Fund).
Postitas Mart Vainre — Püsilink
Konverents! “Koostööpööre kunstis: uurimisprotsess kunstipraktikas”
Reede 19 oktoober, 2018 — Laupäev 20 oktoober, 2018
Doktorikool
Konverents Koostööpööre kunstis: uurimisprotsess kunstipraktikas tegeleb loomeuurimusega laiendatud tähenduses ja koostöö küsimustega loomingulises praktikas.
Mõiste “loomeuurimus” (artistic research) on aktiivses rahvusvahelises kasutuses 2000. aastate algusest. Esimene loomeuurimuslik doktoritöö õppekaval “Kunst ja disain” kaitsti Eesti Kunstiakadeemias 2011. aastal.
“Looming” on seostatav eelteadmiseta sündiva, inspiratsioonilise ja mitteratsionaalse praktikaga ning “uurimus” on mõistetav kui “teaduslik tegevus” — ratsionaalne ja mõistuslik, põhineb eelneval info ja teadmistel. Kuid loomeuurimuse termini ja praktika levik iseloomustab muutunud olukorda.
Kollektiivne uurimispraktika on teaduses tavapärane, kollektiivsus on omane ka teostusprotsessidele disainis. Kaasaegses kujutavas kunstis on kollektiivsus haruldasem, kuid siin on näha põhimõttelisi muutusi: kunstnikud loovad interdistsiplinaarsetes kollektiivides, tellivad oma projektide osi professionaalsetelt teostajatelt, kunstiteosed leiavad aset erinevate meediate, tehnoloogiate ja lokaalsuste koostöös. Varasem individualistlik, introvertne ja heroiline kunstnik on asendumas kommunikaatori ja projektijuhiga, kes on paindlik suhtluses teostajate ja kunsti vastuvõtjatega.
Konverentsi eesmärgiks on kaardistada uurimuslikku ja kollektiivset loomingut kunstis.
Kutsutud esinejad: Malin Arnell, Varvara Guljajeva, Chris Hales, Andi Hektor, Taavet Jansen, Marianne Jõgi, Jan Kaila, Raul Keller, Arne Maasik, Tuula Närhinen, Piibe Piirma, Taavi Talve, Pia Tikka, Julijonas Urbonas ja teised.
Konverentsi korraldajad: Raivo Kelomees (EKA), Chris Hales (Liepaja Ülikool), EKA vabade kunstide teaduskond.
Registreerumine kuni 15. oktoobrini.
Konverents toimub EKA ruumis A501.
Kontakt: raivo.kelomees@artun.ee
Conference programme
Estonian Academy of Arts, Põhja pst 7, room A501
Day 1
Friday, October 19, 2018
9.30 Coffee
10.00 Welcome words by prof. Epp Lankots, Vice Rector for Research, Estonian Academy of Arts
10.10 Introduction and moderation: Raivo Kelomees (EAA)
10.25 Pia Tikka. Neurocinematics & Art-Science Collaboration
10.50 Piibe Piirma. Inter- and Transdisciplinarity in Artistic Research
11.15 Chris Hales. From Tacit Knowledge to Academic Knowledge
11.35 Arne Maasik. On Geometry in Architecture of Louis Kahn
12.00 Lunch break
13.00 Taavi Talve. Paldiski Project, Case Study
13.30 Raul Keller. Process
14.00 Andi Hektor. What is a Research Paper?
14.30 BREAK (a tour in the building)
15.30 Tuula Närhinen. Phenomenotechnics in Visual Art Practice – a hands-on approach
16.00 Julijonas Urbonas. Gravitational Aesthetics and Exodisciplinary Art
16.30 Questions and discussion
Day 2
Saturday, October 20, 2018
Estonian Academy of Arts, Põhja pst 7, room A501
10.00 Morning coffee
10.20 Summary of the previous day and moderation: Chris Hales
10.30 Varvara Guljajeva. From Interaction to Postparticipation: The Disappearing Role of the Active Participant
11.00 Malin Arnell. The Word for Research is Action – engaging a live dissertation.
11.30 Jan Kaila. 20 Years of Artistic Research – what has been lost and what has been found? (45 min)
12.20 Questions and discussion
12.30 Lunch break (45 min)
13.15 Chris Hales. Creating and Running a Practice-led Doctorate in Latvia, 2009 – 2018
13.35 Marianne Jõgi. Spatio-temporal self-similarity in the creative process
14.00 Taavet Jansen. NEUROTHEATER as an interdisciplinary collaboration form: example from New Stage of Alexandrinsky Theatre
14.30 Break (15 min)
14.45 Doctoral students presentations ca 15 min each
14.45 Tze Yeung Ho
15.00 Rait Rosin
15.15 Hirohisa Koike
15.30 Conclusion
18.00 and later. Options in the city:
- NU Performance Festival: avaõhtu / opening night
Koht/location: Sveta Baar (Telliskivi 62, Tallinn)
- VI Artishok Biennial
From 20 to 28 October, the passenger terminal of the Baltic railway station in Tallinn will host the VI Artishok Biennial (VI AB) which will use the format of a fashion exhibition. Starts 18.00
/Summary of speakers’ biographies and presentations see below/
Short bios:
Malin Arnell (SE) PhD, interdisciplinary artist, researcher and educator is a frequent collaborator with other artists, activists and writers. http://www.malinarnell.org/
Varvara Guljajeva (EE) MA, is an artist and a researcher. Varvara is a PhD candidate at Estonian Academy of Arts. http://www.varvarag.info/
Taavet Jansen (EE) has been working on the field of performing art for more than 20 year – as a dancer, choreographer, director, sound-designer, light-designer, video-designer, interactivity programmer etc. http://taavetjansen.mimproject.org/
Marianne Jõgi (EE) MA, is an artist based in Tallinn. She graduated from the Georg Ots Music School where she majored in music theory. She holds an MA in sculpture and installation from the Estonian Academy of Arts. http://www.mariannejogi.com/
Jan Kaila (FI) DFA, Dean of the Academy of Fine Arts/Art University Helsinki. He was one of the founding members of the European Artistic Research Network in 2004 and in 2010 he was nominated as a member of the executive board of the Society of Artistic Research. Between 2011-2013 he was a member of ELIA´s executive board. https://www.uniarts.fi/en/jan-kaila-0
Chris Hales (GB) PhD, is a long-time specialist of the interactive moving image, as artist-practitioner, educator (Bachelors, Masters, Doctoral) and researcher. http://smartlab-ie.com/faculty/dr-chris-hales/
Andi Hektor (EE) PhD, is a Senior Researcher at the National Institute of Chemical Physics and Biophysics, Tallinn. https://www.etis.ee/CV/Andi_Hektor/est?lang=ENG
Raul Keller (EE) MA, is a professor and head of the New Media chair at the Estonian Academy of Arts. Based in Tallinn. http://raul.kuuratsanikud.ee/index.php/en/
Arne Maasik (EE) is a photographer and artist with an education in architecture. http://arnemaasik.org/
Tuula Närhinen (FI) PhD, is a visual artist based in Helsinki, Finland. http://www.tuulanarhinen.net/
Piibe Piirma (EE) PhD, is an artist and researcher based in Tallinn. http://www.piibepiirma.com/
Taavi Talve (EE) earned MA from the Estonian Academy of Arts (2008). Member of the artist collective Johnson and Johnson (2005). Docent of Sculpture and Installation department at the Estonian Academy of Arts.
Pia Tikka (FI) PhD, is a professional filmmaker and EU Mobilitas Research Professor at the Baltic Film, Media, Arts and Communication School (BFM) and MEDIT Centre of Excellence, Tallinn University. http://enactivevirtuality.tlu.ee
Julijonas Urbonas (LT) is an artist, designer, researcher, engineer, Vice-Rector for Art at the Vilnius Academy of Arts in Vilnius, and PhD student in Design Interactions at the Royal College of Art, London. http://julijonasurbonas.lt/
Raivo Kelomees (EE) PhD, is an artist, critic and new media researcher, holding a Senior Researcher position at the Estonian Academy of Arts. Lives and works in Tallinn. www.kelomees.net
Summary of speakers’ biographies and presentations:
Malin Arnell
The Word for Research is Action – engaging a live dissertation
Avhandling / Av_handling (Dissertation / Through_action)* was articulated / manifested over the course of 72 hours, situating itself within and proceeding from KTH R1 Experimental Performance Space, a decommissioned nuclear reactor hall 25 meters below ground on the campus of Royal Institute of Technology (KTH), May 27-29, 2016. The opponents and the examining committee were invited to become part for 42 hours; so was the audience—as agentially intra-acting components.
http://dissertationthroughaction.space/
* The English word dissertation translated to Swedish makes “avhandling.” When you break the word into its composite parts (“av” and “handling”), “av” can be translated to of, by, for, from, with. I chose to translate it to “through,” because I have pursued my research through the actions of my practice. “Handling” can be translated to action, document, or deed. I chose “action” to emphasize the continually unfurling and shifting nature of this research, and to echo Hannah Arendt, who maintained that actions have no end.
Biography:
Interdisciplinary artist, researcher and educator Malin Arnell, PhD, is a frequent collaborator with other artists, activists and writers. Through these collaborative practices, Malin works with key issues for participating in (social) domains by emphasising the porous intimacy between environments and actions. In doing so, Malin focuses on the experiences around/in/through/of the body (my body, their body, our body) by incorporating the affectivity between relationalities, territories, and power.
Longer bio: http://www.malinarnell.org/bio/bio/
Varvara Guljajeva
From Interaction to Postparticipation: The Disappearing Role of the Active Participant
The presentation introduces my practice-based dissertation which analyses and contextualises passive audience interaction, in the form of post-participation. The research explores the paradoxical situation in interactive art, where the artworks that demonstrate no direct audience interaction are addressed as interactive ones. It is argued that the concept of post-participation helps to address the shift from an active to a passive spectator in the complex age of dataveillance—an age where humans are continuously tracked, traced, monitored, and surveilled without their consent.
Biography:
Varvara Guljajeva is an artist and a researcher and currently a PhD candidate at the Estonian Academy of Arts. She has been invited as a visiting researcher to IAMAS (Ogaki, Japan), LJMU (Liverpool, UK), and Interface Cultures (Linz University of Art and Design).
Varvara unites with Mar Canet in the form of the artist duo Varvara & Mar. The duo has been exhibiting in international shows since 2009. Their works have been shown at MAD in New York, FACT in Liverpool, Santa Monica in Barcelona, Barbican in London, Onassis Cultural Centre in Athens, Ars Electronica museum in Linz, ZKM in Karlsruhe, etc. The duo’s work is frequently inspired by the digital age and in their practice they confront social change and the impact of the technological era.
Taavet Jansen
NEUROTHEATER as a interdisciplinary collaboration form: an example from the New Stage of Alexandrinsky Theatre
In my short presentation, I will talk about the TLU summer school “Experimental Interaction Design: physiological computing technologies for performative arts ” held in ITMO University in St.Petersburg: how artists and scientists met in this one-week laboratory; what were the main concepts we discussed; how was the whole process held; and what are the final thoughts.
Biography:
Taavet Jansen has been working in the field of performance art for more than 20 years—as a dancer, choreographer, director, sound-designer, light-designer, video-designer, interactivity programmer etc. Studied Art and Science at Den Haag Art Academy and Dance and New Technologies at the Amsterdam Theatre school. Taavet is one of the founders of the technological art network MIMproject, and head of the performing arts department at TÜ Viljandi Cultural Academy.
http://taavetjansen.mimproject.org/
Marianne Jõgi
Spatio-temporal self-similarity in the creative process
Neurological evidence suggests a specialisation of the cerebral hemispheres when processing temporal and spatial information from the sound field. Further studies have revealed optimal geometric principles as well as digital technologies for creating sustainable sound fields. The presentation will focus on links between the concepts of physiological and cultural sustainability.
Biography:
Marianne Jõgi (b.1983 in Tallinn, Estonia) is an artist based in Tallinn. She graduated from the Georg Ots Music School where she majored in music theory. She holds an MA in sculpture and installation from the Estonian Academy of Arts. Her postgraduate research and practice involves investigations at the intersection of architectural acoustics and art, with the aim of integrating sensory environmental technologies with spatial forms. She has been exhibiting work since 2005. In 2013, Jõgi was awarded the Young Artist Award (Estonia) for her installation Inaudibles.
Jan Kaila
20 Years of Artistic Research – what has been lost and what has been found?
I will talk about the situation within Artistic Research (AR) in 2005 or so, in comparison with how it looks today. My questions are: Do arts need fundamental research (like in the sciences)? Is the PhD in the arts educating “better” artists or is it educating researchers that have a completely different context than for example MA-students? Is AR a new player in the “hierarchy of the art world ? if it is – what are the consequences?
Biography:
Jan Kaila (born 1957) studied at the Doctoral Studies Program at the Finnish Academy of Fine Arts from 1997 to 2002. The subject of his doctorate, completed in 2002, was Photographicality and Representation in Contemporary Art.
Kaila worked in the 1980s and 1990s as a teacher and lecturer in several Nordic photography schools, including the University of Art and Design Helsinki and the School of Photography at Gothenburg University. In 2001, he was elected Professor of Photography at the Estonian Academy of Arts, and, in 2004, he was appointed Professor of Artistic Research at the Finnish Academy of Fine Arts. In 2008, he was elected Vice Rector of the Academy.
Kaila was one of the founding members of the European Artistic Research Network in 2004 and in 2010 he was nominated as a member of the executive board of the Society of Artistic Research. Between 2011-2013 he was a member of ELIA´s executive board.
Kaila has worked as an evaluator of fine art educations and artistic research in Estonia, Sweden, Norway, Germany, Austria and Ireland and he has lectured about research in United States, France, Germany, Hungary and Latvia.
Since 1980, Kaila has held one-man exhibitions and participated in group shows in many Nordic and Central European countries, Russia, the United States, Japan, South Korea and China. Kaila has also worked as a curator and has published writings about visual art and photography.
Since 2014 Kaila worked as Scientific Advisor of Artistic Research at the Swedish Research Council and as a Senior Researcher at the Art University Helsinki being in charge of the by Swedish Research Council funded project Poetic Archaeology. In 2018 Kaila started working as the Dean of the Academy of Fine Arts/Art University Helsinki.
Chris Hales
From Tacit Knowledge & Collaborative Practice to Academic Knowledge & Individual Practice
This short talk will present a personal journey starting from the enthusiasm of making interactive artworks in an intuitive manner to the drudgery of a more informed and methodologic approach for doctoral purposes. The willing collaborator transforms into an individualistic academic researcher. Let’s discuss!
Creating and Running a Practice-led Doctorate in Latvia, 2009—2018
A short presentation about how a new doctoral course was developed at Liepaja University, the first practice-led arts degree in Latvia. Some conclusions will be drawn from the experiences and outcomes of creating the course and actually delivering it.
Biography:
Long-time specialist of the interactive moving image, as artist-practitioner, educator (Bachelors, Masters, Doctoral) and researcher. PhD in 2006: ‘Rethinking the Interactive Movie’. Currently working independently and as a visiting lecturer in various educational institutions. Associate Professor (Docent) at the Liepaja University ‘New Media Art’ programme and Director of Studies of its doctoral course. Exhibitions of interactive film installations date from ARTEC’95 in Japan, to ZKM’s Future Cinema (2003), the Prague Triennale of 2008, the X111 Media Forum in Moscow in 2012 and most recently the premiere of You·Who? at the Madeira Film Festival 2018.
Andi Hektor
What is a Research Paper?
What is a research paper? A research paper is an academic work that is published in an academic journal and follows a rather standardised structure, e.g. IMRAD (introduction, methods, results, and discussion). The paper has usually multiple authors with (or without) special roles. A new trend is that the data presented by a paper should follow FAIR (findability, accessibility, interoperability, and reusability) principles. But what is the content of a paper? Is it some new knowledge and data? In the talk I will point out similarities between a research paper and a story, a work of art and an arbiter of fashion.
Andi Hektor
is a Senior Researcher at the National Institute of Chemical Physics and Biophysics, Tallinn.
https://www.etis.ee/CV/Andi_Hektor/est?lang=ENG
Raul Keller
Process is a piece which documents a technological and somewhat mediaarcheological approach to a process of physically inscribing sound into material, of homebrewed vinyl/plastic scribing with the emphasis on the emerging artefacts and outcomes of the process. It begins with a research into online DIY cultures and history of lofi sound reproduction on X-ray film sheets and continues into revisiting/revamping the historical professional devices. Perhaps the process will evolve into new and alternative physical reproduction devices that are technologically set back from the current state-of-the-art by decades but are lead by a different mindset.
Bio
Since end of 90s has been engaged in a multitude of contemporary art practices, focusing on site-specific sound installation, performance, improvisation, DIY culture, video- and radiophonic art. Sonic performances and radio art with LokaalRaadio (with Katrin Essenson, Hello Upan). Member of Eesti Elekter, experimental electronics performance group (Kerikmäe, Leemets, Lond, Tikas, Tikas). Free impro noise duo Post Horn (with Hello Upan). Performed as Paul Cole with his group The Great Outdoors in burlesque americana rock genre. Founding member of MKDK, A Dynamic Collective of Music and Arts. Founder of radio art festival Radiaator (with Katrin Essenson). Member of artist collective MIMproject. Works commissioned / performances in Great Britain, France, Germany, The Netherlands, Iceland, Brazil, India, Poland, Russia and The Baltic States. Since 2014 professor and head of New Media chair in the Estonian Academy of Arts. Residing in Tallinn, Estonia.
http://raul.kuuratsanikud.ee/index.php/en/biocv-eng
Arne Maasik
On Geometry in the Architecture of Louis Kahn
The Louis Kahn project: Louis Kahn (1901-1974) is considered one of the greatest architects of the 20th century, and he has a direct link with Estonia—Kahn lived in Kuressaare until he was five years old and visited his home island again in 1928, when he was a young architect. The Louis Kahn Estonia Foundation, the art historian Heie Treier and Estonia’s most recognized architectural photographer Arne Maasik have looked at the striking similarities between the architecture of Louis Kahn and the sacral architecture found on Saaremaa. In his lecture Arne Maasik will give a brief overview of his journeys to Kahn-related locations in the US, India, Bangladesh and Saaremaa, Estonia.
Arne Maasik is a photographer and artist with an education in architecture. He has participated in long-term projects involving large-scale research and had numerous solo exhibitions at home and abroad. Arne Maasik’s work is characterised by an awareness of metaphysical undercurrents and muted poetry. As an artist his focus is on metropolises as well as their outskirts, old houses and scrublands, as well as other peripheral living environments that become animated and alive in his photos.
He has worked as a faculty member in the Photography Department of the Tartu Higher Art School, Estonian Academy of Arts. Contributed to many architectural and art publications in Estonia and abroad. Member of the Estonian Artists’ Association since 2003.
Tuula Närhinen
Phenomenotechnique in Visual Art Practice
My projects examine the inherent visual potential in naturally occurring events. I have constructed visual interfaces that enable us to move beyond the explicit and to grasp the unfurling of a world invisible to the naked eye. Empiric and experimental methods are at the core of the inquiry. This talk focuses on tracings and (photo)graphic recordings. I consider the role of various inscribing apparatuses in a process that allows natural phenomena to manifest themselves. The installations showcase the DIY instruments implicated, encouraging the spectator to participate in the re-presentation of an event.
Biography:
Tuula Närhinen is a visual artist based in Helsinki, Finland.
Her works explore the pictorial agency of natural phenomena such as water and wind. Re-adapting instruments derived from natural sciences, Närhinen has developed methods for letting trees trace the shape of wind on their branches and found techniques that the enable the waves of the sea to inscribe themselves on paper.
Närhinen holds a Doctorate of Fine Arts (DFA) from the University of the Arts Helsinki. She is a graduate of the Finnish Academy of Fine Arts (MFA), and the Helsinki University of Technology (M.Sc. in Architecture). Find her at www.tuulanarhinen.net
Piibe Piirma
Inter- and Transdisciplinarity in Artistic Research
Interdisciplinarity as the combining of academic disciplines into a single study is a concept increasingly used in all instances where the finding of something new and unique and the crossing of boundaries between fields is considered important. This concept in more general terms is linked to the 20th century but its historical roots lie within Greek philosophy. In short, the interdisciplinary approach is related to the aim to create more perfect knowledge because in order to resolve important problems, staying within specific disciplines in a traditional or conventional manner is not enough.
Collaboration between art and science permits highly specific characteristics to be discovered that do not fit into the boundaries of conventional scientific research or the practice-based study of an artist. In what way is it important and novel both in terms of the focus on disciplines as well as the greater inclusion than before – in terms of collaboration in which the lines of thought of the scientific, societal, political, ethical and aesthetic world views are in harmony? The diversity of lines of thought and potential solutions, as well as the fact that engaging in science can involve many intuitive ideas and – until now – uninvolved groups of society leads us to analyse the term of transdisciplinarity.
Biography:
Piibe Piirma is media artist, curator and teacher based in Tallinn, Estonia. She has worked as designer and visual artist since 2002 and curated several new media art exhibitions since 2006. Piibe’s latest activities were related with PhD studies at Estonian Academy of Arts since 2009. She graduated on 2015, the title of her thesis was “Hybrid Practice. Art and Science in Artistic Research”. In her research she were focusing on her artistic experience by collaborating different Science labs in Estonia – TUT Centre of Biorobotics, TUT Department of Chemistry, UT Institute of Molecular and Cell Biology, TUT Institute of Marine Systems etc.
Taavi Talve
Paldiski Project, Case Study
The Paldiski Project. This case study focuses on communal art practices in Paldiski by the artist group Johnson and Johnson in terms of artistic collaboration and collectively elaborated meaning.
Biography:
Born 1970, Tartu. Earned MA from the Estonian Academy of Arts (2008). Member of the artist collective Johnson and Johnson (2005). Docent of Sculpture and Installation department at the Estonian Academy of Arts.
Pia Tikka
Neurocinematics & Art-Science Collaboration
I will discuss the first hand knowledge gained from several collaborative projects in which I have worked as a consulting film expert, and my own neurocinematic projects in which I have functioned as the principal investigator. I will highlight the diversity of issues one faces in collaborations between artists and scientists. Especially interesting will be to reflect conceptual, technological and methodological differences between arts and sciences. The discussion will range from conceptual to technological issues, however the focus will be on challenges such as finding shared language, working methods, best division of labor and responsibilities and authorship.
Biography:
Dr. Pia Tikka is a professional filmmaker and EU Mobilitas Research Professor at the Baltic Film, Media, Arts and Communication School (BFM) and MEDIT Centre of Excellence, Tallinn University. She has directed fiction films “Daughters of Yemanjá”, “Sand Bride”, and the Möbius Prix Nordic winning cinematic installation “Obsession”. As the leader of the research groups NeuroCine and Enactive Cinema, she has published on the topics of neurocinematics and enactive media, and written the book “Enactive Cinema: Simulatorium Eisensteinense.” She has been honoured with titles of Adjunct Professor of New Narrative Media at the University of Lapland and Fellow of Life in the Society for Cognitive Studies of the Moving Image. Currently her ENACTIVE VIRTUALITY research group studies the viewer’s experience of co-presence emerging in facial encounters with an enactive screen character. http://enactivevirtuality.tlu.ee
Julijonas Urbonas
Gravitational Aesthetics and Exodisciplinary Art
For almost a decade, working between amusement park design, space medicine, choreography, sci-fi and robotics, the artist Julijonas Urbonas has been developing various creative tools of negotiating gravity: from a killer rollercoaster to an artificial planet made up entirely of human bodies. In these projects he coins the term gravitational aesthetics, an artistic approach exploiting the means of manipulating gravity to create experiences that push the body and imagination to its extremes. In this lecture he will introduce his creative methodology by surveying a selection of his projects.
Biography:
Julijonas Urbonas is an artist, designer, researcher and engineer. He is Vice-Rector for Art at the Vilnius Academy of Arts in Vilnius, and a PhD student in Design Interactions at the Royal College of Art, London.
Before embarking on an artistic career, since childhood, Julijonas worked in amusement park development. In 2004, he became the head of an amusement park in Klaipeda, Lithuania, and ran it for three years. Having worked in this field — also as a designer and engineer — he became fascinated with what in his research he calls ‘gravitational aesthetics.’ This experience is unavailable elsewhere, and he became intrigued by this under-developed topic. Since then the topic has been at the core of his artistic research, intermingling such fields as critical design, speculative engineering, social sci-fi, performative architecture, choreographic heuristics, medicine, theatre and dance.
His work has been exhibited internationally and received many awards, including the Award of Distinction in Interactive Art, Prix Ars Electronica 2010. His projects can be found in private and museum collections such as the permanent collection of the Centre for Art and Media Karlsruhe (ZKM).
Raivo Kelomees
PhD (art history), artist, critic and new media researcher. Presently working as senior researcher at the Estonian Academy of Arts, Tallinn. He studied psychology, art history, and design at Tartu University and the Academy of Arts in Tallinn. He has published articles in the main Estonian cultural and art magazines and newspapers since 1985. His works include the book “Surrealism” (Kunst Publishers, 1993) and an article collection “Screen as a Membrane” (Tartu Art College proceedings, 2007), “Social Games in Art Space” (EAA, 2013). His Doctoral thesis was “Postmateriality in Art. Indeterministic Art Practices and Non-Material Art” (Dissertationes Academiae Artium Estoniae 3, 2009).
In recent years he has been participating on conferences dedicated to new media, digital humanities, theatre and visual art in São Paulo, Manizales, Plymouth, Krems, Riga, Shanghai, Göteborg, Hong Kong, Dubai and other places.
This event is organised by the Graduate School of Culture Studies and Arts, supported by the ASTRA project of the Estonian Academy of Arts – EKA LOOVKÄRG (European Union, European Regional Development Fund).
Postitas Mart Vainre — Püsilink
13.10.2018
EKA tudengite moeskulptuure saab näha Tartu Kaubamaja Moekuulutajal
Moedisain
Aasta alguses Eesti Kunstiakadeemia ning Hong Kongi Polütehnilise Ülikooli moemagistrantide ühistööna bambuslehvikutest valminud moetaiesed jõuavad peagi Eestisse ning neid eksponeeritakse publikule Tartu Kaubamaja keskuse Moekuulutaja üritusel.
“Näha siia jõudmas nii suure hulga töötundide resultaati on vaimustav!” leiab Eesti Kunstiakadeemia moeosakonna juhataja Piret Puppart. “Igas komplektis on peidus üle 200 tunni panust ja seda lähedalt näha on unikaalne elamus, sest fragmentidesse võib lõputult sukelduda. Orientaalses materjalikäsitluses on midagi väga kütlestavat, seda enam, et tegelikult on see näiliselt väga jäik materjal palju nõtkem kui paistab.”
13. oktoobril Tartus toimuval Moekuulutaja üritusel avaneb fenomenaalne võimalus näha viit Eesti Kunstiakadeemia (EKA) ja Hong Kongi Polütehnilise Ülikooli (HKPolyU) moemagistrantide koostööna valminud skulpturaalset moevormi. Jaanuaris Aasia ühes kuulsaimas metropolis 1600st bambuslehvikust valminud eksperimentaalsest kollektsioonist pool jõuab Moekuulutaja efektseima lavashow raames esmakordselt kodumaise publikuni. Liisi Eesmaa ja Piret Pupparti juhendatud projekt lahkab teemat “Skins&Shells “, mis vaatleb maailmas eksisteerivaid “kaitsemembraane” – olgu tegu idamaiste templite katuste, eksootiliste putukate kestade või jaapani portselanist inspireeritud õrnusega. Lisaks tuleb Tartus eksponeerimisele kõikidest vormidest valminud fotoseeria.
Erietenduse stilistide Katja Adrikova ja Mariliis Niine valikul näidatakse laval ka Adrikorn Artefacts poolt loodud kimonotest inspireeritud mahulisi vorme kollektsioonist “Hello ODD”.
Moekuulutaja üritus toimub Tartu Kaubamaja keskuses 13. oktoobril ning on kõigile tasuta. Erietendus “Skins and Shells and Shapes“ (stilistid Katja Adrikova ja Mariliis Niine) on laval kell 14.00. Lisainfo www.tartukaubamaja.ee
Eesti Kunstiakadeemia veebileht www.artun.ee
Hong Kong Polytechnic University veebileht http://www.polyu.edu.hk/
Lisainfo:
Helen Saluveer
helen@balalaika.ee
5200920
Postitas Mart Vainre — Püsilink
EKA tudengite moeskulptuure saab näha Tartu Kaubamaja Moekuulutajal
Laupäev 13 oktoober, 2018
Moedisain
Aasta alguses Eesti Kunstiakadeemia ning Hong Kongi Polütehnilise Ülikooli moemagistrantide ühistööna bambuslehvikutest valminud moetaiesed jõuavad peagi Eestisse ning neid eksponeeritakse publikule Tartu Kaubamaja keskuse Moekuulutaja üritusel.
“Näha siia jõudmas nii suure hulga töötundide resultaati on vaimustav!” leiab Eesti Kunstiakadeemia moeosakonna juhataja Piret Puppart. “Igas komplektis on peidus üle 200 tunni panust ja seda lähedalt näha on unikaalne elamus, sest fragmentidesse võib lõputult sukelduda. Orientaalses materjalikäsitluses on midagi väga kütlestavat, seda enam, et tegelikult on see näiliselt väga jäik materjal palju nõtkem kui paistab.”
13. oktoobril Tartus toimuval Moekuulutaja üritusel avaneb fenomenaalne võimalus näha viit Eesti Kunstiakadeemia (EKA) ja Hong Kongi Polütehnilise Ülikooli (HKPolyU) moemagistrantide koostööna valminud skulpturaalset moevormi. Jaanuaris Aasia ühes kuulsaimas metropolis 1600st bambuslehvikust valminud eksperimentaalsest kollektsioonist pool jõuab Moekuulutaja efektseima lavashow raames esmakordselt kodumaise publikuni. Liisi Eesmaa ja Piret Pupparti juhendatud projekt lahkab teemat “Skins&Shells “, mis vaatleb maailmas eksisteerivaid “kaitsemembraane” – olgu tegu idamaiste templite katuste, eksootiliste putukate kestade või jaapani portselanist inspireeritud õrnusega. Lisaks tuleb Tartus eksponeerimisele kõikidest vormidest valminud fotoseeria.
Erietenduse stilistide Katja Adrikova ja Mariliis Niine valikul näidatakse laval ka Adrikorn Artefacts poolt loodud kimonotest inspireeritud mahulisi vorme kollektsioonist “Hello ODD”.
Moekuulutaja üritus toimub Tartu Kaubamaja keskuses 13. oktoobril ning on kõigile tasuta. Erietendus “Skins and Shells and Shapes“ (stilistid Katja Adrikova ja Mariliis Niine) on laval kell 14.00. Lisainfo www.tartukaubamaja.ee
Eesti Kunstiakadeemia veebileht www.artun.ee
Hong Kong Polytechnic University veebileht http://www.polyu.edu.hk/
Lisainfo:
Helen Saluveer
helen@balalaika.ee
5200920
Postitas Mart Vainre — Püsilink
28.09.2018 — 31.03.2019
Karin Vicente kureeritud näitus ETDMis tutvustab Anu Rank-Soansi loomingut
Kunstiteadus ja visuaalkultuur
![Madalam_kui_muru[2]](https://www.artun.ee/app/uploads/2018/10/Madalam_kui_muru2.jpg)
Klassikud
Anu Rank-Soans
28.09.2018-31.03.2019
Eesti Tarbekunsti- ja Disainimuuseumi klassikute sari on jõudnud 19. näituseni, mis tutvustab disaineri ja kunstniku Anu Rank-Soansi loomingut. Esmakordselt eksponeeritakse tema mahukat tööstuskeraamikapärandit ja unikaalloomingut nii suures ulatuses, analüüsides ja avades nende maailmade erinevusi ja kokkupuutepunkte alates 1960. aastatest.
Anu Rank-Soans on keraamik, kes töötas pea terve elu tööstuses massitoodangut kujundades. Paralleelselt funktsionaalsete tarbevormide kujundamisega on ta loonud ka keraamilisi skulptuure, poppi, prügikunsti, monumentaalkunsti ja installatsioone.
Anu Rank-Soans lõpetas ERKI keraamika eriala cum laude 1967. aastal ning siirdus tööle Tallinna Ehituskeraamika Tehase Siimusti tsehhi Jõgeval. Seejärel jäigi ta aastakümneteks tööstusesse, töötades Pärnu Ehitusmaterjalide Tehases ja pärast taas Tallinna Ehituskeraamika Tehases. Rank-Soansi kujundatud tarbekeraamika on rikastanud siinset argikeskkonda juba pool sajandit, kuid mõjub siiani värskelt. Ta tõi masstootmisesse uudse vormi ja hea proportsiooniga tarbeesemeid, kujundades enamasti dekoorita, ebahariliku siluetiga nõusid ja omavahel komplekteeritavaid tootesarju. Mitmes sarjas rakendas ta moodulsüsteemi, mis lubas vorme omavahel kombineerida, muutes nad samaaegselt dekoratiivseks ja mitmeotstarbeliseks.
Samal ajal osales Rank-Soans näitusel unikaalloominguga. Kunstnikuna on ta savisse suhtunud suure lugupidamisega ning katsetanud erinevaid savi töötlemise tehnoloogiaid. Mitme oma teosega on ta avardanud moodsa keraamika olemust ja tõstnud tarbekunsti potentsiaali kaasa rääkida olulistel, ka kriitilistel teemadel.
Näitusega kaasnevad publiku- ja haridusprogrammid, täpsem info peagi muuseumi kodulehel.
Näitusega kaasneb eesti- ja ingliskeelne kataloog, mille koostaja on Karin Vicente, fotograaf Madis Kurss, graafiline disain Stuudio Stuudio.
Näituse kuraator on Karin Vicente (EKA kunstiteaduse ja visuaalkultuuri instituut), näituse kujundasid Karli Luik, Johan Tali ja Maria Helena Luiga arhitektuuribüroost Molumba, graafilise kujunduse tegi Stuudio Stuudio.
Näituse meeskond: Kai Lobjakas, Ketli Tiitsar, Kristi Paap, Toomas Übner, Sandra Sirp, Helen Adamson, Dagmar Siida, Hille Saluäär (Antenna Translations OÜ), Refiner OÜ.
Näituse toimumist ja kataloogi ilmumist toetavad Eesti Kultuurkapital ja AS Silikaat.
Näituse avamine toimub neljapäeval, 27. septembril kell 17.00.
Näitus jääb avatuks 31. märtsini 2019.
Näitustesari Klassikud toimub ETDM-is 2000. aastast eesmärgiga esitleda ja tutvustada pikka aega tegusenud Eesti kunstnikke ja disinereid, kelle looming on olnud püsivalt kõnekas ja silmapaistev.
Täname: Eesti Kunstnike Liit, Pärnu Muuseum, Eesti Filmiarhiiv, Eesti Rahvusringhääling, Eesti Kunstimuuseum, Eesti Arhitektuurimuuseum, EKA kunstiteaduse ja visuaalkultuuri instituut, Konserveerimis- ja digiteerimiskeskus Kanut, Tõnis Milling, erakogude omanikud.
Lisainfo:
Karin Vicente
karin.vicente@artun.ee
5393 1344
Ketli Tiitsar
ketli@etdm.ee
627 4602, 552 8904
Postitas Mart Vainre — Püsilink
Karin Vicente kureeritud näitus ETDMis tutvustab Anu Rank-Soansi loomingut
Reede 28 september, 2018 — Pühapäev 31 märts, 2019
Kunstiteadus ja visuaalkultuur
Klassikud
Anu Rank-Soans
28.09.2018-31.03.2019
Eesti Tarbekunsti- ja Disainimuuseumi klassikute sari on jõudnud 19. näituseni, mis tutvustab disaineri ja kunstniku Anu Rank-Soansi loomingut. Esmakordselt eksponeeritakse tema mahukat tööstuskeraamikapärandit ja unikaalloomingut nii suures ulatuses, analüüsides ja avades nende maailmade erinevusi ja kokkupuutepunkte alates 1960. aastatest.
Anu Rank-Soans on keraamik, kes töötas pea terve elu tööstuses massitoodangut kujundades. Paralleelselt funktsionaalsete tarbevormide kujundamisega on ta loonud ka keraamilisi skulptuure, poppi, prügikunsti, monumentaalkunsti ja installatsioone.
Anu Rank-Soans lõpetas ERKI keraamika eriala cum laude 1967. aastal ning siirdus tööle Tallinna Ehituskeraamika Tehase Siimusti tsehhi Jõgeval. Seejärel jäigi ta aastakümneteks tööstusesse, töötades Pärnu Ehitusmaterjalide Tehases ja pärast taas Tallinna Ehituskeraamika Tehases. Rank-Soansi kujundatud tarbekeraamika on rikastanud siinset argikeskkonda juba pool sajandit, kuid mõjub siiani värskelt. Ta tõi masstootmisesse uudse vormi ja hea proportsiooniga tarbeesemeid, kujundades enamasti dekoorita, ebahariliku siluetiga nõusid ja omavahel komplekteeritavaid tootesarju. Mitmes sarjas rakendas ta moodulsüsteemi, mis lubas vorme omavahel kombineerida, muutes nad samaaegselt dekoratiivseks ja mitmeotstarbeliseks.
Samal ajal osales Rank-Soans näitusel unikaalloominguga. Kunstnikuna on ta savisse suhtunud suure lugupidamisega ning katsetanud erinevaid savi töötlemise tehnoloogiaid. Mitme oma teosega on ta avardanud moodsa keraamika olemust ja tõstnud tarbekunsti potentsiaali kaasa rääkida olulistel, ka kriitilistel teemadel.
Näitusega kaasnevad publiku- ja haridusprogrammid, täpsem info peagi muuseumi kodulehel.
Näitusega kaasneb eesti- ja ingliskeelne kataloog, mille koostaja on Karin Vicente, fotograaf Madis Kurss, graafiline disain Stuudio Stuudio.
Näituse kuraator on Karin Vicente (EKA kunstiteaduse ja visuaalkultuuri instituut), näituse kujundasid Karli Luik, Johan Tali ja Maria Helena Luiga arhitektuuribüroost Molumba, graafilise kujunduse tegi Stuudio Stuudio.
Näituse meeskond: Kai Lobjakas, Ketli Tiitsar, Kristi Paap, Toomas Übner, Sandra Sirp, Helen Adamson, Dagmar Siida, Hille Saluäär (Antenna Translations OÜ), Refiner OÜ.
Näituse toimumist ja kataloogi ilmumist toetavad Eesti Kultuurkapital ja AS Silikaat.
Näituse avamine toimub neljapäeval, 27. septembril kell 17.00.
Näitus jääb avatuks 31. märtsini 2019.
Näitustesari Klassikud toimub ETDM-is 2000. aastast eesmärgiga esitleda ja tutvustada pikka aega tegusenud Eesti kunstnikke ja disinereid, kelle looming on olnud püsivalt kõnekas ja silmapaistev.
Täname: Eesti Kunstnike Liit, Pärnu Muuseum, Eesti Filmiarhiiv, Eesti Rahvusringhääling, Eesti Kunstimuuseum, Eesti Arhitektuurimuuseum, EKA kunstiteaduse ja visuaalkultuuri instituut, Konserveerimis- ja digiteerimiskeskus Kanut, Tõnis Milling, erakogude omanikud.
Lisainfo:
Karin Vicente
karin.vicente@artun.ee
5393 1344
Ketli Tiitsar
ketli@etdm.ee
627 4602, 552 8904
Postitas Mart Vainre — Püsilink
09.10.2018
Shahar Marcuse ja Avi Milgromi kunstnikuvestlused
Maal
Shahar Marcus (1971) on Iisraelist pärit kunstnik, kes töötab peamiselt performance’i ja videokunstivaldkonnas. Ta on olnud aktiivne kunstiväljal üle kümne aasta ning osalenud näitustel nii Iisraelis kui mujal maailmas. Tema töid on näidanud Tate Modern, Iisraeli Muuseum, Tel Avivi Kunstimuuseum, Petach Tikva Kunstimuuseum, Charlottenburg, Kopenhaageni Kunsthalle, Moskva biennaal, Poznani bienniaal, Moskva Moodsa Kunsti Muuseum mitmed kunstiasutused Poolas, Itaalias, Saksamaal, Gruusias, Jaapanis, USA-s ja Türgis.
Avi Milgrom (1978) on Iisraelist pärit kunstnik ja õppejõud, kes elab ja töötab Tel-Avivis. Tema looming keskendub tihti kunsti ja tehnoloogia põimimisele – läbi digitaalselt töödeldud piltide ja videote või integreerides oma teostesse otseselt elektroonilisi ja mehaanilisi seadmeid. Avi Milgromi töid on esitletud rahvusvaheliselt tunnustatud galeriides üle terve maailma.
Vestlus toimub inglise keeles.
Postitas Mart Vainre — Püsilink
Shahar Marcuse ja Avi Milgromi kunstnikuvestlused
Teisipäev 09 oktoober, 2018
Maal
Shahar Marcus (1971) on Iisraelist pärit kunstnik, kes töötab peamiselt performance’i ja videokunstivaldkonnas. Ta on olnud aktiivne kunstiväljal üle kümne aasta ning osalenud näitustel nii Iisraelis kui mujal maailmas. Tema töid on näidanud Tate Modern, Iisraeli Muuseum, Tel Avivi Kunstimuuseum, Petach Tikva Kunstimuuseum, Charlottenburg, Kopenhaageni Kunsthalle, Moskva biennaal, Poznani bienniaal, Moskva Moodsa Kunsti Muuseum mitmed kunstiasutused Poolas, Itaalias, Saksamaal, Gruusias, Jaapanis, USA-s ja Türgis.
Avi Milgrom (1978) on Iisraelist pärit kunstnik ja õppejõud, kes elab ja töötab Tel-Avivis. Tema looming keskendub tihti kunsti ja tehnoloogia põimimisele – läbi digitaalselt töödeldud piltide ja videote või integreerides oma teostesse otseselt elektroonilisi ja mehaanilisi seadmeid. Avi Milgromi töid on esitletud rahvusvaheliselt tunnustatud galeriides üle terve maailma.
Vestlus toimub inglise keeles.
Postitas Mart Vainre — Püsilink
09.10.2018
EKA FOTO 20 teine vestlusring küsib: mis saab pärast kooli?
Fotograafia
EKKMi kohvikus toimub 9. oktoobril kell 18 järjekorras teine EKA FOTO 20 klubiõhtu. Seekordse vestluse teemaks on: “Mis saab pärast kooli? Kunsti/kultuuriväljal töötamise võimalikud väljundid”. Vestlust modereerib Airi Triisberg ning osalevad Kulla Laas, Minna Hint, Neeme Külm ja Marten Esko.
Vestlusringis räägitakse, millest ja kuidas kunstnik elab. Me arutame, kuidas kunstnikuna kapitalistlikus (kunsti)maailmas navigeerida.
Kuidas on tasakaalus loominguline töö ja teenimine? Kust tuleb haigekassa kindlustus? Mis on töö ja mis on vaba aja tegevus? Milline roll on näitustel? Milline on kunstnike suhe institutsioonidega? Kas kunsti tehakse tänu Kultuurkapitali toetusele, Kulkast sõltumatult või Kulkat trotsides?
Kokteile segavad Indrek Sirkel ja Oskar Unt. Snäkke pakuvad EKA fotograafia osakonna tudengid Kristiina Aarna, Anna Kaarma, Kaisa Maasik, Diana Olesjuk ja Silvia Sosaar.
DJ on Maarin Mürk.
EKA foto 20 visuaalse identiteedi autoriteks on graafilise disaini osakonna tudengid Mai Bauvald ja Ran-Re Reimann. Valminud on ka EKA FOTO 20 veebileht, mis täieneb aasta jooksul infoga osakonna ajaloo kohta: www.foto.artun.ee
Täname: Mai Bauvald ja Anneli Kripsaar, Eve Kiiler, Marco Laimre, Eesti Kultuurkapital, Eesti Kaasaegse Kunsti Muuseum.
Kogu ürituste programmi saab jälgida:
Eesti Kunstiakadeemia kodulehel: https://www.artun.ee/erialad/fotograafia/
Facebookis: https://www.facebook.com/EKA-Fotograafia-142012159217400/?ref=br_rs
Vestlusring 9. oktoobril EKKMis: https://www.facebook.com/events/304020547084717/
Instagram: https://www.instagram.com/eka_fotograafia/
Lisainfo:
Laura Kuusk
Fotograafia osakond
Eesti Kunstiakadeemia
laura.kuusk@artun.ee
+372 55 584 609
Laura Toots
Eesti Kaasaegse Kunsti Muuseum
laura.toots@ekkm.ee
+372 511 7886
Postitas Mart Vainre — Püsilink
EKA FOTO 20 teine vestlusring küsib: mis saab pärast kooli?
Teisipäev 09 oktoober, 2018
Fotograafia
EKKMi kohvikus toimub 9. oktoobril kell 18 järjekorras teine EKA FOTO 20 klubiõhtu. Seekordse vestluse teemaks on: “Mis saab pärast kooli? Kunsti/kultuuriväljal töötamise võimalikud väljundid”. Vestlust modereerib Airi Triisberg ning osalevad Kulla Laas, Minna Hint, Neeme Külm ja Marten Esko.
Vestlusringis räägitakse, millest ja kuidas kunstnik elab. Me arutame, kuidas kunstnikuna kapitalistlikus (kunsti)maailmas navigeerida.
Kuidas on tasakaalus loominguline töö ja teenimine? Kust tuleb haigekassa kindlustus? Mis on töö ja mis on vaba aja tegevus? Milline roll on näitustel? Milline on kunstnike suhe institutsioonidega? Kas kunsti tehakse tänu Kultuurkapitali toetusele, Kulkast sõltumatult või Kulkat trotsides?
Kokteile segavad Indrek Sirkel ja Oskar Unt. Snäkke pakuvad EKA fotograafia osakonna tudengid Kristiina Aarna, Anna Kaarma, Kaisa Maasik, Diana Olesjuk ja Silvia Sosaar.
DJ on Maarin Mürk.
EKA foto 20 visuaalse identiteedi autoriteks on graafilise disaini osakonna tudengid Mai Bauvald ja Ran-Re Reimann. Valminud on ka EKA FOTO 20 veebileht, mis täieneb aasta jooksul infoga osakonna ajaloo kohta: www.foto.artun.ee
Täname: Mai Bauvald ja Anneli Kripsaar, Eve Kiiler, Marco Laimre, Eesti Kultuurkapital, Eesti Kaasaegse Kunsti Muuseum.
Kogu ürituste programmi saab jälgida:
Eesti Kunstiakadeemia kodulehel: https://www.artun.ee/erialad/fotograafia/
Facebookis: https://www.facebook.com/EKA-Fotograafia-142012159217400/?ref=br_rs
Vestlusring 9. oktoobril EKKMis: https://www.facebook.com/events/304020547084717/
Instagram: https://www.instagram.com/eka_fotograafia/
Lisainfo:
Laura Kuusk
Fotograafia osakond
Eesti Kunstiakadeemia
laura.kuusk@artun.ee
+372 55 584 609
Laura Toots
Eesti Kaasaegse Kunsti Muuseum
laura.toots@ekkm.ee
+372 511 7886
Postitas Mart Vainre — Püsilink